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Posts Tagged ‘Common Core Standards’

How to Teach Phonics to Big Kids and Adults: Consonant Digraphs

Quite a few new teachers get confused about the difference between consonant digraphs and consonant blends. In a quick Google search, I found plenty of confusion among these “reading experts.” As an MA reading specialist, let me give you the definitions, a way to remember the difference, some examples, a few teaching tips, a FREE whole-class assessment with audio file, an instructional scope and sequence, and instructional management tips. Also, let’s throw in a FREE set of five consonant digraph lessons with a short formative assessment. Wahoo!

Consonant Digraphs

Definition: Consonant digraphs are two (or three) letters which form one sound. Consonant blends are two (or three) letters which make two (or three) sounds.

How to remember the difference: When we are dealing with phonics, we are creating sounds from letters. As you know, phon means sound; so does son (think sonar)You also know that di means two and graph means writing (letters for our purpose). Thus, a consonant digraph is one sound, two letters. Don’t forget we also have vowel digraphs: one vowel sound with two letters. And now for consonant blends… When you blend spices in your favorite chili recipe, you can still taste the chili powder, salt, cumin, and cayenne pepper. Each spice keeps its individual flavor. Thus, a consonant blend puts together two or three letters, each keeping its own sound. Note: Be careful not to think of a blender regarding consonant blends. My Vitamix® takes away every flavor from every ingredient in my daily protein drink. Quick Joke: What do you get with a can of peas and a blender? Whirled Peas (World Peace if you haven’t had your second cup of coffee today).

Consonant Digraph Examples: The “h” Brothers

Teaching Consonant Digraphs

Consonant Digraphs

Teaching Tips

Make sure to teach the /hw/ sound for the “wh” digraph. The /h/ gives the breathy sound need for accurate pronunciation. The Middle English pronunciation before the Great Vowel Shift (beginning in about 1350 A.D.) was actually two sounds before they evolved into one. Contrast the /hw/ “wh” as in whale with the /w/ “w” as in wolf and you’ll hear the difference. Note: The sound-spelling cards I use in my Teaching Reading Strategies reading intervention program are all animals. Thankfully, there is a critter known as an “x-ray” fish. 

Make sure to teach the two sounds of the “th” spellings and “sh” spellings at some point. The differences are difficult to hear for most students (and many teachers). I suggest sticking with the voiced /th/ as in python and then moving to the unvoiced (the same with the “sh” consonant digraph). See the instructional sequence below for the blending sample words I use. Check out my article on “How to Teach the Voiced and Unvoiced ‘th'” if this confuses you.

Do not elongate the endings of consonant digraphs. I just got finished watching a video of a proud principal teaching a group of students the /sh/ consonant digraph. The principal was putting her index finger in front of pursed lips while she said (and had students repeat) “shhhhhhhhhh.” When the principal asked her students to blend the /sh/ + /ĕ/ + /d/, the students dutifully responded with “”shhhhhhhhhhed.” The perplexed principal wisely called on the teacher for help.

While we’re mentioning proper blending technique, don’t make that consonant blend end in /uh/. It’s a clipped /sh/, not /shuh/, etc. Check out my “How to Do Sound-by-Sound Blending” article  if you want to review.

Lastly, I don’t teach the “ph” consonant blend until we get to silent letters. It’s a Greek sound-spelling, but then you knew that!

Assessment, Instructional Scope and Sequence, Forming Groups, Time, Instruction, and Practice

When to Introduce Consonant Digraphs

Consonant Digraphs Instructional Sequence

The first step is to determine what is missing from the your students’ knowledge of the consonant digraph phonics patterns. Teachers have used my FREE reading assessments for years to pinpoint phonemic awareness, phonics, and sight words deficits. For the purposes of this article, the Consonant Sounds Phonics Assessment pinpoints which consonant digraph sound-spellings students have not yet mastered.

The second step is to follow a research-tested instructional scope and sequence. Most all explicit, systematic phonics programs begin with short vowels and layer on consonant sounds and consonant blends. Next, phonics programs begin with the long vowel sound-spellings or teach the silent final e sound-spellings. Following are the instructional sequence from the author’s reading intervention program and the silent final e animal sound-spelling cards used to introduce the names, sounds, and spellings.

The third step is to group students who have demonstrated that they have not yet achieved mastery with the consonant digraph sound-spellings. Teachers use a variety of small group formats. Literacy centers have become a popular option to provide remedial instruction within some centers (stations), while offering grade-level and/or accelerated instruction in other centers.

The fourth step is to set aside the necessary time to teach the consonant digraph sound-spellings. Initial instruction takes longer; however, remedial instruction can be accomplished quite quickly, because gap-filling builds upon some degree of prior knowledge, albeit a shaky foundation. Typically, five 20-minute workshops will facilitate mastery as indicated by formative assessments.

The fifth step is to provide effective instruction and practice for the consonant digraph sound-spellings and to use a formative assessment to determine mastery. Teachers need to have back-up lessons in case the student does not master the consonant digraphs on the formative assessment. A solid foundation will allow students to learn additional reading skills.

