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Archive for September, 2018

Why Study Greek and Latin

“Aargh! I can’t make sense of what this author is saying. Her vocabulary is out of control! To understand this, I’d have to look up every other word in the dictionary. Do you follow what she’s saying?”

Αυτά μου φαίνονται Ελληνικά”

“So what does that mean?”

“It means, ‘It’s all Greek to me’ in Greek.”

We’ve used that expression in English for centuries to describe something we hear or read that we don’t understand. Even Shakespeare referenced the saying in Act 1 Scene 2 of his Tragedy of Julius Caesar.

Of course, the Greeks would never say “It’s all Greek to me.” After all, it is their language. But they do use a similar figure of speech. A Greek would say, “Αυτά μου φαίνονται κινέζικα,” or “This seems Chinese to me.”

When you sit down to read an article, a technical document, or a book, does the language the author uses seem “All Greek (or Latin) to you”? If so, you’re not alone, and you’re not illiterate. Often, reading English text does seem like reading a foreign language. And this makes perfect sense, because so much of English does derive from other languages.

Greek and Latin Word Parts

Why Study Greek and Latin

Why Should We Study Greek and Latin?

Before I answer this question, let me answer a few challenges to my argument.

Challenge: Aren’t both Latin and Classical Greek dead languages? Latin is not spoken or written language today. Additionally, the Greek that you suggest we learn is also somewhat of a dead language in that the classic Greek which English borrows from is not the same as the modern Greek written and spoken today.

Answer: Both Latin and Classical Greek remain alive today in the sense of their relevance and connection to vocabulary, grammar, and literature.

Challenge: Why waste time studying Greek and Latin when we could be memorizing more English words?

Answer: Those wishing to improve their vocabularies don’t have to enroll in a Rosetta Stone course on conversational Greek or taking a two-year online course on Latin. Learning high frequency and high utility Greek and Latin word parts is the most efficient way to quickly increase one’s advanced English vocabulary. Plus, you already know quite a lot of the meanings of these word parts through a lifetime of listening and reading experience. Building on a foundation is so much easier than starting from scratch.

Challenge: I’ve heard that the Greek and Latin word parts aren’t reliable clues to meaning. What meant one thing 2,000 years ago does not always mean the same to us in the Twenty-First Century.

Answer: You are correct that some Greek and Latin word parts can lead you astray. Not every Greek and Latin word part meaning is a reliable clue to meaning. Some word parts have multiple-meanings. For example, in can serve as a positive prefix, meaning in or into, as in inviting or invaluable. However, in can also serve as a negative prefix, meaning not as in invisible or incoherent. In other cases, a Greek word part which sounds and is spelled exactly like a Latin word part will mean something quite different. Additionally, besides their denotative (or dictionary) meanings, Greek and Latin word parts have their nuances and connotations.

But these drawbacks are the same for every language, including English. Understanding what authors mean in their word choices is sometimes as much art as it is science. Good reading comprehension always involves problem-solving. The bottom line is that learning the high frequency and high efficiency Greek and Latin word parts will make a significant improvement in your vocabulary.

Now that I’ve addressed some of the common complaints and reservations about studying Greek and Latin to improve one’s English vocabulary, let’s provide the justification for Why Should We Study Greek and Latin?

1. Sheer Numbers

Greek and Latin have added more affixes (prefixes and suffixes) and roots than all other languages combined. In fact, over 50% of the words in college level English dictionaries have a least one Greek or Latin prefix, root, or suffix. If half of our 800,000-word lexicon, in other words, our total English vocabulary is Greek or Latin-based, it certainly makes sense to pay some attention to these languages.

2. Accuracy and Reliability

Because both ancient Greek and Latin are so well-preserved in literature, the meanings of most words and word parts remain remarkably consistent as they are used as part of the English language. Even the spellings of these prefixes, roots, and suffixes are consistent and predictable (Rasinski & Padak, 2001; Bear, Invernizzi, Templeton & Johnston, 2000).

3. Applicability

According to one study, “Knowing Greek and Latin word parts helps students recognize and gain clues to understanding of other words that use known affixes and roots” (Nagy & Scott, 2000).

In this same study, the authors found that learning Greek and Latin roots gives students the ability to learn many new words independently by helping them make connections among words and word families that are semantically related (Nagy & Scott, 2000).

4. Efficiency

“One Latin or Greek root or affix (word pattern) aids understanding (as well as decoding and encoding) of 20 or more English words” (Nagy & Scott, 2000).

High frequency Greek and Latin prefixes, suffixes, and roots provide useful short-cuts to enhancing one’s speaking and reading vocabulary in English. For example, knowing the word parts in just 15 words will unlock clues to meaning for thousands of words. The list is in your FREE download at the end of this article.

Knowing even one Greek or Latin word part in an unknown word can help a reader problem-solve not only the word in which it appears, but also other words in the same sentence.

For example, if you know that contra means against, you can probably guess what contradictory means and what yontuke means in this sentence:

The defendant provided contradictory testimony in which he first claimed that his stolen painting was worth a fortune, but later referred to that same painting as a yontuke copy.

Yes, yontuke means cheap; I know, because I made up the word. But you know its meaning, too, because knowing the meaning of the one word part, contra, not only helped you understand the meaning of contradictory, but also clued you into the meaning of another unknown word in the sentence, yontuke. Knowing some Greek and Latin word parts can make all the difference in improving your reading comprehension.

5. Cultural Impact

Another reason why we should study Greek and Latin is because of their cultural influence. The impact of Greek and Roman philosophy, literature, and science on Western Civilization has been profound. Language is part of culture. We can’t divorce our words from our culture.

For example, to understand these words: bees knees, speakeasy, and flappers we would have to know a bit about the Roaring 20’s Jazz Age. To understand dope, homies, and skrrt, we would have to know a bit about hip hop culture. To understand this dialogue, you’d have to know a bit about the cultural language patterns of Jeff Foxworthy’s Rednecks:

If’n y’all don’t stop fat’n I’m comin’ down there to school you young’uns.

Dun’t need no hep. Pap dun got hisself a gubmint job.

Well I’ll be a monkey’s uncle! He getn’ too big for his own britches.

Ah, I ain’t unnerstand nuthin’ you sed…must be some farn talk. I best skedaddle.

