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Writing Literacy Centers

Writing Literacy Centers

Writing Academic Literacy Centers

As most teachers have now adjusted their writing instruction and practice into the narrowed focus of the Common Core State Standards (more research and essays and less stories and creative writing), I see a renewed interest in developing the skill sets of student writers.

Teachers have, understandably, focused on the first three Common Core Writing Standards: 1. The argumentative (essay) 2. The informational/explanatory (essay or report) 3. The narrative (story). Most teachers have had professional development in these three genre and teach all three at some time within each school year.

Additionally, most teachers are now implementing Writing Standards W.6, 7, 8, and 9 by using technology for short or extended research writing projects.

However, teachers are less familiar with the other three writing standards and few are well-acquainted with the relevant language standard. Teachers usually refer to these standards as writing skills or strategies. Typically, teachers have taught these tools in isolation as writing openers/worksheets or in the writing context as mini-lessons/editing. These skills or strategies are ideally suited to literacy center (station) lessons.

Following are the often-neglected writing and language standards:

Production and Distribution of Writing:

CCSS.ELA-LITERACY.CCRA.W.4
Produce clear and coherent writing in which the development, organization, and style are appropriate to task, purpose, and audience.

CCSS.ELA-LITERACY.CCRA.W.5
Develop and strengthen writing as needed by planning, revising, editing, rewriting, or trying a new approach.

Range of Writing:

CCSS.ELA-LITERACY.CCRA.W.10
Write routinely over extended time frames (time for research, reflection, and revision) and shorter time frames (a single sitting or a day or two) for a range of tasks, purposes, and audiences.

Language

CCSS.ELA-LITERACY.CCRA.L.3
Apply knowledge of language to understand how language functions in different contexts, to make effective choices for meaning or style, and to comprehend more fully when reading or listening.

Teachers have used three research-based strategies to teach these writing skills or strategies: 1. Frequent, short, and focused writing practice 2. Sentence revisions 3. Literary response

How to Teach to These Standards

Fortunately, #s 2 and 3 are best accomplished by #1.

Sentence Revision (called by many other names) includes quick, focused instruction and repetitive practice in precise word choice, sentence structure (grammar, usage, and syntax), and sentence variety (varied grammatical forms, sentence combining, sentence length, parallelism, etc.)

Literary Response includes learning from accomplished writers. Teachers have used both expository and narrative mentor texts for years to model how writers communicate artfully and memorably. Typically, students respond to mentor texts in different rhetorical modes (rhetorical stance: voice, audience, purpose, and form) to develop their own writing style.

If you glance back at the often-neglected writing and language standards above, you’ll see how sentence revision and literary response activities address the components of these standards and can be taught and practiced in frequent, short, and focused writing practice.

One great way to teach sentence revision and literary response writing skills is in literacy centers (stations). The social nature of collaborative writing is especially conducive to literacy centers.

 

The author of this post, Mark Pennington, provides grades 4-8 teachers with grade-level sentence revision resources and literary response resources in two instructional formats: twice-per-week writing openers (or writers workshop mini-lessons) and literacy centers.

Both sentence revision and literary response lessons are provided in Teaching Essay Strategies, the Writing Academic Literacy Center Grades 4, 5, 6, 7, and 8and in the Academic Literacy Center Grades 4, 5, 6, 7, and 8 BUNDLE.

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How to Teach Writing Skills

Writing is Taught and Caught

Writing Skills: Taught and Caught

Now that teachers have had plenty of professional development in how to write arguments (CCSS.ELA-LITERACY.CCRA.W.1) and informative/explanatory texts (CCSS.ELA-LITERACY.CCRA.W.2), teachers are looking at their students’ essays or narratives (CCSS.ELA-LITERACY.CCRA.W.3) with a collective sigh. Students just cannot write.

Students seem to understand the content, they know the demands and constraints of the writing genre, they can dissect a writing prompt, they know the writing process… but the words they use, the sentences they construct, and the intangible feeling our student writers convey simply do not engage their readers (teachers especially).

The Problem

Many teachers are not equipping their students with the tools they need in their tool belts. Or, just as bad, teachers introduce the tools, but don’t provide the practice students need to master the tools.