Get the Consonant Digraphs Phonics Lessons FREE Resource:

Teachers who would like to use my consonant digraphs phonics lessons and formative assessment are welcome to download this workshop from my Teaching Reading Strategies program:

Teaching Reading Strategies Reading Intervention Program

Teaching Reading Strategies and Sam and Friends Guided Reading Phonics Books BUNDLE

Mark Pennington, MA Reading Specialist, is the author of the comprehensive reading intervention curriculum, Teaching Reading Strategies. Designed to significantly increase the reading abilities of students ages eight through adult within one year, the curriculum is decidedly un-canned, is adaptable to various instructional settings, and is simple to use—a perfect choice for Tier I and II Response to Intervention groups. Get multiple choice diagnostic reading assessments , formative assessments, blending and syllabication activitiesphonemic awareness, and phonics workshops, 102 remedial spelling worksheets, expository comprehension worksheets, multi-level fluency passages (same text) with word counts and timing charts recorded at three different reading speeds and accessed on YouTube, 586 reading and spelling game cards, posters, activities, and games.

Also get the accompanying Sam and Friends Guided Reading Phonics Books. These eight-page decodable take-home books include sight words, word fluency practice,and phonics instruction aligned to the instructional sequence found in Teaching Reading Strategies. Each book is illustrated by master cartoonist, David Rickert. The cartoons, characters, and plots are designed to be appreciated by both older remedial readers and younger beginning readers. The teenage characters are multi-ethnic and the stories reinforce positive values and character development. Your students (and parents) will love these fun, heart-warming, and comical stories about the adventures of Sam and his friends: Tom, Kit, and Deb. Oh, and also that crazy dog, Pug.

Everything teachers need to teach a diagnostically-based reading intervention program for struggling readers at all reading levels is found in this comprehensive curriculum. Ideal for students reading two or more grade levels below current grade level, English-language learners, and special education students. Simple directions and well-crafted activities truly make this an almost no-prep curriculum.  Plus the video training modules teach you everything you need implement the program successfully. Works well as a half-year intensive program or full-year program, with or without paraprofessional assistance.

What do teachers have to say about the program?

“This is just what I need! I have been searching for a resource to help my middle school SPED kiddos catch up to their peers and I can’t wait to implement this incredible product in my classroom!!!” Rating: 4.0

Elizabeth Lewis

Reading, Spelling/Vocabulary , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

How to Teach Phonics to Big Kids and Adults: Silent Final e

Students find the silent final e to be a frustrating component of  our English sound-spelling system. In particular, second-language learners struggle with both pronunciations and spellings of silent final words. However, this tricky sound-spelling actually helps more than it confuses.

We have those late Middle English folks from Chaucer’s Day (before the Great Vowel Shift beginning about 1350 A.D.) to blame and thank for the silent final e. Some of you must have read the old version of his Canterbury’s Tales in high school or college. In the book, words such as care were pronounced as two syllables (kā/ruh), rather than one. The final was added on to signal an object, not a subject noun, and a plural, not a singular noun. The English kept the spelling, but dropped the suffix syllable sound.

Kids often ask, “Why do we have to learn it, when we don’t have to say it?” Following are eight decent responses:

  1. The silent final says so, and she’s the boss. After all, silence speaks louder than words. If a word pronunciation is confusing, the silent final steps up to be the “bossy final e” to make the other letters make sounds which make sense to us. 
  2. The silent final helps us divide words into syllables and makes pronunciation easier. Remember that every syllable must have a vowel. If we didn’t have the the silent final e, how could we pronounce a word such as stapl?  Sta/ple is much simpler.
  3. The silent final signals that a word ending in an is not a plural. For example, “I hope she has sense enough not to break her promise” lets us know that it’s just one sense and just one promise, not more than oneAfter all, “”I hope she has sens enough not to break her promis” might be confusing.
  4. The silent final e usually signals a preceding long vowel sound. For example, hide and note (long vowel sounds) keep readers from reading hid and not (short vowel sounds). Even most of the vowel digraphs (another result of the Great Vowel Shift) are long vowel sounds signaled by the silent final e, for example leave and owe. Yes, it’s true there are exceptions, which we have to memorize as “outlaw words.” Many of these sight words were common Middle English words that the Brits refused to change, such as love, give, and have.
  5. The silent final signals soft /c/ and /g/ sounds, such as prince and huge.
  6. The silent final is used to show the difference in homophones, such as in or and ore.
  7. The silent final e prevents i, u, and v from being the last letter in a word. For example, we would rather read about people who lie about their true love, rather than about people who li about their tru lov.
  8. The silent final makes the /th/ a voiced sound, such as with clothe, breathe, bathe, and teethe. Check out my article on “How to Teach the Voiced and Unvoiced ‘th'” if this confuses you.

Some students find the silent final to be hard to spell when adding on suffixes. This silent final song might help!

     Memory Rap (Play the audio file HERE.)

    Drop the final e when adding on an ending if it starts with a vowel up front.

            Keep the final e when adding on an ending if it starts with a consonant.

            Also keep the e when you hear soft “c” or “g”

            Before “able” or “o-u-s”

            Mostly keep the e when the ending is “v-e”,

            “e-e”, or even “o-e”.

The first step is to determine what is missing from the your students’ knowledge of the silent final e phonics patterns. Teachers have used my reading assessments for years to pinpoint phonemic awareness, phonics, and sight words deficits. For the purposes of this article, the Vowel Sounds Phonics Assessment pinpoints which silent final e sound-spellings students have not yet mastered.

Silent Final e Phonics

Silent Final e Instructional Sequence

The second step is to follow a research-tested instructional scope and sequence. Most all explicit, systematic phonics programs begin with short vowels and layer on consonant sounds and consonant blends. Next, phonics programs begin with the long vowel sound-spellings or teach the silent final e sound-spellings. Following are the instructional sequence from the author’s reading intervention program and the silent final e animal sound-spelling cards used to introduce the names, sounds, and spellings.

