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Interpret to Increase Comprehension

The SCRIP Comprehension Strategies

SCRIP Comprehension Strategies

Good reading habits can be developed by using specific cueing strategies. These cueing strategies assign readers a set of tasks to perform while reading to maintain interactive dialogue with the text.

The author of this article, Mark Pennington, has developed five cueing strategies, using the SCRIP acronym, which work equally well with expository and narrative text. The SCRIP acronym stands for Summarize, Connect, Re-think, Interpret, and Predict. Here is a nice set of SCRIP Bookmarks to download, print, and distribute to your students.

Both good and struggling readers can practice these cueing strategies to improve comprehension. Despite what many believe, reading is not a natural process; it needs to be taught, and not just caught. Teaching students to question the text they read by prompting themselves with the SCRIP strategies will help them understand and better remember what they read.

Teaching students to carry on an internal dialog while they read is critically important. Cueing strategies prompt the reader to talk to the text and the author. Check out how to get developing readers to carry on this conversation here.

Interpret to Increase Comprehension

The fourth cueing strategy in the SCRIP comprehension strategies is Interpret. Interpret means to determine what an author means in a section of narrative or expository reading text. The meaning may be implied, not stated.

Reading researchers have generally described two skills of interpretation or inference: Cromley and Azevedo (2007) discuss text-to-text and background-to-text interpretations. Others label the two reading skills as coherence or text-connecting and elaborative or gap-filling.

Text-to-Text

The meaning may necessitate synthesizing two or more reading sections to arrive at what the author means. Or the meaning may be derived from breaking up what the author says and examining each part independently as in analysis.

Background-to-Text

The meaning may necessitate filling in the gaps between what the author says and what the author expects that the reader already knows. Correct interpretation can depend on the readers prior knowledge. Pre-teaching necessary prior knowledge may be necessary if the author assumes a certain vault of knowledge or experience to be able to correctly parse what the author adds to, comments upon, or argues against.

Make sure to stress that interpretations are not simply the reader’s opinions. Good interpretations derive from the textual evidence and arrive at what the author means. Interpretations can be right and also wrong.

Unlike the summaryconnect , and re-think cueing strategies, in which the reader needs to divide a reading into meaningful sections for the reader to pause to summarize and make connections, the re-think and interpret strategies are applied when the reader pauses following a section which is confusing or seems inconsistent with the previous section.

Because teaching the Interpret cueing strategy is the focus of this article, let’s work through a teaching script to teach this Interpret cueing strategy.

Interpret means to focus on what the author means. Authors may directly say what they mean right in the lines of the text. They also may suggest what they mean with hints to allow readers to draw their own conclusions. These hints can be found in the tone (feeling/attitude) of the writing, the word choice, or in other parts of the writing that may be more directly stated.”

“When you reach a confusing part of a story, an article, a poem, or your textbook, go back to re-read the last part of the section that you understood completely and then read into the confusing section. Ask yourself what the author means in the confusing section. Often what the author means is not exactly stated. The author may choose to hint at the meaning and require the reader to figure out what is really meant.”

“Additionally, an author might require the reader to figure out the meaning by putting together what is said in one portion of the reading with another. It’s just like explaining a peanut butter and jelly sandwich to someone who has never eaten one. You’ve got to explain what peanut butter is and what jelly is first. Then you can tell how the combination of the two creates a salty and sweet flavor experience.”

“Let’s take a look at a fairy tale that many of you will have read or heard about and practice how to interpret some confusing passages.”

Here is a one-page version of “Goldilocks and the Three Bears” for you to download, print, and distribute to your students. Have students read, break the reading into sections, and complete the summaries, connections, and re-thinks in their heads. Direct students to answer the Interpret questions. Share out the student answers. Check out a YouTube video demonstration of the Interpret Comprehension Strategy, using “Goldilocks and the Three Bears” fairy tale to illustrate this strategy. The storyteller first reads the fairy tale without comment. Next,  the story is read once again as a think-aloud with interruptions to show how readers should re-think sections of the reading as they read to monitor and build comprehension.

If you have found this article to be helpful, check out the next comprehension strategy, “Predict,” and the resources.

Want five FREE lessons to teach the SCRIP Comprehension Strategies plus a FREE set of SCRIP Posters and Bookmarks sent to your email?