The Solution

Two time-proven solutions to these problems take little time, but do necessitate some instruction and practice: sentence revisions and literary response. Writing teachers (and writing research) have found these tools to be especially helpful for developing writers.

By sentence revision, I mean the word choice and structure of our language (the grammar, usage, and syntax). It’s the how something is written (and re-written). Think sentence variety, sentence combining, grammar and proper usage in the writing context. The skills of sentence revision are primarily taught.

By literary response, I mean writing style: primarily the style of literary mentors, who not only have something to say, but know how to say it in both expository and narrative writing. Think mentor texts and rhetorical stance (voice, audience, purpose, and form). The skills of writing style are primarily caught.

Fortunately, the Common Core authors do acknowledge the importance of teaching both sentence revisions and literary response in both the Anchor Standards for Writing and the Anchor Standards for Language (highlighting my own):

Writing Anchor Standards

CCSS.ELA-LITERACY.CCRA.W.10
Write routinely over extended time frames (time for research, reflection, and revision) and shorter time frames (a single sitting or a day or two) for a range of tasks, purposes, and audiences.

Language Anchor Standards

CCSS.ELA-LITERACY.CCRA.L.3
Apply knowledge of language to understand how language functions in different contexts, to make effective choices for meaning or style, and to comprehend more fully when reading or listening.

Suggestions

Keep your focus on both the content and process of writing. Maintain a balance of extended writing process assignments (especially essays and stories) and short, say twice-per-week writing skill development, especially using sentence revisions and literary response activities.

The author of this post, Mark Pennington, provides grades 4-8 teachers with grade-level sentence revision resources and literary response resources in two instructional formats: twice-per-week writing openers (or writers workshop mini-lessons) and literacy centers.

Both sentence revision and literary response lessons are provided in Teaching Essay Strategies, the Writing Academic Literacy Center Grades 4, 5, 6, 7, and 8 and in the Academic Literacy Center Grades 4, 5, 6, 7, and 8 BUNDLE.

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Writing Style

e-Comments for Essay Writing Rules and Style

Essay Writing Rules and Style e-Comments

Although teachers exert considerable effort in showing students the differences between the narrative and essay genre, the both stories and essays do share some common writing rules. Among these are the accepted rules of writing style. Different than grammar, usage, or mechanics rules, the accepted rules of writing style help student writers avoid the pitfalls and excesses of formulaic, padded, and contrived writing.

Check out the essay e-comments teachers need to respond to student essays regarding writing rules and writing style.

Additionally, using proper writing style helps students improve coherence and readability. The University of North Carolina, Chapel Hill, Writing Center has an excellent article on writing style.

Although writing style is certainly unique to every writer, English-language arts teachers have a role in developing that style. Most would agree that there are, in fact, rules of essay style which are unique to that writing genre. I’ve developed a set of 24 Essay Writing Style Rules. Written with tongue firmly planted in cheek, teachers and some precocious students will appreciate the humor and all students will learn what not to write in their stories and essays. Teach these rules of writing style and cringe less as you grade that next set of papers.

Essay Style Rules

Essay Writing Style Rules

Essay Writing Style Rules

  1. Avoid intentional fragments. Right?
  2. Avoid formulaic phrases in this day and age.
  3. I have shown that you should delete references to your own writing.
  4. Be sort of specific.
  5. Don’t define terms (where a specialized word is used) using “reason is,” “because,” “where,” or “when.”
  6. Avoid using very interesting, nice words that contribute little to a sentence.
  7. Prepositions are not good to end sentences with.
  8. It is a mistake to ever split an infinitive.
  9. But do not start a sentence with a coordinating conjunction.
  10. Avoid using clichés like a bad hair day.
  11. Always, avoid attention-getting alliteration.
  12. Parenthetical remarks should (most always) be avoided.
  13. Also, never, never repeat words or phrases very, very much, too.
  14. Use words only as they are defined, no matter how awesome they are.
  15. Even if a metaphor hits the spot, it can be over-played.
  16. Resist exaggeration; it only works once in a million years.
  17. Writers should always avoid generalizations.
  18. Avoid using big words when more utilitarian words would suffice.
  19. What use are rhetorical questions?
  20. The passive voice is a form to be avoided, if it can be helped.
  21. Never write no double negatives.
  22. There are good reasons to avoid starting every sentence with There.
  23. Always, absolutely avoid overstating ideas.
  24. Keep pronoun references close to subjects in long sentences to make them clear.

