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English-language Arts Standards

Common Core State Standards

Common Core State Standards

Standards-based education is now the norm in public and most parochial schools. Having largely captured the focus of the educational reform movement over the last 25 years, standards-based instruction is now the instructional mandate in all 50 states. Although some states have rescinded their adoption of the Common Core State Standards and some, like Texas, never did adopt the Standards, each state has adopted its own set of standards and some have developed their own state assessment systems. Teachers and district administrators continue to align curriculum to the instructional demands of the Common Core English Language Arts Standards.

Although the authors of the Common Core State Standards assert that literacy instruction must be a shared responsibility within the school, the largest burden still falls on the shoulders of ELA teachers. Of the four Reading, Writing, Speaking and Listening, and Language Strands, the Language Strand presents the greatest challenge for many teachers. Most ELA teachers simply have not had the undergraduate or graduate coursework to prepare them to teach the L.1, 2, 3, 4, 5, and 6 Standards in grammar and usage, mechanics, spelling, language application, and vocabulary.

This author, Mark Pennington, has written articles and developed free teaching resources on the Common Core ELA Standards and included these in his Pennington Publishing Blog to support fellow ELA teachers and reading intervention specialists. Mark’s assessment-based teaching resources are available at Pennington Publishing.

This article and resource compilation is jam-packed with FREE resources, lesson plans, and samples from grades 4–high school ELA and reading intervention programs, developed by teacher and author, Mark Pennington. Each of the following 25+ articles has multiple links to research, related articles, and free or paid resources:

Common Core Literalism

The Common Core State Standards were never written to be the Bible for ELA and reading intervention teachers. Read what the Common Core authors have to say and see how a common sense approach to teaching to the Standards can benefit both students and teachers.

FREE Instructional Resources: Syllable Awareness Assessment, 20 Advanced Syllable Rules, 10 English Accent Rules

Response to Intervention and the Common Core

Many teachers have never read the entire Common Core English Language Arts Standards. Sure, they’ve read their own district or state summaries of the Standards, but not the documents themselves. To understand the instructional role of the Standards, teachers must read the  appendices, which discuss important reflections and research regarding, for instance, reading intervention.

Grammar and the Common Core

More than any other Strand within the Common Core State Standards, the Language Strand with its focus on direct grammar, mechanics, and vocabulary instruction has been whole-heartedly embraced or intentionally ignored by teachers.

Common Core Instructional Minutes

With all the CCSS mandates, how can an ELA teacher allocate instructional time to be faithful to the Standards, while maintaining some sense of one’s own priorities? This article gets down to the minute-by-minute.

Common Core Academic Language Words

Of course, history, science, and technology teachers need to teach domain-specific academic vocabulary. However, there is a difference between academic language and academic vocabulary. The latter is subject/content specific; the former is not. Reading more challenging expository novels, articles, documents, reports, etc. will certainly help students implicitly learn much academic language; however, academic language word lists coupled with meaningful instruction do have their place. So, which word lists make sense?

Common Core Greek and Latinates

The bulk of Vocabulary Standards are included in the Language Strand of the Common Core State Standards (CCSS). Greek and Latin affixes (prefixes and suffixes) and roots are key components of five of the grade level Standards: Grades 4−8. Which Greek and Latin affixes and roots should we teach? How many should we teach? How should we teach them?

Grammar, Mechanics, Spelling, and Vocabulary

Grammar, Mechanics, Spelling, and Vocabulary  is part of a comprehensive Grades 4−12 language program, designed to address each Standard in the Language Strand of the Common Core State Standards in 60−90 weekly instructional minutes. This full-year curriculum provides interactive grammar, usage, mechanics, and spelling lessons, a complete spelling patterns program, language application openers, and vocabulary instruction. The program has all the resources to meet the needs of diverse learners. Diagnostic assessments provide the data to enable teachers to individualize instruction with targeted worksheets, each with a formative assessment. Progress monitoring matrices allow teachers to track student progress. Each instructional resource is carefully designed to minimize teacher preparation, correction, and paperwork. Appendices have extensive instructional resources, including the Pennington Manual of Style and downloadable essay-comments. A student workbook accompanies this program.

Overview of the Common Core Language Strand

English-language arts teachers have long been accustomed to the four-fold division of our “content” area into Reading, Writing, Listening, and Speaking. These divisions have been widely accepted and promoted by the NCTE, publishers, and other organizations. In a nod to the fearsome foursome, the Common Core State Standards in English Language Arts maintains these divisions (called strands) with two notable revisions: Speaking and Listening are combined and Language has its own seat at the table.

