Pennington Publishing Blog

Some teachers would argue that a writer’s voice is so individualized that it must be discovered.

For the uninitiated, the immunity idol is a small, hidden object that fits with the theme of the Survivor location. It is hidden near the tribal camps, or in more recent seasons it has been hidden on Exile Island. If secured by a player, the immunity idol will prevent that contestant from hearing the host’s immortal words, “The tribe has spoken,” which removes the player from further competition.

Survivor players are banished to Exile Island by the other survivors. In fact, some contestants have been sent to the island multiple times. These Robinson Crusoes have no assistance from Fridays, but, with much effort and/or luck, are able to discover clues that will lead them to find the immunity idol.

Constructivists would argue that the only clues provided to developing writers should be widespread reading and unencumbered writing practice. After a journey of self-discovery, the squishy concept of voice may emerge some day for some writing survivors.

The debate hinges somewhat on our definitions of voice. Constructivists tend to adopt a narrow definition that voice is what makes one’s writing unique and personal; the intangibles that demonstrate an honest commitment to its writing.

I take a different view. I define voice a bit more globally, encompassing what old-time Strunkers called style, as well as point of view, tone, and diction (word choice). I think that discovering voice should be the result of a guided journey. By the way, the clues on Survivor are quite direct and relevant to the quest; they are not needles in haystacks.

As a reading specialist, I would agree that widespread reading does help students recognize voice; however, I would argue that for students to develop voice, they need to practice voice in specific teacher-directed writing assignments. Additionally, teachers need to help students practice different voices for different purposes. The voice that a student uses to convince a peer to do a favor, should not be the same voice that a student uses to convince a police officer to issue a warning, rather than a speeding ticket.

Here are a few suggestions to teach voice:

1. Read short passages from writers with diverse voices out loud. Have students identify characteristic diction and intonation (the sound of the writing). Hemingway, King, Jr., Rowling, Shakespeare, and passages from Isaiah are useful. Then, have students mimic the voices of these writers on a topic of teacher or student choice.
2. Have students practice manipulating the other elements of rhetorical stance (audience, purpose, and form) regularly. Rhetorical Stance Quick Writes, used as bell-ringers, are particularly useful.
3. Provide word lists, such as strong verbs and feeling words, for students to incorporate into their writing.
4. Teach students to use poetic elements, such as metaphor, in their narrative and personal writing.
5. Have students re-write endings of stories or news articles.
6. Have students re-write third person stories into first person stories.
7. Have students re-write fairy tales from another point of view, for example, from the wolf’s perspective, rather than that of the pig’s in Three Little Pigs.
8. Have students identify and re-write the tone of readings. Poetry is a great source for clearly-identifiable tone.
9. Teach different grammatical sentence openers. Encourage students to avoid “to-be” verbs.
10. Teach inappropriate writing style and post examples for future student reference. For example, post generic words such as stuff and things and help students brainstorm specific alternatives. Perhaps create a “dead-word or phrase cemetery on a bulletin board.
11. Have students write essays on controversial and relevant topics to identify divergent points of view, writer commitment to the topic, and sense of audience.
12. Post a “graffiti board” to encourage students to share their voices.
13. Have students read their own writing out loud and have their peers identify the elements I define as voice.

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The author’s TEACHING ESSAYS BUNDLE includes the three printable and digital resources students need to master the CCSS W.1 argumentative and W.2 informational/explanatory essays. Each no-prep resource allows students to work at their own paces via mastery learning. How to Teach Essays includes 42 skill-based essay strategy worksheets (fillable PDFs and 62 Google slides), beginning with simple 3-word paragraphs and proceeding step-by-step to complex multi-paragraph essays. One skill builds upon another. The Essay Skills Worksheets include 97 worksheets (printables and 97 Google slides) to help teachers differentiate writing instruction with both remedial and advanced writing skills. The Eight Writing Process Essays (printables and 170 Google slides) each feature an on-demand diagnostic essay assessment, writing prompt with connected reading, brainstorming, graphic organizer, response, revision, and editing activities. Plus, each essay includes a detailed analytical (not holistic) rubric for assessment-based learning.

Writing audience, Common Core essay, diction, form, grammar, point of view, purpose, rhetorical stance, sentence variety, tone, usage, voice, writing style

First of all, grammar is a lot like Kleenex®. This brand name has been associated with many other similar products. If I ask my wife to “Please pass a Kleenex®, I would probably get irritated if she responded, “Is a generic tissue okay?” After all, I just want to blow my nose.

So, let’s agree on what we mean by teaching grammar. Grammar has come to mean a catch-all term that refers to everything English teachers would prefer to avoid teaching. This includes the part of a sentence, the function of these parts (such as the parts of speech), the arrangement of words with the sentence, word choice, punctuation, and capitalization, and assorted oddities that we think students should know, but wish they learned elsewhere. But, why do most English-language arts teachers detest teaching this collection of instructional essentials that we label as grammar?

1. never learned grammar and I turned out okay. I wouldn’t know how to teach it.

ELA teachers live in the day-to-day fear that one of our colleagues might ask us how we incorporate teaching past perfect participles in our persuasive essays. Teachers naturally tend to avoid teaching things that they do not understand. Most ELA teachers were trained to love literature, poetry, and writing (or at least one of the three). Few were trained in teaching grammar. Some of us have picked up a few tidbits here and there over the years or were educated in Catholic schools. Teachers teach from personal experience , as much as from professional development. Most teachers in their twenties, thirties, and forties had little grammatical instruction in their school years and few university professors have trained these teachers in grammar for the reasons already discussed. The pervasive “whole language” philosophy of the 1970s, 1980s, and early 1990s de-emphasized grammatical instruction and relegated it to the editing step within the writing process. “I didn’t learn grammar, and I turned out alright” is an often-thought, if not spoken, rationale for ditching grammar instruction.

2. There is not enough time. Teachers have their comprehensive lists of standards and courses of study on their “to-do” lists. There are pressures from administrators, the omnipresent district or state testing, and our own colleagues to check off items on these lists. Of course, we have our  favorite novels and projects. Grammar instruction does not even make our Letterman’s Top Ten. “If I had unlimited time… then, maybe. But to be honest… Socratic Seminars, readers theater, and that Steinbeck novel would probably shove their way into my lesson plans first.”

3. The “research” says not to teach grammar. Isn’t grammar caught, not taught? We trot out a “sound bites” from a study or two as convenient excuses to avoid teaching grammar (most of these research studies from 50 years ago). We gloss over the real language of the research conclusions, i.e., “teaching grammar in isolation outside of the meaningful context of writing is ineffective.” Some teachers do parrot these research conclusions accurately, but few actively address the variables of the research and actually teach grammar in the meaningful context of writing.

