Pennington Publishing Blog

Teachers can help students practice the elements of Rhetorical Stance: voice, audience, purpose, and form. Learning these elements will enable students to flexibly address any writing assignment with dexterity and flair. Students need to be able to adjust their writing to a wide variety of genre in order to communicate effectively.

Find clear models of the elements of rhetorical stance and share these with your students. Help students to identify each of the elements in the model. Discuss how each interacts with the others. Make sure to use a wide variety of models.

Then, have students mimic the voice, audience, purpose, and form of the model to respond to an engaging writing prompt. Share their creative triumphs and correct shortcomings.

Voice—Some would define voice at that intangible which makes one’s writing unique, personal, and honest. I define voice a bit more globally, encompassing style, point of view, tone, and diction (word choice). Students need to practice mimicking other voices to refine their own voices. Additionally, students need to be able to manipulate their voices to best suit the audience, purpose, and form. Choose student models to share that will broaden your students’ understanding of voice and encourage students to mimic these examples and the voices of other writers. Check out another article I have written, titled “How to Develop Voice in Student Writing” for plenty of instructional strategies. Why not introduce a video clip of Martin Luther King, Jr. to inspire students to mimic his poetic, emotional, and hopeful voice prior to a relevant quick write?

Audience—Students need to understand that all writing is interactive communication. The other is the writer, himself, as reader and any others with whom the writer shares the work. Students all too frequently learn to write to the teacher as their exclusive audience. This practice tends to de-personalize student writing and limit development of voice. Choose student models to share that use a voice that engages and is particularly appropriate to the audience. Ask students to identify which parts of the writing response specifically address the defined audience and why. Why not select a class of third graders as an audience to encourage controlled vocabulary, brevity, and appropriate word choice?

Purpose—My comprehensive essay curriculum, TEACHING ESSAYS BUNDLE, uses eight key writing direction words (describe, explain, discuss, compare-contrast, analyze, persuade, justify, and evaluate) as the action words of each writing prompt in leveled writing strategy worksheets. These same writing direction words are used on a rotating basis (eight times each) as the purpose components in the 64 Rhetorical Stance Quick Writes. Check out the attached example of a Rhetorical Stance Quick Write and use to guide your instruction in the elements of rhetorical stance. Why not have your students describe the ideal world that they hope to live in as adults?

Form—Although the academic essay becomes the predominate form of composition beginning in the intermediate elementary years and continuing through college, facility in other writing forms is certainly necessary to develop voice, writing fluency, and writing dexterity. Additionally, writing practice using a variety of forms will improve reading comprehension across a wide variety of genres. Use a wide variety of form, from anecdotes to classified ads to help students adjust their writing form and voice to the purpose of the writing and their audience. Why not mimic the rhetorical style, including the parallel “I have a dream” refrains from Dr. Martin Luther King, Jr. in a two minute speech?

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The author’s TEACHING ESSAYS BUNDLE includes the three printable and digital resources students need to master the CCSS W.1 argumentative and W.2 informational/explanatory essays. Each no-prep resource allows students to work at their own paces via mastery learning. How to Teach Essays includes 42 skill-based essay strategy worksheets (fillable PDFs and 62 Google slides), beginning with simple 3-word paragraphs and proceeding step-by-step to complex multi-paragraph essays. One skill builds upon another. The Essay Skills Worksheets include 97 worksheets (printables and 97 Google slides) to help teachers differentiate writing instruction with both remedial and advanced writing skills. The Eight Writing Process Essays (printables and 170 Google slides) each feature an on-demand diagnostic essay assessment, writing prompt with connected reading, brainstorming, graphic organizer, response, revision, and editing activities. Plus, each essay includes a detailed analytical (not holistic) rubric for assessment-based learning.

Writing audience, Common Core essay, composition, essay, form, prompt, purpose, rhetoric, rhetorical stance, theme, tone, voice, Writing, writing domains, writing genre, writing openers, writing process, writing prompt, writing style, writing voice

New teachers can “make or break” their school year in the very first days and weeks. Here are 10 start-up tips for new teachers that will ensure success and prevent costly mistakes. And check out the wonderful links following the 10 tips: Free Teaching Resources, Professional Journals, and Professional Organizations for Teachers.

1. Learn names quickly. You’ve got three days to know every student’s name and how to pronounce each correctly. This task is essential for establishing relationships and for classroom management. Try name games, such as “Let’s Go on a Cruise.”

The teacher says her first and last name and what item she plans on taking on a pretend class cruise. The teacher’s item should begin with the starting sound of her first name. The teacher calls on students to say both their first and last names and the item they wish to bring along on the cruise. If a student correctly selects an item that matches his name, he “can go.” If not, he must wait until the other students try and his “turn” comes again. After one round, or the next day, the teacher can select an item that matches her last name.

2. Get student information on an Excel® spreadsheet or on index cards. Parent names, parent signatures, all telephone numbers, all email contacts, learning challenges, student birthday, student hobbies/interests, and enough room to enter any future parent contacts with dates and brief summaries will build effective relationships and serve as you “go to” files. Make it your goal to get all important information in one place for “one-stop” shopping. Relying on multiple file sources is unmanageable. A little organization time now will save a lot of time later.

3. Make your first parent contact a positive one. Find something worthwhile to say about each of your potential “problem” students as soon as possible. The second phone call about “Tommy’s ongoing behavioral issue” will find a much more supportive parent after an initial “praise call.” Ask parents for tips as to how you can best address any of their potential concerns.

4. Desk arrangement should reflect your level of comfort and expertise in class management. Although your desk arrangement certainly will impact instructional strategies, such as cooperative groups or Socratic Seminars, your first priority is classroom management. Students can’t learn if they can’t listen, see, and participate appropriately. Individual seating placement is crucial. Never be afraid to change a student’s seat to improve behavior. Common strategies include the following: isolation from friends, placement next to quiet students, moving next to the teacher’s desk. Other more extreme placements can work, such as partial cubicle/corral seating, with parental support.

5. Diagnose only what you plan to directly address or what is essential to your initial instruction. Not all diagnostic information needs to be gathered at the beginning of the year. For example, elementary, middle, and high school teachers need to know whether their students can read the instructional materials. A simple one-minute fluency assessment in the grade-level textbook can give a social studies, science, or English teacher essential knowledge about which students will struggle with that text. Even new English teachers may wish to hold off on diagnostic phonics, reading comprehension, and spelling assessments until they are equipped and prepared to differentiate instruction according to the diagnostic data of these tests. Add on expertise one layer at a time. Teaching something thoroughly well is much better than teaching many things poorly. After all, what counts is student learning, not what looks good on a diagnostic matrix.