(Adapted from YourDictionary definitions and usage example. Copyright © 2018 by LoveToKnow Corp)

6. Studying Greek and Latin Makes You Smarter

Take any college-admission test preparation class for the SAT, ACT, LSAT, MedCaT, etc. and the instructor will stress the memorization of Greek and Latin word parts. IQ tests are rarely administered these days, but they are largely divided into language and reasoning. You guessed it… the language consists of academic words. And Greek and Latin are the primary source of academic language.

The research-based Academic Word List is chiefly based upon Greek and Latin word parts. This list of generalizable Tier 2 words is not domain or content-specific. These words appear most frequently in challenging text, including textbooks, articles, bucket list novels, and technical documents. The authors of the Common Core State Standards recommend studying these Tier 2 words. Studying a bit of Greek and Latin will give you access to the world of ideas and enhance both your reading comprehension. Additionally, the words you speak will gain the precision of meaning necessary for academic discussion.

Wouldn’t it be great to have the Greek and Latin instructional resources to learn and teach these vocabulary short-cuts?

Common Core Vocabulary Toolkit Grades 4, 5, 6, 7 and 8

Common Core Vocabulary Toolkits

Pennington Publishing’s Grades 4, 5, 6, 7, and 8 Common Core Vocabulary Toolkits include 56 worksheets, along with vocabulary study guides, and biweekly unit tests to help your students collaboratively practice and master these Common Core Standards:

    • Multiple Meaning Words and Context Clues (L.4.a.)
    • Greek and Latin Word Parts (L.4.a.)
    • Language Resources (L.4.c.d.)
    • Figures of Speech (L.5.a.)
    • Word Relationships (L.5.b.)
    • Connotations (L.5.c.)
    • Academic Language Words (L.6.0)

Years ago I created a list of 15 Power Words with these types of associations for the most common Greek and Latin affixes and roots. The word parts associated in this list comprise word parts found in over 15,000 words. Well worth teaching your students, I would say.

Get the 15 Power Words FREE Resource:

My Grades 4−8 Common Core Vocabulary Toolkits pair prefixes, roots, and suffixes to maximize learning. Each grade-level curriculum includes some great interactive games. Enter discount code 3716 and get 10% off your purchase price.

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English Language History

Brief History of the English Language

Brief English Language History

Why should students know a bit about the history of the English language?

Knowing the origin and development of the English language helps students understand the dynamic nature of language. The English language has evolved over two millenium and continues to change. Each year thousands of new words are added to the English lexicon (the complete vocabulary).

By studying the etymologies (the origins) of words and how figures of speech (non-literal expressions, such as the rule of thumb) developed into what they now mean, students gain better command of word choice in their speech and writing.

Plus, students learn about word derivations (how prefixes and suffixes have been added to roots) to form new words.

Students also learn how English syntax (the order of words) and its grammar have been structured. They see why grammar rules do and do not make sense and what constitutes Standard and Non-Standard English.

Furthermore, students learn how foreign language influences have shaped Modern English and why it makes sense to study these languages to improve one’s vocabulary. Indeed, sometimes reading English text does seem like reading a foreign language. And this does make sense, because so much of English derives from other languages.

Brief History of the English Language

Welsh Village

1. The islands of Britain and Ireland, as well as the northwestern region of France, known as Brittany, once shared the same Celtic language. We still have remnants of this language in the Gaelic of Ireland and Scotland, the Welsh of Wales, and the Breton of Brittany. Check out the name of this town in Wales→

2. The Celtic language was gradually displaced from what became the country of England, beginning with Julius Caesar’s occupation in 56 B.C.E. The Romans introduced the scholarly languages of Greek and Latin, but these were not used by the English commoners.

Brief History of the English Language

Brief English Language History

3. The origins of the English language began at the fall of the Western Roman Empire in 476. Over the next few centuries, three Germanic tribes: the Angles, Saxons, and Jutes repeatedly invaded Britain and introduced the language we know as Old English. Today, we still use a few of these Germanic words, such as and, dream, and god.

4. From 700–900, multiple Viking invasions added over 2,000 Norse words to the language of Old English, such as give, knife, and cake.

5. In 1066, Norman invaders from Northern France occupied England and chipped in a whole slew of fancy French words, such as commence, continue, and engage. Many of these French words derived from Latin, which itself derived from Greek. These new words help transition the common language from Old English to Middle English.

6. After England defeated the French in the Hundred Years War (1337–1453), the English lexicon expanded exponentially over the next few centuries with contributions from English scientists, philosophers, novelists, and playwrights. William Shakespeare, alone, invented at least 1,700 words during his short life (1564–1616), including dwindle, bandit, and fashionable. During this cultural Renaissance, many Greek and Latin words became more commonly used and their word parts, such as prefixes, were added on to common English roots. The invention of the printing press and the publication of the English Bible and the dictionary helped standardize most of the Modern English we are speaking, writing, and reading today.

Common Core Vocabulary Toolkit Grades 4, 5, 6, 7 and 8

Common Core Vocabulary Toolkits

Check out Pennington Publishing’s CCSS-aligned vocabulary programs from the Common Core Vocabulary Toolkits.

 

Here are FREE samples of vocabulary worksheets from this comprehensive program–ready to teach in your class today. Each resource includes directions, four grade-specific vocabulary worksheets, worksheet answers, vocabulary study cards, and a short unit test with answers.

Get the Grade 4 Vocabulary Worksheets FREE Resource:

Get the Grade 5 Vocabulary Worksheets FREE Resource:

Get the Grade 6 Vocabulary Worksheets FREE Resource:

Get the Grade 7 Vocabulary Worksheets FREE Resource:

Get the Grade 8 Vocabulary Worksheets FREE Resource:

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Prescriptivism and Descriptivism

Grammar Descriptivism and Prescriptivism

Descriptivism and Prescriptivism

As an English teacher, one of my go-to resources has always been Richard Nordquist’s prolific posts on the ThoughtCo site. As I write articles to explore my understanding of our language and how to teach the grammar, usage, and mechanics thereof, I can’t tell you how many times I dig into writing on a subject only to find that Nordquist has already done so. The same has been the case regarding the topics of this article; however, I do bring some originality to the discussion of prescriptivism and descriptivism. And, of course, I have ulterior motives (Don’t we all?) to promote my grammar, usage, and mechanics programs for grades 4–high school ELA teachers. Disclaimer up-front.

Let’s start with the definitions of prescriptivism and descriptivism, so I can stop using the italics thereafter. This is the best summary of each approach I’ve found from Stan Carey:

Prescriptivism and descriptivism are contrasting approaches to grammar and usage, particularly to how they are taught. Both are concerned with the state of a language — descriptivism with how it’s used, prescriptivism with how it should be used.