Get the SCRIP Comprehension Strategies FREE Resource:

Sam and Friends Phonics Books Hi-Lo Readers

Sam and Friends Phonics Books

The author, Mark Pennington, has written the comprehensive reading intervention program, Teaching Reading Strategies, the accompanying Reading and Spelling Game Cards, and the accompanying 54 take home decodable Sam and Friends Phonics Books. These books include teenage characters and themes and are perfect for older readers.

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Re-think to Increase Comprehension

Unfortunately, there are no silver bullets to kill off reading comprehension problems. Poor comprehension tends to be self-perpetuating because a reader’s approach to acquiring meaning from text is habitual. Bad reading habits are reinforced each time a reader reads an online post, book, or magazine unless unless those bad reading habits are replaced with good  reading habits. Good reading habits can be taught and reinforced with specific cueing strategies. The cueing strategies provide readers a set of tasks to perform while reading to maintain active dialogue with what the author says and means.

The author of this article, Mark Pennington, has developed five cueing strategies, using the SCRIP acronym, which work equally well with expository and narrative text. The SCRIP acronym stands for Summarize, Connect, Re-think, Interpret, and Predict. Here is a nice set of SCRIP Bookmarks for you to download, print, and distribute to your students.

To improve reading comprehension, both good and struggling readers can practice these cueing strategies. Reading is not a natural process; it needs to be taught, not just caught. Developing readers do not have a priori understanding about how to understand and remember what they read. Thus, teachers and parents play a crucial role in helping to develop good readers.

Teaching students to carry on an internal dialog while they read is vitally important. Cueing strategies prompt the reader to dialog with the text and the author. Check out how to get developing readers to carry on this conversation here.

Re-Think to Improve Comprehension

The third cueing strategy in the SCRIP comprehension strategies is Re-Think. Re-Think means to look at a section of reading text (narrative or expository) from a different point of view to see if a different meaning is intended by the author, other than the one intitially understood by the reader. It requires and re-thinking.

People who play board games are accustomed to looking at things from different perspectives. In Boggle®, Risk®, Settlers of Catan®, or Scrabble®, players know that seeing things from the opposite side of the game really changes how the player understands or plays the game.

Unlike the summary and connect cueing strategies, in which the reader needs to divide a reading into meaningful sections for the reader to pause to summarize and make connections, the Re-think strategy has the reader pause when the text following the section is confusing or seems inconsistent with the previous section.

Since teaching the Re-think cueing strategy is the focus of this article, let’s work through a teaching script to teach this Re-think cueing strategy.

Re-think means to re-read a section of the text to look at things from a different point of view. When you start reading text which seems different than what you have been reading or if you get confused, don’t keep on reading in the hope that you will catch on to what was meant. The author may actually be saying something different than what you first thought. Or first impressions aren’t always accurate. When we look from another point of view, we oftentimes find a different truth.”

“When you reach that point in a reading text, go back to re-read the last part of the section that you completely understood and then read into the confusing section. Ask how the author may mean something different than what you first thought. In other words, re-trace your steps. Your mom helps you do this when you lose something. She asks, ‘When was the last time you remember having it? What did you do next?’ Do the same in your reading when you get lost; go back to the point where you weren’t lost and then re-read the confusing text.”

“Also, when you re-read be especially alert to overlooked transition change words, such as although, but, and however or negative words or prefixes, such as not or un. These words or word parts can be extremely important to a correct understanding of what the author intends to mean.”

“Let’s take a look at a fairy tale that many of you will have read or heard about and practice how to re-think some confusing passages.”

Here is a one-page version of “Little Red Riding Hood” for you to download, print, and distribute to your students. Have students read, break the reading into sections, and complete the summaries and connections in their heads. Direct students to answer the Re-think questions. Share out the summaries, connections, and Re-Think answers. Check out a YouTube video demonstration of the Re-think Comprehension Strategy, using Little Red Riding Hood fairy tale to illustrate this strategy. The storyteller first reads the fairy tale without comment. Next,  the story is read once again as a think-aloud with interruptions to show how readers should re-think sections of the reading as they read to monitor and build comprehension.

If you have found this article to be helpful, check out the next comprehension strategy, “Interpret,” and the resources to teach this cueing strategy.

Want five FREE lessons to teach the SCRIP Comprehension Strategies plus a FREE set of SCRIP Posters and Bookmarks sent to your email?