I’ve developed eight writing style posters with these “rules” to teach students the key elements to effective writing style. Just click on the red button below to get this teachable resource.

Pennington Publishing's Teaching Essay Strategies

Teaching Essay Strategies

Purchase Teaching Essay Strategies to get 8 complete writing process essays (4 argumentative and 4 informational-explanatory) with accompanying readings, 42 sequenced writing strategy worksheets, 64 sentence revision lessons, additional remedial worksheets, writing fluency and skill lessons, posters, and editing resources. Also get the e-comments download of 438 writing comments to improve written response and student revisions. 

“Great step by step worksheets that help students build or reinforce essay writing skills.”

Michelle Hunter

“A thoroughly comprehensive format to teach writing. Just what I needed.”

Tim Walker

 

Get the Writing Style Posters FREE Resource:

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Writing Guides, English Handbooks, and Style Manuals

Remember using Warriner’s English Grammar and Composition back in high school and Strunk and White’s The Elements of Style back in college? Each resource provided tips on grammar, usage, mechanics, spelling, and composition. Many students found these resources to be indispensable writing partners for essays and term papers. Writing Guides, English Handbooks, and Style Manuals all provide useful tools to students and professional writers alike. However, print copies are often out of date as soon as they are published. With commonly accepted guidelines in flux, the resources of the web are much better suited to the needs of today’s writers.

Constantly updated, The Pennington Manual of Style has been designed to serve as a complete writer’s reference guide (not merely a guide to citation formatting) for fourth-twelfth grade students and their teachers… with one major improvement over the old Warriner’s English Grammar and Composition and The Elements of Style: This style manual is fully interactive with 438 downloadable essay e-comments to make essay response efficient and comprehensive. Teachers can SAVE TIME GRADING ESSAYS AND GIVE STUDENTS BETTER COMMENTS with this resource. Plus, teachers are licensed to print Read more…

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Free Writing Style Resources

Writing style is an umbrella term which includes writing rules and conventions, the voice or personality of the writer, how the writer interacts with his or her audience, what the author says, his or her purpose for writing, and how the author says what is said (including form, word choice, grammar, and sentence structure). Writing style also includes the personal agenda and collective experience of the writer. Writing style is all about the writer and his or her choices.

English-language arts teachers tend to argue about whether writing style is caught or taught. In my mind it’s both. Exposure to and recognition of unique writing styles through wide reading of a variety of prose and poetry provides a context for developing writers to experiment with their own voices. Teaching accepted writing rules, practicing sentence combining, requiring different grammatical sentence structures, etc. all impact what and how students write.

Following are articles, free resources, and teaching tips regarding how to teach essay strategies from the Pennington Publishing Blog. Also, check out the quality instructional programs and resources offered by Pennington Publishing.

Writing Style

How to Improve Writing Style

http://penningtonpublishing.com/blog/writing/how-to-improve-writing-style/

Writing style is personal, but also follows a traditional, widely agreed-to form. Indeed, good writing style does have objective rules to follow. Here are the key rules of writing style, written with tongue-firmly-planted-in-cheek examples. This article lists 24 writing style rules in a truly memorable way.

Writing Style

http://blog.penningtonpublishing.com/writing/writing-style/

Although teachers exert considerable effort in showing students the differences between the narrative and essay genre, the both stories and essays do share some common writing rules. Among these are the accepted rules of writing style. Different than grammar, usage, or mechanics rules, the accepted rules of writing style help student writers avoid the pitfalls and excesses of formulaic, padded, and contrived writing. Additionally, using proper writing style helps students improve coherence and readability.