For English teachers, who teach with a prescriptive approach to grammar, usage, and mechanics, the notion of right and wrong guide their instruction. They believe in the difference between Standard and Non-Standard English. They reference style manuals and consult authorities, such as the Purdue Online Writing Lab. They favor direction instruction and practice of the rules of the language. These language traditionalists would teach a lesson on pronoun antecedents, one on avoiding double negatives, and one on the proper use of the semicolon and expect to see the fruits of their labor on the next assigned essay. They are inductive (part to whole) practitioners and use explicit instructional techniques.

For English teachers, who teach with a descriptive approach to grammar, usage, and mechanics, they focus more on the use of the language as it is and as it is evolving. They make fewer judgments upon correctness and emphasize communicative clarity over conformity to an arbitrary set of rules. They favor instruction in the tools of language on an ad hoc basis, such as a mini-lesson on mixing verb tense, prepositional idiomatic expressions, or comma usage on an as needed basis in the context of authentic writing or speaking. They are deductive (whole to part) practitioners and prefer to teach implicitly from reading and writing, rather than explicitly through contrived, outside sources.

What does the research say about these approaches? Having served as a teacher when both prescriptivism and descriptivism were en vogue, and research studies purported to advocate what was in and debunk what was out, I would simply say that any quick survey of this field of educational research would lead most teachers to voice, “Yeah, but…” for each and every study. With respect to grammar, usage, and mechanics instruction, the variables of instructional approaches, prior knowledge, language ability, etc. preclude any hard and fast This is the right way to teach conclusions. It’s easy to knock one approach to grammar, usage, and mechanics instruction by examining null hypotheses which have been confirmed; for example, “These studies indicate no statistically significant difference between direct instruction of capitalization rules and no such instruction”; however, where does that get us? No closer to guidance on how to teach capitalization. And most all, except the most ardent and consistent descriptivists, would rail against presidential Tweets in which every other word was capitalized. See my Word Crimes (Revisited) video, for a laugh.

So, where has the pendulum swung between these two instructional philosophies?

At this point in time, it appears that die-hard descriptivists have been benched. Prescriptivism is the predominant influence upon English teachers in most American classes. Teachers who never taught a lick of grammar ten years ago, or those who relegated grammar, usage, and mechanics instruction to writing openers, a la Daily Oral Language, are busting our Cornell Note lectures and assigning worksheets again. ESL and ELD teachers have been key advocates of this approach to language-learning.

Much credit for this pendulum swing to traditional grammar instruction must be assigned to the authors of the Common Core State Standards, especially with respect to the Language Strand.

These authors note:

To build a foundation for college and career readiness in language, students must gain control over many conventions of standard English grammar, usage, and mechanics as well as learn other ways to use language to convey meaning effectively… The inclusion of Language standards in their own strand should not be taken as an indication that skills related to conventions, effective language use, and vocabulary are unimportant to reading, writing, speaking, and listening; indeed, they are inseparable from such contexts (http://www.corestandards.org).

Teachers reading the introduction to the Common Core State Standards in English Language Arts & Literacy in History/Social Studies,
Science, and Technical Subjects will note the oft-repeated “correct,” “correctness,” and “standard” references and these words are used throughout the Language Strand as well. A few examples from the Common Core Language Strand will suffice:

Examples of Language Standards Emphasizing Correctness

  • Ensure that pronouns are in the proper case (subjective, objective, possessive). L.6.1.
  • Use a comma to separate coordinate adjectives (e.g., It was a fascinating, enjoyable movie but not He wore an old[,] green shirt). L.7.2.
  • Recognize and correct inappropriate shifts in verb voice and mood. L.8.

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Teaching Grammar and Mechanics for Grades 4-High School

Teaching Grammar and Mechanics Grades 4, 5, 6, 7, 8, and High School Programs

I’m Mark Pennington, author of the full-year interactive grammar notebooks,  grammar literacy centers, and the traditional grade-level 4, 5, 6, 7, 8 and high school Teaching Grammar and Mechanics programs. Teaching Grammar and Mechanics includes 56 (64 for high school) interactive language conventions lessons,  designed for twice-per-week direct instruction in the grade-level grammar, usage, and mechanics standards. The scripted lessons (perfect for the grammatically-challenged teacher) are formatted for classroom display. Standards review, definitions and examples, practice and error analysis, simple sentence diagrams, mentor texts with writing applications, and formative assessments are woven into every 25-minute lesson. The program also includes the Diagnostic Grammar, Usage, and Mechanics Assessments with corresponding worksheets to help students catch up, while they keep up with grade-level, standards-aligned instruction.

Grammar, Mechanics, Spelling, and Vocabulary (Teaching the Language Strand)

Grammar, Mechanics, Spelling, and Vocabulary (Teaching the Language Strand) Grades 4, 5, 6, 7, 8 Programs

Or why not get the value-priced Grammar, Mechanics, Spelling, and Vocabulary (Teaching the Language Strand) grades 4, 5, 6, 7, and 8 BUNDLES? These grade-level programs include both teacher’s guide and student workbooks and are designed to help you teach all the Common Core Anchor Standards for Language. In addition to the Teaching Grammar and Mechanics program, each BUNDLE provides weekly spelling pattern tests and accompanying spelling sort worksheets (L.2), 56 language application opener worksheets (L.3), and 56 vocabulary worksheets with multiple-meaning words, Greek and Latin word parts, figures of speech, word relationships with context clue practice, connotations, and four square academic language practice (L.4, 5, and 6). Comprehensive biweekly unit tests measure recognition, understanding, and application of the grammar, mechanics, and vocabulary components.

The program also has the resources to meet the needs of diverse learners. Diagnostic grammar, usage, mechanics, and spelling assessments provide the data to enable teachers to individualize instruction with targeted worksheets. Each remedial worksheet (over 200 per program) includes independent practice and a brief formative assessment.

Check out the brief introductory video and enter DISCOUNT CODE 3716 at check-out for 10% off this value-priced program. We do sell print versions of the teacher’s guide and student workbooks. Yes, we accept purchase orders. Contact mark@penningtonpublishing.com for pricing. Read what teachers are saying about this comprehensive program:

The most comprehensive and easy to teach grammar, mechanics, spelling, and vocabulary program. I’m teaching all of the grade-level standards and remediating previous grade-level standards. The no-prep and minimal correction design of this program really respects a teacher’s time. At last, I’m teaching an integrated program–not a hodge-podge collection of DOL grammar, spelling and vocabulary lists, and assorted worksheets. I see measurable progress with both my grade-level and intervention students. BTW… I love the scripted lessons!