Get the SCRIP Comprehension Strategies FREE Resource:

The author, Mark Pennington, has written the comprehensive reading intervention program, Teaching Reading Strategies, the accompanying Reading and Spelling Game Cards, and the accompanying 54 take home decodable Sam and Friends Phonics Books. These books include teenage characters and themes and are perfect for older readers.kids

 

Reading, Study Skills , , , , ,

Connect to Increase Comprehension

The SCRIP Comprehension Strategies

SCRIP Comprehension Strategies

Reading research has shown a statistically significant correlation between high levels of reading comprehension and high levels of active engagement with text. Conversely, low comprehension has been correlated with low engagement. We call this engagement internal monitoring. One important way that readers monitor what they read is to make connections as they read. Specifically, good readers tend to connect the text to themselves, the text to other parts of the text, and text to other text or outside information.

Making these connections is better “taught,” rather than “caught.” Readers can be taught to make connections while reading by learning and practicing cueing strategies. Cueing strategies are thinking prompts to focus the reader on the active and analytical tasks of reading. “Teaching children which thinking strategies are used by proficient readers and helping them use those strategies independently creates the core of teaching reading” (Keene and Zimmerman, 1997).

Poor readers tend to view reading as a passive activity. The cueing strategies provide readers a set of tasks to perform while reading to maintain active dialogue with what the author says and means. The author of this article has developed five cueing strategies, using the SCRIP acronym, which work equally well with expository and narrative text. The SCRIP acronym stands for Summarize, Connect, Re-think, Interpret, and Predict. Here is a nice set of SCRIP Bookmarks for you to download, print, and distribute to your students.

Since Connect is the focus of this article, let’s begin with a teaching script to teach this strategy.

Connect to Increase Comprehension

“Today we are going to learn why it is important to pause your reading at certain places and make connections between what you have just read and your own experience, another part of reading text, and sources from the outside world.”

“Connect means to think about the relationship between what you are reading and your own experience. The experience could be information about the reading subject or something similar that has taken place in your own life. The parts may compare (be similar) or contrast (be different). The parts may be a sequence (an order) of events or ideas. Make sure to keep the connections centered on the reading and not on your personal experience. You are using your experience to better understand the text.”

“Connect also means to notice the relationship of one part of the reading to another part of the reading. For example, in a story you might connect how a character has changed from the first part of the book to the end. Or in an article or textbook ou might connect a cause to an effect.”

“Connect also means to discover how something in the reading relates to something else in another reading text, a movie, or a real life event.”

“Just as we did with the Summary Comprehension Strategy, good readers intentionally pause at points in the reading to make these connections. Dividing your reading into sections will help you focus on understanding and remembering smaller chunks of reading, one at a time.”

“Don’t worry about slowing down your reading speed or losing concentration. Unless you are taking notes on the reading, making mental summaries and connections are quick thoughts. In fact, the more readers ‘talk to the text,’ the quicker they actually read and with better concentration as well.”

How to Divide Reading into Sections

“When reading articles or textbooks, think about how the writing is organized.  Paragraphs are written around the main idea known as the topic sentence. Most of the time (about 80%) the topic sentence is the first sentence of the paragraph.”

“In stories, authors start new paragraphs to signal something different in setting, plot, description, or dialog.”

“Paragraphs connect to each other to continue a certain idea or plot event. When a major change takes place, the author frequently uses transition words to tell the reader that something new is being introduced. Textbooks often use boldfaced subtitles to signal new sections.”

Use These Cues to Connect to Your Reading

“Use ‘This reminds me of,’ ‘This is just like,’ ‘This is different than,’ ‘This answers the part when,’ ‘This happened (or is) because of’ as question-starters to make connections.”

“So here’s the big idea about how to improve your reading comprehension: When the reading begins a new section, pause to summarize what you just read in the last chunk of reading and make connections with your own experience, other parts of the text, and outside sources.”

“Let’s take a look at a fairy tale that many of you will have read or heard about and practice how to divide a reading up into sections and connect as we read.”

Here is a one-page version of “Hansel and Gretel” for you to download, print, and distribute to your students. Have students read each section and complete the connections. Then discuss why the section was a good chunk after which to pause and connect and have students read their summaries. Check out a YouTube video demonstration of the Connect Comprehension Strategy, using Hansel and Gretel fairy tale to illustrate this strategy. The storyteller first reads the fairy tale without comment. Next,  the story is read once again as a think-aloud with interruptions to show how readers should connect sections of the reading within or outside of the text as they read to monitor and build comprehension. If you have introduced the Summary reading comprehension strategy, ask students to summarize the sections as well.