How to Improve Writing Unity

http://penningtonpublishing.com/blog/writing/how-to-improve-writing-unity/

Writing unity refers to how well sentences and paragraphs stay focused on the topic sentences and thesis statement. From the reader’s point of view, writing unity means that there are no irrelevant (off the point) details and that the tone of the writing remains consistent. This article gives good and bad examples of writing unity and provides strategies to improve your writing.

How to Improve Writing Parallelism

http://penningtonpublishing.com/blog/writing/how-to-improve-writing-parallelism/

Writing parallelism refers to the repeated pattern of words and grammatical structures. Parallel structures assist the comprehension of the reader and provide a memorable rhythm to the writing. Improve your writing style and readability by incorporating parallelism in your writing.

How to Improve Your Writing Style with Grammatical Sentence Openers

http://penningtonpublishing.com/blog/grammar_mechanics/how-to-improve-your-writing-style-with-grammatical-sentence-openers/

To improve writing style and increase readability, learn how to vary sentence structures. Starting sentences with different grammatical sentence openers is the easiest way to add sentence variety. This article lists, explains, and provides clear examples for grammatical sentence openers.

Using Music to Develop Authentic Voice

http://penningtonpublishing.com/blog/writing/using-music-to-develop-authentic-voice/

Music creates the passion, commitment, and authentic voice that we want to see in our students’ writing. Connecting to student experience with their own music can transform the way they write essays, reports, narratives, poetry, and letters.

How to Develop Voice in Student Writing

http://penningtonpublishing.com/blog/writing/how-to-develop-voice-in-student-writing/

For students to develop voice, they need to practice voice in specific teacher-directed writing assignments. Here are 13 teaching tips to help students find their own voices.

Teaching Essay Style: 15 Tricks of the Trade

http://penningtonpublishing.com/blog/writing/teaching-essay-style-15-tricks-of-the-trade/

“Never start a sentence with But.” Countless middle school and high school English-language arts teachers cringe when their students faithfully repeat this elementary school dictum. “Never use I in your five-paragraph essay.” Now university professors similarly cringe and shake their heads at the straight-jacketed rules placed upon their students. However, maybe there is a method to our madness. Perhaps these writing absolutes serve a useful purpose for developing writers. Perhaps the little white lies that we teach our students are actually our tricks of the trade.

How to Teach Rhetorical Stance

http://penningtonpublishing.com/blog/writing/how-to-teach-rhetorical-stance/

Students need to practice the elements of rhetorical stance to improve their writing. This article provides clear definitions and a great sample lesson with useful links to learn how to teach voice, audience, purpose, and form to your students.

Ten Tips to Improving Writing Coherency

http://penningtonpublishing.com/blog/grammar_mechanics/ten-tips-to-improving-writing-coherency/

Writing coherency refers to how well sentences and paragraphs are organized into an understandable whole. Good writing coherency is reader-centered. From the reader’s point of view, the train of thought must be connected, easy to follow, and make sense.

How to Eliminate “To-Be” Verbs in Writing

http://penningtonpublishing.com/blog/grammar_mechanics/how-to-eliminate-to-be-verbs-in-writing/

Every English teacher has a sure-fire revision tip that makes developing writers dig down deep and revise initial drafts. One of my favorites involves eliminating the “to-be-verbs”: is, am, are, was, were, be, being, and been. Learn the four strategies to revise these “writing crutches.”

How to Teach Helping Verbs

http://penningtonpublishing.com/blog/grammar_mechanics/how-to-teach-helping-verbs/

English teachers learn early in their careers that strong nouns and “show-me” verbs are the keys to good writing. Of these two keys, verbs give developing writers the most “bang for their buck” in terms of writing revision. As a plus, revising weak and imprecise verbs, such as helping verbs (also known as auxiliary verbs), with active “show-me verbs” is quite teachable and less vocabulary-dependent than working with nouns. Learn when to use and when not to use helping verbs and how to eliminate them to improve writing.

The Seven Essay Writing Rules

http://penningtonpublishing.com/blog/writing/the-seven-essay-writing-rules/

Essays have certain traditional rules that help maintain a fair and balanced writing style. This article details the seven key essay writing rules with clear examples.