4. The fact that students are grammatically-challenged is someone else’s fault, not mine. “Students should know this stuff by now. The grade-level standards emphasize review of grammar, not introduction of grammar. I can only teach what I am supposed to teach. I can’t be responsible for other  teachers’ shortcomings. I have my grade-level standards to teach. If I spent all my efforts on what they already should know, students would never learn anything new. Hopefully, they’ll pick it up later, somehow.”

5. Students don’t like grammar and they don’t remember what they are taught. “Grammar is boring. I want to be a fun and interesting teacher. I’m angling for Teacher-of-the-Year and I’m not about to let grammar get in the way. Besides, the pay-offs from teaching grammar seem minimal, anyway. The students have learned the parts of speech every year and they couldn’t define or identify an adverb, if their lives depended on it. An adverbial clause? You’ve got to be kidding. I won’t drill and kill my students.”

6. Isn’t grammar just an editing skill? There’s an app for that. Teachers teach from personal experience , as much as from professional development. Most teachers in their twenties, thirties, and forties had little grammatical instruction in their school years and few university professors have trained these teachers in grammar for the reasons already discussed. The pervasive “whole language” philosophy of the 1970s, 1980s, and early 1990s de-emphasized grammatical instruction and relegated it to the editing step within the writing process. “I didn’t learn grammar, and I turned out alright” is an often-thought, if not spoken, rationale for ditching grammar instruction.

My response? We need to teach grammar and make time for grammatical instruction and practice. Anything students need to know has to be taught, not simply caught. The Common Core Anchor Standards for Language require explicit grade-level instruction and practice in grammar, usage, and mechanics. Do you know your grade level Language Standards 1, 2, 3, 4, 5, and 6? Do you know the Language Progressive Skills for your grade level? Are you teaching these standards? We don’t need any more student casualties as a result of any “Great Grammar Debate.” Our ignorance is no excuse. We need to learn how to teach grammar in a meaningful writing context.

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Teaching Grammar, Usage, and Mechanics (Grades 4, 5, 6, 7, 8, and High School) are full-year, traditional, grade-level grammar, usage, and mechanics programs with plenty of remedial practice to help students catch up while they keep up with grade-level standards. Twice-per-week, 30-minute, no prep lessons in print or interactive Google slides with a fun secret agent theme. Simple sentence diagrams, mentor texts, video lessons, sentence dictations. Plenty of practice in the writing context. Includes biweekly tests and a final exam.

Grammar, Usage, and Mechanics Interactive Notebook (Grades 4‒8) is a full-year, no prep interactive notebook without all the mess. Twice-per-week, 30-minute, no prep grammar, usage, and mechanics lessons, formatted in Cornell Notes with cartoon response, writing application, 3D graphic organizers (easy cut and paste foldables), and great resource links. No need to create a teacher INB for student make-up work—it’s done for you! Plus, get remedial worksheets, biweekly tests, and a final exam.

Syntax in Reading and Writing is a function-based, sentence-level syntax program, designed to build reading comprehension and increase writing sophistication. The 18 parts of speech, phrases, and clauses lessons are each leveled from basic (elementary) to advanced (middle and high school) and feature 5 lesson components (10–15 minutes each): 1. Learn It!  2. Identify It!  3. Explain It! (analysis of challenging sentences) 4. Revise It! (kernel sentences, sentence expansion, syntactic manipulation) 5. Create It! (Short writing application with the syntactic focus in different genre).

Get the Diagnostic Grammar, Usage, and Mechanics Assessments, Matrix, and Final Exam FREE Resource:

Get the Grammar and Mechanics Grades 4-8 Instructional Scope and Sequence FREE Resource:

Grammar/Mechanics, Literacy Centers, Study Skills, Writing D.O.L., daily oral language, diagramming sentences, DOL, grammar, grammar instruction, grammar worksheets, grammatical instruction, grammatical sentence openers, Mark Pennington, mechanics, parts of speech, subjects and predicates, Teaching the Language Strand, writing conventions

In another one of my articles, “The Great Grammar Debate,” I classified the chief divisions in grammatical instruction* as follows: 1. those who favor part to whole instruction and 2. those who prefer whole to part instruction. I argued that teachers need not accept an “either-or” philosophy of instruction, but can certainly be eclectic in their instructional strategies. Of course, kind and persistent readers of the Pennington Publishing Blog are naturally putting me to the test to flesh out how I balance instruction, using both forms of  those inductive and deductive instructional strategies.

Diagnostic Assessment and Differentiated Instruction

Teachers too often teach what some students do not know at the expense of some students who already know what is being taught. For example, students learn the definition and identification of a sentence subject over and over again from third through twelfth grade. Teachers legitimize this repeated instruction by arguing that learning is recursive and, thus, reviewing is necessary.

Instead of making excuses, teachers should address the problems inherent in a diverse classroom. Why not administer diagnostic assessments to determine who does and does not need extra instruction in sentence subjects? Then, use the data to inform and differentiate instruction. Targeted worksheets that correspond to the diagnostic assessment, as in my Teaching Grammar and Mechanics, with individual one-on-one follow-up conferences or in small group review just makes sense. How often and how much class time do I devote to grammar differentiation? Twice per week, 15 minutes per day.

Direct Instruction with One Example: Adverbs

Front-loading grammar and mechanics instruction is efficient and transfers to student writing when a teacher follows a coherent scope and sequence of instruction that builds upon previous instruction and writing practice. For example, here is a scope and sequence for teaching adverbs that builds in year-to-year review, and also helps students deepen their understanding of this part of speech to improve their writing:

• Primary students should learn that an _ly word “talks about” a physical action verb and practice recognizing these words in their reading and adding _ly words to sentences.
• Intermediate students should learn that an _ly word “talks about” a mental action (e.g. knows) or state of being (e.g. was) verb. They should also practice recognizing these words in their reading and adding _ly words to various places within sentences.
• Upper elementary students should learn that adverbs ask How? When? and Where? to describe verbs and practice recognizing all forms of adverbs, including adverbial phrases, in their reading. They should also practice adding adverbs to various places within sentences and as transitions within paragraphs.
• Middle school students should learn that adverbs ask How? When? Where? and What Degree? to modify verbs and adverbs and practice recognizing all forms of adverbs in their reading. They should also practice adding adverbial phrases and clauses to various places within sentences and as transitions within and between paragraphs.
• High school students should learn that adverbs ask How? When? Where? and What Degree? to modify verbs, adverbs, and adjectives and practice recognizing all forms of adverbs in their reading. They should also practice adding adverbial phrases and clauses to provide sentence variety to various places within sentences and as transitions within and between paragraphs. Students should also practice elements of style, such as placing shorter adverbs before longer adverbs and placing general adverbs before specific adverbs within sentences. Students should also contrast comparative adjectives and adverbial phrases, identify dangling modifiers, and practice recognition and revision of these errors for SAT/ACT test preparation practice.