─Julie Villenueve

Get the Diagnostic Grammar and Usage Assessment with Recording Matrix FREE Resource:

Get the Diagnostic Mechanics Assessment with Recording Matrix FREE Resource:

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The Reader, The Text, The Poem

Louise Rosenblatt developed the Reader-Response Theory, which posits that the reader’s personal feelings, knowledge, and experience contributes to the author’s text to create the meaning for the individual reader. Dr. Rosenblatt termed this creation of meaning “the poem.”

As theorists continued to work with her theory, they added the influence of the reader’s environment and social community as contributor’s to meaning.

In the New Criticism Movement of the 1950s, 1960s, and 1970s, critics of Rosenblatt asserted the independence of the text as the source of meaning. They argued that only the text should be the arbiter of itself. According to these critics and their cousins, the Formalists, devolving meaning-making to the reader was akin to admitting that the meaning of the text is anything that the reader makes of it.

I, personally, see a melding of the opposing theories as an important impetus to improving reading comprehension. If reading comprehension is the understanding and retention of text, then both the author’s text and the reader have shared responsibility for meaning-making. That meaning-making is not in the exclusive control of the text. After all, there is an author behind the text. It is also not in the exclusive control of the individual reader. The reader is part of a larger community.

To better explain the relationship of the author’s text and the reader in the creation of meaning, this illustration may be helpful.

Reader-Response Theory

Reader-Response

Imagine sitting in your living room, looking at a garden through a window.

In our illustration, the garden is the author’s text; you, in the living room, are the reader; and the window is the meaning of the reading text. If the garden is closer to the window than you are, the author’s text has more control of or influence upon the meaning. If you are closer in the living room to the window than is the garden, you, the reader, have more control of or influence upon the meaning.

With author-centered texts, designed to inform, explain, and analyze, such as news articles, non-fiction, technical writing, legal text, and instruction manuals, the window is closer to the garden, because the reader’s comprehension is primarily text-dependent.

For example, with respect to the news article on the school shooting, we rely upon the expertise and accuracy of the news reporter to help us understand what happened. To put together a toy on Christmas Eve, we depend upon concise, step-by-step directions and a good picture on the box.

With reader-centered texts, designed to describe, entertain, or persuade, such as fiction, poems, editorials, social media posts, and songs, the window is closer to you, the reader in your living room. The input and filter of your personal feelings, knowledge, and experience are significant contributions to understanding the text.

For example, if you are listening to and reading the lyrics of Lennon and McCartney’s “With a Little Help from My Friends,” you, the audience, are intended to contribute meaning to the song. Some of the lyrics are intentionally ambiguous.

As the official Beatle biographer, Hunter Davies, explains, Lennon and McCartney struggled to come up with a lyric to answer their question: “What do you see when you turn out the light?” Lennon suggested “I can’t tell you, but I know it’s mine.” It fit the required number of syllables and rhyme scheme, and McCartney loved it because it could mean different things to different people.

So the type of text and the author’s purpose should have considerable impact upon how readers should understand and interpret the text. Good readers are flexible readers. They monitor their levels of comprehension while reading, according to their own purposes and the dictates of the text. When crucial facts or plot events are being delivered, they move the window close to the author; when less important description or tone are being read to evoke a certain mood, they move the window closer to themselves as readers.

And one last comment about applying the author-reader relationship theories: For those of you accustomed to reading on automatic pilot, you may be looking at the garden for far too long without thinking of the window. For many of you, the window is in fine shape, but it may need a bit of Windex to make the garden more visible. We often become accustomed to dirty windows and don’t notice until someone scribbles “Wash me!” However, our attention needs to be drawn to the window before we can notice. How do we start paying attention? Check out Talking with the Author.

FREE DOWNLOAD TO ASSESS THE QUALITY OF PENNINGTON PUBLISHING RESOURCES: The SCRIP (Summarize, Connect, Re-think, Interpret, and Predict) Comprehension Strategies includes class posters, five lessons to introduce the strategies, and the SCRIP Comprehension Bookmarks.

Get the SCRIP Comprehension Strategies FREE Resource:

*****

Mark Pennington, MA Reading Specialist, is the author of the comprehensive reading intervention curriculum, Teaching Reading StrategiesDesigned to significantly increase the reading abilities of students ages eight through adult within one year, the curriculum is decidedly un-canned, is adaptable to various instructional settings, and is simple to use–a perfect choice for Response to Intervention tiered instruction. The program provides multiple-choice diagnostic reading and spelling assessments (many with audio files), phonemic awareness activities, blending and syllabication activitiesphonics workshops with formative assessments, 102 spelling pattern worksheets, comprehension worksheets, multi-level fluency passages recorded at three different reading speeds and accessed on YouTube, 644 reading, spelling, and vocabulary game cards, posters, activities, and games.

Also get the accompanying Sam and Friends Guided Reading Phonics Books. These 54 decodable eBooks (includes print-ready and digital display versions) have been designed for older readers with teenage cartoon characters and plots. Each book introduces focus sight words and phonics sound-spellings aligned to the instructional sequence found in Teaching Reading Strategies. Plus, each book has a 30-second word fluency to review previously learned sight words and sound-spelling patterns, five higher-level comprehension questions, and an easy-to-use running record. Your students will love these fun, heart-warming, and comical stories about the adventures of Sam and his friends: Tom, Kit, and Deb. Oh, and also that crazy dog, Pug.

Teaching Reading Strategies and Sam and Friends Guided Reading Phonics Books BUNDLE

Teaching Reading Strategies and Sam and Friends Guided Reading Phonics Books

Or why not get both programs as a discounted BUNDLE? Everything teachers need to teach an assessment-based reading intervention program for struggling readers is found in this comprehensive curriculum. Ideal for students reading two or more grade levels below current grade level, tiered response to intervention programs, ESL, ELL, ELD, and special education students. Simple directions, YouTube training videos, and well-crafted activities truly make this an almost no-prep curriculum. Works well as a half-year intensive program or full-year program.

What do teachers have to say about the program?

I just visited your website and, oh my, I actually felt my heart leap with joy! I am working with one class of ESL students and two classes of Read 180 students with behavior issues and have been struggling to find methods to address their specific areas of weakness. I am also teaching three senior level English classes and have found them to have serious deficits in many critical areas that may impact their success if they are attending college level courses in a year’s time. I have been trying to find a way to help all of them in specific and measurable ways – and I found you! I just wanted to thank you for creating these explicit and extensive resources for students in need. Thank you!