More Articles, Free Resources, and Teaching Tips from the Pennington Publishing Blog

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Teaching Essay Strategies is the comprehensive writing curriculum, designed to teach your students how to write coherent multi-paragraph essays. Students progress at their own pace through 42 sequential essay strategy worksheets and  skill lessons (including writing style, parallelism, coherency, unity, and writing evidence) to compose 8 complete essays in the different essay genres. Also get 64 sentence revision (sentence combining and grammatical sentence patterns) and 64 rhetorical stance “opener” lessons, 8 on-demand writing fluencies, remedial writing worksheets, writing posters, holistic and analytical rubrics, graphic organizers, The Pennington Manual of Style with insertable e-comments, and extensive editing resources. No other writing program matches the comprehensive resources of this curriculum. Truly individualize  instruction with the resources found in this large three-ring binder. 

Pennington Publishing's Teaching Essay Strategies

Teaching Essay Strategies

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Using Music to Develop Authentic Voice

A few years back, I sat down at my kitchen table on an early Saturday morning to begin the arduous process of grading a set of seventh-grade persuasive essays. I had postponed the task for too long and grades were due on Monday. Why did I dread the grading so much?

I knew what to expect. I would see the results of my instruction and significant improvement. I would feel self-validated and be able to give myself a well-earned pat on the back. The essays would sound like miniature versions of me. No doubt my essays would make me look good that week during our department read-around. However, I knew what would be missing in my students’ writing: Soul, Passion, Commitment, Connection. No… it was not the fault of the writing prompt. There were several to choose among, and they were intrinsically motivating for my students. There was something else.

As many teachers naturally do, I reflected back to my own successes as a writer. I drifted back to my own junior high experience. Mr. Devlin was an odd teacher with horribly worn black shoes. He was odd, even by English-language arts teacher standards. However, his writing assignment is the only one I’ve saved from my entire K-12 experience.

Mr. Devlin gave us a journal assignment with no rules. No, I’m not advocating this kind of unstructured experience, per se. After all, I’m still assigning those argumentative essays, right? In fact, it was not the assignment that was meaningful at all; it was what I did with it.

My room was my personal sanctuary. I’m dating myself at this point. My room was covered with psychedelic rock-art posters-each painted/printed in luminescent color. Yes, I had a black light. Yes, I had a strobe light. I begged my parents for black-out drapes, but olive-green was their choice. My stereo was bitchin’. I burned incense, even though I hated the smell. It was 1968.

I played the Beatles’ Sgt. Peppers and Magical Mystery Tour albums non-stop. One of the most irritating memories I have is that of my father, a professional musician, saying that the flutes sounded like cheap recorders on Paul’s “The Fool on the Hill.” He said the song was garbage.

I listened-no… I felt the music and I wrote. As I read the journals today, much of the writing is juvenile and prurient—a budding Steinbeck I was not. However, my analysis of lyrics, wanna-be girlfriends, my parents, comments and warnings to Mr. Devlin to hold true to his promise that he wouldn’t read the journals rings true to my age and experience. The journal had what my students’ persuasive essays lacked-an authentic voice. With all of the Soul, Passion, Commitment, Connection.

I graded the argumentative essays, and as I expected, most were technically very good. But, I vowed to do things much differently with their next persuasive essay. I was going to Mr. Devlin their writing by allowing my students’ cultures to create their own voices. Music would be the transformative medium. Connecting to student experience with their own music can transform the way they write essays, reports, narratives, poetry, and letters. Music was just as influential, just as pervasive, for my students as it was for me. I knew what I was getting into. I hate their hip hop, new R&B, metal, and rap. It really is garbage.

Music, and songwriting in particular, can help teachers develop a creative writing culture. Learning the lessons of musical composition can improve student writing writing. Read how teachers can develop a productive writing climate by learning a bit about how the music business operates.

Find essay strategy worksheets, on-demand writing fluencies, sentence revision and rhetorical stance “openers,” remedial writing lessons, posters, and editing resources to differentiate essay writing instruction in the comprehensive writing curriculum,Teaching Essay Strategies.

Pennington Publishing's Teaching Essay Strategies

Teaching Essay Strategies

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How to Teach Conjunctions

Remember the elementary school Schoolhouse Rock song, Conjunction Junction? Here’s the first verse to refresh your memory.