Common Core Grammar Standards

The Common Core State Standards in English Language Arts are divided into Reading, Writing, Speaking and Listening, and Language strands. The Common Core Grammar Standards are detailed in the Language Strand. It is notable that grammar and mechanics have their own strand, unlike the organization of many of the old state standards, which placed grammar and mechanics instruction solely within the confines of writing or speaking standards.

Of course, the writers of the Common Core use the ambiguous label, Language, to refer to what teachers and parents casually label as grammar and mechanics or conventions. To analyze content and educational philosophy of  the Common Core State Standards Language Strand, it may be helpful to examine What’s Good about the Common Core State Standards Language Strand? as well as What’s Bad about the Common Core State Standards Language Strand? chiefly from the words of the document itself.

How to Teach the Common Core Vocabulary Standards

What most teachers notice after careful reading of the Common Core Vocabulary Standards is the expected breadth, complexity, and depth of instruction across the grade levels. These vocabulary words require direct, deep-level instruction and practice in a variety of contexts to transfer to our students’ long-term memories. So what instructional strategies make sense to teach the Common Core Vocabulary Standards? And what is the right amount of direct, deep-level vocabulary instruction that will faithfully teach the Common Core Vocabulary Standards without consuming inordinate amounts of class time? Following is a weekly instructional plan to teach the L.4, 5, and 6 Vocabulary Standards.

CCSS Language Progressive Skills

The Language Strand has been one of the most controversial components of the COMMON CORE STATE STANDARDS FOR ENGLISH LANGUAGE ARTS & LITERACY IN HISTORY/SOCIAL STUDIES, SCIENCE, AND TECHNICAL SUBJECTS. The Language Progressive Skills document emphasizes the essential grammar, usage, and mechanics skills, which need to be reviewed and reinforced year after year..

Common Core Curricular Crossover

The Common Core State Standards (CCSS) produces some interesting curricular crossover. The traditional English-language arts divisions of reading, writing, listening, and speaking have been replaced with four new strands: reading, writing, speaking and listening, and language. The six Standards of the Language Strand borrow a bit from each of the traditional divisions. The inclusion of the Language Strand as its own set of Standards has created some concern in the ELA community.

Spelling Word Lists by Grade Levels

As an MA Reading Specialist and author of quite a few spelling curricula (eight at last count), I’m often asked about spelling word lists by grade levels. Which words are right for which grade levels? Is blank (substitute any word) a third or fourth grade word? Which spelling words are the most important ones to practice? The short answer is…

Common Core Essay Writing Terms

I propose using the CCSS language of instruction for the key writing terms across all subject disciplines in elementary, middle school, and high school. Some of us will have to come down out of our castles and give up pet writing terms that we’ve used for years, and ones that, indeed, may be more accurate than those of the CCSS. But for the sake of collaboration and service to our students, this pedagogical sacrifice is a must.

Common Core Content Area Reading and Writing

Nothing in the new Common Core State Standards (CCSS) has worried English-language arts teachers more than “The Great Shift.” This shift changes the emphasis of reading and writing in K-12 English-language arts (ELA) classrooms from the literature and narrative to the informational (to explain) and argumentative (to persuade) genres.

Common Core Language Standards

Teachers are generally quite familiar with the CCSS Reading and Writing Standards, not so with the Language Strand Standards. The Language Strand includes the grammar, usage, mechanics, and vocabulary Standards.

Standards and Accountability

Sometimes we teachers can be our own worst enemies. Check out this article, published in the Answer Sheet of The Washington Post.

Turning Dependent into Independent Readers

The Common Core State Standards for English-language Arts makes a compelling case for not doing business as usual in our ELA classrooms. That business consists of the traditional “sage on the stage” methodology of reading an entire novel or play out loud and parsing paragraphs one at a time. Our new business? Scaffolding just enough reading strategies and content as we act as “guides on the side” to facilitate independent reading. In other words, the days of  spoon-feeding have got to go.

Why and How to Teach Complex Text

A growing body of research presents a challenge to current K-12 reading/English-language Arts instruction. In essence, we need to “up” the level of text complexity and provide greater opportunities for independent reading. The Common Core State English-language Arts Standards provides a convincing three-reason argument in support of these changes in instructional practice. Following this rationale, I will share ten instructional implications and address a few possible objections.

Common Core State Writing Standards

The Common Core State Writing Standards have used a rather utilitarian approach to categorize essays into two classifications: argument and informational/explanatory writing.  The approach used by the English-language Arts committee was to examine the writing assignments of freshman English college professors then define the essay accordingly for the purposes of the Common Core State Writing Standards.

How to Teach the English-language Arts Standards

Every English-language arts teacher shares the same problem—too much to teach and not enough time to teach it. So, where are the magic beans that will allow us to teach all of the have-to’s (think ELA Standards) and still have a bit of time to teach the want-tos? Following are a few suggestions to help the clever ELA teacher have her cake and eat it, too.