The third step is to group students who have demonstrated that they have not yet achieved mastery with the silent final sound-spellings. Teachers use a variety of small group formats. Literacy centers have become a popular option to provide remedial instruction within some centers (stations), while offering grade-level and/or accelerated instruction in other centers.

The fourth step is to set aside the necessary time to teach the silent final sound-spellings. Initial instruction takes longer; however, remedial instruction can be accomplished quite quickly, because gap-filling builds upon some degree of prior knowledge, albeit a shaky foundation. Typically, five 20-minute workshops will facilitate mastery as indicated by formative assessments.

Silent Final e Phonics

Silent Final e Sound-Spellings

The fifth step is to provide effective instruction and practice for the silent final  sound-spellings and to use a formative assessment to determine mastery. Teachers need to have back-up lessons in case the student does not master the silent final e on the formative assessment. A solid foundation will allow students to learn additional reading skills.

Teachers who would like to use my silent final phonics lessons and formative assessment are welcome to download this workshop from my Teaching Reading Strategies program:

Get the Silent Final e Phonics Lessons FREE Resource:

Teaching Reading Strategies Reading Intervention Program

Teaching Reading Strategies and Sam and Friends Guided Reading Phonics Books BUNDLE

Mark Pennington, MA Reading Specialist, is the author of the comprehensive reading intervention curriculum, Teaching Reading Strategies. Designed to significantly increase the reading abilities of students ages eight through adult within one year, the curriculum is decidedly un-canned, is adaptable to various instructional settings, and is simple to use—a perfect choice for Tier I and II Response to Intervention groups. Get multiple choice diagnostic reading assessments , formative assessments, blending and syllabication activitiesphonemic awareness, and phonics workshops, 102 remedial spelling worksheets, expository comprehension worksheets, multi-level fluency passages (same text) with word counts and timing charts recorded at three different reading speeds and accessed on YouTube, 586 reading and spelling game cards, posters, activities, and games.

Also get the accompanying Sam and Friends Guided Reading Phonics Books. These eight-page decodable take-home books include sight words, word fluency practice,and phonics instruction aligned to the instructional sequence found in Teaching Reading Strategies. Each book is illustrated by master cartoonist, David Rickert. The cartoons, characters, and plots are designed to be appreciated by both older remedial readers and younger beginning readers. The teenage characters are multi-ethnic and the stories reinforce positive values and character development. Your students (and parents) will love these fun, heart-warming, and comical stories about the adventures of Sam and his friends: Tom, Kit, and Deb. Oh, and also that crazy dog, Pug.

Everything teachers need to teach a diagnostically-based reading intervention program for struggling readers at all reading levels is found in this comprehensive curriculum. Ideal for students reading two or more grade levels below current grade level, English-language learners, and special education students. Simple directions and well-crafted activities truly make this an almost no-prep curriculum.  Plus the video training modules teach you everything you need implement the program successfully. Works well as a half-year intensive program or full-year program, with or without paraprofessional assistance.

What do teachers have to say about the program?

“This is just what I need! I have been searching for a resource to help my middle school SPED kiddos catch up to their peers and I can’t wait to implement this incredible product in my classroom!!!” Rating: 4.0

Elizabeth Lewis

Reading, Spelling/Vocabulary , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

How Can I Get My Child to Read?

How to Get My Child to Read

How Can I Get My Child to Read?

“How can I get my child to read?” is probably the question that I am asked most by parents. I’m Mark Pennington, M.A. Reading Specialist, teacher, and author of Teaching Reading Strategies. Variations of the question tend to include “My child hates to read!” and, sadly, “My child doesn’t understand what she (or often he) reads.” Don’t worry, parents. You are not alone. These are also the questions that your teachers ask me privately (never in front of their colleagues).

As a dad of three boys, I’ve dealt with the same questions. Despite the fact that we have a literate household with books galore, book gifts for birthdays and Christmas, places to read with good lighting… Despite the fact that my wife and I are voracious readers… Despite the fact that I am a teacher (and reading specialist)… The boys did not like reading.

Yes, we read every day with each of our boys. Yes, all three were reading quite fluently before entering kindergarten. As an aside, the kindergarten teacher (now retired) of our youngest son now lives in our neighborhood. She told me recently how Kenny was such a pain because he knew all of his letter, sounds, and spellings on Day 1 and was frustrated that every other child did not. The teacher told me that one day she asked a student to tell her the sound that the letter m makes. As she waited patiently for the child’s response, Kenny shouted out, “He needs to be in that special group you have.” How embarrassing!

But, aren’t the teachers supposed to get my child to read? Isn’t this their job?

They certainly did so, in class. But independent reading was another matter entirely. My wife and I can’t remember any teachers from kindergarten through sixth grade who did not assign nightly independent reading (usually 15 or 20 minutes) for our three boys. I still think it’s the best homework to assign. However, I can’t remember any accountability attached to this reading, except for the required parent signature to indicate that the reading was done. Three unfortunate exceptions were reading response logs from one teacher that were graded with check marks for completion (not read), a few oral book reports, and a couple of dreaded book projects–one a paper maché mask representing the theme of the book (Yes, really) and a few shoebox dioramas. The take-away is that the assigned reading and few attempts at accountability did not increase my boys’ love of reading.

And, I’m going to be a bit harsh here… The nightly independent reading assignments did not improve the reading fluency and comprehension skills of my boys. My wife and I had to do that.