Cathy Ford

By the way, I got Sam and Friends a few weeks ago, and I love it. I teach ESL in S Korea. Phonics is poorly taught here, so teaching phonics means going back to square one. Fortunately, Sam and Friends does that and speeds up pretty quickly. I also like that I can send it home and not charge the parents – we all love that.  I like it a lot! It’s also not about something stupid, like cats and dogs. 

Joseph Curd

I work with a large ELL population at my school.Through my research in best practices, I know that spelling patterns and word study are so important. However, I just couldn’t find anything out there that combines the two. The grade level spelling program and remediation are perfect for my students. 

Heidi

Literacy Centers, Reading, Spelling/Vocabulary, Study Skills , , , , , , , , ,

Talking with the Author

Have you ever noticed how your English teachers and professors insist on discussing a novel or an article and its author in the present tense? For example, when analyzing Hemingway’s For Whom the Bell Tolls, your teacher might say, “In Chapter 7, Hemingway builds suspense in the conversation between Pilar and Robert Jordan. The two walk into the cave and discover that one packet of explosives is missing.”

And most of you remember that we also write a literary analysis in the present tense, unless you want a considerable number of red ink written on your essay.

Now, last I checked, Ernest Hemingway died in 1961. But we still discuss him and his writing as if he were alive, because the author and his ideas remain relevant.

Not only should we discuss authors and text as if they are alive, we should also read as if the author and text are alive. It does take a bit of imagination, but if we treat the author and story as living, it’s much easier to have a conversational rapport with the writer and characters within the story.

You see, reading to a corpse would be a one-way conversation, unless zombies come into play. Reading with living, breathing authors and their characters can become engaging two-way conversations.

The point is… if you tend to understand reading as a one-way street in which you passively retrieve meaning from the text, this two-way street in which you, the reader, are actively interacting with the author, is quite different. To demonstrate this difference, let’s read a passage together from Charles Dickens’ Tale of Two Cities as passive readers. Since Dickens was, or… is British, I’ll try to read with an English accent. I know… it’s horrible, but it will serve a purpose:

It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way—in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only.

There were a king with a large jaw and a queen with a plain face, on the throne of England; there were a king with a large jaw and a queen with a fair face, on the throne of France. In both countries it was clearer than crystal to the lords of the State preserves of loaves and fishes, that things in general were settled for ever.

Reader Response

Talking to the Author

Talking with the Author

Now, let’s read the same passage, and I will model how an active reader carries on a conversation with the author in red.

It was the best of times, it was the worst of times, Dickens clearly means to describe a universal theme with this general language. So often we tend to see good times as being the norm. Other times we look back at some eras as “the good old days” when they really weren’t that good. Hindsight is never 20-20 vision.

it was the age of wisdom, it was the age of foolishness, I see Dicken’s paradoxical patterns of the good to its bad opposite, but his extremes make me think that he is writing somewhat tongue-in-cheek. Nothing is life is that clear, especially when we are in the midst of experiencing it. His parallel structures of “It was the” use the absolute factual use of the “to be” verb and the definite article, “the,” to describe a time of no gray areas. It was one way or the other.

it was the epoch of belief, it was the epoch of incredulity, I know that some of the setting of this novel takes place during the French Revolution and that the two cities are Paris and London. My guess is that Dickens, an Englishman, is going to favor the ideals of his own London, and disparage those of Paris. The traditions of the Church were being challenged by the thinking of the Enlightenment. Faith versus reason. Dickens unfairly places the Enlightenment thinkers in the evil position. I, personally don’t see faith and reason as a necessary paradox, either.

it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, These polar opposites have everything to do with one’s perspective. For some the changes during this period of history were positive and the outlook was bright; for others, the events challenged everything they had ever known to be true and good. I would wager that for a whole lot of people, what was taking place was a mixed bag of good and bad.

Why doesn’t Dickens include the haves and have nots in his opening? If class differences are a key part of the historical setting as in the musical, Les Miserables, why did the author leave out these paired extremes?

we had everything before us, we had nothing before us, Not sure what this means, unless Dicken’s is commenting on “hope” and “despair.”

we were all going direct to Heaven, we were all going direct the other way—Think this was meant to be humorous. Interesting how Hell is an unmentionable. Perhaps a curse word.

in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only. The language is tough to dissect here. “… the period was so far like the present period…” The “so far” could mean that it closely resembled the time of Dicken’s writing. The “noisiest authorities” might be the most popular voices of those times. This paragraph is all one long sentence. It seems that these contradictions of the past went on forever without resolution. What is Dickens up to here? Is he using this novel to criticize the present state of affairs in England?

There were a king with a large jaw and a queen with a plain face, on the throne of England; there were a king with a large jaw and a queen with a fair face, on the throne of France. In other words, there wasn’t much difference between rulers. Perhaps due to intermarriage, or more likely in their beliefs about the divine right to rule. Some things never seem to change. I notice Dickens doesn’t allude to the present queen at the current time, Queen Victoria.

In both countries it was clearer than crystal to the lords of the State preserves of loaves and fishes, that things in general were settled for ever. The loaves and fishes allusion of miraculously making something great out of very little, such as the expansion of citizens’ freedoms and rights or democracy were not realistic, nor likely during those times. Is Dickens saying the same about his current times and knocking the English monarchy?

If the reader-response strategy, which I call Talking with the Author, worked as planned, you would notice that your understanding and retention of the reading passage were significantly better with the second reading, as compared to the first reading. Notice that the window of meaning seemed to shift more toward the reader because of the universal themes and application to present times.

You may have noticed that my comments in the conversation were of different types. I focused on what the author said and how the author said it; I also commented on what the author did not say and what the author may have meant. Additionally, I criticized and questioned. I repeated the author’s words and re-read in order to clarify. I speculated about the author’s motive and where he was coming from. I also through in my own two cents as I might in a real one-on-one conversation. However, I tried to focus on the author’s meaning and ideas, and not only my personal experience.

Now, the Talking with the Author strategy takes practice to perfect. You can use this strategy with every genre and amount of reading. Practice doing so with texts and Facebook posts, emails, novels, articles, and technical documents.

Of course you noticed that I was making my comments out loud. My suggestion is to read the author’s text silently, but to subvocalize your comments as you begin to use this Talking with the Author strategy. I describe subvocalization as using a six-inch voice to talk to the author. Don’t worry, your author isn’t hard of hearing.