Sentence modeling from exemplary student writing and literature should be examined and emulated in brief student writing exercises with direct instructional feedback. Alongside of sentence models, contrasting sentences with writing errors should also be analyzed, but not in the context of an incoherent, scatter-gun D.O.L. (Daily Oral Language) “program.” Download an example of my Sentence Lifting exercise at  Grammar Openers Toolkit Sampler to see how this direct instruction approach integrates grammar and mechanics instruction within the context of real writing. My Teaching Grammar and Mechanics curriculum has 64 Sentence Lifting lessons with multiple instruction layers of instruction (as in the adverb example above) to provide the teacher with resources that reflect leveled degrees of difficulty. How often and how much class time do I devote to direct grammar and mechanics instruction? Three times per week, 15-20 minutes per day.

Writing Strategies

Teachers should practice sentence manipulation and sentence combining. For example, re-writing subject-verb-complement sentence construction to begin with complex sentences, such as with adverbial clause sentence openers is excellent practice. I use Sentence Revision exercises such as in the Writing Openers Toolkit Sampler from my TEACHING ESSAYS BUNDLE curriculum to help students practice sentence construction and revision. Sentence Revision also provides exercises in writing style. How often and how much class time do I devote to Sentence Revision? Three times per week, 10 minutes per day.

Writing Process

I require students to include specific sentence openers that we have practiced within their writing process pieces. Students re-write sentences to reflect their practice within the revision stage of the writing process. Peer editing focuses on the specific grammar and mechanics that we have been learning in our Sentence Lifting and Sentence Revision lessons.

Here are brief overviews of the two curricular sources described above: Find essay strategy worksheets, writing fluencies, sentence revision activities, remedial writing lessons, posters, and editing resources to differentiate essay writing instruction in TEACHING ESSAYS BUNDLE.

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Teaching Grammar, Usage, and Mechanics (Grades 4, 5, 6, 7, 8, and High School) are full-year, traditional, grade-level grammar, usage, and mechanics programs with plenty of remedial practice to help students catch up while they keep up with grade-level standards. Twice-per-week, 30-minute, no prep lessons in print or interactive Google slides with a fun secret agent theme. Simple sentence diagrams, mentor texts, video lessons, sentence dictations. Plenty of practice in the writing context. Includes biweekly tests and a final exam.

Grammar, Usage, and Mechanics Interactive Notebook (Grades 4‒8) is a full-year, no prep interactive notebook without all the mess. Twice-per-week, 30-minute, no prep grammar, usage, and mechanics lessons, formatted in Cornell Notes with cartoon response, writing application, 3D graphic organizers (easy cut and paste foldables), and great resource links. No need to create a teacher INB for student make-up work—it’s done for you! Plus, get remedial worksheets, biweekly tests, and a final exam.

Syntax in Reading and Writing is a function-based, sentence-level syntax program, designed to build reading comprehension and increase writing sophistication. The 18 parts of speech, phrases, and clauses lessons are each leveled from basic (elementary) to advanced (middle and high school) and feature 5 lesson components (10–15 minutes each): 1. Learn It!  2. Identify It!  3. Explain It! (analysis of challenging sentences) 4. Revise It! (kernel sentences, sentence expansion, syntactic manipulation) 5. Create It! (Short writing application with the syntactic focus in different genre).

Get the Diagnostic Grammar, Usage, and Mechanics Assessments, Matrix, and Final Exam FREE Resource:

Get the “To Be” Verbs Posters FREE Resource:

Get the Grammar and Mechanics Grades 4-8 Instructional Scope and Sequence FREE Resource:

Grammar/Mechanics, Literacy Centers, Study Skills, Writing adverb worksheets, adverbial clauses, adverbs, editing stage, grammar, grammar openers, grammar worksheets, mini grammar lessons, mini lessons, parts of speech, writers workshop, writing openers, writing process, writing revision, writing strategies

Among numerous comments to one of my articles titled, “Why We Don’t Teach Grammar,” the following set off teacher panic buttons for me and certainly serves as a personal call to action:

As society evolves the youth and young adults make their own slang up anyways. Everything is in Abbreviations now. unless you have a job as a Writer, Author or Journalist or Editor, Accountant/Spreadsheets or anything that involves typing a letter that needs to look professional. You will never use this stuff in your whole lives. Grammar sucks, this is a fact! It’s more important to hear what the people have to say and try to look around the errors and fill in the mistakes in your own mind. Don’t make someone feel bad and have to switch the topic just because they can’t punctuate.

Although not as contentious as the debate on how to teach children to read, the debate on how to teach grammar* has its moments. In fact, elements of the reading and grammar debate do have similarities regarding how language is transmitted.

The lines of division within reading have been drawn between those who favor part to whole graphophonic (phonics-based) instruction and those who prefer whole to part (balanced literacy or structured reading) instruction. Similarly, the divisions within grammar have also been drawn between those who favor part to whole instruction and those who prefer whole to part instruction. By the way the writers of the Common Core State Standards certainly have made up their minds. Guess which side they favor.

Part to Whole

The essence of part to whole grammatical instruction is the inductive approach. Advocates believe that front-loading the discrete parts of language will best enable students to apply these parts to the whole process of writing. Following are the key components of this inductive approach.

1. Memorization of the key terminology and definitions of grammar to provide a common language of instruction. If a teacher says, “Notice how the author’s use of the adverb at the start of the verse emphasizes how the old woman walks.” Some would carry the memorization further than others: “Notice how the author’s use of the past perfect progressive indicates a continuous action completed at some time in the past.”

2. Identification leads to application. If students can readily identify discrete elements of language, say prepositional phrases, they will more likely be able to replicate and manipulate these grammatical constructions in their own writing. A teacher might suggest, “Let’s add to our sentence variety in this essay by re-ordering one of the sentences to begin with a prepositional phrase like this one shown on the LCD projector.”

3. Focus on the rules of grammar leads to application. If students understand and practice the grammatical rules and their exceptions, they will more likely be able to write with fewer errors. Knowing the rule that a subject case pronoun follows a “to-be” verb will help a student avoid saying or writing “It is me,” instead of the correct construction “It is I.” Some advocate teaching to a planned grammatical scope and sequence; others favor a shotgun approach as with D.O.L. (Daily Oral Language) instruction.

4. Distrust one’s own oral language as a grammatical filter. “Whoever John gives the ring to will complain” sounds correct, but “To whomever John gives the ring, he or she will complain” is correct. Knowing pronoun case and the proper use of prepositions will override the colloquialisms of oral language.