Conjunction Junction, what’s your function?
Hooking up words and phrases and clauses.
Conjunction Junction, how’s that function?
I got three favorite cars
That get most of my job done.
Conjunction Junction, what’s their function?
I got “and”, “but”, and “or”,
They’ll get you pretty far.

“And”:
That’s an additive, like “this and that”.
“But”:
That’s sort of the opposite,
“Not this but that”.
And then there’s “or”:
O-R, when you have a choice like
“This or that”.
“And”, “but”, and “or”,
Get you pretty far.            by Bob Dorough ©1973 Schoolhouse Rock

Countless students have learned that a conjunction “hooks up words and phrases and clauses” from this elementary song. Although only a few examples are given, the tune and lyric are memorable and many students can identify this part of speech, more so than others, because of this song. Now, of course, the above verse only refers to one of three types of conjunctions—the coordinating conjunction.

Upper elementary, middle school, and high school students will need more examples of all three types of conjunctions to assist in accurate identification, and more importantly, to prompt their use of more sophisticated sentence constructions beyond those at the simple sentence levels. However, teaching the function of the three types of conjunctions with the most common examples in memorable ways certainly makes sense for older students. So, here are the three types of conjunctions, each with 1. Definition 2. Common Conjunctions 3. Example 4. Writing Connection 5. Writing Practice and 6. Memory Trick.

Coordinating Conjunctions

1. Definition: A coordinating conjunction joins words, phrases, or clauses of equal weight or similar grammatical construction.

2. Common Conjunctions: for, and, nor, but, or, yet, so

3. Example: Two desserts are fine, but three are better.

4. Writing Connection: Avoid overuse of the conjunction so. Also, do not use the words then and now as coordinating conjunctions. A comma is placed before the conjunction if it joins two or more independent clauses. Teach students that joining two simple related sentences with a comma conjunction forms a more sophisticated compound sentence.

5. Writing Practice: Write cloze sentences with blanks for the coordinating conjunctions, e.g., The food looked good, ______ she was not hungry. Have students compose original sentences for each of the seven common coordinating conjunctions. Have students “book search” for the seven common coordinating conjunctions. Require students to include a certain number of compound sentences in a writing process paper and underline each of the coordinating conjunctions.

6. Memory Trick: Teach the seven common coordinating conjunctions as F.A.N.B.O.Y.S. (for, and, nor, but, or, yet, so). For younger children, the most common should be taught as B.O.A.S. (but, or, and, so)

Correlative Conjunctions

1. Definition: A correlative conjunction joins another correlative conjunction as a pair. The paired correlative conjunctions serve as conjunctions to connect two balanced words, phrases, or clauses.

2. Common Conjunctions: both-and, from-to, whether-or, as-as, such-that, not-but, neither-nor, not only-but also, as many-as, just as-so, either-or, as-so, so-that

3. Example: Either we work together, or we will fail together.

4. Writing Connection: A comma is placed before the second of the paired conjunctions, if the sentence ends in an independent clause. Teach students that using the correlative conjunctions forms a complex sentence, which is one mark of mature writing.

5. Writing Practice: Write cloze sentences with blanks for the correlative conjunctions, e.g., ______ ______ did the food look good, ______ it ______ tasted great. Have students compose original sentences for each of the common correlative conjunctions. Have students “book search” for the common correlative conjunctions. Require students to include a certain number of correlative conjunctions in a writing process paper.

6. Memory Trick: Teach students to memorize the common correlative conjunctions to the tune of The ABC Song.

ABC Correlative Conjunctions

both-and from-to whether-or

A      B    C      D  E    F      G

as-as such-that not-but neither-nor

H   I   J       K     L     M   N  O     P

not only but also

Q    R S  T    U V

as many-as

W           X

just as-so

Y     +   Z

either-or     as-so  so-that

Now I  know my A,  B,  C’s

if-     then such-as   between-and

Next time won’t you sing with me?

