Pennington Publishing Blog

As we all know, reading fluency is highly correlated with reading comprehension. Of course it makes so much sense that if readers can read quickly with expression, accuracy, and attention to punctuation, they will more likely understand what they read than if they don’t have these skill sets. Now it is certainly true that veteran teachers and reading specialists will no doubt have run across an exception or two in their careers. I have tested children and adults with brilliant reading fluency, but poor comprehension. Conversely, I have run across slow, stumbling, readers with monotone expression who seem to understand and remember every single detail.

This being said, reading fluency assessments are universally recognized as important initial looks into how a reader processes text. Unlike other measures, such as comprehension and vocabulary assessments, reading fluency assessments give the classroom teacher and diagnostician not only qualitative, but also quantitative data. We love numbers!

As an elementary reading specialist in a large school district in Northern California, I learned (with my colleagues) the value of comparing student fluency scores in grade-level text to grade-level norms. We had two research studies on group norms for Words Read per Minute (WRPM) to rely upon: those by University of Oregon researchers, Hasbrouck and Tindal (1992, 2006). However, these studies provided data for students from grades 2–5.

When I moved into the middle school setting as an ELA and reading intervention teacher, I (and others) was tough out of luck. No group norms for grades 6–8. Of course, I still designed reading fluency assessments and helped students practice reading fluency, but I was flying blind. Until 2006 when the same two researchers added on grades 6–8 reading fluency norms. Woo hoo!

The same two researchers, Hasbrouck and Tindal, have now (2017) have replicated their initial study for grades 1–6. Following is the latest data, i.e. 2017 for grades 1–6 and 2006 for 6–8. Afterwards, read the concise explanation of the tables by Jan Hasbrouck. Note the “middle school slump” in the second chart.

The Science of Reading Intervention Program: Word Recognition includes explicit, scripted instruction and practice with the 5 Daily Google Slide Activities every reading intervention student needs: 1. Phonemic Awareness and Morphology 2. Blending, Segmenting, and Spelling 3. Sounds and Spellings (including handwriting) 4. Heart Words Practice 5. Sam and Friends Phonics Books (decodables). Plus, digital and printable sound wall cards and speech articulation songs. Print versions are available for all activities. First Half of the Year Program (55 minutes-per-day, 18 weeks)

The Science of Reading Intervention Program: Language Comprehension resources are designed for students who have completed the word recognition program or have demonstrated basic mastery of the alphabetic code and can read with some degree of fluency. The program features the 5 Weekly Language Comprehension Activities: 1. Background Knowledge Mentor Texts 2. Academic Language, Greek and Latin Morphology, Figures of Speech, Connotations, Multiple Meaning Words 3. Syntax in Reading 4. Reading Comprehension Strategies 5. Literacy Knowledge (Narrative and Expository). Second Half of the Year Program (30 minutes-per-day, 18 weeks)

The Science of Reading Intervention Program: Assessment-based Instruction provides diagnostically-based “second chance” instructional resources. The program includes 13 comprehensive assessments and matching instructional resources to fill in the yet-to-be-mastered gaps in phonemic awareness, alphabetic awareness, phonics, fluency (with YouTube modeled readings), Heart Words and Phonics Games, spelling patterns, grammar, usage, and mechanics, syllabication and morphology, executive function shills. Second Half of the Year Program (25 minutes-per-day, 18 weeks)

The Science of Reading Intervention Program BUNDLE  includes all 3 program components for the comprehensive, state-of-the-art (and science) grades 4-adult full-year program. Scripted, easy-to-teach, no prep, no need for time-consuming (albeit valuable) LETRS training or O-G certification… Learn as you teach and get results NOW for your students. Print to speech with plenty of speech to print instructional components.

 

 

 

 

 

“Oral reading fluency norms identify performance benchmarks at the beginning (fall), middle (winter), and end (spring) of the year. An individual student’s WCPM score can be compared to these benchmarks and determined to be either significantly above benchmark, above benchmark, at the expected benchmark, below benchmark, or significantly below benchmark. Those students below or significantly below benchmark are at possible risk of reading difficulties. They are good candidates for further diagnostic assessments to help teachers determine their skill strengths or weaknesses, and plan appropriately targeted instruction and intervention” (Hasbrouck, 2010). http://www.brtprojects.org/wp-content/uploads/2017/10/TechRpt_1702ORFNorms_Fini.pdf

*****THE FREE READING FLUENCY ASSESSMENT*****

The “Pets” diagnostic expository fluency passage is leveled in a unique pyramid design: the first paragraph is at the first grade (Fleish-Kincaid) reading level; the second paragraph is at the second grade level; the third paragraph is at the third grade level; the fourth paragraph is at the fourth grade level; the fifth paragraph is at the fifth grade level; the sixth paragraph is at the sixth grade level; and the seventh paragraph is at the seventh grade level. Thus, the reader begins practice at an easier level to build confidence and then moves to more difficult academic language. As the student reads the fluency passage, the teacher will be able to note the reading levels at which the student has a high degree of accuracy and automaticity. Automaticity refers to the ability of the reader to read effortlessly without stumbling or sounding-out words. The 383 word passage permits the teacher to assess two-minute reading fluencies (a much better measurement than a one-minute timing).

Get the The Pets Fluency Assessment FREE Resource:

Get the SCRIP Comprehension Strategies FREE Resource:

Get the Diagnostic ELA and Reading Assessments FREE Resource:

Reading, Spelling/Vocabulary blending, Common Core reading, comprehension, context clues, decoding, eighth grade fluency, EL, ELD, encoding, ESL, expository fluencies, fifth grade fluency, fluency, fluency norms, fluency practice, fourth grade fluency, Mark Pennington, modeled reading, pennington publishing, phonics, reading assessments, reading fluency, reading intervention, reading programs, reading remediation, reading worksheets, remedial reading, RTI, seventh grade fluency, sight words, sixth grade fluency, special education, struggling readers, Teaching Reading Strategies, TESL, vocabulary, vocabulary worksheets

As a reading specialist, I’ve had the opportunity to work with students at the full spectrum of age groups from preK to adult ed. My passion has always been to help struggling readers, especially older readers. You find these students in reading intervention classes, ESL/ELD/ELL programs, special education classes, and learning centers.