I remember watching, okay spying, on my oldest son (unknown to him) doing his independent reading in a terrific book, which he chose, when he was in third grade. I watched him stare at the same page without turning to the next page for twenty solid minutes. The microwave beeper went off, and he dutifully closed the book and got up from his desk chair as I appeared in his bedroom doorway.

“All done?” I asked.

“Yep, 20 minutes,” he replied.

I had to do something.

About the same time as the incident described above, I had enrolled in a masters degree program reading specialist program at Cal State Sacramento. One of my professors surprised me (and the class) with the research regarding self-questioning strategies. What surprised us was not that the internal reader-author dialogue was important, but that reader-generated questions of the text produced greater comprehension than did teacher or publisher-generated comprehension questions. Wow!

I wondered if question prompts might help my son and my students generate questions as they read and would these questions increase concentration and reading comprehension.

I designed the SCRIP (Summarize, Connect, Re-think, Interpret, and Predict) Comprehension Strategies to permit the reader to explore and question a text independently, instead of being solely dependent upon author subtitles, publisher, or teacher questions and/or study helps. I also designed these question prompts to work with both expository and narrative text. Finally, I crafted the strategies to provide a language of instruction between children and their parents at home and students and teachers in the classroom. Yes, you can try them out. Get five free lessons and bookmarks at the end of this article.

Having earned my masters degree as a reading specialist, I moved from my high school teaching position to that of an elementary reading specialist. Assigned to several elementary schools, I began sharing my SCRIP Comprehension Strategy Questions with teachers.

Teachers commented on how the SCRIP method increased reader engagement with the text. Kids said that asking questions of the text “made the authors seem like they were talking to us.”

I loved walking around with principals during class visitations and hearing the words Summarize, Connect, Re-think, Interpret, and Predict in teacher questions and, especially, in student questions and answers. The language of instruction was really catching on!

Teachers loved how the method worked for both expository and narrative texts. Being teachers, they starting creating. Soon I saw SCRIP questions as part of marginal annotations (margin notes). A perfect application! Next, I saw SCRIP questions added to Cornell Notes templates. Fantastic… it works with lectures, too! Teachers also began using the SCRIP questions in literature circles and in online book clubs.

I developed SCRIP Comprehension Bookmarks (you’ll get these in your free download… don’t worry) to serve as nice prompts. Parents begin noticing the bookmarks and asked how to use them to supervise independent reading. I started doing more and more parent workshops to teach them how to provide accountability for nightly independent reading homework. The SCRIP comprehension strategy questions gave parents and their children something specific to talk about regarding the child’s schoolwork and reading. At last! Something better to discuss than the dreaded “How was your day at school?” Teachers even began reducing the amount of in-class independent reading because the parents were doing at home with their child what the teacher could not do with thirty or so kids. Accountability need not destroy a child’s love of reading. In fact, parents even told me how much more their children are enjoying reading, now that they understand what they are reading.

 

Try the SCRIP Comprehension Strategy Questions with your children (or students). Get five one-page fairy tales, each introducing the SCRIP strategies, and a nice SCRIP bookmark to print.

Get the SCRIP Comprehension Strategies FREE Resource:

Pennington Publishing's Teaching Reading Strategies

Teaching Reading Strategies

Mark Pennington, MA Reading Specialist, is the author of the comprehensive reading intervention curriculum, Teaching Reading Strategies. Designed to significantly increase the reading abilities of students ages eight through adult within one year, the curriculum is decidedly un-canned, is adaptable to various instructional settings, and is simple to use—a perfect choice for Response to Intervention tiered instructional levels. Get multiple choice diagnostic reading assessments , formative assessments, blending and syllabication activitiesphonemic awareness, and phonics workshops, comprehension worksheets, multi-level fluency passages recorded at three different reading speeds and accessed on YouTube, 586 game cards, posters, activities, and games. Each of the 48 expository comprehension worksheets uses the SCRIP Comprehension Strategies.

Also get the accompanying Sam and Friends Guided Reading Phonics Books. These eight-page decodable take-home books include sight words, word fluency practice,

Sam and Friends Phonics Books

Sam and Friends Guided Reading Phonics Books

and phonics instruction aligned to the instructional sequence found in Teaching Reading Strategies. Each of the 54 book is illustrated by master cartoonist, David Rickert. The cartoons, characters, and plots are designed to be appreciated by both older remedial readers and younger beginning readers. The teenage characters are multi-ethnic and the stories reinforce positive values and character development. Your students (and parents) will love these fun, heart-warming, and comical stories about the adventures of Sam and his friends: Tom, Kit, and Deb. Oh, and also that crazy dog, Pug. Plus, get five comprehension questions (the SCRIP Comprehension Strategies), 30-second word fluencies, and custom running records for each of the 54 stories.

Everything teachers need to teach a diagnostically-based reading intervention program for struggling readers at all reading levels is found in this comprehensive curriculum. Ideal for students reading two or more grade levels below current grade level, English-language learners, and Special Education students. Simple directions and well-crafted activities truly make this an almost no-prep curriculum. Works well as a half-year intensive program or full-year program, with or without paraprofessional assistance.

Literacy Centers, Reading , , , , , , , , , , , , , , , , , , , , , , , , ,

Reading Comprehension Questions

SCRIP Comprehension Strategies

SCRIP Comprehension Strategy Questions

A reader of my Pennington Publishing Blog asked me to discuss the advantages and disadvantages of my SCRIP Comprehension Strategy Questions. Having used these for years in both elementary and middle school settings in English-language arts and reading intervention classes, I can add some personal testimony that these reading comprehension questions really do improve reading comprehension.