Some of you may have reservations about implementing this strategy. Interrupting the flow of your reading by talking to the author may seem stilted or unnatural. I certainly make used more reader-response in my example than I normally would to demonstrate the different types and breadth of comments. Not every sentence requires a comment. Instead of chunking the text into interrupted parts, you will begin to see a greater flow of ideas and you insert your comments.

At first, you may find it difficult to keep up your share of the author-reader conversation. This new way of reading, in which you, the reader, have a role in the conversation takes some getting used to. Make sure to develop a balance in the types of comments you make, so that you aren’t solely making comments, say, about word usage.

Using the Talking with the Author  will also temporarily slow down your reading. You may be tempted to use the strategy only with text which isn’t required and undesirable reading, perhaps for school or work. Resist this temptation and allot a bit more time for the subvocalizations for a while. If you practice reading the old way for some things and the new way for others, you will never develop the automaticity that is necessary for effective reading-response.

I do want to assure you that your decreased reading speed will only be a temporary issue. As the reader-response becomes second nature to you, you will naturally begin to replace the oral comments with silent ones. Gradually, the fully developed comments will become thought snippets. Much like milli-second dreams, these snippets can contain significant data. Our brains are simply amazing!

To doubters, I will add that I’ve replicated an informal reading-research study countless times which consistently demonstrates that readers using the Talking with the Author strategy not only score higher on reading comprehension tests, but also on reading speed. The better we process information, the faster we do so.

I would like to close our lecture with a reminder of the “no pain, no gain” truism. Replacing old habits with new habits is always challenging, especially when you have been practicing the old habit for years. Yes, young and old, alike, we all get set in our ways. However, be encouraged that you can teach an old dog new tricks. The rewards of better comprehension and more enjoyment of what you read will outweigh the discomfort of replacing an old habit with a new habit.

FREE DOWNLOAD TO ASSESS THE QUALITY OF PENNINGTON PUBLISHING RESOURCES: The SCRIP (Summarize, Connect, Re-think, Interpret, and Predict) Comprehension Strategies includes class posters, five lessons to introduce the strategies, and the SCRIP Comprehension Bookmarks.

Get the SCRIP Comprehension Strategies FREE Resource:

*****

Mark Pennington, MA Reading Specialist, is the author of the comprehensive reading intervention curriculum, Teaching Reading StrategiesDesigned to significantly increase the reading abilities of students ages eight through adult within one year, the curriculum is decidedly un-canned, is adaptable to various instructional settings, and is simple to use–a perfect choice for Response to Intervention tiered instruction. The program provides multiple-choice diagnostic reading and spelling assessments (many with audio files), phonemic awareness activities, blending and syllabication activitiesphonics workshops with formative assessments, 102 spelling pattern worksheets, comprehension worksheets, multi-level fluency passages recorded at three different reading speeds and accessed on YouTube, 644 reading, spelling, and vocabulary game cards, posters, activities, and games.

Also get the accompanying Sam and Friends Guided Reading Phonics Books. These 54 decodable eBooks (includes print-ready and digital display versions) have been designed for older readers with teenage cartoon characters and plots. Each book introduces focus sight words and phonics sound-spellings aligned to the instructional sequence found in Teaching Reading Strategies. Plus, each book has a 30-second word fluency to review previously learned sight words and sound-spelling patterns, five higher-level comprehension questions, and an easy-to-use running record. Your students will love these fun, heart-warming, and comical stories about the adventures of Sam and his friends: Tom, Kit, and Deb. Oh, and also that crazy dog, Pug.

Teaching Reading Strategies and Sam and Friends Guided Reading Phonics Books BUNDLE

Teaching Reading Strategies and Sam and Friends Guided Reading Phonics Books

Or why not get both programs as a discounted BUNDLE? Everything teachers need to teach an assessment-based reading intervention program for struggling readers is found in this comprehensive curriculum. Ideal for students reading two or more grade levels below current grade level, tiered response to intervention programs, ESL, ELL, ELD, and special education students. Simple directions, YouTube training videos, and well-crafted activities truly make this an almost no-prep curriculum. Works well as a half-year intensive program or full-year program.

What do teachers have to say about the program?

I just visited your website and, oh my, I actually felt my heart leap with joy! I am working with one class of ESL students and two classes of Read 180 students with behavior issues and have been struggling to find methods to address their specific areas of weakness. I am also teaching three senior level English classes and have found them to have serious deficits in many critical areas that may impact their success if they are attending college level courses in a year’s time. I have been trying to find a way to help all of them in specific and measurable ways – and I found you! I just wanted to thank you for creating these explicit and extensive resources for students in need. Thank you!

Cathy Ford

By the way, I got Sam and Friends a few weeks ago, and I love it. I teach ESL in S Korea. Phonics is poorly taught here, so teaching phonics means going back to square one. Fortunately, Sam and Friends does that and speeds up pretty quickly. I also like that I can send it home and not charge the parents – we all love that.  I like it a lot! It’s also not about something stupid, like cats and dogs. 

Joseph Curd

I work with a large ELL population at my school.Through my research in best practices, I know that spelling patterns and word study are so important. However, I just couldn’t find anything out there that combines the two. The grade level spelling program and remediation are perfect for my students. 

Heidi

Literacy Centers, Reading, Spelling/Vocabulary, Study Skills , , , , ,

Formalism and New Criticism

Formalism

Text-dependent Reading Theories

Reader-Response Theory attempts to describe the text-reader relationship and asserts that meaning is constructed outside this relationship from the input of both author and reader.

As a reaction to the Reader-Response Theory, beginning in the late 1960s, some reading researchers, philosophers, and especially university English professors began to advocate a different theory about the author-reader relationship that has come to be known as Formalism (or New Criticism). Proponents of Formalism argue that the author’s text should be read as is and in its own context apart from outside influences, such as the author’s background, motives, and biases and reader’s feelings, experiences, and interpretations. Many in this school of thought believe that the accurate meaning of the text may only be discovered if all subjective influences are ignored.

Many formalists especially rail against the more extreme views within the reader-response camp. They would argue that a reader-centered transaction permits the reader to make the text say anything that they want it to say. Far from the no right answer approach of some reading-response theorists, they would argue that there are right and wrong interpretations of the author’s text. After all, it is the author’s text, not the reader’s text. Teachers should ask, “What does the text mean here?” Not “What does the author mean here and why did she say this?” And certainly not “How does this text relate to your own life and make you feel?”