Ask any reading teacher, who’s been there and done that, what is the key correlate to reading improvement for older struggling readers and you’ll hear the word, motivation, more often than not.

Long ago I learned the power of motivation upon student achievement. It took me awhile. In my sixth year of teaching I made a study of two teachers teaching my same subject, who were getting better results than I. I sat in their classes during my prep. Initially, I was confused.

“I’m at least as good as Mr. S,” I thought, “and I’m much better than Mr. B.”

I’ve never been diagnosed as “self-esteem deficient.”

However, I cornered some of Mr. S’s and Mr. B’s kids during passing periods and asked them, “What makes you succeed in his class?”

It was motivation. Mr. S loved kids and they knew it. He had the relationships in and out of class that made his students want to learn. Mr. B had a different approach: the behavioral approach of carrot and stick. Rewards and fear made his students have to learn.

I couldn’t be either teacher; Lame as it sounds: I had to be me. It took me years of experimenting and quite a few humbling make-overs to begin motivating some of my students.

My secret? What works for me is a constant self-reminder that I am teaching students, not reading. To really teach struggling readers how to improve their reading, teachers need to know what makes them tick and adapt instruction and teaching resources accordingly. For your struggling readers, you need the books that will motivate these older kids to read.

Even though I mentioned that I am not “self-esteem deficient,” my struggling readers certainly are. Despite the apathetic “I don’t care” self-defense mechanisms of most struggling readers, they really do care that they aren’t like the rest of their peers. No one want to stand out as a poor reader. I’ve never heard the most unreachable fourth grader, middle schooler, high schooler, or community college adult (and I’ve taught them all) say, “I’m a poor reader and proud of it.”

My main point in this article is to get reading teachers to be hypersensitive to the effects of motivation on learning to read. Specifically, we have got to stop unintentionally tearing away at the self-esteem of our struggling readers.

Take a moment to look at your teaching resources. Do they match the age of your students?

I just finished a comment on a teacher’s post asking for feedback on her self-authored ESL teaching resources and chapter books. I was struck by the beautiful cover illustrations. I previewed the book internal pages and the graphics and pictures were so professional. However, the images were perfectly appropriate for beginning readers, not her target grades 4‒8 age group. Struggling readers certainly do judge a book by its cover. Hopefully, my comments maintained a complimentary/constructive balance. Her self-esteem matters, as well!

ESL/ELD/ELL, special education, reading intervention, and adult ed learners need reading resources and books that motivate them to learn, not humiliate them into shutting down or acting out in the classroom.

Yes, these materials are hard to find.

So, I had to create my own. My Sam and Friends Guided Reading Phonics Books are the featured decodables in The Science of Reading Intervention Program and have been designed to motivate struggling readers.

The Sam and Friends Books (54 eight-page booklets) use teenage (non big-head) cartoons and plots. The illustrator, David Rickert, is a high school ELA teacher and we were both sensitive to ensuring that our visuals matched the maturity of our focus age group.

The latter product includes sound-spelling cards like most other reading programs. However, I selected animals as an ageless theme and photographs, not illustrations, to appeal to older kids.

Get the SCRIP Comprehension Strategies FREE Resource:

Get the Diagnostic ELA and Reading Assessments FREE Resource:

 

Literacy Centers, Reading blending, Common Core reading, comprehension, context clues, decoding, EL, ELD, encoding, ESL, expository fluencies, fluency, Mark Pennington, pennington publishing, phonics, reading assessments, reading fluency, reading intervention, reading programs, reading remediation, reading worksheets, remedial reading, RTI, sight words, special education, struggling readers, Teaching Reading Strategies, TESL, vocabulary, vocabulary worksheets

See how much you know about grammar by taking the 10 Question Grammar Quiz for Teachers. Don’t worry; I’ll dispense with the usual “If you score 9 or 10 out of 10, you are…” Let’s keep things fun! Take out a pen and some scratch paper. Number from 1‒10.

First, let’s get the obvious out of the way. I wrote this quiz to sell my grammar books to teachers. I selected quiz items from the grades 4‒8 Common Core Anchor Standards for Language. Helpful links follow each question if you want to learn explore the grammatical topics.

The answers to the multiple-choice questions follow my promotional materials to ensure that you glance at my books. I would be happy to explain any of the distractors. Comments are welcomed (not welcome).

Grammar Quiz for Teachers

1. When multiple adjectives are used within a sentence, the adjectival types should follow this order:

A. Which one? How many? What kind? B. What kind? Which one? How many?

C. What kind? How many? Which one? D. How many? Which one? What kind?

2. When multiple adverbs are used within a sentence, the adverbial types should follow this order:

A. Where? What degree? How? When? B. How? When? What degree? Where?

C. When? How? Where? What Degree? D. What degree? How? Where? When?

I know you’re craving examples at this point, but we need to teach the rules, so that students will be able to apply them and not solely depend upon oral language proficiency.