If you have found this article to be helpful, check out the next comprehension strategy, “Re-think,” and the resources to teach this strategy.

Want five FREE lessons to teach the SCRIP Comprehension Strategies plus a FREE set of SCRIP Posters and Bookmarks sent to your email?

Get the SCRIP Comprehension Strategies FREE Resource:

Sam and Friends Phonics Books hi-lo readers

Sam and Friends Phonics Books

The author, Mark Pennington, has written the comprehensive reading intervention program, Teaching Reading Strategies, the accompanying Reading and Spelling Game Cards, and the accompanying 54 take home decodable Sam and Friends Phonics Books. These books include teenage characters and themes and are perfect for older readers.

Literacy Centers, Reading, Study Skills , , , , ,

How to Lead Effective Group Discussions

Techniques for Group Discussion

Group Discussion Techniques

Knowing how to lead effective group discussions is a vitally important skill for both the classroom teacher and the corporate executive. Knowing some tricks of the trade will increase student/audience participation and prevent avoidable boredom from rearing its ugly head.

Transitions and Pacing

Transitions between questions are important in leading group discussions. A good group discussion leader builds upon what the audience says of importance and maintains a rhythm and flow to the discussion. A skilled discussion leader knows when to pepper the discussion with brief commentary and when to allow the audience to control the transitions. Audience members can be taught to respond to the previous answer and then move on.  They can also be taught to disagree agreeably and avoid an ad homonym argument. Paraphrasing is an important skill that can be practiced in group discussions.  Ending the discussion while there is still interest (and hands raised) can be done by announcing, “We can take three more comments.” If the discussion is bombing, end it quickly. There is no use in kicking a dead horse.

Discussion Management

Physical positioning is important when eliciting audience answers. Make sure that responses can be heard by every group member by moving to the opposite side of the room or cupping your hand to your ear or by asking “Can you hear him or her?” to distant audience members. Participants need to know that they are not just addressing the leader, but that they are also speaking to the entire group. Reinforce this by occasionally asking for another audience member to paraphrase someone else’s response.  Don’t, however, use this as a weapon to catch those “napping.”  Ask, “What do you think about that?” or “Who disagrees with that statement and why?” or “Can someone add to that?”

Frequently, good group discussions can sometimes break into parts, with smaller groups discussing the subject such as in dinner conversation.  If planned, or controlled, a “Pair-Share” can be effective; however, if prolonged, audience members will tend to wander into off-topic conversations or distracting behaviors. Usually, the movement of the leader to the location of the conversationalists will frequently extinguish the behavior without interrupting the flow of discussion. Proximity controls behavior.

In a discussion, it is sometimes helpful to alternate between sexes, between those of differing perceived abilities or job functions, or even among different ethnic groups to ensure that all are receive fair hearings. Picking labeled 3 x 5 cards or popsicle sticks (in the school setting) will ensure equitability. Audience members should be forewarned that they might be called upon even though their hands are not raised, so they should practice good listening strategies. Sometimes it is effective to begin a discussion without raising hands with the leader calling upon the audience members. Explain calling on participants without raising hands allows for the leader to fairly choose among all, and that it provides “wait time” so that those who do not think as quickly on a particular question can have enough time to develop their thoughts.

Dealing with over-zealous audience members can present a problem, especially during “wait times.” Interrupt interrupters with comments such as “Let’s give everyone a chance to reflect on this point.” In the school setting, forewarn students that you never pick those who shout “Oooh, ooh, ooh,” “Pick me, pick me!” or wave hands. Students who raise their hand too often can be assigned a limited number of “discussion star” moments per discussion to prevent their monopolization of the discussion.

Modeling Appropriate Discussion

Body language is extremely important in a discussion leader. Communicate openness and good listening skills by making eye contact, not turning your back on the speaker, and listening to the entire train of thought.  Interrupt only if the speaker is off target or goes on a tangent. Avoid folding your arms or putting your hands in your pockets. By not repeating student answers, we stress the importance of a student-centered discussion. This also forces students to listen to each other. Occasionally it will be important to translate or even paraphrase a particularly long student response, but do so sparingly. Ask others to do this, if necessary. Encourage participants to make eye contact with each other by reminding audience members to “talk to them, not just me.”