Other formalists, such as Cleanth Brooks, has argued that Reader-Response Theory and Formalism (New Criticism) complement one another. For instance, he stated, “If some of the New Critics have preferred to stress the writing rather than the writer, so have they given less stress to the reader—to the reader’s response to the work. Yet no one in his right mind could forget the reader. He is essential for ‘realizing’ any poem or novel. . .Reader response is certainly worth studying.” However, Brooks tempers his praise for the reader-response theory by noting its limitations, pointing out that, “to put meaning and valuation of a literary work at the mercy of any and every individual [reader] would reduce the study of literature to reader psychology and to the history of taste” (https://en.wikipedia.org/wiki/New_Criticism).

The Formalist Theory has gained traction in American schools since the advent of the Common Core State Standards. Even Mortimer Adler’s old close reading strategy

Close Reading

Close Reading: Don’t Read Too Closely

has regained popularity. For those of you not familiar with this approach, close reading it is a reading strategy which focuses on text-dependent reading and analysis.

*****

Mark Pennington, MA Reading Specialist, is the author of the comprehensive reading intervention curriculum, Teaching Reading StrategiesDesigned to significantly increase the reading abilities of students ages eight through adult within one year, the curriculum is decidedly un-canned, is adaptable to various instructional settings, and is simple to use–a perfect choice for Response to Intervention tiered instruction. The program provides multiple-choice diagnostic reading and spelling assessments (many with audio files), phonemic awareness activities, blending and syllabication activitiesphonics workshops with formative assessments, 102 spelling pattern worksheets, comprehension worksheets, multi-level fluency passages recorded at three different reading speeds and accessed on YouTube, 644 reading, spelling, and vocabulary game cards, posters, activities, and games.

Also get the accompanying Sam and Friends Guided Reading Phonics Books. These 54 decodable eBooks (includes print-ready and digital display versions) have been designed for older readers with teenage cartoon characters and plots. Each book introduces focus sight words and phonics sound-spellings aligned to the instructional sequence found in Teaching Reading Strategies. Plus, each book has a 30-second word fluency to review previously learned sight words and sound-spelling patterns, five higher-level comprehension questions, and an easy-to-use running record. Your students will love these fun, heart-warming, and comical stories about the adventures of Sam and his friends: Tom, Kit, and Deb. Oh, and also that crazy dog, Pug.

Teaching Reading Strategies and Sam and Friends Guided Reading Phonics Books BUNDLE

Teaching Reading Strategies and Sam and Friends Guided Reading Phonics Books

Or why not get both programs as a discounted BUNDLE? Everything teachers need to teach an assessment-based reading intervention program for struggling readers is found in this comprehensive curriculum. Ideal for students reading two or more grade levels below current grade level, tiered response to intervention programs, ESL, ELL, ELD, and special education students. Simple directions, YouTube training videos, and well-crafted activities truly make this an almost no-prep curriculum. Works well as a half-year intensive program or full-year program.

What do teachers have to say about the program?

I just visited your website and, oh my, I actually felt my heart leap with joy! I am working with one class of ESL students and two classes of Read 180 students with behavior issues and have been struggling to find methods to address their specific areas of weakness. I am also teaching three senior level English classes and have found them to have serious deficits in many critical areas that may impact their success if they are attending college level courses in a year’s time. I have been trying to find a way to help all of them in specific and measurable ways – and I found you! I just wanted to thank you for creating these explicit and extensive resources for students in need. Thank you!

Cathy Ford

By the way, I got Sam and Friends a few weeks ago, and I love it. I teach ESL in S Korea. Phonics is poorly taught here, so teaching phonics means going back to square one. Fortunately, Sam and Friends does that and speeds up pretty quickly. I also like that I can send it home and not charge the parents – we all love that.  I like it a lot! It’s also not about something stupid, like cats and dogs. 

Joseph Curd

I work with a large ELL population at my school.Through my research in best practices, I know that spelling patterns and word study are so important. However, I just couldn’t find anything out there that combines the two. The grade level spelling program and remediation are perfect for my students. 

Heidi

 

Get the Close Reading Narrative Worksheet FREE Resource:

Get the Close Reading Expository Worksheet FREE Resource:

Reading , , , , , , ,

Reader-Response Theory

Reader-Response Theory

Reader-Response

Reading specialists talk a lot about automaticity. Simply put, automaticity means putting together all of the reading concepts and skills, such as word recognition, word identification, vocabulary, and comprehension strategies to read a text effortlessly and fluently.

However, regarding automaticity, the Jedi Master is right, “Both light and dark sides of the Force there are.”

Good readers need to learn how to enhance the benefits of automaticity and eliminate or minimize the drawbacks. One important way to do so is through engaging the the author-reader relationship.

One reading theory and body of research which attempts to describe the author-reader relationship is Reader-Response Theory. And, as is usually the case with any construct which attempts to explain a complicated relationship, there are plenty of variations on this theory.

The mainstream reading-response theory was developed by Louise Rosenblatt in her 1938 book, Literature as Exploration. In this and subsequent books, research, lectures, and articles, Dr. Rosenblatt explored what she termed, the transaction, which takes place between the text and readers. Think of a transaction in terms of a business deal made between two parties which results in a certain outcome.

For reading, the transaction is the give and take interplay between the author’s words and the reader’s input. The outcome of this transaction produces the meaning of the text.

The key point to understand about reader-response theory is that meaning exists outside of the author’s text and outside of the reader. For our purposes, meaning is another way of saying reading comprehension. So, how does this text-reader transaction affect what you understand and remember as you read?

When you sit down with a cup of coffee and your phone to read the morning news, you scroll down and click on an article headline which interests you, and you begin to read the text. All the input of the author, such as her research on the news story, her past experience and biases, her on-the-scene interviews, the facts of the event, her writing style, and her word choice are combined into the text that we read. The text acts as a stimulus to which you respond as a reader.

Some of your reader response will, undoubtedly, be the same as other readers. For example, if you are reading an article on a school shooting, everyone reading that same story would feel sad, angry, and perhaps a bit helpless. Certain words in the text, such as “tragedy,” or “heroic” would evoke similar connotations. No doubt, each of us will make a mental connection to a previous mass shooting. If we read the article byline and see that a teacher at that same school wrote the article, we would be especially empathetic to the writer’s experience. If a pop-up ad interrupted our reading, we would all be briefly annoyed. If our spouse or friend is in the room, we most likely would say, “Did you hear? There’s been another school shooting.”