6. Ask to observe your teaching colleagues in their classrooms. Let it be known that you “have a lot to learn’ and that you want to improve your teaching craft. Praise fellow teachers every chance you get. Develop relationships with your colleagues on both the personal and professional sides, but have sensible limits on the former. Pay special attention to your relationship with the school secretary, office staff, and custodian. Practice random acts of kindness at every opportunity. Attend, but guard your behavior at the Holiday Party and bring something decent to staff potlucks.

7. Dress for success. New Teachers need every psychological bit of leverage available with students, parents, and administrators. Veteran teachers may snicker in their sweats or tennis shoes, but just smile and continue to dress above the level of the norm.

8. Avoid gossip and gossipers in the teacher staff room. Comments will always come back to you. Stay unerringly positive and avoid teacher cynicism.

9. Arrive early for everything and stay late, when you can. Show your work ethic, but guard your off-time and family to avoid burn-out. Ask colleagues to share strategies that lessen their work load, such as grading some, but not all, of student work.

10. Join and be actively involved in teacher professional organizations, such as the teacher union and associations relevant to your subject area. Attend workshops and move up the salary schedule with post-graduate work as soon as possible. However, consider focusing your studies to gain specific credentials, rather than just taking any course that looks fun, easy, and is inexpensive. You never know where your educational career will take you, but an administrative credential will always serve you better than a range of basket-weaving courses.

Free Teaching Resources and Blogs

Library of Congress – Resources organized for teachers. It’s all here. Warning! You can spend hours here and just begin to appreciate what is here. Our national repository of knowledge.

First Year Teacher Program – The Reading Rockets First Year Teaching Program is a free online course for new K-3 teachers. The self-paced course includes ten modules that cover effective strategies and techniques for the classroom.

English Companion – This year’s EduBlog Award Winner. Talk with the experts in the field of secondary ELA.

New Teacher Survival Guide – Scholastic provides a New Teacher Survival Guide to novice teachers who are looking for resources, tools, and tips for the classroom. The guide also offers a newsletter and a new teacher helpline.

Jen’s Reviews – Great tips on integrating technology into the classroom.

Classroom 2.0 – Great articles, not limited to, but focusing on technology in the classroom.

New Teacher Center – This national organization is dedicated to supporting new teachers and improving student learning. Site offering include news, stories, and information about upcoming education events.

Teachers Network – The Teachers Network site offers a special section just for new teachers. The section includes lesson plans, new teacher how-to’s, and web mentors who can offer more help.

Pennington Publishing Blog – 200+ grammar, reading, writing, spelling, vocabulary, study skills articles from a reading specialist. Great free ELA/reading assessments. Even spelling songs! One of the best sites on the Web.

The Teacher’s Corner – The Teacher’s Corner is a good place for new teachers to find lesson plans, worksheets, teaching tips, and other teaching resources. The site also provides a forum to connect with other educators and a job board.

The Educator’s Reference Desk – The Educator’s Reference Desk offers a wide range of dependable resources, including 2,000+ lesson plans and 3,000+ links to educational information around the web.

Lesson Plans and Teaching Strategies – Created by California State University-Northridge, this web page links to hundreds of tested lesson plans and articles on teaching strategies and classroom management.

TeachAde – TeachAde provides free articles, videos, lesson plans, and other teaching resources. The site also serves as a space for teachers to meet and network online.

Teachers First – The Teachers First site provides a long list of education-related professional associations and organizations that provide teacher resources and support.

Meet Me at the Corner – Virtual Field Trips for Kids – New Kid-friendly episodes every two weeks. Links to fun websites and a Learning Corner of questions and extended activities about each show.

New Teacher Resource Center – Wonderful freebies and sound advice for new teachers.

Professional Journals and Magazines

Educational Leadership 
Description: Educational Leadership discusses issues of literacy from the administrative perspective. All teachers should be more familiar with how educational administrators view issues and trends in teaching language arts.

Journal of Adolescent and Adult Literacy
Description: This International Reading Association journal concentrates primarily on the literacy of adolescents and adults. Articles on reading and writing research are combined with practical teaching strategies for the classroom teacher. Book reviews, too.

National Council on the Teaching of English
Description: This journal is published by the National Council of Teachers of English. It deals with language arts issues for teachers of preschool to middle school age students. It has both theoretical and practical articles.

Phi Delta Kappan
Description: Phi Delta Kappan publishes articles on educational research and leadership. Current issues and trends in education are thoroughly discussed.The 
Description: This International Reading Association journal deals with reading and language literacy at all levels. It has articles on recent literacy research and practical applications for the classroom.

Reading Online
Description: An online journal of theory and practice sponsored by the International Reading Association. This is a user-friendly journal with terrific Web resources.

Teacher Magazine
Description: Teacher Magazine discuses issues affecting schools today. It also has plenty of helpful articles on teaching strategies. Online Journals

Education Week
Description: Current issue plus archives. You can register for e-mail updates. Also contains a link to Teacher Magazine.

Teaching K-8
Description: Intended to supplement the print magazine, not duplicate it. Contains teaching ideas, loads of links.

ACT is an independent, not-for-profit organization that provides more than a hundred assessment, research, information, and program management services in the broad areas of education and workforce development.Professional Organizations for Teachers

Founded in 1977, the American Association for Applied Linguistics (AAAL) is a professional organization of scholars who are interested in and actively contribute to the multi-disciplinary field of applied linguistics. AAAL members promote principled approaches to language-related concerns, including language education, acquisition and loss, bilingualism, discourse analysis, literacy, rhetoric and stylistics, language for special purposes, psycholinguistics, second and foreign language pedagogy, language assessment, and language policy and planning.

The American Educational Research Association (AERA) is concerned with improving the educational process by encouraging scholarly inquiry related to education and by promoting the dissemination and practical application of research results. Its 20,000 members are educators; administrators; directors of research, testing or evaluation in federal, state and local agencies; counselors; evaluators; graduate students; and behavioral scientists.

The American Evaluation Association (AEA) is an international professional association of evaluators devoted to the application and exploration of program evaluation, personnel evaluation, technology, and many other forms of evaluation. Evaluation involves assessing the strengths and weaknesses of programs, policies, personnel, products, and organizations to improve their effectiveness.

The American Library Association (ALA) is the oldest and largest library association in the world, with more than 64,000 members. Its mission is to promote the highest quality library and information services and public access to information. ALA offers professional services and publications to members and nonmembers, including online news stories.