5. Teaching the components of sentence construction leads to application. If students know, can identify, and can apply key elements of a sentence: subjects, predicates, parts of speech, phrases, and clauses they will better be able to write complete sentences which fit in with others to form unified and coherent paragraphs.

Whole to Part

The essence of whole to part grammatical instruction is the deductive approach. Advocates believe that back-loading the discrete parts of language as is determined by needs of the writing task will best enable students to write fluently and meaningfully. Following are the key components of this deductive approach.

1. Memorization of the key terminology and definitions of grammar and identification of grammatical components, other than a few basics such as the parts of speech, subjects, and predicates, does not improve writing and speaking. In fact, teaching grammatical terms and indentifying these elements is reductive. The cost-benefit analysis indicates that more time spent on student writing and less time on direct grammatical instruction produces a better pay-off.

2. Connection to oral language is essential to fluent and effective writing. The students’ abilities to translate the voice of oral language to paper help writers to develop a natural and authentic voice that connects with the reader in an unstilted manner that is not perceived as contrived. A teacher might use mini-lessons to discuss how to code-switch from less formal oral language to more formal written language, say in an essay. For example, a teacher might suggest replacing the fragment slang “She always in his business” to “The couple frequently engages in a physical relationship” in an essay on teen dating.

3. Connection to reading and listening provides the models that students need to mimic and revise to develop their own writing style. Reading and listening to a wide variety of exemplary literature, poetry, and speeches will build a natural feel for the language that students place within their own “writing wells.” Students are able to draw from these wells to write effectively (and correctly) for a variety of writing tasks.

4. Minimizing error analysis. Teachers believe most grammatical errors will naturally decrease with  #2 and #3 in place. A teacher might say, “Don’t worry about your grammar, punctuation, or spelling on your rough draft. Focus now on saying what you want to say. We will worry about how you say it in the revision and editing stages.” Teachers are concerned that too much error analysis, such as practiced in D.O.L. (Daily Oral Language) will actually rehearse errors.

5. Teaching the whole paragraph with a focus on coherence will best enable students to apply the discreet parts such as subjects, predicates, parts of speech, phrases, clauses, sentences, and transitions to say something meaningful.

Of course, the Great Grammar Debate is not necessarily “either-or.” Most teachers apply bits and pieces of each approach to teaching grammar. Teachers who lean toward the inductive approach are usually identified by their “drill and kill” worksheets, their grammatical terms posters, and Grammar Girl listed and Purdue University’s OWL prominently in their Favorites. Teachers who lean toward the deductive approach are often pegged by their “ignore and write more” writers workshops, mini-lessons (if they ever get to these), and their writing process posters prominently display on the wall, next to their autographed picture of Donald Graves.

My take? I suggest an informed instructional balance of the two approaches is most effective. Using effective diagnostic assessments can narrow the focus and time commitment of the inductive crowd. Well-planned front-loading of key grammatical terms, with identification and application practice can transfer to better student writing without having to wait until the process of writing osmosis magically takes place.

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Teaching Grammar, Usage, and Mechanics (Grades 4, 5, 6, 7, 8, and High School) are full-year, traditional, grade-level grammar, usage, and mechanics programs with plenty of remedial practice to help students catch up while they keep up with grade-level standards. Twice-per-week, 30-minute, no prep lessons in print or interactive Google slides with a fun secret agent theme. Simple sentence diagrams, mentor texts, video lessons, sentence dictations. Plenty of practice in the writing context. Includes biweekly tests and a final exam.

Grammar, Usage, and Mechanics Interactive Notebook (Grades 4‒8) is a full-year, no prep interactive notebook without all the mess. Twice-per-week, 30-minute, no prep grammar, usage, and mechanics lessons, formatted in Cornell Notes with cartoon response, writing application, 3D graphic organizers (easy cut and paste foldables), and great resource links. No need to create a teacher INB for student make-up work—it’s done for you! Plus, get remedial worksheets, biweekly tests, and a final exam.

Syntax in Reading and Writing is a function-based, sentence-level syntax program, designed to build reading comprehension and increase writing sophistication. The 18 parts of speech, phrases, and clauses lessons are each leveled from basic (elementary) to advanced (middle and high school) and feature 5 lesson components (10–15 minutes each): 1. Learn It!  2. Identify It!  3. Explain It! (analysis of challenging sentences) 4. Revise It! (kernel sentences, sentence expansion, syntactic manipulation) 5. Create It! (Short writing application with the syntactic focus in different genre).

Get the Diagnostic Grammar, Usage, and Mechanics Assessments, Matrix, and Final Exam FREE Resource:

Get the Grammar and Mechanics Grades 4-8 Instructional Scope and Sequence FREE Resource:

Grammar/Mechanics, Writing D.O.L., Daily Language Review, daily oral language, DOL, grammar, grammar and mechanics, grammar instruction, grammar openers, grammar worksheets, Mark Pennington, subjects and predicates, Teaching the Language Strand, to be verbs, writers workshop, writing process

Teaching is, by its very nature, experimental. We teachers are just as susceptible to snake-oil sales pitches, fads, and cultural pressures as any professionals. And many of the teaching strategies, movements, and philosophies appear years later dressed up in different clothes. Talk to any veteran teacher of a dozen years or more and the teacher will eventually comment on the dynamic nature of education with statements such as “Been there, done that,” “There’s nothing new under the sun,” What Goes Around Comes Around,” “We tried that back in…”

Teachers are also victims of the bandwagon effect. What’s new is questioned, until certain key players buy in. At that point, many teachers become no-holds-barred converts. We teachers are especially vulnerable to new ideas labeled as “research-based,” “best practices,” or “standards-based.” We could all do with an occasional reminder that one of our primary duties as teachers should be to act as informed “crap detectors” (Postman, Neil, and Weingartner, Charles (1969), Teaching as a Subversive Activity, Dell, New York, NY.).

Following is a list of the educational fads that have come and gone (and sometimes come again) over the last thirty years of my teaching. I’ve bought into quite a few of them and still believe that some of them have merit. The list reminds me to hold on loosely to some things that I currently practice and to be open to change. Cringe, laugh, and be a bit offended as you read over the list. Oh, and please add on to the list, which is in no particular order.

1. Writing Across the Curriculum No one really ever believed that math, art, or music teachers should be spending oodles of time teaching writing.

2. Timers Timers used to keep students on task, pace themselves, track their reading speed.

3. Left-right Brain Strategies Some teachers used to have students place bracelets on their left or right wrists to cue brain hemispheres.

4. Self-esteem Teachers developed lessons to promote the self-esteem of students to increase their abilities to learn.

5. Cultural Literacy E. D. Hirsch, Jr. popularized this movement of shared content knowledge in his influential 1987 book, Cultural Literacy: What Every American Needs to Know. Boston: Houghton Mifflin. Teachers abandoned free-choice novels and chose core novels that inculcated American values.