3. A past participle is best described by what part of speech?

A. Adverb B. Adjective

C. Verb D. Conjunction

http://www.grammar-monster.com/glossary/past_participles.htm

4. Examples of correlative conjunctions include the following:

A. unless, despite B. for, nor

C. either, or D. however, then

http://www.chompchomp.com/terms/correlativeconjunction.htm

5. Examples of coordinate adjectives include the following:

A. dark green moss B. homemade apple pie

C. heavy, bulky sweater D. delicious, low-fat, dessert

https://www.quickanddirtytips.com/education/grammar/commas-with-adjectives

6. Which of the following does not describe a function of the present perfect verb tense (or form, if you prefer)?

A. A physical or mental action or a state of being happening or existing before the present

B. An ongoing action happening or existing now

C. An action that took place at some unidentified time in the past that relates to the present

D. An action that began in the past but continues to the present

https://blog.penningtonpublishing.com/tag/perfect-verbs/

Okay, so you’re probably not going to get all of these answers correct. I’m sure it’s just the way I’ve phrased the questions and/or answers.

7. Identify which answer provides James as the subject of this sentence:

A. Running helped James lower his body fat.

B. Why is James asking if Sheena wants dessert?

C. The teacher of the year is James.

D. The birthday party for James was orchestrated by his closest friends.

https://www.khanacademy.org/humanities/grammar/syntax-sentences-and-clauses/subjects-and-predicates/v/subjects-and-predicates-syntax-khan-academy

8. The grammatical problem in this sentence is a dangling modifier:

A. Re-reading the question clearly improves the accuracy of your answers.

B. I dusted always on Tuesdays.

C. He acted more conspicuously than I.

D. Fired from her job, her car became her home.

https://owl.english.purdue.edu/owl/resource/597/1/

9. The grammatical problem in this sentence is the use of an indefinite pronoun reference:

A. He did have pens, but we didn’t need any right now.

B. I called Jesse’s work, but he never answered.

C. None were happier than he.

D. Peter was a brilliant chemist and teacher. That is why his students loved his class.

https://www.grammarly.com/blog/pronouns/

10. Which one of the following sentences includes a direct object?

A. To him I gave my favorite ring.

B. “Is this Marsha?” “It is I.”

C. The popcorn seems too salty for most people.

D. Ismelda acts nicely when no one is looking.

http://www.write.com/writing-guides/general-writing/grammar/direct-and-indirect-objects/

Want to take the Mechanics Quiz for Teachers? Check it out after you correct your grammar quiz.

Quiz Answers

1. A      2. D      3. B      4. C     5. C     6. B     7. B     8. D     9. C     10. A

*****

Teaching Grammar, Usage, and Mechanics (Grades 4, 5, 6, 7, 8, and High School) are full-year, traditional, grade-level grammar, usage, and mechanics programs with plenty of remedial practice to help students catch up while they keep up with grade-level standards. Twice-per-week, 30-minute, no prep lessons in print or interactive Google slides with a fun secret agent theme. Simple sentence diagrams, mentor texts, video lessons, sentence dictations. Plenty of practice in the writing context. Includes biweekly tests and a final exam.

Grammar, Usage, and Mechanics Interactive Notebook (Grades 4‒8) is a full-year, no prep interactive notebook without all the mess. Twice-per-week, 30-minute, no prep grammar, usage, and mechanics lessons, formatted in Cornell Notes with cartoon response, writing application, 3D graphic organizers (easy cut and paste foldables), and great resource links. No need to create a teacher INB for student make-up work—it’s done for you! Plus, get remedial worksheets, biweekly tests, and a final exam.

Syntax in Reading and Writing is a function-based, sentence level syntax program, designed to build reading comprehension and increase writing sophistication. The 18 parts of speech, phrases, and clauses lessons are each leveled from basic (elementary) to advanced (middle and high school) and feature 5 lesson components (10–15 minutes each): 1. Learn It!  2. Identify It!  3. Explain It! (analysis of challenging sentences) 4. Revise It! (kernel sentences, sentence expansion, syntactic manipulation) 5. Create It! (Short writing application with the syntactic focus in different genre).

Get the Diagnostic Grammar, Usage, and Mechanics Assessments, Matrix, and Final Exam FREE Resource:

Get the Grammar and Mechanics Grades 4-8 Instructional Scope and Sequence FREE Resource:

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If we consider the traditional four communicative contexts of English-language arts (listening, speaking, reading, and writing) and add on a fifth, the visual context, thanks to the interesting research of Kress and van Leeuwen, we find that language never takes place in isolation. Even when my wife talks to herself, she does have an audience (and I’m rarely included).

A few examples (with good instructional links and the related Common Core Standards) will remind us of how we teach the language interactively:

We teach students to actively listen to a speaker by asking relevant questions.

CCSS.ELA-LITERACY.SL.6.1.C
“Pose and respond to specific questions with elaboration and detail by making comments that contribute to the topic, text, or issue under discussion.”

We teach students to speak to their audience, using specific techniques to interest our listeners.

CCSS.ELA-LITERACY.SL.4.4
“Report on a topic or text, tell a story, or recount an experience in an organized manner, using appropriate facts and relevant, descriptive details to support main ideas or themes; speak clearly at an understandable pace.”

We teach students to engage their audience in writing assignments.

CCSS.ELA-LITERACY.W.7.3.A
Engage and orient the reader by establishing a context and point of view and introducing a narrator and/or characters; organize an event sequence that unfolds naturally and logically.

We teach students to maintain a dialog with the author when reading.

CCSS.ELA-LITERACY.RF.5.4.A
Read grade-level text with purpose and understanding.

We teach students to analyze media and consider the choices in terms of content, editing, and production made by, say, a filmmaker, videographer, or graphic artist.

CCSS.ELA-LITERACY.RI.7.7
Compare and contrast a text to an audio, video, or multimedia version of the text, analyzing each medium’s portrayal of the subject (e.g., how the delivery of a speech affects the impact of the words).

So, why are teachers so reticent to abandon teaching grammar in isolation?