The American Speech-Language-Hearing Association (ASHA) is the professional, scientific, and credentialing association for over 110,000 audiologists, speech-language pathologists, and speech, language, and hearing scientists. ASHA’s mission is to ensure that all people with speech, language, and hearing disorders have access to quality services to help them communicate more effectively.

The mission of the Association for Library and Information Science Education (ALISE) is to promote excellence in research, teaching, and service for library and information science education.

The Association for Supervision and Curriculum Development (ASCD) is an international, nonprofit, nonpartisan organization that represents 160,000 educators from more than 135 countries and 66 affiliates. Our members span the entire profession of educators—superintendents, supervisors, principals, teachers, professors of education, and school board members. We address all aspects of effective teaching and learning—such as professional development, educational leadership, and capacity building. ASCD offers broad, multiple perspectives—across all education professions—in reporting key policies and practices.

The California Teachers of English to Speakers of Other Languages (CATESOL) mission is to promote excellence in education for English language learners and a high quality professional environment for their teachers. CATESOL represents teachers of English language learners throughout California and Nevada, at all levels and in all learning environments. CATESOL strives to: improve teacher preparation and provide opportunities which further professional expertise, promote sound, research-based education policy and practices, increase awareness of the strengths and needs of English language learners, and promote appreciation of diverse linguistic and cultural backgrounds.

The California League of High Schools (CLHS) supports delivering relevant, standards-based instruction, meeting rigorous testing goals and proving once again that our high schools are exceptional places for students to learn and prepare for college and careers.

The California League of Middle Schools (CLMS) is committed to supporting middle grades educators and their students. A non-profit membership association, CLMS is dedicated to improving the professional knowledge of middle level educators so that early adolescents may experience academic success and personal well-being.

The California Library Association (CLA) provides leadership for the development, promotion, and improvement of library services, librarianship, and the library community. We help members excel in a fast-changing job market. We’re a resource for learning about new ideas and technology, and we actively work to influence legislation affecting libraries and librarians.

The California Literacy Inc. is the nation’s oldest and largest statewide adult volunteer literacy organization. Its purpose is to establish literacy programs and to support them through tutor training, consulting, and ongoing education.

The International Dyslexia Association (IDA) is a non-profit organization dedicated to helping individuals with dyslexia, their families and the communities that support them. IDA is the oldest learning disabilities organization in the nation.

The International Literacy Association (ILA) is a professional membership organization dedicated to promoting high levels of literacy for all by improving the quality of reading instruction, disseminating research and information about reading, and encouraging the lifetime reading habit. Our members include classroom teachers, reading specialists, consultants, administrators, supervisors, university faculty, researchers, psychologists, librarians, media specialists, and parents. With members and affiliates in 99 countries, our network extends to more than 300,000 people worldwide.

California Reading Association The professional membership organization of California reading and content teachers. Dedicated to improving literacy in California, this organization sponsors a wonderful annual conference.

The Linguistic Society of America (LSA) works on behalf of linguists and the discipline of linguistics, often cooperating with other scholarly societies and alerting members to issues that may concern them in their own universities or other workplaces. At the same time, LSA also addresses a wider public, offering news on linguistic findings, answering queries about language, and supporting different efforts to disseminate linguistic perspectives on language issues.

Promoting educational excellence and equity through bilingual education, the National Association for Bilingual Education (NABE) is the only national organization exclusively concerned with the education of language-minority students in American schools.

(CABE) The wonderful California membership organization for bilingual education.

The National Council for the Teachers of English (NCTE) works to advance teaching, research, and student achievement in English language arts at all scholastic levels.

The Teachers of English to Speakers of Other Languages, Inc. (TESOL) has approximately 14,000 members in over 120 countries, and is recognized as a non-governmental organization (NGO) of the United Nations Department of Public Information. Its mission is to ensure excellence in English language teaching to speakers of other languages. TESOL values professionalism in language education; individual language rights; accessible, high quality education; collaboration in a global community; interaction of research and reflective practice for educational improvement; and respect for diversity and multiculturalism.

The College Board is a national nonprofit membership association whose mission is to prepare, inspire, and connect students to college success and opportunity. Founded in 1900, the association is composed of more than 4,500 schools, colleges, universities, and other educational organizations. Among its best-known programs are the SAT®, the PSAT/NMSQT®, and the Advanced Placement Program® (AP®). The College Board is committed to the principles of excellence and equity, and that commitment is embodied in all of its programs, services, activities, and concerns.

The author of this article, Mark Pennington, has written the assessment-based resources for English-language arts and reading intervention. Check out his popular blog with over 700 articles and his FREE ELA and reading diagnostic assessments.

Grammar/Mechanics, Reading, Spelling/Vocabulary, Writing class discipline, classroom discipline, classroom management, FREE new teacher resources, Mark Pennington, name games, new teacher resources, new teachers, probationary teachers, teaching strategies, teaching tips

Some teachers would argue that a writer’s voice is so individualized that it must be discovered.

For the uninitiated, the immunity idol is a small, hidden object that fits with the theme of the Survivor location. It is hidden near the tribal camps, or in more recent seasons it has been hidden on Exile Island. If secured by a player, the immunity idol will prevent that contestant from hearing the host’s immortal words, “The tribe has spoken,” which removes the player from further competition.

Survivor players are banished to Exile Island by the other survivors. In fact, some contestants have been sent to the island multiple times. These Robinson Crusoes have no assistance from Fridays, but, with much effort and/or luck, are able to discover clues that will lead them to find the immunity idol.

Constructivists would argue that the only clues provided to developing writers should be widespread reading and unencumbered writing practice. After a journey of self-discovery, the squishy concept of voice may emerge some day for some writing survivors.

The debate hinges somewhat on our definitions of voice. Constructivists tend to adopt a narrow definition that voice is what makes one’s writing unique and personal; the intangibles that demonstrate an honest commitment to its writing.

I take a different view. I define voice a bit more globally, encompassing what old-time Strunkers called style, as well as point of view, tone, and diction (word choice). I think that discovering voice should be the result of a guided journey. By the way, the clues on Survivor are quite direct and relevant to the quest; they are not needles in haystacks.

As a reading specialist, I would agree that widespread reading does help students recognize voice; however, I would argue that for students to develop voice, they need to practice voice in specific teacher-directed writing assignments. Additionally, teachers need to help students practice different voices for different purposes. The voice that a student uses to convince a peer to do a favor, should not be the same voice that a student uses to convince a police officer to issue a warning, rather than a speeding ticket.