Subordinating Conjunctions

1. Definition: A subordinating conjunction always introduces a dependent clause (a noun and a verb not expressing a complete thought). The subordinating conjunction signals the relationship between the dependent clause and the independent clause (a subject and verb standing alone as a complete thought). A dependent clause is less important than the independent clause and is sometimes called a subordinate clause. It is helpful to remember that sub means under, so that the subordinate clause is subordinate to the independent clause.

2. Common Conjunctions: after, although, as, as if, as long as, as much as, as soon as, as though, because, before, despite, even if, even though, how, if, in spite of, in order that, once, since, so that, than, that, though, unless, until, when, whenever, where, wherever, whether, while

3. Example: Although my friends had already seen it, they saw the show a second time.

4. Writing Connection: Adding a subordinating conjunction to one of the clauses can revise a run-on sentence. A comma is placed after the dependent clause, if it begins a sentence. Teach students that using the subordinate conjunction to signal a dependent clause forms a complex sentence, which is important to sentence variety.

5. Writing Practice: Write cloze sentences with blanks to help students practice subordinating  conjunctions, e.g., ______ the food looked good, I ordered it for dinner. Have students compose original sentences for each of the common correlative conjunctions. Have students “book search” for the subordinating conjunctions. Require students to include a certain number of subordinating conjunctions in a writing process paper. Avoid stringing together two or more sentences with dependent clauses.

6. Memory Trick: Use the following memory trick to prompt your use of these subordinating clauses: Bud is wise, but hot! AAA WWW

B         U         D                             I                       S      W       I     S       E,

Before Unless Despite (In spite of)    In order that     Since   While  If    Since  Even though (if)

B                    U          T         H         O          T.

Because           Until    That     How    Once    Than

A                      A                                A

After                Although (though)        As (As if, As long as, As much as, As soon as, As though)

W                     W                          W

Whether           When (Whenever)   Where (Wherever)

The author of this article, Mark Pennington, has written the assessment-based Grammar, Usage, Mechanics, Spelling, and Vocabulary (Teaching the Language Strand) Grades 4-8 programs to teach the Common Core Language Standards. Each full-year program provides 56 interactive grammar, usage, and mechanics and include sentence diagrams, error analysis, mentor texts, writing applications, and sentence dictation formative assessments with accompanying worksheets (L.1, 2). Plus, each grade-level program has weekly spelling pattern tests and accompanying spelling sort worksheets (L.2), 56 language application opener worksheets (L.3), and 56 vocabulary worksheets with multiple-meaning words, Greek and Latin word parts, figures of speech, word relationships with context clue practice, connotations, and four square academic language practice (L.4, 5, and 6). Comprehensive biweekly unit tests measure recognition, understanding, and application of all language components.

Grammar, Usage, Mechanics, Spelling, and Vocabulary (Teaching the Language Strand) also has the resources to meet the needs of diverse learners. Diagnostic grammar, usage, mechanics, and spelling assessments provide the data to enable teachers to individualize instruction with targeted worksheets. Each remedial worksheet (over 200 per program) includes independent practice and a brief formative assessment. Students CATCH Up on previous unmastered Standards while they KEEP UP with current grade-level Standards. Check out the YouTube introductory video of the Grammar, Usage, Mechanics, Spelling, and Vocabulary (Teaching the Language Strand) program.

Pennington Publishing's Grammar, Usage, Mechanics, Spelling, and Vocabulary (Teaching the Language Strand)

Grammar, Usage, Mechanics, Spelling, and Vocabulary (Teaching the Language Strand)
Grades 4-8 Programs

The author also provides these curricular “slices” of the Grammar, Usage, Mechanics, Spelling, and Vocabulary (Teaching the Language Strand) “pie”: the five Common Core Vocabulary Toolkits Grades 4−8; the five Differentiated Spelling Instruction Grades 4−8 programs (digital formats only); and the non-grade-leveled Teaching Grammar and Mechanics with engaging grammar cartoons (available in print and digital formats).

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Teaching Essay Style: 15 Tricks of the Trade

“Never start a sentence with But.” Countless middle school and high school English-language arts teachers cringe when their students faithfully repeat this elementary school dictum. “Never use I in your five-paragraph essay.” Now university professors similarly cringe and shake their heads at the straight-jacketed rules placed upon their students. However, maybe there is a method to our madness. Perhaps these writing absolutes serve a useful purpose for coaching developing writers. Perhaps the little white lies that we teach our students are actually our tricks of the trade.