Now, most of you are thinking that I’m referring to teaching grammar in isolation via drill and kill worksheets, divorced from listening, speaking, writing, and reading. I’m not. As an aside, while I certainly try to apply my grammar, usage, and mechanics instruction to the instructional subject, I (like all teachers I work with at my school) find that some grammatical instruction is most efficiently accomplished in isolation. For example, when I teach sentence variety through modeled grammatical sentence openers in the context of revising process paper drafts, I always find that some re-teaching is necessary for some students. If half of my students still don’t know the definition of an adverb, its function, proper adverbial order, and some examples, they won’t be able to use a few of my grammatical sentence openers revisions to improve their process papers.  I see no reason not to bust out a down and dirty adverbs worksheet for those seventh grade students who need it.

What I mean by teaching grammar in isolation is didactic direct instruction (teacher talks to the class) or individual students complete a grammar worksheet and turn it in to the teacher to grade instruction.

Instead of those types of isolated learning experiences, I contend that grammar is best learned by function and, interactively, in a social context. My new Syntax in Reading and Writing program features collaborative learning in an “I do it,” “We do it,” “You do it” gradual release model.

Not to get to hung up on definitions, but let’s cite one:

“A grammar is the rules and constraints on what can be represented. A grammar is a social resource of a particular group” (Kress and van Leeuwen).

If grammar provides the tools (“the rules and constraints”) for communication, it makes sense that these tools would best be defined, identified, practiced, and applied in the context of collaborative communication (the “social resource of a particular group”). The classroom teacher certainly provides one important source of communication, but students themselves are often an untapped source of learning. Students can learn grammar from each other.

*****

Teaching Grammar, Usage, and Mechanics (Grades 4, 5, 6, 7, 8, and High School) are full-year, traditional, grade-level grammar, usage, and mechanics programs with plenty of remedial practice to help students catch up while they keep up with grade-level standards. Twice-per-week, 30-minute, no prep lessons in print or interactive Google slides with a fun secret agent theme. Simple sentence diagrams, mentor texts, video lessons, sentence dictations. Plenty of practice in the writing context. Includes biweekly tests and a final exam.

Grammar, Usage, and Mechanics Interactive Notebook (Grades 4‒8) is a full-year, no prep interactive notebook without all the mess. Twice-per-week, 30-minute, no prep grammar, usage, and mechanics lessons, formatted in Cornell Notes with cartoon response, writing application, 3D graphic organizers (easy cut and paste foldables), and great resource links. No need to create a teacher INB for student make-up work—it’s done for you! Plus, get remedial worksheets, biweekly tests, and a final exam.

Syntax in Reading and Writing is a function-based, sentence level syntax program, designed to build reading comprehension and increase writing sophistication. The 18 parts of speech, phrases, and clauses lessons are each leveled from basic (elementary) to advanced (middle and high school) and feature 5 lesson components (10–15 minutes each): 1. Learn It!  2. Identify It!  3. Explain It! (analysis of challenging sentences) 4. Revise It! (kernel sentences, sentence expansion, syntactic manipulation) 5. Create It! (Short writing application with the syntactic focus in different genre).

Get the Diagnostic Grammar, Usage, and Mechanics Assessments, Matrix, and Final Exam FREE Resource:

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Simply put: Learning to write complex sentences will improve your students’ writing. Perhaps no other revision tool produces a greater “bang for the buck.” However, even the best tools can be overused. A contractor may love her “go-to” nail gun, but sometimes a simple hammer may better fit the task.

Our job as writing teachers is to show developing writers how complex sentences help authors communicate efficiently, precisely, and coherently (three academic language words every student should learn). So often, with our justifiable focus on getting students to write in complete sentences during the primary grades, developing writers get caught in a pit trap of writing simple sentences only in the SUBJECT-PREDICATE-OBJECT pattern. Students need a sturdy ladder to climb out of this trap.

The complex sentence is aptly named. Understanding, recognizing, and producing complex sentences require a substantial amount of prior knowledge and experience in reading, writing, listening, and speaking. We can (and should) use a few short-cuts to get to the end goal of getting students to use complex sentences in their own writing, but we do no service to them by ignoring, simplifying, or generalizing the requisite scaffolds of academic language and syntax. Kids gotta learn how their language works. Yes, that involves plenty of grammar instruction and practice.

To scaffold how to teach complex sentences, teach each rung of the ladder well. Tighten up each of the wobbly rungs and don’t skip any. Your learners are diverse. Who knows what they know and don’t know? (Although you could give my diagnostic grammar and usage assessment to find out).

Connect to and Build Prior Knowledge

RUNG 1

“First, let’s review the characteristics of a simple sentence.”

Write or display these definitions and examples, read them out loud, and tell students to copy them.

“A simple sentence has three characteristics: 1. It tells a complete thought. 2. It has both a subject and a predicate. The subject is a noun or pronoun and serves as the “do-er” of the sentence. A noun is a person, place, thing, or idea. A pronoun takes the place of a noun. The predicate is a verb or verbs and acts upon the subject or links the subject to something else in the sentence. 3. When read out loud, a simple sentence makes the voice drop down at the end of a statement or go up at the end of a question. Examples: Karen enjoys chocolate. Do you like chocolate?

Identify the Problem: Connect to Oral Language and Reading

RUNG 2 

Convince students that too many simple sentences strung together can be a problem, especially in essays. Reading out loud helps students identify the machine gun quality of repetitive simple sentences. Write or display this paragraph and read it out loud.

“Now listen to me as I read this paragraph of simple sentences. Afterwards, let’s read the paragraph out loud together as a class.”

     Thomas Alva Edison was born into a well-educated family. He had a lot of challenges to overcome. Tom was the youngest of seven children. Tom did not receive undivided attention from his parents. His parent had so many children. Thomas did not learn to talk as a young boy. His parents did not interact much with him. His siblings did not interact much with him. He finally learned to talk. He began talking at age four. Then he would not stop. He asked why and how questions about everything.