Here are a few suggestions to teach voice:

1. Read short passages from writers with diverse voices out loud. Have students identify characteristic diction and intonation (the sound of the writing). Hemingway, King, Jr., Rowling, Shakespeare, and passages from Isaiah are useful. Then, have students mimic the voices of these writers on a topic of teacher or student choice.
2. Have students practice manipulating the other elements of rhetorical stance (audience, purpose, and form) regularly. Rhetorical Stance Quick Writes, used as bell-ringers, are particularly useful.
3. Provide word lists, such as strong verbs and feeling words, for students to incorporate into their writing.
4. Teach students to use poetic elements, such as metaphor, in their narrative and personal writing.
5. Have students re-write endings of stories or news articles.
6. Have students re-write third person stories into first person stories.
7. Have students re-write fairy tales from another point of view, for example, from the wolf’s perspective, rather than that of the pig’s in Three Little Pigs.
8. Have students identify and re-write the tone of readings. Poetry is a great source for clearly-identifiable tone.
9. Teach different grammatical sentence openers. Encourage students to avoid “to-be” verbs.
10. Teach inappropriate writing style and post examples for future student reference. For example, post generic words such as stuff and things and help students brainstorm specific alternatives. Perhaps create a “dead-word or phrase cemetery on a bulletin board.
11. Have students write essays on controversial and relevant topics to identify divergent points of view, writer commitment to the topic, and sense of audience.
12. Post a “graffiti board” to encourage students to share their voices.
13. Have students read their own writing out loud and have their peers identify the elements I define as voice.

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The author’s TEACHING ESSAYS BUNDLE includes the three printable and digital resources students need to master the CCSS W.1 argumentative and W.2 informational/explanatory essays. Each no-prep resource allows students to work at their own paces via mastery learning. How to Teach Essays includes 42 skill-based essay strategy worksheets (fillable PDFs and 62 Google slides), beginning with simple 3-word paragraphs and proceeding step-by-step to complex multi-paragraph essays. One skill builds upon another. The Essay Skills Worksheets include 97 worksheets (printables and 97 Google slides) to help teachers differentiate writing instruction with both remedial and advanced writing skills. The Eight Writing Process Essays (printables and 170 Google slides) each feature an on-demand diagnostic essay assessment, writing prompt with connected reading, brainstorming, graphic organizer, response, revision, and editing activities. Plus, each essay includes a detailed analytical (not holistic) rubric for assessment-based learning.

Writing audience, Common Core essay, diction, form, grammar, point of view, purpose, rhetorical stance, sentence variety, tone, usage, voice, writing style

First of all, grammar is a lot like Kleenex®. This brand name has been associated with many other similar products. If I ask my wife to “Please pass a Kleenex®, I would probably get irritated if she responded, “Is a generic tissue okay?” After all, I just want to blow my nose.

So, let’s agree on what we mean by teaching grammar. Grammar has come to mean a catch-all term that refers to everything English teachers would prefer to avoid teaching. This includes the part of a sentence, the function of these parts (such as the parts of speech), the arrangement of words with the sentence, word choice, punctuation, and capitalization, and assorted oddities that we think students should know, but wish they learned elsewhere. But, why do most English-language arts teachers detest teaching this collection of instructional essentials that we label as grammar?

1. never learned grammar and I turned out okay. I wouldn’t know how to teach it.

ELA teachers live in the day-to-day fear that one of our colleagues might ask us how we incorporate teaching past perfect participles in our persuasive essays. Teachers naturally tend to avoid teaching things that they do not understand. Most ELA teachers were trained to love literature, poetry, and writing (or at least one of the three). Few were trained in teaching grammar. Some of us have picked up a few tidbits here and there over the years or were educated in Catholic schools. Teachers teach from personal experience , as much as from professional development. Most teachers in their twenties, thirties, and forties had little grammatical instruction in their school years and few university professors have trained these teachers in grammar for the reasons already discussed. The pervasive “whole language” philosophy of the 1970s, 1980s, and early 1990s de-emphasized grammatical instruction and relegated it to the editing step within the writing process. “I didn’t learn grammar, and I turned out alright” is an often-thought, if not spoken, rationale for ditching grammar instruction.

2. There is not enough time. Teachers have their comprehensive lists of standards and courses of study on their “to-do” lists. There are pressures from administrators, the omnipresent district or state testing, and our own colleagues to check off items on these lists. Of course, we have our  favorite novels and projects. Grammar instruction does not even make our Letterman’s Top Ten. “If I had unlimited time… then, maybe. But to be honest… Socratic Seminars, readers theater, and that Steinbeck novel would probably shove their way into my lesson plans first.”

3. The “research” says not to teach grammar. Isn’t grammar caught, not taught? We trot out a “sound bites” from a study or two as convenient excuses to avoid teaching grammar (most of these research studies from 50 years ago). We gloss over the real language of the research conclusions, i.e., “teaching grammar in isolation outside of the meaningful context of writing is ineffective.” Some teachers do parrot these research conclusions accurately, but few actively address the variables of the research and actually teach grammar in the meaningful context of writing.

4. The fact that students are grammatically-challenged is someone else’s fault, not mine. “Students should know this stuff by now. The grade-level standards emphasize review of grammar, not introduction of grammar. I can only teach what I am supposed to teach. I can’t be responsible for other  teachers’ shortcomings. I have my grade-level standards to teach. If I spent all my efforts on what they already should know, students would never learn anything new. Hopefully, they’ll pick it up later, somehow.”

5. Students don’t like grammar and they don’t remember what they are taught. “Grammar is boring. I want to be a fun and interesting teacher. I’m angling for Teacher-of-the-Year and I’m not about to let grammar get in the way. Besides, the pay-offs from teaching grammar seem minimal, anyway. The students have learned the parts of speech every year and they couldn’t define or identify an adverb, if their lives depended on it. An adverbial clause? You’ve got to be kidding. I won’t drill and kill my students.”

6. Isn’t grammar just an editing skill? There’s an app for that. Teachers teach from personal experience , as much as from professional development. Most teachers in their twenties, thirties, and forties had little grammatical instruction in their school years and few university professors have trained these teachers in grammar for the reasons already discussed. The pervasive “whole language” philosophy of the 1970s, 1980s, and early 1990s de-emphasized grammatical instruction and relegated it to the editing step within the writing process. “I didn’t learn grammar, and I turned out alright” is an often-thought, if not spoken, rationale for ditching grammar instruction.