However, your reaction to the article will differ from that of other readers, because your input as an individual reader is different. Personal associations, experiences, opinions, and feelings certainly influence how you understand and react to the text, as well what else you’ve read or watched on television. If you’ve read a few articles by the reporter and tend to disagree with her reporting or point of view, this will influence your personal reaction. Environmental factors may also affect your reader-response, If you woke up grumpy or the coffee is cold, your response to the stimulus produced by the article may be different than if the sun is shining and you have the day off.

If the Reader-Response Theory is accurate, the meaning that the author’s text and your reading produces entirely depends upon the circumstances of the transaction. In fact, Dr. Rosenblatt claims that both the author’s text and the reader are equally important and necessary in the production of meaning. In other words, the meaning of any novel, poem, song, article, or even this lecture is a co-creation of both what the author has to say and what the reader hears. Both the text and reader are partners in this transaction. So, if the good doctor is right, I’m not the only one to blame if you haven’t found this lecture to be scintillating so far!

As I previously mentioned, Dr. Rosenblatt’s position is in the mainstream of reading-response theorists. While she stresses the important role of the reader in shaping the meaning of text, particularly in terms of the reader’s emotional response to the author’s stimulus, she also values the role of the author’s text. The text serves as a blueprint to guide and and a check-point to restrain the reader’s response, so that the subjective experience of the reader is balanced with the objective text.

Now, a few of the buzzwords I just used to summarize Dr. Rosenblatt’s theory may have have stimulated your critical response. Good, we’re supposed to be partners in this transaction! Some of you may have wondered about the phrase, “equally important and necessary.” You may be asking, “Is the reader really just as important as the author’s words in determining meaning?”

You might think back to reading Act 2, Scene 2 of Romeo and Juliet. Is your interpretation of Romeo’s “But, soft! what light through yonder window breaks?” soliloquy of equal value in determining what the character means as what the author of the text, William Shakespeare says and intends? I’m thinking that you would feel a bit unimportant, or at least uncomfortable, sharing your literary insights and interpretations if Will happened to be in your book club. Doesn’t Shakespeare’s play remain objective, despite your subjective interpretations?

You aren’t alone in your questions about Reader-Response Theory. But even more extreme positions regarding the transaction between text and reader have come in and out of fashion since Dr. Rosenblatt’s first publication. I’ll briefly describe two of these sub-camps.

Some reader-response theorists have trotted out George Berkeley’s “If a tree falls in the midst of the forest, and no one hears it, does it make a sound” conundrum to question whether the author’s text has any meaning whatsoever apart from that of its reader. So, according to these reader-centered theorists, the text only exists as it is being read in the mind of the reader, just as the tree makes no sound unless some one hears it. No right; no wrong interpretations because there is no objective benchmark. So, every student would get an A+ on their Romeo and Juliet final exam.

Others have expanded the reader-centered position and would argue that the social nature of reading has an important impact on the creation of meaning. Of course, we don’t read in a vacuum solely of our own experience. As literacy critics we all have somewhat of a herd mentality. Think about how social media creates meaning.

*****
FREE DOWNLOAD TO ASSESS THE QUALITY OF PENNINGTON PUBLISHING RESOURCES: The SCRIP (Summarize, Connect, Re-think, Interpret, and Predict) Comprehension Strategies includes class posters, five lessons to introduce the strategies, and the SCRIP Comprehension Bookmarks.

Get the SCRIP Comprehension Strategies FREE Resource:

Mark Pennington, MA Reading Specialist, is the author of the comprehensive reading intervention curriculum, Teaching Reading StrategiesDesigned to significantly increase the reading abilities of students ages eight through adult within one year, the curriculum is decidedly un-canned, is adaptable to various instructional settings, and is simple to use–a perfect choice for Response to Intervention tiered instruction. The program provides multiple-choice diagnostic reading and spelling assessments (many with audio files), phonemic awareness activities, blending and syllabication activitiesphonics workshops with formative assessments, 102 spelling pattern worksheets, comprehension worksheets, multi-level fluency passages recorded at three different reading speeds and accessed on YouTube, 644 reading, spelling, and vocabulary game cards, posters, activities, and games.

Also get the accompanying Sam and Friends Guided Reading Phonics Books. These 54 decodable eBooks (includes print-ready and digital display versions) have been designed for older readers with teenage cartoon characters and plots. Each book introduces focus sight words and phonics sound-spellings aligned to the instructional sequence found in Teaching Reading Strategies. Plus, each book has a 30-second word fluency to review previously learned sight words and sound-spelling patterns, five higher-level comprehension questions, and an easy-to-use running record. Your students will love these fun, heart-warming, and comical stories about the adventures of Sam and his friends: Tom, Kit, and Deb. Oh, and also that crazy dog, Pug.

Teaching Reading Strategies and Sam and Friends Guided Reading Phonics Books BUNDLE

Teaching Reading Strategies and Sam and Friends Guided Reading Phonics Books

Or why not get both programs as a discounted BUNDLE? Everything teachers need to teach an assessment-based reading intervention program for struggling readers is found in this comprehensive curriculum. Ideal for students reading two or more grade levels below current grade level, tiered response to intervention programs, ESL, ELL, ELD, and special education students. Simple directions, YouTube training videos, and well-crafted activities truly make this an almost no-prep curriculum. Works well as a half-year intensive program or full-year program.

What do teachers have to say about the program?

I just visited your website and, oh my, I actually felt my heart leap with joy! I am working with one class of ESL students and two classes of Read 180 students with behavior issues and have been struggling to find methods to address their specific areas of weakness. I am also teaching three senior level English classes and have found them to have serious deficits in many critical areas that may impact their success if they are attending college level courses in a year’s time. I have been trying to find a way to help all of them in specific and measurable ways – and I found you! I just wanted to thank you for creating these explicit and extensive resources for students in need. Thank you!

Cathy Ford

By the way, I got Sam and Friends a few weeks ago, and I love it. I teach ESL in S Korea. Phonics is poorly taught here, so teaching phonics means going back to square one. Fortunately, Sam and Friends does that and speeds up pretty quickly. I also like that I can send it home and not charge the parents – we all love that.  I like it a lot! It’s also not about something stupid, like cats and dogs. 

Joseph Curd

I work with a large ELL population at my school.Through my research in best practices, I know that spelling patterns and word study are so important. However, I just couldn’t find anything out there that combines the two. The grade level spelling program and remediation are perfect for my students. 

Heidi

Literacy Centers, Reading, Spelling/Vocabulary, Study Skills , , , , , , ,