6. Multi-culturalism This much maligned approach to education influenced many publishers and teachers to include multi-cultural literature.

7.  Relevance The practice of choosing curriculum and instructional strategies designed to  relate to the lives and interests of students.

8. Clickers Used to track student discussion responses, equitable teacher questioning, and even attendance.

9. Re-learning Early Childhood Behaviors One reading strategy for struggling readers in the 1970s involved re-teaching those remedial readers who never learned to crawl to crawl.

10. Learning Styles I can’t tell you how many learning styles assessments I designed over the years.

11. Experiential Learning Role play, simulations, mock trial.

12. Alternative or Authentic Assessments I once taught an entire year-long sophomore level World History class without giving one traditional paper and pencil test. Think museum exhibits, video productions, interviews, etc.

13. Cooperative Groups Touted as a primary means of heterogeneous instruction in the 1980s.

14. Values Clarification and Moral Dilemmas Two forms of values education that emphasized decision-making and informed moral choices.

15. Gongs Used to focus students’ attention and signal instructional transitions.

16. Critical Thinking Skills Bloom’s Taxonomy, Costa’s Levels of Questioning, et al.

17. Behavioral Objectives and the Madeline Hunter’s Lesson Design Teaching to measurable objectives with connection to prior instruction, guided practice, closure, and independent practice.

18. Standards-based Instruction A movement to identify content standards across grade levels and focus instruction on these expectations. Many state tests were aligned with these standards.

19. Language Experience A reading strategy which used oral language ability to help students read. Teachers copied down student stories and had students practice reading them.

20. Bilingual Education A movement to teach native literacy and celebrate bilingualism in the belief that literacy skills are easily transferred to English.

21. Learn by Doing John Dewey revisited. Gardening and keeping classroom pets were popular recreations of the theme.

22. Cornell Notes Popularized by the A.V.I.D. (Advancement Via Individual Determination), this columnar notetaking strategy originated in the 1950s at Cornell University.

23. Inventive Spelling The practice of guessing sound-spelling relationships to encourage writing fluency. Instruction followed from spelling analysis.

24. Achievement Gap The gap in reading and math achievement between racial subgroups. Later expanded to language and ethnic subgroups.

25. Thematic Instruction Teaching broad-based themes across the curriculum, such as teaching a unit on cooking in which recipes are composed and read, mathematic measurements involving recipe quantities are practiced, the final meal is sketched, using artistic perspective, and the meal is eaten.

26. Time on Task A movement that tried to minimize wasted time, class interruptions, and outside activities (such as assemblies) and maximize minutes of classroom instruction, such as with classroom openers.

27. Whole Language The movement popularized in the 1970s and 1980s that de-emphasized phonics, spelling, and grammar instruction and emphasized reading and writing for meaning.

28. Reading Across the Curriculum (or Content Area) No one really ever believed that math, art, or music teachers should be spending oodles of time teaching reading or that “Every Teacher, a Teacher of Reading.” Despite attempts by the Common Core authors to convince science and social studies teachers to teach and practice reading, the burden remains largely in the hands of ELA teachers.

29. Literacy Circles Also know as centers, the small group activities were designed as independent work stations with some degree of student choice.

30. ADD, ADHD, Epstein Bar, Chronic Fatigue Syndrome, Autism, and Others Difficult to diagnose, these conditions introduced educators to Parent Advocates and mandated classroom interventions.

31. Auditory Processing Deficit Disorders and Visual Processing Deficit Disorders New brain research has validated these learning disabilities, but instructional strategies to address these challenges have a questionable track record.

32. Dyslexia Reading Strategies Reading difficulties have produced a plethora of remedial strategies, many such as colored transparencies have been dubious, at best.

33. Career Education Students were tracked according to career interests.

34. Community Service Students were required to perform hours of community service as part of course or graduation requirements.

35. Tracing Letters in the Sand Those who believe that spelling is a visual process had students memorize the shapes of letters within words by drawing the outline of the letters.

36. Inquiry Education Instruction based upon student questions and interests.

37. Sustained Silent Reading, Drop Everything and Read, et al In class or school-wide, this practice of silent reading is usually based upon student choice of reading materials without accountability and is designed to foster life-long reading.

38. TRIBES, et al Groups of students, mentored by adults, that build relational and supportive bonds within the school setting.

39. Peer Tutoring A practice in which a smarter student is paired with one less smart to teach the latter.

40. Writers Workshop and Six Traits Movements based upon the writing research of Donald Graves and others that emphasize the process of writing, revision, and publication.

41. Problem-Solving Strategies developed to solve difficult problems in collaborative groups.

42. Rubrics Here a rubric; there a rubric. Holistic and analytic scoring guides that purport to de-mystify and objectify the grading process of complicated tasks, such as essays.

43. Manipulatives Learning mathematical concepts through visual models that students manipulate to understand mathematical processes.

44. Metacognition Thinking about thinking. Strategies that teach reflection on the learning process.

45. Prior Knowledge Usually referred to as a pre-reading or pre-writing strategy in which the student “accesses” his or her background or personal experiences to connect to the reading or writing task.

46. Hands-on Learning Project-based instruction that emphasizes concrete learning making or doing.

47. Realia Using “real” objects to scaffold into abstract learning. For example, bringing in a silver necklace to teach what silver and a necklace mean.

48. Tracking and Ability Grouping Permanent or temporary grouped instruction based upon student grades, test scores, or skill levels.

49. Differentiated Instruction and Individualized Instruction Instruction designed according to the diagnostic needs of individual students, frequently involving group work.

50. Multiple Intelligences Popularized by Howard Gardner, this movement described intelligence aptitudes such as interpersonal intelligence.

51. Powerpoint®, Blackboard, Web 2.0, computer literacy skills, SmartBoards, Video Conferencing, ZOOM and more to come.

52. Color Mood Design Teachers draped soothing colored butcher paper (blue or green) over the teacher’s desk to reduce stress. Teachers stopped using red pens to correct papers.

53. Back to Basics A movement to focus more on the three R’s and less on electives.

54. The Five-Paragraph Essay The model essay, consisting of one introductory paragraph, three body paragraphs, and one conclusion paragraph.

55. Multi-sensory Education Using the five senses to teach a concept or skill.

56. Close Reading A decades-old strategy to analyze challenging text, close reading was huge in the years following the Common Core adoption.