My response? We need to teach grammar and make time for grammatical instruction and practice. Anything students need to know has to be taught, not simply caught. The Common Core Anchor Standards for Language require explicit grade-level instruction and practice in grammar, usage, and mechanics. Do you know your grade level Language Standards 1, 2, 3, 4, 5, and 6? Do you know the Language Progressive Skills for your grade level? Are you teaching these standards? We don’t need any more student casualties as a result of any “Great Grammar Debate.” Our ignorance is no excuse. We need to learn how to teach grammar in a meaningful writing context.

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Teaching Grammar, Usage, and Mechanics (Grades 4, 5, 6, 7, 8, and High School) are full-year, traditional, grade-level grammar, usage, and mechanics programs with plenty of remedial practice to help students catch up while they keep up with grade-level standards. Twice-per-week, 30-minute, no prep lessons in print or interactive Google slides with a fun secret agent theme. Simple sentence diagrams, mentor texts, video lessons, sentence dictations. Plenty of practice in the writing context. Includes biweekly tests and a final exam.

Grammar, Usage, and Mechanics Interactive Notebook (Grades 4‒8) is a full-year, no prep interactive notebook without all the mess. Twice-per-week, 30-minute, no prep grammar, usage, and mechanics lessons, formatted in Cornell Notes with cartoon response, writing application, 3D graphic organizers (easy cut and paste foldables), and great resource links. No need to create a teacher INB for student make-up work—it’s done for you! Plus, get remedial worksheets, biweekly tests, and a final exam.

Syntax in Reading and Writing is a function-based, sentence-level syntax program, designed to build reading comprehension and increase writing sophistication. The 18 parts of speech, phrases, and clauses lessons are each leveled from basic (elementary) to advanced (middle and high school) and feature 5 lesson components (10–15 minutes each): 1. Learn It!  2. Identify It!  3. Explain It! (analysis of challenging sentences) 4. Revise It! (kernel sentences, sentence expansion, syntactic manipulation) 5. Create It! (Short writing application with the syntactic focus in different genre).

Get the Diagnostic Grammar, Usage, and Mechanics Assessments, Matrix, and Final Exam FREE Resource:

Get the Grammar and Mechanics Grades 4-8 Instructional Scope and Sequence FREE Resource:

Grammar/Mechanics, Literacy Centers, Study Skills, Writing D.O.L., daily oral language, diagramming sentences, DOL, grammar, grammar instruction, grammar worksheets, grammatical instruction, grammatical sentence openers, Mark Pennington, mechanics, parts of speech, subjects and predicates, Teaching the Language Strand, writing conventions

Not read class novels? Better read the subtitle: Out loud to your class… In terms of teaching literature, I live in two worlds. I am an English-language arts teacher and a reading specialist. Although the two worlds would seem to be quite complementary, this is not always the case.

As an English-language arts teacher, I love teaching the nuances of the author’s craft. I live to point out allusions, symbolism, and an occasional foreshadowing. I am ecstatic when I am able to lead my students into the “ah ha” experience of how a passage reinforces the theme of a novel. I believe that we English-language arts teachers do have “content” to share with students. Go ahead… try to convince me that being able to identify the omniscient point of view is not a critical life skill. Make my day… My students need me; they are dependent upon me to teach them this content.

However, as a reading specialist, I also believe in the skills/process side of reading. In this world, my aim is to work my way out of a job. I have to change dependence into independence. The more students can do on their own to understand and retain the meaning of text, the better I have accomplished my mission. I need to train students to become successful independent readers in college, in the workplace, and at home.

Which leads us to our dilemma. When we teach a novel or short story, how much of our instruction should be teacher-dependent and how much should be teacher-independent? My thought is that we English-language arts teachers tend to err too frequently on the side of teacher-dependence and we need to move more to the side of teacher-independence.

As a reading specialist/staff developer at the elementary, middle school, and high school levels, I have had to opportunity to see hundreds of teachers “in action,” teaching a novel or short story to students. From my experience, the predominant way that English-language arts teachers work through a text is by reading and dissecting the entire text out loud (an in class).

The reasons that we hang on to the teacher-dependent mode of reading out loud (or via student popcorn reading/CDs]podcasts) and dissecting the text are varied:

1. We want to earn our pay-checks by being the ones responsible for student learning.

2. The text is too hard for students to understand it on their own.

3. We like being the “sage on the stage.”

4. Students lack sufficient prior knowledge.

5. Reading out loud is a behavior management tool.

In sum, we distrust the readiness of students to handle the challenging tasks of reading and thinking on their own. We know that we do a better job of understanding the text than our students.

The way we casually describe what we are teaching is informative: In the staff room, a science teacher asks what we are teaching. We respond, “I’m half-way through teaching Julius Caesar,” not “I’m teaching my students such and such a Standard…”,” nor “I’m teaching Roman history through…”, nor “I’m teaching these reading and literary skills through…”, nor “My students are learning…” We tend to view the literature as our curriculum and not as an instructional vehicle. When the literature is treated as an end–in-itself, we are ensuring that our instruction remains teacher-dependent. After all, we are the keeper of the keys. We know “Julius Caesar” better than the students (and probably Will himself). A high school colleague of mine literally had memorized every word of the play and worked her students through the play from memory. That’s teacher-dependence.

How to Move toward Teacher-Independence

1. Lose the Guilt

We really need to relieve ourselves of the self-imposed or colleague-imposed guilt that we are not really teaching a short story, poem, or novel unless we read and dissect every word out loud.

2. Become a Coach

We need to become coaches, not spoon-feeders. Let’s coach students to become effective independent readers by giving them the skills to understand the text on their own. Here are some effective reading comprehension strategies that will move students toward that independence: https://blog.penningtonpublishing.com/reading/how-to-teach-reading-c…

3. Get strategic

Some reading out loud and dissecting text is essential. But when to do so and when not to do so?

A good guideline to help us decide how much to read out loud, with explanation and gap-filling, is word recognition. Simply put, if the novel, story, etc. is at 95% word recognition for the vast majority of students, then there should be less reading out loud, i.e., the reading is at the independent reading level of students. If there is lower word recognition, then more reading out loud/working through the text will be necessary (or the book selection is inappropriate for the students) for this instructional reading level. For more on how to use word recognition to inform instructional decisions, see my blog at https://blog.penningtonpublishing.com/reading/how-to-get-students-to… As a relevant aside, I feel that word recognition is a much better indicator of an appropriate student to text match than a lexile number.

4. Trust Your Judgment-Not Just Data

Of course, using this rather clinical criterion of word recognition has its limitations: maturity of theme, unfamiliar historical context, amount of allusions or figures of speech etc. After all, we all know students who “read” the last Harry Potter book and Twilight with enjoyment, albeit limited comprehension, when their word recognition rate was at the instructional end of the spectrum, so motivation is an important factor in determining what can be left to independent reading.