Debrief with your students: “What did you think about how this paragraph is written? How did it sound? Each sentence in the paragraph is a simple sentence. We can combine simple sentences with a conjunction to form another type of sentence: the compound sentences. A conjunction is a joining word. When we combine simple sentences, we change the name of a simple sentence to an independent clause. Let’s copy these definitions and example: A simple sentence is an independent clause. Two or more joined independent clauses form a compound sentence. Example: Then he would not stop, and he asked why and how questions about everything.

Another type of sentence is the complex sentence. Let’s listen to me as I read the same paragraph, revised with some revised complex sentences. Afterwards, we will read the paragraph out loud together as a class.”

Identify the Solution: Connect to Oral Language and Reading

RUNG 3

Convince students that adding sentence variety by including complex sentences makes writing more efficient, precise, and coherent. “Now listen to me as I read this paragraph of simple sentences. Afterwards, let’s read the paragraph out loud together as a class.”

     Although Thomas Alva Edison was born into a well-educated family, he had a lot of challenges to overcome. Tom was the youngest of seven children. Because his parents had so many children, Tom did not receive their undivided attention. Thomas did not learn to talk as a young boy since his parents and siblings rarely interacted with him. When he finally learned to talk at age four, he would not stop. He asked why and how questions about everything.

Debrief with your students: “Does this revised paragraph  provide the same information as the first? What did you think about how this revised paragraph is written? How did it sound? Many of the sentences in this revised paragraph are complex sentences. Let’s copy this down: A complex sentence has one independent clause and at least one dependent clause. A dependent clause has three characteristics: 1. It begins with a subordinate conjunction.  Subordinate means less important than or under the control of someone or something else. 2. It has at least one noun or a pronoun and at least one connected verb. 3. When read out loud, a dependent clause does not makes the voice drop down at the end of a statement. Example: Although (subordinate conjunction) Mike (noun) and I (pronoun) listen (verb), (When read out loud the voice does not drop down.)

Now let’s figure out how the author formed complex sentences to make the our own writing efficient, precise, and coherent. Efficient means to be well-organized and not wasteful. Precise means to be specific and exact. Coherent means to be logical, orderly, and consistent.”

Teach How to Write Dependent Clauses

RUNG 4 

“Write down this formula for writing dependent clauses: dependent clause = subordinate conjunction (Bud is wise, but hot! AAA WWW) + at least noun or pronoun + at least one connected verb + any other words. 

Bud is wise, but hot! AAA WWW is a memory trick to help you remember the common subordinate conjunctions. Copy down this list, underlining the first letter of each subordinate conjunction:”

before, unless, despite (in spite of), in order that, so, while, if, since, even though (if), because, until, that, how, once, than, after, although (though), as (as if, as long as, as though), whether, when (whenever), where (wherever)

Have students write and share five dependent clauses in their notebooks and pair share as you monitor this guided practice.

Teach How to Connect Dependent Clauses to Independent Clauses

RUNG 5 

“A dependent clause added onto an independent clause (a simple sentence) forms a complex sentence. The dependent clause may be placed at the beginning, in the middle, or at the end of a sentence. Copy these sentences with their examples.

Place a comma after a dependent clause that begins a sentence. Example: After I sneeze, I always blow my nose.

Place commas before and after a dependent clause in the middle of the sentence. Example: I use a handkerchief, when I sneeze, to be polite.

Don’t place a comma before a dependent clause that ends a sentence. Example: I stop sneezing when it’s not allergy season.”

Assign a Formative Assessment to Determine Mastery

RUNG 6 

Write a short paragraph in which you use three complex sentences: one at the beginning of a sentence; one in the middle of a sentence; and one at the end of a sentence.

Extend the Learning: Writing Style

RUNG 7 

A little knowledge can be a dangerous thing. Teach students to avoid using more than two complex sentences in a row in any given paragraph. Overuse of simple sentences is problematic, but the same is true with complex sentences. Review the revised paragraph above and analyze the different types of sentences, their placements within the paragraph, and the placement of the dependent clause within the complex sentences themselves. Analyze the types of sentences in both narrative and expository text.

*****

Teaching Grammar, Usage, and Mechanics (Grades 4, 5, 6, 7, 8, and High School) are full-year, traditional, grade-level grammar, usage, and mechanics programs with plenty of remedial practice to help students catch up while they keep up with grade-level standards. Twice-per-week, 30-minute, no prep lessons in print or interactive Google slides with a fun secret agent theme. Simple sentence diagrams, mentor texts, video lessons, sentence dictations. Plenty of practice in the writing context. Includes biweekly tests and a final exam.

Grammar, Usage, and Mechanics Interactive Notebook (Grades 4‒8) is a full-year, no prep interactive notebook without all the mess. Twice-per-week, 30-minute, no prep grammar, usage, and mechanics lessons, formatted in Cornell Notes with cartoon response, writing application, 3D graphic organizers (easy cut and paste foldables), and great resource links. No need to create a teacher INB for student make-up work—it’s done for you! Plus, get remedial worksheets, biweekly tests, and a final exam.

Syntax in Reading and Writing is a function-based, sentence level syntax program, designed to build reading comprehension and increase writing sophistication. The 18 parts of speech, phrases, and clauses lessons are each leveled from basic (elementary) to advanced (middle and high school) and feature 5 lesson components (10–15 minutes each): 1. Learn It!  2. Identify It!  3. Explain It! (analysis of challenging sentences) 4. Revise It! (kernel sentences, sentence expansion, syntactic manipulation) 5. Create It! (Short writing application with the syntactic focus in different genre).

Get the Diagnostic Grammar, Usage, and Mechanics Assessments, Matrix, and Final Exam FREE Resource:

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Both developing student writers as well as professionals struggle with eliminating (or reducing) the overuse of the forms of the “to be” verbs: is, am, are, was, were, be, being, been. Any teacher knows that developing writers overdo the “to be” verbs in their writing. The narrative genre forgives the overuse more so than does the essay genre. After all, dialogue needs authenticity and speakers overuse the “to be” verbs even more than writers.