*****

Here’s one that won’t be classified to my fads list…

Grammar/Mechanics, Reading, Spelling/Vocabulary, Study Skills, Writing achievement gap, alternative ssessments, auditory processing, authentic assessments, AVID, behavrioral objectives, brain strategies, collaborative learning, cooperative groups, Cornell Notes, critical thinking skills, cultural literacy, differentiated instruction, dyslexia, educational fads, experiential learning, hands-on learning, inquiry education, inventive spelling, language experience, learning styles, math manipulatives, Meadeline Hunter, metacognition, multi-culturalism, multi-sensory education, peer tutoring, phonemic awareness, prior knowledge, rigor and relevance, self-esteem, standards-based, sustained silent reading, thematic instruction, time on task, tracking, TRIBES, values clarification, visual processing, whole language, writers workshop, writing across the curriculum

Spelling is primarily an auditory, not a visual skill. Visual cues should never be applied to phonetically regular words. Spelling strategies such as tracing letter shapes in sand or outlining the letters in a spelling word have long been discredited. Although visualization strategies such as picturing the spelling word and spelling it backwards may have some short term benefit, there is no transfer to other spellings. Indeed, relying on visual memorization of each individual spelling word is highly inefficient.

For example, written languages such as those used in Asia take much longer to learn. Elementary age students spend enormous amounts of time memorizing and practicing the logographic symbols/pictographs that will enable them to write their own language. In contrast, using the English sound-spelling system (the alphabetic code) which relies upon only 45 speech sounds is highly efficient. About half of English spellings exactly match their sounds.

At this point, many will be thinking “Yes, but half of English spellings do not match their sounds. True enough, but abandoning the half that works is akin to throwing out the baby with the bathwater. Instead of bemoaning the English sound-spelling irregularities and jumping ship to ill-advised spelling strategies which rely upon purely visual strategies, we need to build upon the solid foundation of the English sound-spelling system. To mix metaphors, I like to think of spelling in terms of how a batter should face his or her opponent—the pitcher. Good batters train themselves to look for the fast ball, then adjust for the curve. Good English spellers do likewise; they look to use the sound-spelling system and syllabication skills to problem-solve spellings and then adjust, as needed, to other strategies.

About 30 % of the phonetically irregular words can be taught by combining and applying the eight conventional spelling rules with the ten syllable rules. The conventional spelling rules, such as the i before e rule cover a huge amount of ground. Syllabication skills that apply the  common English, Greek, and Latin morphemes (meaning-based syllables) with grammatical inflections, such _ing cover still more ground.

The remaining 20% require rote memorization. Unfortunately for beginning spellers, many of the most common words in the top 100 most frequently used words are derived from Old and Middle-English spellings. These spellings do not match their sounds and are often referred to as Outlaw Words. Although the term conjures up images of bad guys in black hats, the term is quite accurate. These irregular spellings live outside the law of the sound-spelling system. Some of these words are pure Outlaw Words, such as once, which derives from Old and Middle-English. Other words incorporate foreign word parts that may be phonetically regular in another language, but not in English.

Common single-syllable Outlaw Words, such as once, should generally be memorized by repetitive practice. Old school game cards do the trick as do drill and kill software programs. Careful diagnosis makes sense. A good Outlaw Words Spelling Assessment is just as important to use as is an Outlaw Words Reading Assessment. After all, students should be learning what they do not know, not rehearsing what they do know.

When Visual Spelling Strategies Do Make Sense

However, troublesome multi-syllabic words that are used less frequently, such as colonel, need special treatment. Of course, many of these words are essential components to an academic vocabulary. With these words, visual spelling strategies do make sense. After all, Confucius did say a picture is worth a 1000 words.

When using a visual strategy with an unknown multi-syllabic word, the speller needs to focus on the troublesome part of the spelling. For example, with the French word colonel, the letter “c” and the ending “nel” are not the spelling difficulties. The “c” is phonetically regular, i.e., the spelling exactly matches the sound and it follows the conventional spelling rule that the initial /k/ sound followed by an “o” is spelled with a “c.” The “nel” is a common suffix covered by the syllabication rules and is also phonetically regular. Thus, the speller should build upon the known and adjust to the unknown “olo.” It is important to boost the confidence of  struggling spellers y reminding them that they know most of the word and that there is just a small bit that needs to be memorized.

Applying a colorful picture to the unknown portion of a multi-syllabic word can aid the long-term spelling memory. When associated with the vocabulary (meaning of the word), a picture can be especially memorable. For example, to memorize the “olo” in colonel, the speller could draw a head on top of the “l” with a plumed helmet and a uniform onto the “o’s,” which serve as epaulets (the colorful shoulder decorations designating military rank). Introduce this “picture spelling” with simple multi-syllabic words such as principal, in which the “pal” is incorporated into a friendly principal’s face or dessert, in which the “ss” is incorporated into a lighted birthday cake with the “s’s” serving as candles.

When used as an appropriate instructional component of a comprehensive spelling program, visual spelling strategies, such as these “picture spellings” do make sense. For example, a weekly Personal Spelling List of unknown words, derived from an effective spelling pre-test, could have a Memory Key column that requires the speller to make note of the spelling rule, syllabication rule, or “picture spelling” that will help best in word study.

Students enjoy creating these memorable Memory Keys, including the “picture spellings.” Of course, students will find the troublesome “pp” spelling in disappointment and go wild with the picture, but what is memorable for a student is not always memorable for a teacher :).

A Model Grades 3-8 Spelling Scope and Sequence

Preview the Grades 3-8 Spelling Scope and Sequence tied to the author’s comprehensive grades 3-8 Language Strand programs. The instructional scope and sequence includes grammar, usage, mechanics, spelling, and vocabulary. Teachers and district personnel are authorized to print and share this planning tool, with proper credit and/or citation. Why reinvent the wheel? Also check out my articles on Grammar Scope and Sequence, Mechanics Scope and Sequence, and Vocabulary Scope and Sequence.

FREE DOWNLOAD TO ASSESS THE QUALITY OF PENNINGTON PUBLISHING AMERICAN ENGLISH AND CANADIAN ENGLISH SPELLING PROGRAMS. Check out these grades 3-8 programs HERE. Administer my FREE comprehensive Diagnostic Spelling Assessment with audio file and recording matrix. It has 102 words (I did say comprehensive) and covers all common spelling patterns and conventional spelling rules. It only takes 22 minutes and includes an audio file with test administration instructions. Once you see the gaps in your students’ spelling patterns, you’re going to want to fill those gaps.

Get the Diagnostic Spelling Assessment, Mastery Matrix, and Sample Lessons FREE Resource:

 

Literacy Centers, Reading, Spelling/Vocabulary, Study Skills, Writing how to teach spelling, sound-spellings, spelling instruction, spelling memorization, spelling memory, spelling rules, spelling strategies, spelling visualization, spelling worksheets, Teaching the Language Strand, visual learners, visual memory, visual modality, visual skills, visual spelling, word visualization

Spelling instruction certainly has had its share of crazy instructional trends and fads. As an author of two spelling books, a reading specialist, and a teacher of elementary school, middle school, high school, and community college students, I have seen my fair share of them over the last thirty years.