Background

While earning my masters degree as a reading specialist at Cal State Sacramento, one of my professors surprised me (and the class) with the research regarding self-questioning strategies. What surprised us was not that the internal reader-author dialogue was important, but that reader-generated questions of the text produced greater comprehension than did teacher or publisher-generated comprehension questions. Wow!

I had used and taught the classic SQ3R (Survey, Question, Read, Recite, and Review) method of textbook reading for years and so I asked the reading professor about the technique, which has reader-generated questions as one of the steps. He stated that considerable research had demonstrated the efficacy of the S and Q steps (Survey and Question); however, no empirical research seemed to warrant using the last two R’s (Recite and Review).  By the way, the related PQ3R strategy simply substituted Preview for the anachronistic Survey.

I asked our professor what follow-up to self-generated questions during and/or after the reading process would be research-based. He paused and said, “Looking for the answers to your own questions as you read.” Brilliant.

I went home and over the next few days hammered out my PQ RAR reading-study strategy (Preview-Question-Read-Answer-Review). I added on the last R, Review, to the professor’s suggestion of A, Answer, because not all of the reader’s self-generated questions will be answered by the text. Some were answered by the author, but were not noted by the reader during the initial reading; some were not addressed by the text; some require additional research. A nice into-during-beyond reading strategy if I do say so myself.

As an elementary reading specialist, I shared the PQ RAR reading-study strategy with quite a few teachers at seven different sites and through professional development. Although the method did assist readers, I found the How, What, and Why questions a bit too dependent upon textbook subtitles. Plus, the method did not work for narrative texts.

So, back to the drawing board.

I designed the SCRIP (Summarize, Connect, Re-think, Interpret, and Predict) comprehension strategies to permit the reader to explore and question a text independently, instead of being solely dependent upon author subtitles, publisher, or teacher questions and/or study helps. I also designed these question prompts to work with both expository and narrative text. Finally, I crafted the strategies to provide a language of instruction within the classroom. Yes, you can try them out. Get five free lessons and bookmarks at the end of this article.

Teachers commented on how the SCRIP method increased reader engagement with the text. Kids said that asking questions of the text “made the authors seem like they were talking to us.”

I loved walking around with principals during class visitations and hearing the words Summarize, Connect, Re-think, Interpret, and Predict in teacher questions and, especially, in student questions and answers. The language of instruction was really catching on!

Teachers loved how the method worked for both expository and narrative texts. Being teachers, they starting creating. Soon I saw SCRIP questions as part of marginal annotations (margin notes). A perfect application! Next, I saw SCRIP questions added to Cornell Notes templates. Fantastic… it works with lectures, too!

Teachers also began using the SCRIP questions in literature circles and in online book clubs. Later, I developed the Reading Academic Literacy Center with reading fluency practice and comprehension worksheets (with, you guessed it, the SCRIP strategy questions–five per each of the 48 expository animal articles). Teachers also applied them to Close Reading templates.

I developed SCRIP Comprehension Bookmarks (you’ll get these in your free download… don’t worry) to serve as nice prompts. Parents begin noticing the bookmarks and asked how to use them to supervise independent reading. I started doing more and more parent workshops to teach them how to provide accountability for nightly independent reading homework. The SCRIP comprehension strategy questions gave parents and their children something specific to talk about regarding the child’s schoolwork and reading. At last! Something better to discuss than the dreaded “How was your day at school?” Teachers even began reducing the amount of in-class independent reading because the parents were doing at home with their child what the teacher could not do with thirty or so kids.

Advantages?

The SCRIP comprehension strategies are beneficial for building comprehension of both narrative and expository text. These self-questioning strategies engage the reader with the text and promote the reader-author dialogue which increases comprehension and retention. Five strategies seemed about the right number and Summarize, Connect, Re-think, Interpret, and Predict work nicely for textbooks, articles, documents, stories, and poetry.

Disadvantages?

The only disadvantage that I see is that each genre has additional strategies which don’t work for both. For example, author’s purpose and research questions work primarily for expository text, while plot structure questions work only with narrative text.

Try the SCRIP Comprehension Strategy Questions with your students. Get five one-page fairy tales, each introducing the SCRIP strategies, and a nice SCRIP bookmark to print for your students.

Get the SCRIP Comprehension Strategies FREE Resource:

Pennington Publishing's Teaching Reading Strategies

Teaching Reading Strategies

Mark Pennington, MA Reading Specialist, is the author of the comprehensive reading intervention curriculum, Teaching Reading Strategies. Designed to significantly increase the reading abilities of students ages eight through adult within one year, the curriculum is decidedly un-canned, is adaptable to various instructional settings, and is simple to use—a perfect choice for Response to Intervention tiered instructional levels. Get multiple choice diagnostic reading assessments , formative assessments, blending and syllabication activitiesphonemic awareness, and phonics workshops, comprehension worksheets, multi-level fluency passages recorded at three different reading speeds and accessed on YouTube, 586 game cards, posters, activities, and games. Each of the 48 expository comprehension worksheets uses the SCRIP Comprehension Strategies.

Also get the accompanying Sam and Friends Guided Reading Phonics Books. These eight-page decodable take-home books include sight words, word fluency practice,

Sam and Friends Phonics Books

Sam and Friends Guided Reading Phonics Books

and phonics instruction aligned to the instructional sequence found in Teaching Reading Strategies. Each of the 54 book is illustrated by master cartoonist, David Rickert. The cartoons, characters, and plots are designed to be appreciated by both older remedial readers and younger beginning readers. The teenage characters are multi-ethnic and the stories reinforce positive values and character development. Your students (and parents) will love these fun, heart-warming, and comical stories about the adventures of Sam and his friends: Tom, Kit, and Deb. Oh, and also that crazy dog, Pug. Plus, get five comprehension questions (the SCRIP Comprehension Strategies), 30-second word fluencies, and custom running records for each of the 54 stories.