Students especially struggle when revising these “to be” verbs: was and were.

“Mr. Pennington, it is impossible to write this essay on what caused the Civil War without using was and were,” complained one frustrated eighth grader.

I turned to page 79 in my well-highlighted and dog-eared copy of Kenneth Stamp’s The Causes of the Civil War and read, ““Northern abolitionists probably exaggerated the physical cruelties that the Southern masters inflicted upon their slaves. Southern “fire-eaters” doubtless distorted the true character of Northern Yankees. Politicians in both sections kept the country in constant turmoil by and whipped up popular emotions for the selfish purpose of winning elections.”

Now I might disagree with Stamp’s sympathetic take on the exaggeration of slaveholder cruelty, but he sure can write. And, no, he did not have to use the was and were in the above excerpt. He did use a were in the next line 🙂

However, we do need to empathize with developing writers as they seek out vivid, “show me” verbs to replace the oft-used “to be” verbs. After all, six of the eight “to be” verbs appear in the top 43 highest frequency English words lists: is, are, was, were, be, been.

To help students eliminate the “to be” verbs, I’ve developed five strategies (See the detailed approach here) and specific lessons to apply each strategy. Let’s use third strategy: the Convert strategy to eliminate was and were by converting them to strong _t verbs. The _t verbs pack a punch because they are irregular in the past tense and past participle forms. The lesson will include a helpful worksheet.

Lesson Plan: Common Core State Standards W.3, 4, 5  L.2, 3 and Depth of Knowledge Levels 1, 2, 3 (20−30 minutes)

Behavioral Objective: Students will demonstrate the ability to identify the eight “to be” verbs, explain the proper functions of these verbs, and convert the weak was and were verbs to the stronger _t verbs on the formative assessment.

1. Introduce the lesson by telling students that their task is to learn how to replace weak “to be” verbs with stronger verbs. Remind students that a “to be” verb links to the subject (the do-er) of the sentence as a state of being. You might want to reference this Parts of Speech article with my Parts of Speech Song to review the three basic functions of verbs (physical action, mental action, state of being). Tell students that writers generally avoid using “to be” verbs in essays. “To be” verbs can appear more frequently in narrative writing.

2. Write the eight “to be” verbs on the board: is, am, are, was, were, be, being, been.

3. Say,”‘to be’ verbs are not always bad; sometimes writers must use ‘to be’ verbs to communicate exactly what the writer wants to say. A ‘to be’ verb  performs one of these five functions: (Write this list on the board, adjusting or deleting the grammatical terms to the level and prior knowledge of your students.) Any questions?”

• Exists−Is there any trouble? Yes, I am he (predicate nominative).
• Happens−The meetings are over.
• Locates−He was at the birthday party.
• Identifies−Those children were friendly (predicate adjective).
• Describes−That could be scary (helping verb)! He is being helpful (progressive tense). Those girls have been so mean (perfect tense).

4. Say, “Let’s learn the Convert strategy to replace weak ‘to be’ verbs, which don’t serve these functions. Look at this sentence on the board: (Write the following sentence.) Juan was bringing the salad to the potluck. (Point to the list of ‘to be’ verbs). Which ‘to be’ verb appears in this sentence? Whole class answer on three (pause): 1, 2, 3 ‘was.’ Circle the ‘was’ on the board.”

5. Write this sentence on the board: Juan brought the salad to the potluck.

6. Ask, “How did I substitute the was in the sentence? How does each linking verb affect the meaning of the sentence?” (For older students, you may wish to explain that the was and were _ing verb construction is known as the past progressive form and indicates a continuing action that was going on in the past, while the _t verbs indicate a completed action that happened at one point in time.

7. Say, “We need some practice using the Convert strategy to replace weak was and were verbs with stronger _t verbs (Print and pass out the Convert Was and Were _ing to _t Verb Worksheet to each student and read the directions out loud.) Complete items #s 1−10, but don’t complete the formative assessment at the bottom.”

Note: For older students, you may wish to tell them that the British tend to use more _t verbs than their American cousins. Brits will say “He leant against the wall.” Americans will say, “He leaned against the wall.” Also, although still proper usage, the blest, burnt, dreampt, leapt, learnt, slipt, smelt, spelt, and spilt are anachronistic.

8. After most of the students have finished the worksheet, display the answer sheet and direct students to self-correct. Then say, “Now complete the formative assessment at the bottom of your worksheet.” (Tell students to pass in the worksheet and review to see if your student have mastered this lesson objective.

 

*****

Teaching Grammar, Usage, and Mechanics (Grades 4, 5, 6, 7, 8, and High School) are full-year, traditional, grade-level grammar, usage, and mechanics programs with plenty of remedial practice to help students catch up while they keep up with grade-level standards. Twice-per-week, 30-minute, no prep lessons in print or interactive Google slides with a fun secret agent theme. Simple sentence diagrams, mentor texts, video lessons, sentence dictations. Plenty of practice in the writing context. Includes biweekly tests and a final exam.

Grammar, Usage, and Mechanics Interactive Notebook (Grades 4‒8) is a full-year, no prep interactive notebook without all the mess. Twice-per-week, 30-minute, no prep grammar, usage, and mechanics lessons, formatted in Cornell Notes with cartoon response, writing application, 3D graphic organizers (easy cut and paste foldables), and great resource links. No need to create a teacher INB for student make-up work—it’s done for you! Plus, get remedial worksheets, biweekly tests, and a final exam.