For example, during the height of the whole language movement of the 1980s, California stopped adopting spelling programs and refused to fund the purchase of spelling workbooks. Principals were even encouraged to confiscate spelling workbooks from veteran teachers.

In the spirit of factcheck.org, I have listed and rated a dozen of the most popular instructional spelling trends and fads over the last thirty years as “TRUE” or “FALSE,” in terms of recent spelling research.

1. Tracing letters in sand helps students remember how to spell words. Advocates feel that this practice stimulates the visual memory.

FALSE Spelling is not a visual or graphic skill that relies upon visual memory.

2. Spelling can be improved via neuro-linguistic programming in which pictures and letters of words are impressed in one’s head and the student learns words by spelling them backwards.

FALSE While picturing whole words may provide short term benefit, such as memorizing for the weekly spelling test, it is not an efficient strategy for long term conventional spelling acquisition.

3. Spelling is a natural skill that improves with wide exposure to and practice in reading.

FALSE Although there is a positive correlation between high reading comprehension scores and conventional spelling ability (Stanovich and Cunningham 1992), there is no established causal connection.

4. Spelling is hereditary.

HALF-TRUE “The relatedness of reading and spelling may be understood in terms of differences in underlying underlying verbal ability, which in turn may be partly determined by hereditary factors (Pennington 1991).”

5. Spelling ability is related to phonics ability.

TRUE Once students have sufficient practice in how words work at the phoneme level and are able to blend and segment words verbally, they can apply this knowledge at the symbolic level for both reading and spelling.

6. Inventive spelling helps students learn how to spell.

TRUE Good spellers problem-solve which letters and combinations best represent sounds. Spellers who practice application of the sound-spelling connections and the rules of spelling become less teacher, dictionary, and spell-check dependent. Too much focus on spelling correctness on rough drafts may inhibit word choice. Spelling correctness on final drafts is a must.

7. Spelling instruction should be differentiated according to learning styles or modalities.

FALSE Such instructional strategies as recording spelling words for auditory learners, practicing with magnetic letters for kinesthetic learners, and rehearsing with flash cards for visual learners do not enhance spelling acquisition more for some learners than others.

8. Spelling is a developmental skill that can be categorized into cognitive spelling stages. Advocates feel that students can be challenged to progress through these spelling stages with differentiated instruction and word play.

TRUE Popularized by the authors of the popular Words Their Way: Word Study for Phonics, Vocabulary, and Spelling Instruction (Bear et al, 2000) and the widely distributed Qualitative Spelling Inventory, the authors advocate spelling sorts, word study and games and de-emphasized the traditional pretest-study-posttest form of spelling instruction.

9. Studying the shapes of letters and grouping letters for memorization by letter shape aids long-term memory. Advocates claim that this instructional approach is beneficial for students with visual processing challenges.

FALSE Because spelling is primarily an auditory skill of matching letters to sounds, the shapes of the letters are irrelevant to spelling acquisition.

10. Left-right brain strategies help spelling. Advocates feel that the right hemisphere can be stimulated and spelling improved by using wrist bands or looking up and left to memorize spellings.

FALSE There is no evidence that cueing the brain will improve spelling or linguistic ability.

11. What works for one student to develop conventional spelling ability does not work for every student. Not all students learn how to spell in the same way.

FALSE     Effective spelling instructional strategies work for every student. Differentiated instruction should derive from diagnostic assessment data.

12. Spelling is basic memorization. Using pictures can help students memorize spelling words.

HALF-TRUE Although some words must be mastered as “sight spellings” because they are phonetically irregular, and although many words do not follow the conventional spelling rules, it is still beneficial to apply the alphabetic code to spelling. At least 50% of spellings directly match their sounds.

A Model Grades 3-8 Spelling Scope and Sequence

Preview the Grades 3-8 Spelling Scope and Sequence tied to the author’s comprehensive grades 3-8 Language Strand programs. The instructional scope and sequence includes grammar, usage, mechanics, spelling, and vocabulary. Teachers and district personnel are authorized to print and share this planning tool, with proper credit and/or citation. Why reinvent the wheel? Also check out my articles on Grammar Scope and Sequence, Mechanics Scope and Sequence, and Vocabulary Scope and Sequence.

FREE DOWNLOAD TO ASSESS THE QUALITY OF PENNINGTON PUBLISHING AMERICAN ENGLISH AND CANADIAN ENGLISH SPELLING PROGRAMS. Check out these grades 3-8 programs HERE. Administer my FREE comprehensive Diagnostic Spelling Assessment with audio file and recording matrix. It has 102 words (I did say comprehensive) and covers all common spelling patterns and conventional spelling rules. It only takes 22 minutes and includes an audio file with test administration instructions. Once you see the gaps in your students’ spelling patterns, you’re going to want to fill those gaps.

Get the Diagnostic Spelling Assessment, Mastery Matrix, and Sample Lessons FREE Resource:

 

Literacy Centers, Reading, Spelling/Vocabulary, Study Skills, Writing conventional spelling, Mark Pennington, spelling fads, spelling instruction, spelling inventory, spelling rules, spelling strategies, spelling tests, spelling worksheets, Words Their Way

Before sharing these proofreading strategies, let’s place proofreading in its proper place within the writing process. Although writing process purists would always relegate proofreading to the last step in the process: the editing step, many fine writers choose to proofread throughout the composition process. Especially with the advent of effective spelling and grammar tools on Microsoft Word® and other word processing programs, features such as “Auto Correct” may make the “proofread-continuously-and-throughout” approach preferable for some writers.

Proofreading should certainly be treated differently from writing revision. Proofreading focuses on conventional correctness, while revision works with the writer’s meaning-making, that is, ideas and how these ideas are expressed in exposition or how the story is told in narration. Although the divisions between the two processes are not always neat and tidy, most would agree that spelling, grammar, punctuation, capitalization, proper use of quotes, paragraphs, usage, and some word choice issues belong to the proofreading process, while sentence variety, coherence, unity, transitions, and other word choice issues would belong to the revision process.

The Proofreading Process

The subject of proofreading having been better defined, let’s move on to the proofreading process. Up to 50 percent of all spelling and grammatical errors can be corrected by applying proofreading strategies. Many might question that percentage and ask, “How can writers find their own mistakes? If they knew how to write something correctly, wouldn’t they do so in the first place? No one intentionally makes mistakes.”

Writers make errors in spelling, grammar, punctuation, capitalization, proper use of quotes, paragraphs, usage, and word choice for a variety of reasons. Of course, ignorance is certainly a chief reason. However, writers also make mistakes due to carelessness or distractions. Writers may make mistakes when reflecting back on what they just wrote or thinking ahead to what they will write next. All writers have had the experience of thinking they are saying one thing, but actually saying another.