Everything teachers need to teach a diagnostically-based reading intervention program for struggling readers at all reading levels is found in this comprehensive curriculum. Ideal for students reading two or more grade levels below current grade level, English-language learners, and Special Education students. Simple directions and well-crafted activities truly make this an almost no-prep curriculum. Works well as a half-year intensive program or full-year program, with or without paraprofessional assistance.

Literacy Centers, Reading , , , , , , , , , , , , , , , , , , , , , , , , ,

How to Teach Phonics to Big Kids and Adults: Short Vowels

I just finished listening to a TED TALK by Sal Khan, founder of the Khan Academy. Sal was talking about mastery learning and the importance of building strong learning foundations before layering on additional information.

Sal cites the example of a child who scores an average grade of 75% on a unit test. Most educators would accept 75% as an average score, and in fact most diagnostic assessments would accept 75—80% as mastery level; however, Sal points out the not knowing 25% of the test components is problematic. From the student’s perspective: “I didn’t know 25% of the foundational thing, and now I’m being pushed to the more advanced thing.”

When students try to learn something new that builds upon these shaky foundations, “they hit a wall… and “become disengaged.”

Sal likens the lack of mastery learning to shoddy home construction. What potential homeowner would be happy to buy a new home that has only 75% of its foundation completed (a C), or even 95% (an A)?

Of course, Sal is a math guy and math lends itself to sequential mastery learning more so than does my field of English-language arts and reading intervention. My content area tends to have a mix of sequential and cyclical teaching learning, as reflected in the structure of the Common Core State Standards. The author of the School Improvement Network site puts it nicely:

Many teachers view their work from a lens that acknowledges the cyclical nature of teaching and learning.  This teaching and learning cycle guides the definition of learning targets, the design of instructional delivery, the creation and administration of assessments and the selection of targeted interventions in response to individual student needs.

At this point, our article begins to beg the question: What if a shaky foundation is what we’re dealing with now? Teachers can start playing the blame game and complain that we’re stuck teaching reading to students who missed key foundational components, such as phonics. Or teachers can figure out what is missing in the individual student skill-sets and fill the gaps… this time with mastery learning.

The first step is to determine what is missing from the foundation. Teachers have used my reading assessments for years to pinpoint phonemic awareness, phonics, and sight words deficits. For the purposes of this article, the Vowel Sounds Ph0nics Assessment pinpoints which short vowels students have not yet mastered.

The second step is to follow a research-tested instructional scope and sequence. Most all explicit, systematic phonics programs begin with short vowels. As compared to long vowels, the short vowels are much more consistent in their pronunciations and spellings. Of course, teachers also introduce consonants along with the short vowels. Following are the instructional sequence from the author’s reading intervention program and the short vowel animal sound-spelling cards used to introduce the names, sounds, and spellings. Note that only the short /e/ has more than one often-used spelling. Again, the short vowels are quite consistent.

Short Vowels Instructional Phonics Sequence

Short Vowels Animal Sound-Spelling Cards

Animal Sound-Spelling Cards (Short Vowels)

The third step is to group students who have demonstrated that they have not yet achieved mastery with the short vowels. Teachers use a variety of small group formats. Literacy centers have become a popular option to provide remedial instruction within some centers (stations), while offering grade-level and/or accelerated instruction in other centers.

The fourth step is to set aside the necessary time to teach the short vowels. Initial instruction takes longer; however, remedial instruction can be accomplished quite quickly, because gap-filling builds upon some degree of prior knowledge, albeit a shaky foundation. Typically, five 20-minute workshops will facilitate mastery as indicated by formative assessments.

The fifth step is to provide effective instruction and practice for the five short vowels and to use a formative assessment to determine mastery. Teachers need to have back-up lessons in case the student does not master the short vowels on the formative assessment. A solid foundation will allow students to learn additional reading skills.

Teachers who would like to use my short vowels lessons and formative assessment to remediate short vowels are welcome to download this workshop from my Teaching Reading Strategies program:

Get the Short Vowels Phonics Workshop FREE Resource:

Teaching Reading Strategies Reading Intervention Program

Teaching Reading Strategies and Sam and Friends Guided Reading Phonics Books BUNDLE

Mark Pennington, MA Reading Specialist, is the author of the comprehensive reading intervention curriculum, Teaching Reading Strategies. Designed to significantly increase the reading abilities of students ages eight through adult within one year, the curriculum is decidedly un-canned, is adaptable to various instructional settings, and is simple to use—a perfect choice for Tier I and II Response to Intervention groups. Get multiple choice diagnostic reading assessments , formative assessments, blending and syllabication activitiesphonemic awareness, and phonics workshops, 102 remedial spelling worksheets, expository comprehension worksheets, multi-level fluency passages (same text) with word counts and timing charts recorded at three different reading speeds and accessed on YouTube, 586 reading and spelling game cards, posters, activities, and games.

Also get the accompanying Sam and Friends Guided Reading Phonics Books. These eight-page decodable take-home books include sight words, word fluency practice, and phonics instruction aligned to the instructional sequence found in Teaching Reading Strategies. Each book is illustrated by master cartoonist, David Rickert. The cartoons, characters, and plots are designed to be appreciated by both older remedial readers and younger beginning readers. The teenage characters are multi-ethnic and the stories reinforce positive values and character development. Your students (and parents) will love these fun, heart-warming, and comical stories about the adventures of Sam and his friends: Tom, Kit, and Deb. Oh, and also that crazy dog, Pug.