Syntax in Reading and Writing is a function-based, sentence level syntax program, designed to build reading comprehension and increase writing sophistication. The 18 parts of speech, phrases, and clauses lessons are each leveled from basic (elementary) to advanced (middle and high school) and feature 5 lesson components (10–15 minutes each): 1. Learn It!  2. Identify It!  3. Explain It! (analysis of challenging sentences) 4. Revise It! (kernel sentences, sentence expansion, syntactic manipulation) 5. Create It! (Short writing application with the syntactic focus in different genre).

Get the Diagnostic Grammar, Usage, and Mechanics Assessments, Matrix, and Final Exam FREE Resource:

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Using a “to be” verb is like putting on a BAND-AID®. Simply open up the protective paper; peel back the two plastic sections; and apply over the wound. Quick and easy. However, removing that same BAND-AID® a few days later calls for bravery and a strategic approach. Slowly peal or rip? Often our strategy depends upon the wound itself. A slow peal around the edges for one that may leave a scar. A quick rip for a minor scrape.

Sporting a BAND-AID® or two doesn’t detract from your overall look. Some of them are quite stylish. In searching whether to capitalize the BAND-AID® product name or not, I see that the company really knows how to market their products. Any six year old girl would gladly scrape her knee for a Frozen BAND-AID®. However, wearing a dozen or so makes anyone look like the walking wounded. You can overdo anything.

Let’s face it; developing writers overdo the “to be” verbs in their writing. So let’s explore a strategy that developing writers can use to reduce the number of or eliminate the “to be” verbs in their essays.

I call it the Substitute strategy and it helps writers replace most, but not all, of the is, am, are, was, were, be, being, been verbs with stronger verbs. If the strategy doesn’t work, use another that does (See all five strategies here).

Lesson Plan: Common Core State Standards W.3, 4, 5  L.2, 3 and Depth of Knowledge Levels 1, 2, 3 (20−30 minutes)

Behavioral Objective: Students will demonstrate the ability to identify the eight “to be” verbs, explain the proper functions of these verbs, and substitute a strong linking verb in place of a weak “to be” verb on the formative assessment.

1. Introduce the lesson by telling students that their task is to learn how to replace weak “to be” verbs with stronger verbs. Remind students that a “to be” verb links to the subject (the do-er) of the sentence as a state of being. You might want to reference this Parts of Speech article with my Parts of Speech Song to review the three basic functions of verbs (physical action, mental action, state of being). Tell students that writers generally avoid using “to be” verbs in essays. “To be” verbs can appear more frequently in narrative writing.

2. Write the eight “to be” verbs on the board: is, am, are, was, were, be, being, been.

3. Say,”‘to be’ verbs are not always bad; sometimes writers must use ‘to be’ verbs to communicate exactly what the writer wants to say. A ‘to be’ verb  performs one of these five functions: (Write this list on the board, adjusting or deleting the grammatical terms to the level and prior knowledge of your students.) Any questions?”

• Exists−Is there any trouble? Yes, I am he (predicate nominative).
• Happens−The meetings are over.
• Locates−He was at the birthday party.
• Identifies−Those children were friendly (predicate adjective).
• Describes−That could be scary (helping verb)! He is being helpful (progressive tense). Those girls have been so mean (perfect tense).

4. Say, “Let’s learn the Substitute strategy to replace weak ‘to be’ verbs, which don’t serve these functions. Look at this sentence on the board: (Write the following sentence.) Juan was ready to help. (Point to the list of ‘to be’ verbs). Which ‘to be’ verb is found in this sentence? Whole class answer on three (pause): 1, 2, 3 ‘was.’ Circle the ‘was’ on the board.”

5. Write this list titled Strong Linking Verbs on the board: appear, become, feel, grow, look, prove, remain, seem, smell, sound, stay, and taste. Note: Some of the above verbs act as both linking and action verbs depending on usage.

6. Say, “Which linking verbs can substitute for the weak ‘to be’ verb ‘was’? Make sure to add the ‘s’ on to the end of the linking verb to match the singular subject, ‘Juan.’ (Write student answers on the board below the sentence.) How does each linking verb affect the meaning of the sentence?”

7. Say, “We need some practice using the Substitute strategy to replace weak ‘to be’ verbs with stronger linking verbs (Print and pass out the Substitute Strong Linking Verbs Worksheet to each student and read the directions out loud.) Complete items #s 1−8, but don’t complete the formative assessment at the bottom.”

8. After most of the students have finished the worksheet, display the answer sheet and direct students to self-correct. Then say, “Now complete the formative assessment at the bottom of your worksheet.” (Tell students to pass in the worksheet and review to see if your student have mastered this lesson objective.

*****

Teaching Grammar, Usage, and Mechanics (Grades 4, 5, 6, 7, 8, and High School) are full-year, traditional, grade-level grammar, usage, and mechanics programs with plenty of remedial practice to help students catch up while they keep up with grade-level standards. Twice-per-week, 30-minute, no prep lessons in print or interactive Google slides with a fun secret agent theme. Simple sentence diagrams, mentor texts, video lessons, sentence dictations. Plenty of practice in the writing context. Includes biweekly tests and a final exam.

Grammar, Usage, and Mechanics Interactive Notebook (Grades 4‒8) is a full-year, no prep interactive notebook without all the mess. Twice-per-week, 30-minute, no prep grammar, usage, and mechanics lessons, formatted in Cornell Notes with cartoon response, writing application, 3D graphic organizers (easy cut and paste foldables), and great resource links. No need to create a teacher INB for student make-up work—it’s done for you! Plus, get remedial worksheets, biweekly tests, and a final exam.

Syntax in Reading and Writing is a function-based, sentence level syntax program, designed to build reading comprehension and increase writing sophistication. The 18 parts of speech, phrases, and clauses lessons are each leveled from basic (elementary) to advanced (middle and high school) and feature 5 lesson components (10–15 minutes each): 1. Learn It!  2. Identify It!  3. Explain It! (analysis of challenging sentences) 4. Revise It! (kernel sentences, sentence expansion, syntactic manipulation) 5. Create It! (Short writing application with the syntactic focus in different genre).