Although word processors have helpful tools, the human element of proofreading is still essential. There is no substitute for carefully re-reading one’s own work. Even if someone else has looked for mistakes, the writer best knows what is being said.

Proofreading Strategies

1. Proofread one paragraph at a time. Paragraphs are the writer’s divisions of meaning. A new paragraph means a new topic or a new voice. Thus, the writer must deal with the old completely, before moving on to the new. Complete all of the following proofreading strategies before moving on to the next paragraph. The corrections appear at the end of the article.

Practice

Silently read the three paragraphs all the way through. Then, re-read one paragraph at a time, consciously looking for errors. Most writers will find more errors when focused on one paragraph at a time.

“Come look at whats going on, but hurry, I said. I was certain the that admonition was exaggerated as, usual. But, I obediently want outside in to the darkness.

Amanda pointed up to the darkening sky “and said, this is very strange indeed.”

I found it hard too except what I saw in that sky. The the old familar moon was partially covered by a eclipse and had turned blood read.

2. Read the paragraph out loud. Pronunciation informs spelling and will provide an auditory check with the writer’s own oral language skills read for grammar, usage, and word choice.

Practice

Read the following silently at a normal reading pace. Then, read it out loud. Most will find that pronunciation helps the reader identify the correct meanings of the words from the spelling errors. The corrections appear at the end of the article.

Wunts ah pawn ah tyem, dare wur deez tree leddel peegz zat lift en dah zaym playz. Eggsulee, day lift en dare owen homz en dah viludg. Wun uv deez howez s wuz mayd uv ster aw, uhnudder ov stah ix, weth dah vest wun billt owd uv ber ix.

Wun mornen, de viludg wulf kaym dew balow dez peegz howz s dowen. De furest wunz kaym dowen eze, bud de ber ik howz wud ant fahel. De dum wulf klhimd uhp awn de ruf ant juppd dowen dah cha emne. Dah tree leddel peegz hadah boyleenk pahot uv wahder waytink en de fierplaz. Da wulf fel en de pahot ant de peegz ade im fer lahunj.

VN

Used by kind permission of Random House from Better Spelling in 5 Minutes a Day, Mark Pennington, ©2001 Prima Publishing, p.108

3. If typed on a word processor, try increasing the font size or changing the font to see the words in a new way. Print it out to proofread. Different formats help us see things differently.

4. Focus on one specific proofreading issue at a time. For example, proofread the paragraph out loud for grammar mistakes. Then, proofread the same paragraph out loud for capitalization mistakes, etc.

5. Over-emphasize punctuation when you proofread out loud. Errors in commas and question marks are better identified with this strategy.

6. Use a 3 x 5 card with one corner cut out in order to isolate individual words. Then, proofread the paragraph by reading it backwards with the card, isolating one word at a time. Proofreading by isolating words helps because we often “read through” spelling or word choice errors because we know what we mean to say and because we read for meaning, instead of focusing on individual words.

Practice

Read the following silently at a normal reading pace. Then, read it out loud and backwards, using your finger to isolate each word. Most will find that isolation helps the reader identify spelling and word choice errors. The corrections appear at the end of the article.

Of corse, you were probally more suprised then I to here about the difficulties they where haveing.

7. Teach students and parents the common proofreading symbols and have both practice on each other’s papers.

8. Teach the commonly confused homonyms such as hear-here and there-their-they’re and tell students to be especially alert for these words when proofreading.

9. Waiting a few days allows a writer to edit with fresh eyes-so does having someone else proofread your paper.

10. Use spell check and grammar check on the word processor, but use them judiciously. Spell check misses homophones (words sounding the same, but spelled differently) and omitted words.

Practice

Read the following, noticing the homophones (sounds the same-spelled differently). None of these errors would be caught by word processing tools.

Eye no sum won named Spell Check.

He lives in my Pea See.

He’s  awl weighs their to try and help

When I hit a wrong key.

but when I rite an e-male,

On him I can’t depend.

I kneed two also proof reed

Bee four I push the SEND

Used by kind permission of Random House from Better Spelling in 5 Minutes a Day, Mark Pennington, ©2001 Prima Publishing, p.113

The E-Mail I wish I Hadn’t Sent

Dear Martha,

I’m so sad about what has happened to you! I’ve never seen such a huge waist, but their loss will be your gain. at least now I’ll get to see more of you. Remember, good things come to those who weight.

Your Friend, Through Thick and Tin,

John

P.S. Cheer up. You’ll find another job soon.

Used by kind permission of Random House from Better Spelling in 5 Minutes a Day, Mark Pennington, ©2001 Prima Publishing, p.114

Answers

“Come look at what’s going on, but hurry,” I said. I was certain that the admonition was exaggerated, as usual. But, I obediently went outside into the darkness.

Amanda pointed up to the darkening sky and said, “This is very strange, indeed.”

I found it hard to accept what I saw in that sky. The the old familiar moon was partially covered by an eclipse and had turned blood red.

…………………………………………………………………………………………………………………………………………………………

Once upon a time, there were these three little pigs that lived in the same place. Actually, they lived in their own homes in the village. One of these houses was made of straw, another of sticks, with the best one built out of bricks.

One morning, the village wolf came to blow these pigs’ houses down. The first ones came down easy, but the brick house wouldn’t fall. The dumb wolf climbed up on the roof and jumped down the chimney. The three little pigs had a boiling pot of water waiting in the fireplace. The wolf fell in the pot and the pigs ate him for lunch.

The End

…………………………………………………………………………………………………………………………………………………………

Of course, you were probably more surprised than I to hear about the difficulties they were having.

…………………………………………………………………………………………………………………………………………………………

*****

The author’s TEACHING ESSAYS BUNDLE includes the three printable and digital resources students need to master the CCSS W.1 argumentative and W.2 informational/explanatory essays. Each no-prep resource allows students to work at their own paces via mastery learning. How to Teach Essays includes 42 skill-based essay strategy worksheets (fillable PDFs and 62 Google slides), beginning with simple 3-word paragraphs and proceeding step-by-step to complex multi-paragraph essays. One skill builds upon another. The Essay Skills Worksheets include 97 worksheets (printables and 97 Google slides) to help teachers differentiate writing instruction with both remedial and advanced writing skills. The Eight Writing Process Essays (printables and 170 Google slides) each feature an on-demand diagnostic essay assessment, writing prompt with connected reading, brainstorming, graphic organizer, response, revision, and editing activities. Plus, each essay includes a detailed analytical (not holistic) rubric for assessment-based learning.

Get the Writing Process Essay FREE Resource:

Grammar/Mechanics, Writing editing, grammar errors, Mark Pennington, proofreader marks, proofreading, proofreading marks, proofreading strategies, revision, spelling errors