5. Focus on the Pay-offs

Independent reading of text has significant pay-offs. Reading independently at the 95% word recognition level of text will expose most readers to about 300 unknown words in 30 minutes of reading. Learning 5% of these words from the surrounding context clues of the text is realistic. This means that students will learn about 15 new words during a typical reading session.

6. Experiment with Alternative Instructional Approaches, But…

Reciprocal teaching, literature circles, GIST strategies, partner reading, jigsaw. Yes. But don’t leave out what should be the primary instructional approach: independent reading with teacher and peer support. My FREE download below will be a helpful start toward this goal.

If our goals are to foster the abilities to read independently with good comprehension/retention and to inspire young adults to read for purpose and pleasure as lifelong readers, then we’ve got to cut the cords and become more teacher-independent and less teacher-dependent.

*****

The Science of Reading Intervention Program

The Science of Reading Intervention Program: Word Recognition includes explicit, scripted instruction and practice with the 5 Daily Google Slide Activities every reading intervention student needs: 1. Phonemic Awareness and Morphology 2. Blending, Segmenting, and Spelling 3. Sounds and Spellings (including handwriting) 4. Heart Words Practice 5. Sam and Friends Phonics Books (decodables). Plus, digital and printable sound wall cards and speech articulation songs. Print versions are available for all activities. First Half of the Year Program (55 minutes-per-day, 18 weeks)

The Science of Reading Intervention Program: Language Comprehension resources are designed for students who have completed the word recognition program or have demonstrated basic mastery of the alphabetic code and can read with some degree of fluency. The program features the 5 Weekly Language Comprehension Activities: 1. Background Knowledge Mentor Texts 2. Academic Language, Greek and Latin Morphology, Figures of Speech, Connotations, Multiple Meaning Words 3. Syntax in Reading 4. Reading Comprehension Strategies 5. Literacy Knowledge (Narrative and Expository). Second Half of the Year Program (30 minutes-per-day, 18 weeks)

The Science of Reading Intervention Program: Assessment-based Instruction provides diagnostically-based “second chance” instructional resources. The program includes 13 comprehensive assessments and matching instructional resources to fill in the yet-to-be-mastered gaps in phonemic awareness, alphabetic awareness, phonics, fluency (with YouTube modeled readings), Heart Words and Phonics Games, spelling patterns, grammar, usage, and mechanics, syllabication and morphology, executive function shills. Second Half of the Year Program (25 minutes-per-day, 18 weeks)

The Science of Reading Intervention Program BUNDLE  includes all 3 program components for the comprehensive, state-of-the-art (and science) grades 4-adult full-year program. Scripted, easy-to-teach, no prep, no need for time-consuming (albeit valuable) LETRS training or O-G certification… Learn as you teach and get results NOW for your students. Print to speech with plenty of speech to print instructional components.

SCIENCE OF READING INTERVENTION PROGRAM RESOURCES HERE for detailed product description and sample lessons.

FREE DOWNLOAD TO ASSESS THE QUALITY OF PENNINGTON PUBLISHING RESOURCES: The SCRIP (Summarize, Connect, Re-think, Interpret, and Predict) Comprehension Strategies includes class posters, five lessons to introduce the strategies, and the SCRIP Comprehension Bookmarks.

Get the SCRIP Comprehension Strategies FREE Resource:

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In another one of my articles, “The Great Grammar Debate,” I classified the chief divisions in grammatical instruction* as follows: 1. those who favor part to whole instruction and 2. those who prefer whole to part instruction. I argued that teachers need not accept an “either-or” philosophy of instruction, but can certainly be eclectic in their instructional strategies. Of course, kind and persistent readers of the Pennington Publishing Blog are naturally putting me to the test to flesh out how I balance instruction, using both forms of  those inductive and deductive instructional strategies.

Diagnostic Assessment and Differentiated Instruction

Teachers too often teach what some students do not know at the expense of some students who already know what is being taught. For example, students learn the definition and identification of a sentence subject over and over again from third through twelfth grade. Teachers legitimize this repeated instruction by arguing that learning is recursive and, thus, reviewing is necessary.

Instead of making excuses, teachers should address the problems inherent in a diverse classroom. Why not administer diagnostic assessments to determine who does and does not need extra instruction in sentence subjects? Then, use the data to inform and differentiate instruction. Targeted worksheets that correspond to the diagnostic assessment, as in my Teaching Grammar and Mechanics, with individual one-on-one follow-up conferences or in small group review just makes sense. How often and how much class time do I devote to grammar differentiation? Twice per week, 15 minutes per day.

Direct Instruction with One Example: Adverbs

Front-loading grammar and mechanics instruction is efficient and transfers to student writing when a teacher follows a coherent scope and sequence of instruction that builds upon previous instruction and writing practice. For example, here is a scope and sequence for teaching adverbs that builds in year-to-year review, and also helps students deepen their understanding of this part of speech to improve their writing:

• Primary students should learn that an _ly word “talks about” a physical action verb and practice recognizing these words in their reading and adding _ly words to sentences.
• Intermediate students should learn that an _ly word “talks about” a mental action (e.g. knows) or state of being (e.g. was) verb. They should also practice recognizing these words in their reading and adding _ly words to various places within sentences.
• Upper elementary students should learn that adverbs ask How? When? and Where? to describe verbs and practice recognizing all forms of adverbs, including adverbial phrases, in their reading. They should also practice adding adverbs to various places within sentences and as transitions within paragraphs.
• Middle school students should learn that adverbs ask How? When? Where? and What Degree? to modify verbs and adverbs and practice recognizing all forms of adverbs in their reading. They should also practice adding adverbial phrases and clauses to various places within sentences and as transitions within and between paragraphs.
• High school students should learn that adverbs ask How? When? Where? and What Degree? to modify verbs, adverbs, and adjectives and practice recognizing all forms of adverbs in their reading. They should also practice adding adverbial phrases and clauses to provide sentence variety to various places within sentences and as transitions within and between paragraphs. Students should also practice elements of style, such as placing shorter adverbs before longer adverbs and placing general adverbs before specific adverbs within sentences. Students should also contrast comparative adjectives and adverbial phrases, identify dangling modifiers, and practice recognition and revision of these errors for SAT/ACT test preparation practice.