Get the Diagnostic Grammar, Usage, and Mechanics Assessments, Matrix, and Final Exam FREE Resource:

 

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Ah, summertime! After a few weeks of avoiding any thoughts whatsoever about school, I’m now back in planning mode. How I can improve my students’ essays this next school year?

Do you get sentences like this one? https://blog.penningtonpublishing.com/downloads/get.php/Syllable-Awareness-Assessment

There are three reasons why it is important to know that “to be” verbs can be boring in essays.

This student makes a good point: Too many “to be” verbs in essays do bore me to death.

But, how can we get our students to reduce the amount of or eliminate the “to be” verbs in their essays to create precision of meaning, specificity, clarity, and just good old sentence variety? How do we get our students to use vivid “show me” verbs instead?

Teach the Convert Nouns and Adjectives into Vivid Verbs strategy. (See all five strategies here) Usually, nouns and adjectives are the easiest parts of speech to change to verbs.

Lesson Plan: Common Core State Standards W.3, 4, 5  L.2, 3 and Depth of Knowledge Levels 1, 2, 3 (20−30 minutes)

Behavioral Objective: Students will demonstrate the ability to identify the eight “to be” verbs, explain the characteristics of a “show me” verb, and convert nouns to _ify verbs to eliminate a “to be” verb on the formative assessment.

1. Begin by telling students that their task is to learn how to replace weak and vague “to be” verbs with strong and specific “show me verbs.”
2. Write the eight “to be” verbs on the board: is, am, are, was, were, be, being, been or create a Dead Verbs Cemetery bulletin board (perfect for Halloween!). Tell students that writers generally avoid using “to be” verbs in essays. “To be” verbs can appear more frequently in narrative writing.
3. Teach students that when a writer uses a “show me” verb, the reader can picture the physical or mental action of the verb. Write this example on the board: Three beautiful pieces of furniture were in her bedroom. Discuss how the “to be” verb, were, does not show a picture to the reader.  Write this example underneath the first one: Three pieces of furniture beautify her bedroom.
4. Say, “Let’s figure out the strategy I used to replace the weak and vague ‘to be’ verb, ‘were,’ with the strong and specific ‘show me’ verb, ‘beautify.’https://blog.penningtonpublishing.com/downloads/get.php/Syllable-Awareness-Assessment First, I deleted the ‘to be’ verb (X-out the ‘were’ in the first sentence). Next, I  looked for other words in the sentence to convert to a ‘show me’ verb. Convert means to change the form of something or someone; like when people travel outside of the country, they have to convert U.S. dollars to other money or like when mild-mannered Clark Kent converts to Superman in order to save the planet. Nouns and adjectives can often convert to verbs.” (Circle the noun, ‘furniture,’ and the adjectives, ‘Three’ and ‘beautiful.'” Remind students that nouns are persons, places, things, and ideas. Adjectives modify and are usually placed before nouns or pronouns and answer Which One? How Many? or What Kind? You might want to reference this Parts of Speech article with my Parts of Speech Song to review nouns and adjectives in context.
5. Say, “I couldn’t figure out how to convert the noun, ‘furniture,’ or the adjective, ‘Three,’ into verbs, but the adjective, ‘beautiful,’ worked fine. I changed the ending of the word to the ending verb form, ‘ify,’ to create the ‘show me’ verb, ‘beautify.'”
6. Say, “We need some practice converting nouns and adjectives to ‘show me’ verbs. Let’s start with the nouns. (Print and pass out the Change Nouns into _ify Verbs Worksheet to each student and read the directions out loud.) Complete items #s 1−10, but don’t complete the formative assessment at the bottom.”
7. After most of the students have finished the worksheet, display the answer sheet and direct students to self-correct. Then say, “Now complete the formative assessment at the bottom of your worksheet.” (Tell students to pass in the worksheet and review to see if your student have mastered this lesson objective.
   

   How to Eliminate “To Be” Verbs

   *****

   

   Pennington Publishing Grammar Programs

   Teaching Grammar, Usage, and Mechanics (Grades 4, 5, 6, 7, 8, and High School) are full-year, traditional, grade-level grammar, usage, and mechanics programs with plenty of remedial practice to help students catch up while they keep up with grade-level standards. Twice-per-week, 30-minute, no prep lessons in print or interactive Google slides with a fun secret agent theme. Simple sentence diagrams, mentor texts, video lessons, sentence dictations. Plenty of practice in the writing context. Includes biweekly tests and a final exam.

   Grammar, Usage, and Mechanics Interactive Notebook (Grades 4‒8) is a full-year, no prep interactive notebook without all the mess. Twice-per-week, 30-minute, no prep grammar, usage, and mechanics lessons, formatted in Cornell Notes with cartoon response, writing application, 3D graphic organizers (easy cut and paste foldables), and great resource links. No need to create a teacher INB for student make-up work—it’s done for you! Plus, get remedial worksheets, biweekly tests, and a final exam.

   Syntax in Reading and Writing is a function-based, sentence level syntax program, designed to build reading comprehension and increase writing sophistication. The 18 parts of speech, phrases, and clauses lessons are each leveled from basic (elementary) to advanced (middle and high school) and feature 5 lesson components (10–15 minutes each): 1. Learn It!  2. Identify It!  3. Explain It! (analysis of challenging sentences) 4. Revise It! (kernel sentences, sentence expansion, syntactic manipulation) 5. Create It! (Short writing application with the syntactic focus in different genre).

   Get the Diagnostic Grammar, Usage, and Mechanics Assessments, Matrix, and Final Exam FREE Resource:
   

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