Instead of bemoaning past “bad writing instruction,” we should celebrate the fact that our students did remember these rules. After all, writing teachers of all levels are always shocked at how little transfer students make from grade to grade or from course to course. Anything that students retain from previous writing instruction can be used by resourceful teachers as “teachable moments.” Perhaps it’s time that we trust our colleagues that they understand best what works for their students at their age levels.

Teaching all of the seemingly arbitrary rules and enforcing them in student writing practice makes sense. As writers mature, 7-12 English-language arts teachers and university professors can encourage “rule breaking” with sly nods and winks. Without knowing the rules, developing writers cannot make informed choices about which ones to break and when they should break them to serve their writing purposes. In fact, the best writers are rule-breakers. E.B. White revised and updated Strunk’s Bible of writing style, yet he consistently chose to break the rules in his own writing. He knew enough to consciously deviate from the norm.

Writing teachers should worry more when their students unconsciously deviate from the norm. Of course, other forms of prose and poetry have their own stylistic rules to learn and break. But this article will concentrate on those of the essay. So, following is a list of the Teaching Essay Style: 15 Tricks of the Trade.

  1. Require students to write in a formal voice. No figures of speech, slang, clichés, abbreviations, flowery language, or contractions. Teach them to dress in a tuxedo or bridesmaid dress when they are in a wedding, not baggy pants or skinny jeans with flip-flops.
  2. Teach students to write in third person. It’s not that the I is inappropriate in all essays. The problem is that the use of the I requires a sophisticated rationale and limited usage. For example, qualitative research requires the I; however, quantitative research does not. Let the post-graduate supervising professors teach their students to break this rule. Furthermore, the “no I rule” forces a certain degree of objectivity and requires students to focus on the subject, rather than on the writer. These are the real concerns of K-12 and university professors.
  3. Teach students not to use their to reference singular non-gender nouns. Approving such sentences as “The student likes their classes” transfers to other more egregious pronoun reference problems as in “Those desk in the back of our room belong to them guy.” Also, no one likes reading he/she, him or her, s/he or the like. It does make sense to teach students to pluralize when at all possible, but the use of he or she throughout (please don’t alternate!) is no crime.
  4. Teach students to vary their sentence structures. “Never more than two simple sentences back-to-back and never follow a complex sentence with another complex sentence” will increase readability. “Have no more than 50% of your sentences follow the subject-verb-complement pattern” helps students focus on sentence variety.”
  5. “No more than one to-be verb per paragraph” will force students to avoid passive voice and strengthen nouns and verbs.
  6. Require your students to write in complete sentences. “No declarative sentences beginning with but, and, or, so, like, because, how, when, where, or why, unless you finish them” reduces fragments.
  7. “No unparallel verb structures” helps eliminate verb tense errors and awkward writing. For example, “Going to the store, to get some gas, and maybe have a cup of coffee are appearing on my agenda for today” can be eliminated with this rule.
  8. Require transitions between paragraphs. Sophisticated writers may have no need, but your students do to write coherent essays.
  9. Teach your students to choose simple words, not their weekly vocabulary words. Precision is better than pomposity.
  10. Demand specificity and do not permit generalizations, except in conclusions.
  11. Don’t allow your students to make parenthetical remarks. Most misuse these.
  12. Never allow repetition for emphasis. Developing writers do not have the skills to use this rhetorical strategy properly.
  13. Never allow double negatives. Students will confuse their readers.
  14. Teach students not to over-state evidence and to limit their conclusions.
  15. Teach students to place pronoun references close to their subjects to avoid ambiguity and dangling modifiers.

Find essay strategy worksheets, on-demand writing fluencies, sentence revision andrhetorical stance “openers,” remedial writing lessons, posters, and editing resources to differentiate essay writing instruction in the comprehensive writing curriculum,Teaching Essay Strategies.

Pennington Publishing's Teaching Essay Strategies

Teaching Essay Strategies

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