Sentence modeling from exemplary student writing and literature should be examined and emulated in brief student writing exercises with direct instructional feedback. Alongside of sentence models, contrasting sentences with writing errors should also be analyzed, but not in the context of an incoherent, scatter-gun D.O.L. (Daily Oral Language) “program.” Download an example of my Sentence Lifting exercise at  Grammar Openers Toolkit Sampler to see how this direct instruction approach integrates grammar and mechanics instruction within the context of real writing. My Teaching Grammar and Mechanics curriculum has 64 Sentence Lifting lessons with multiple instruction layers of instruction (as in the adverb example above) to provide the teacher with resources that reflect leveled degrees of difficulty. How often and how much class time do I devote to direct grammar and mechanics instruction? Three times per week, 15-20 minutes per day.

Writing Strategies

Teachers should practice sentence manipulation and sentence combining. For example, re-writing subject-verb-complement sentence construction to begin with complex sentences, such as with adverbial clause sentence openers is excellent practice. I use Sentence Revision exercises such as in the Writing Openers Toolkit Sampler from my TEACHING ESSAYS BUNDLE curriculum to help students practice sentence construction and revision. Sentence Revision also provides exercises in writing style. How often and how much class time do I devote to Sentence Revision? Three times per week, 10 minutes per day.

Writing Process

I require students to include specific sentence openers that we have practiced within their writing process pieces. Students re-write sentences to reflect their practice within the revision stage of the writing process. Peer editing focuses on the specific grammar and mechanics that we have been learning in our Sentence Lifting and Sentence Revision lessons.

Here are brief overviews of the two curricular sources described above: Find essay strategy worksheets, writing fluencies, sentence revision activities, remedial writing lessons, posters, and editing resources to differentiate essay writing instruction in TEACHING ESSAYS BUNDLE.

*****

Teaching Grammar, Usage, and Mechanics (Grades 4, 5, 6, 7, 8, and High School) are full-year, traditional, grade-level grammar, usage, and mechanics programs with plenty of remedial practice to help students catch up while they keep up with grade-level standards. Twice-per-week, 30-minute, no prep lessons in print or interactive Google slides with a fun secret agent theme. Simple sentence diagrams, mentor texts, video lessons, sentence dictations. Plenty of practice in the writing context. Includes biweekly tests and a final exam.

Grammar, Usage, and Mechanics Interactive Notebook (Grades 4‒8) is a full-year, no prep interactive notebook without all the mess. Twice-per-week, 30-minute, no prep grammar, usage, and mechanics lessons, formatted in Cornell Notes with cartoon response, writing application, 3D graphic organizers (easy cut and paste foldables), and great resource links. No need to create a teacher INB for student make-up work—it’s done for you! Plus, get remedial worksheets, biweekly tests, and a final exam.

Syntax in Reading and Writing is a function-based, sentence-level syntax program, designed to build reading comprehension and increase writing sophistication. The 18 parts of speech, phrases, and clauses lessons are each leveled from basic (elementary) to advanced (middle and high school) and feature 5 lesson components (10–15 minutes each): 1. Learn It!  2. Identify It!  3. Explain It! (analysis of challenging sentences) 4. Revise It! (kernel sentences, sentence expansion, syntactic manipulation) 5. Create It! (Short writing application with the syntactic focus in different genre).

Get the Diagnostic Grammar, Usage, and Mechanics Assessments, Matrix, and Final Exam FREE Resource:

Get the “To Be” Verbs Posters FREE Resource:

Get the Grammar and Mechanics Grades 4-8 Instructional Scope and Sequence FREE Resource:

Grammar/Mechanics, Literacy Centers, Study Skills, Writing adverb worksheets, adverbial clauses, adverbs, editing stage, grammar, grammar openers, grammar worksheets, mini grammar lessons, mini lessons, parts of speech, writers workshop, writing openers, writing process, writing revision, writing strategies

Teachers will find this context clues vocabulary review game to be a fun way to review vocabulary. Context clues review for upcoming vocabulary tests! Want more vocabulary review games? But wait; there’s still more?

S.E.A.L. Clues Pictionary®

Directions: Divide students into small groups (four or five works well) and have each group select an illustrator, who is assigned the first word to guess. Use the following words to teach the game; then add on your own vocabulary words thereafter. Announce the first SALES category to the class; then say “Draw!” to begin. Using picture clues that fit each SEAL category, the illustrator quietly draws out clues until one of the group members guesses the word(s). The illustrator may not use hand motions, mouthing, or letters (except for the syllables category). The correct guesser becomes the new illustrator. The group that first correctly guesses all words within the category is the winner. Context clue review throughout the game!

Hints: Group members should whisper to prevent other groups from hearing their guesses. Feel free to “give the answer” to a group that is stuck. Suggest that illustrators may wish to draw blanks before or after their word part clues in the syllables category, e.g. ___cycle for bicycle. Probably one category per day is plenty.

Pictionary Word Parts

Syllables

• re (again)
• pre (before)
• vis (to see)
• struct (to build)
• er (one who)

Examples

• Santa Claus
• Disneyland (Disneyworld)
• music
• red
• water

Antonyms

• desert
• dark (darkness)
• comedy (comedian, comic)
• baby
• life

Logic

• box
• 429
• language
• pyramids
• snow

*****

For full-year vocabulary programs which include multiple meaning words (L.4.a.), Greek and Latin morphology with Morphology Walls (L.4.a.), figures of speech (L.5.a.), words with special relationships (L.5.b.), words with connotative meanings (L.5.c.), and academic language words (L.6.0), check out the assessment-based grades 4, 5, 6, 7, and 8 Comprehensive Vocabulary.

Get the Grades 4,5,6,7,8 Vocabulary Sequence of Instruction FREE Resource:

Get the Diagnostic Academic Language Assessment FREE Resource:

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Among numerous comments to one of my articles titled, “Why We Don’t Teach Grammar,” the following set off teacher panic buttons for me and certainly serves as a personal call to action:

As society evolves the youth and young adults make their own slang up anyways. Everything is in Abbreviations now. unless you have a job as a Writer, Author or Journalist or Editor, Accountant/Spreadsheets or anything that involves typing a letter that needs to look professional. You will never use this stuff in your whole lives. Grammar sucks, this is a fact! It’s more important to hear what the people have to say and try to look around the errors and fill in the mistakes in your own mind. Don’t make someone feel bad and have to switch the topic just because they can’t punctuate.

Although not as contentious as the debate on how to teach children to read, the debate on how to teach grammar* has its moments. In fact, elements of the reading and grammar debate do have similarities regarding how language is transmitted.

The lines of division within reading have been drawn between those who favor part to whole graphophonic (phonics-based) instruction and those who prefer whole to part (balanced literacy or structured reading) instruction. Similarly, the divisions within grammar have also been drawn between those who favor part to whole instruction and those who prefer whole to part instruction. By the way the writers of the Common Core State Standards certainly have made up their minds. Guess which side they favor.