Everything teachers need to teach a diagnostically-based reading intervention program for struggling readers at all reading levels is found in this comprehensive curriculum. Ideal for students reading two or more grade levels below current grade level, English-language learners, and special education students. Simple directions and well-crafted activities truly make this an almost no-prep curriculum.  Plus the video training modules teach you everything you need implement the program successfully. Works well as a half-year intensive program or full-year program, with or without paraprofessional assistance.

What do teachers have to say about the program?

“This is just what I need! I have been searching for a resource to help my middle school SPED kiddos catch up to their peers and I can’t wait to implement this incredible product in my classroom!!!” Rating: 4.0

Elizabeth Lewis

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Writing Literacy Centers

Writing Literacy Centers

Writing Academic Literacy Centers

As most teachers have now adjusted their writing instruction and practice into the narrowed focus of the Common Core State Standards (more research and essays and less stories and creative writing), I see a renewed interest in developing the skill sets of student writers.

Teachers have, understandably, focused on the first three Common Core Writing Standards: 1. The argumentative (essay) 2. The informational/explanatory (essay or report) 3. The narrative (story). Most teachers have had professional development in these three genre and teach all three at some time within each school year.

Additionally, most teachers are now implementing Writing Standards W.6, 7, 8, and 9 by using technology for short or extended research writing projects.

However, teachers are less familiar with the other three writing standards and few are well-acquainted with the relevant language standard. Teachers usually refer to these standards as writing skills or strategies. Typically, teachers have taught these tools in isolation as writing openers/worksheets or in the writing context as mini-lessons/editing. These skills or strategies are ideally suited to literacy center (station) lessons.

Following are the often-neglected writing and language standards:

Production and Distribution of Writing:

CCSS.ELA-LITERACY.CCRA.W.4
Produce clear and coherent writing in which the development, organization, and style are appropriate to task, purpose, and audience.

CCSS.ELA-LITERACY.CCRA.W.5
Develop and strengthen writing as needed by planning, revising, editing, rewriting, or trying a new approach.

Range of Writing:

CCSS.ELA-LITERACY.CCRA.W.10
Write routinely over extended time frames (time for research, reflection, and revision) and shorter time frames (a single sitting or a day or two) for a range of tasks, purposes, and audiences.

Language

CCSS.ELA-LITERACY.CCRA.L.3
Apply knowledge of language to understand how language functions in different contexts, to make effective choices for meaning or style, and to comprehend more fully when reading or listening.

Teachers have used three research-based strategies to teach these writing skills or strategies: 1. Frequent, short, and focused writing practice 2. Sentence revisions 3. Literary response

How to Teach to These Standards

Fortunately, #s 2 and 3 are best accomplished by #1.

Sentence Revision (called by many other names) includes quick, focused instruction and repetitive practice in precise word choice, sentence structure (grammar, usage, and syntax), and sentence variety (varied grammatical forms, sentence combining, sentence length, parallelism, etc.)

Literary Response includes learning from accomplished writers. Teachers have used both expository and narrative mentor texts for years to model how writers communicate artfully and memorably. Typically, students respond to mentor texts in different rhetorical modes (rhetorical stance: voice, audience, purpose, and form) to develop their own writing style.

If you glance back at the often-neglected writing and language standards above, you’ll see how sentence revision and literary response activities address the components of these standards and can be taught and practiced in frequent, short, and focused writing practice.

One great way to teach sentence revision and literary response writing skills is in literacy centers (stations). The social nature of collaborative writing is especially conducive to literacy centers.

 

The author of this post, Mark Pennington, provides grades 4-8 teachers with grade-level sentence revision resources and literary response resources in two instructional formats: twice-per-week writing openers (or writers workshop mini-lessons) and literacy centers.

Both sentence revision and literary response lessons are provided in Teaching Essay Strategies, the Writing Academic Literacy Center Grades 4, 5, 6, 7, and 8and in the Academic Literacy Center Grades 4, 5, 6, 7, and 8 BUNDLE.

Get the Writing Academic Literacy Center Sample Lessons FREE Resource:

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How to Teach Writing Skills

Writing is Taught and Caught

Writing Skills: Taught and Caught

Now that teachers have had plenty of professional development in how to write arguments (CCSS.ELA-LITERACY.CCRA.W.1) and informative/explanatory texts (CCSS.ELA-LITERACY.CCRA.W.2), teachers are looking at their students’ essays or narratives (CCSS.ELA-LITERACY.CCRA.W.3) with a collective sigh. Students just cannot write.

Students seem to understand the content, they know the demands and constraints of the writing genre, they can dissect a writing prompt, they know the writing process… but the words they use, the sentences they construct, and the intangible feeling our student writers convey simply do not engage their readers (teachers especially).

The Problem

Many teachers are not equipping their students with the tools they need in their tool belts. Or, just as bad, teachers introduce the tools, but don’t provide the practice students need to master the tools.

The Solution

Two time-proven solutions to these problems take little time, but do necessitate some instruction and practice: sentence revisions and literary response. Writing teachers (and writing research) have found these tools to be especially helpful for developing writers.

By sentence revision, I mean the word choice and structure of our language (the grammar, usage, and syntax). It’s the how something is written (and re-written). Think sentence variety, sentence combining, grammar and proper usage in the writing context. The skills of sentence revision are primarily taught.