Praising and Correcting

Praising should be catered to the response, rather than to the individual. Specific praise that teaches is better than a general blessing. For example, “I like how you compared such and such to the idea in the last chapter” is better than “Super, duper, most excellent answer!”

Incorrect responses need to be dealt with honestly, clearly and quickly. Group discussion leaders who strive to maintain the self-esteem of the individual by praising or validating incorrect responses run the risk of confusing the participant and the rest of the learners and disrupting the scaffolded nature of a well-planned group discussion. It is better to say a simple “No,” than “Not quite,” “Good try,” or “Can someone add to that?”

Getting the Whole Group to Participate

It is important to develop a consistent “wait time” to allow and encourage the whole group to think through an answer after each question.  Easier questions need less wait time than harder ones.  This models careful, considered thought, rather than, as many group discussions are all too often a race of the quick wits. Allow silence to be understood as a normal course of events in a discussion.  Fill the silence only to clarify a question, if you believe that it was not understood, or to encourage more participation.  How long of a “wait time” is a matter of teacher judgment.  As a rule of thumb, if at least half of the hands are not raised in the group, then there is a problem in the question sequencing, question wording, or the perceived pay-off is not worth the effort.

Regarding pay-off, audience members need to know that their participation in class discussion is an important part of their overall grade* or evaluation. Otherwise, many audience members will avoid participation or perceive the group discussion as being of minimal importance. In the school setting, rewards such as grades, extra credit, treats, stickers, privileges are all weapons which the creative teacher can employ to motivate class participation in discussions. In the business setting, clever discussion leaders can also provide rewards. Short term, explicit rewards tend to work better than long term ones.

*In the classroom, one pay-off method that words well is to have a graded discussion in which the teacher selects a student recorder to score the points earned. This frees the teacher up to lead the discussion without worrying about properly crediting responses. After a correct student response, the teacher signals the recorder with the forefinger and the recorder places a tally mark next to the name of the student.  If the response is particularly insightful or directly responds to the response of another student, the teacher may signal two fingers, for two tally marks. The latter must, of course, be accompanied by a resonating class “oooh!”  A good feature of this technique is that it tracks student responses.  During class discussion, the teacher can survey the hash marks to determine who is failing to contribute or contributing excessively.  It is also a very objective means of grading such a subjective student performance area.  Students tend to perceive this graded discussion as being quite fair.

Using a Common Language of Discussion

Teachers find that using a common language of discussion promotes focused group discussion. For English language-arts teachers, check out the SCRIP Comprehension Strategies (FREE bookmark download below). Included in the author’s popular Essential Study Skills (What Every Student Should Know)the SCRIP acronym stands for Summarize, Connect, Re-think, Interpret, and Predict. Perfect for prompting focused discussion.

To summarize the author’s argument…

I connect Marci’s point to what David said…

One way to re-think what the character says is…

I interpret this to mean…

I predict that the outcome of these actions will produce…

How to Grade Literary Discussions

So, how can a teacher design discussions, especially literary-based analyses, to hold students or colleagues accountable for their preparation and participation? Check out this related post.

The author’s Essential Study Skills is the study skill curriculum that teaches what students need to know to succeed and thrive in schoolOften, the reason why students fail to achieve their academic potential is not because of laziness or lack of effort, but because they have never learned the basic study skills necessary for success. The 56 lessons in Essential Study Skills will teach your students to “work smarter, not harder.” Students who master these skills will spend less time, and accomplish more during homework and study time. Their test study will be more productive and they will get better grades. Reading comprehension and vocabulary will improve. Their writing will make more sense and essays will be easier to plan and complete. They will memorize better and forget less. Their schoolwork will seem easier and will be much more enjoyable. Lastly, students will feel better about themselves as learners and will be more motivated to succeed. em>Essential Study Skills is the ideal curriculum for study skill, life skill, Advocacy/Advisory, Opportunity Program classes. The easy-to-follow lesson format of 1. Personal Assessment 2. Study Skill Tips and 3. Reflection is ideal for self-guided learning and practice. Contact the publisher for affordable site licenses.

Pennington Publishing's Essential Study Skills

Essential Study Skills

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