Part to Whole

The essence of part to whole grammatical instruction is the inductive approach. Advocates believe that front-loading the discrete parts of language will best enable students to apply these parts to the whole process of writing. Following are the key components of this inductive approach.

1. Memorization of the key terminology and definitions of grammar to provide a common language of instruction. If a teacher says, “Notice how the author’s use of the adverb at the start of the verse emphasizes how the old woman walks.” Some would carry the memorization further than others: “Notice how the author’s use of the past perfect progressive indicates a continuous action completed at some time in the past.”

2. Identification leads to application. If students can readily identify discrete elements of language, say prepositional phrases, they will more likely be able to replicate and manipulate these grammatical constructions in their own writing. A teacher might suggest, “Let’s add to our sentence variety in this essay by re-ordering one of the sentences to begin with a prepositional phrase like this one shown on the LCD projector.”

3. Focus on the rules of grammar leads to application. If students understand and practice the grammatical rules and their exceptions, they will more likely be able to write with fewer errors. Knowing the rule that a subject case pronoun follows a “to-be” verb will help a student avoid saying or writing “It is me,” instead of the correct construction “It is I.” Some advocate teaching to a planned grammatical scope and sequence; others favor a shotgun approach as with D.O.L. (Daily Oral Language) instruction.

4. Distrust one’s own oral language as a grammatical filter. “Whoever John gives the ring to will complain” sounds correct, but “To whomever John gives the ring, he or she will complain” is correct. Knowing pronoun case and the proper use of prepositions will override the colloquialisms of oral language.

5. Teaching the components of sentence construction leads to application. If students know, can identify, and can apply key elements of a sentence: subjects, predicates, parts of speech, phrases, and clauses they will better be able to write complete sentences which fit in with others to form unified and coherent paragraphs.

Whole to Part

The essence of whole to part grammatical instruction is the deductive approach. Advocates believe that back-loading the discrete parts of language as is determined by needs of the writing task will best enable students to write fluently and meaningfully. Following are the key components of this deductive approach.

1. Memorization of the key terminology and definitions of grammar and identification of grammatical components, other than a few basics such as the parts of speech, subjects, and predicates, does not improve writing and speaking. In fact, teaching grammatical terms and indentifying these elements is reductive. The cost-benefit analysis indicates that more time spent on student writing and less time on direct grammatical instruction produces a better pay-off.

2. Connection to oral language is essential to fluent and effective writing. The students’ abilities to translate the voice of oral language to paper help writers to develop a natural and authentic voice that connects with the reader in an unstilted manner that is not perceived as contrived. A teacher might use mini-lessons to discuss how to code-switch from less formal oral language to more formal written language, say in an essay. For example, a teacher might suggest replacing the fragment slang “She always in his business” to “The couple frequently engages in a physical relationship” in an essay on teen dating.

3. Connection to reading and listening provides the models that students need to mimic and revise to develop their own writing style. Reading and listening to a wide variety of exemplary literature, poetry, and speeches will build a natural feel for the language that students place within their own “writing wells.” Students are able to draw from these wells to write effectively (and correctly) for a variety of writing tasks.

4. Minimizing error analysis. Teachers believe most grammatical errors will naturally decrease with  #2 and #3 in place. A teacher might say, “Don’t worry about your grammar, punctuation, or spelling on your rough draft. Focus now on saying what you want to say. We will worry about how you say it in the revision and editing stages.” Teachers are concerned that too much error analysis, such as practiced in D.O.L. (Daily Oral Language) will actually rehearse errors.

5. Teaching the whole paragraph with a focus on coherence will best enable students to apply the discreet parts such as subjects, predicates, parts of speech, phrases, clauses, sentences, and transitions to say something meaningful.

Of course, the Great Grammar Debate is not necessarily “either-or.” Most teachers apply bits and pieces of each approach to teaching grammar. Teachers who lean toward the inductive approach are usually identified by their “drill and kill” worksheets, their grammatical terms posters, and Grammar Girl listed and Purdue University’s OWL prominently in their Favorites. Teachers who lean toward the deductive approach are often pegged by their “ignore and write more” writers workshops, mini-lessons (if they ever get to these), and their writing process posters prominently display on the wall, next to their autographed picture of Donald Graves.

My take? I suggest an informed instructional balance of the two approaches is most effective. Using effective diagnostic assessments can narrow the focus and time commitment of the inductive crowd. Well-planned front-loading of key grammatical terms, with identification and application practice can transfer to better student writing without having to wait until the process of writing osmosis magically takes place.

*****

Teaching Grammar, Usage, and Mechanics (Grades 4, 5, 6, 7, 8, and High School) are full-year, traditional, grade-level grammar, usage, and mechanics programs with plenty of remedial practice to help students catch up while they keep up with grade-level standards. Twice-per-week, 30-minute, no prep lessons in print or interactive Google slides with a fun secret agent theme. Simple sentence diagrams, mentor texts, video lessons, sentence dictations. Plenty of practice in the writing context. Includes biweekly tests and a final exam.

Grammar, Usage, and Mechanics Interactive Notebook (Grades 4‒8) is a full-year, no prep interactive notebook without all the mess. Twice-per-week, 30-minute, no prep grammar, usage, and mechanics lessons, formatted in Cornell Notes with cartoon response, writing application, 3D graphic organizers (easy cut and paste foldables), and great resource links. No need to create a teacher INB for student make-up work—it’s done for you! Plus, get remedial worksheets, biweekly tests, and a final exam.

Syntax in Reading and Writing is a function-based, sentence-level syntax program, designed to build reading comprehension and increase writing sophistication. The 18 parts of speech, phrases, and clauses lessons are each leveled from basic (elementary) to advanced (middle and high school) and feature 5 lesson components (10–15 minutes each): 1. Learn It!  2. Identify It!  3. Explain It! (analysis of challenging sentences) 4. Revise It! (kernel sentences, sentence expansion, syntactic manipulation) 5. Create It! (Short writing application with the syntactic focus in different genre).

Get the Diagnostic Grammar, Usage, and Mechanics Assessments, Matrix, and Final Exam FREE Resource:

Get the Grammar and Mechanics Grades 4-8 Instructional Scope and Sequence FREE Resource:

Grammar/Mechanics, Writing D.O.L., Daily Language Review, daily oral language, DOL, grammar, grammar and mechanics, grammar instruction, grammar openers, grammar worksheets, Mark Pennington, subjects and predicates, Teaching the Language Strand, to be verbs, writers workshop, writing process