By literary response, I mean writing style: primarily the style of literary mentors, who not only have something to say, but know how to say it in both expository and narrative writing. Think mentor texts and rhetorical stance (voice, audience, purpose, and form). The skills of writing style are primarily caught.

Fortunately, the Common Core authors do acknowledge the importance of teaching both sentence revisions and literary response in both the Anchor Standards for Writing and the Anchor Standards for Language (highlighting my own):

Writing Anchor Standards

CCSS.ELA-LITERACY.CCRA.W.10
Write routinely over extended time frames (time for research, reflection, and revision) and shorter time frames (a single sitting or a day or two) for a range of tasks, purposes, and audiences.

Language Anchor Standards

CCSS.ELA-LITERACY.CCRA.L.3
Apply knowledge of language to understand how language functions in different contexts, to make effective choices for meaning or style, and to comprehend more fully when reading or listening.

Suggestions

Keep your focus on both the content and process of writing. Maintain a balance of extended writing process assignments (especially essays and stories) and short, say twice-per-week writing skill development, especially using sentence revisions and literary response activities.

The author of this post, Mark Pennington, provides grades 4-8 teachers with grade-level sentence revision resources and literary response resources in two instructional formats: twice-per-week writing openers (or writers workshop mini-lessons) and literacy centers.

Both sentence revision and literary response lessons are provided in Teaching Essay Strategies, the Writing Academic Literacy Center Grades 4, 5, 6, 7, and 8 and in the Academic Literacy Center Grades 4, 5, 6, 7, and 8 BUNDLE.

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Close Reading

Close Reading

Close Reading: Don’t Read Too Closely

The close reading strategy is beneficial for building comprehension of both narrative and expository text. However, we do need a mid-course correction. As with many instructional strategies, teachers latch onto the “new and improved” and sometimes forget the “tried and true.”

In the following articles, MA reading specialist, seventh grade ELA teacher, and author Mark Pennington piles on the reading research and in-class experience to help teachers use the close reading strategy properly and apply the concurrent reading strategies to help their students access challenging text.

Each article includes at least one got-to-have freebie: from sample lessons to narrative and expository close reading templates.

If you haven’t yet perused Pennington Publishing’s grades 4-8 assessment-based ELA and reading intervention resources, each article with include a short promo to entice your exploration. While in mind, you should certainly check out the free downloads of ELA and reading intervention diagnostic assessments as well as the other Pennington Publishing blog articles neatly categorized according to your interests. At last count I’ve written over 600 articles in the ELA and reading field and have been overly-generous (so say my colleagues) is equipping teachers with free downloads to help teachers better serve their students.

Your comments are certainly welcome on any of the individual articles. Mark… Oh, my email is mark@penningtonpublishing.com

Close Reading Articles from the Pennington Publishing Blog

Close Reading Casualties

http://blog.penningtonpublishing.com/reading/close-reading-casualties/ 

This article explains how the over-emphasis of the close reading strategy has decreased Tier 2 vocabulary acquisition and reading fluency. The author provides suggestions regarding how to practice reading fluency and independent comprehension strategies (including self-generated questions). At the end of the article, a free download sample of the author’s Reading Academic Literacy Center is available.

Close Reading Narrative Worksheet

http://blog.penningtonpublishing.com/reading/close-reading-narrative-worksheet/

The author tears into the counterproductive practice of close reading advocates, who in their desire to promote reader independence, actually achieve the converse by prohibiting pre-reading strategies designed to both access prior knowledge and pre-teach key vocabulary and concepts. Citing years of reading research, the author brings out the big guns to suggest that close reading needs a bit of tweaking to remain a viable reading strategy. Teachers will be able to download a free narrative close reading template.

Close Reading Expository Worksheet

http://blog.penningtonpublishing.com/reading/close-reading-expository-worksheet/

The author provides historical perspective on the close reading strategy (actually a recycled strategy from the 1950s and 1960s) and argues that there are four key components of the close reading strategy that teachers need to keep on doing. However, there are also three key reading strategies which need to supplement close reading to increase reader comprehension and independence. Teachers will love the free download of an expository close reading template.

Independent Close Reading

http://blog.penningtonpublishing.com/reading/independent-close-reading/

In this article the author faults of exclusivity of the text-dependent questions (a key component of the close reading strategy). While agreeing with the authors of the Common Core State Standards that the old reader response strategies of the whole language movement led teachers and students to go beyond the text into the relatively irrelevant and tangential world of focusing on what the reading means to me, the close reading fanatics have dumped decades of solid reading research, which proves the validity of reader self-generated questioning strategies. Those who adhere to text-dependent publisher or teacher questions at the expense of reader questions return students to reading to answer questions, rather than reading to find out what the author means. Teachers will be able to download a useful set of resources: The SCRIP Comprehension Strategies resource includes posters for each of the five comprehension strategies to prompt self-generated questions, SCRIP comprehension bookmarks, and five lessons to teach these strategies.

Close Reading: Don’t Read Too Closely

http://blog.penningtonpublishing.com/reading/close-reading-dont-read-too-closely/

This article has produced quite a response. The pin associated with the article went semi-viral, indicating a backlash against close reading. The author goes out of his way to state his support of the close reading strategy as one of many effective reading strategies, but cites the key reading researchers who see close reading as a good thing that needs to be better. If you’re interested in cited reading research on close reading with all the links, this article is for you. The focus of the article is historical: how close reading developed as a strategy to access challenging text. Sometimes it helps to know where something comes from to understand what it is.

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