Should We Teach Standards or Children?

The excesses of the standards-based movement frequently run contrary to the need to differentiate instruction, according to the diagnostic needs of children.

More Articles, Free Resources, and Teaching Tips from the Pennington Publishing Blog

Bookmark and check back often for new articles and free ELA/reading resources from Pennington Publishing.

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Pennington Publishing’s mission is to provide the finest in assessment-based ELA and reading intervention resources for grades 4‒high school teachers. Mark Pennington is the author of two Standards-aligned programs: TEACHING ESSAYS BUNDLE and Grammar, Mechanics, Spelling, and Vocabulary Mark’s comprehensive Teaching Reading Strategies and the accompanying Sam and Friends Guided Reading Phonics Books help struggling readers significantly improve their reading skills in a full-year or half-year intensive reading intervention program. Make sure to check out Pennington Publishing’s free ELA and reading assessments to help you pinpoint grammar, usage, mechanics, spelling, and reading deficits.

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Free Resources to Teach the Writing Process and Writer’s Workshop

Teaching Essays

TEACHING ESSAYS BUNDLE

The Writing Process and Writers Workshop are not simply processes by which students explore and refine their writing on their own. The teacher plays an active role in teaching and modeling the writing strategies that students need to acquire to become coherent writers. Both explicit and implicit instruction have their appropriate roles within writing instruction. Creating  and maintaining an experimental community of writers is no easy task for the writing instructor. However, the pay-offs are certainly worth the effort.

The diverse classroom provides unique challenges for both students and writing instructor. By its very nature, much of writing instruction is differentiated instruction. Classroom management and creation of a workable writing climate are essentials to successful learning.

Following are articles, free resources, and teaching tips regarding how to facilitate the Writing Process and Writers Workshop from the Pennington Publishing Blog. Also, check out the quality instructional programs and resources offered by Pennington Publishing.

The TEACHING ESSAYS BUNDLE consists of three essential writing resources: How to Teach Essays, Essay Skills Worksheets, and Eight Writing Process Essays.

How Much and What to Mark on Essays

https://blog.penningtonpublishing.com/grammar_mechanics/how-much-and-what-to-mark-on-essays/

Many teachers take pride in red-inking student essays: the more ink the better. Some “grade” essays without comments by using holistic or analytical rubrics, but do not mark papers. For those who still assign writing process essays and/or essay exams and believe that students can and do benefit from comments, the question of How Much and What to Mark on Essays is relevant. Work smarter, not harder, while focusing on efficiency and outcomes.

How to Teach Writing Skills

https://blog.penningtonpublishing.com/writing/how-to-teach-writing-skills/

Two time-proven solutions to these problems take little time, but do necessitate some instruction and practice: sentence revisions and literary response. Writing teachers (and writing research) have found these tools to be especially helpful for developing writers.

By sentence revision, I mean the word choice and structure of our language (the grammar, usage, and syntax). It’s the how something is written (and re-written). Think sentence variety, sentence combining, grammar and proper usage in the writing context. The skills of sentence revision are primarily taught.

By literary response, I mean writing style: primarily the style of literary mentors, who not only have something to say, but know how to say it in both expository and narrative writing. Think mentor texts and rhetorical stance (voice, audience, purpose, and form). The skills of writing style are primarily caught.

How to Write Effective Essay Comments

https://blog.penningtonpublishing.com/writing/how-to-write-effective-essay-comments/

Conscientious teachers know that merely completing a holistic rubric and totaling the score for a grade is not effective essay response or writing assessment. Teachers may choose to grade and/or respond with essay comments after the rough draft and/or after the final draft. Using the types of comments that match the teacher’s instructional objectives is essential. Additionally, keeping in mind the key components of written discourse can balance responses between form and content. Finally, most writing instructors include closing comments to emphasize and summarize their responses. Here’s how to write truly effective essay comments.

The Difference between Facts and Claims

https://blog.penningtonpublishing.com/spelling_vocabulary/the-difference-between-claims-and-facts/

This article discusses the important differences between a fact and a claim. Plus, learn how knowing the differences should affect your teaching the argumentative essay.

Using Evidence in Writing

https://blog.penningtonpublishing.com/writing/using-evidence-in-writing/

Teaching students to use appropriate evidence in argumentative essays is a difficult task. Students generally understand how to use textual evidence in direct and indirect quotations, but are less adept at creating reasons apart from the text itself. Teach your students the eight types of essay evidence with the memorable FE SCALE CC strategies.

How Much and What to Mark on Essays

https://blog.penningtonpublishing.com/grammar_mechanics/how-much-and-what-to-mark-on-essays/

For those who still assign writing process essays and/or essay exams and believe that students can and do benefit from comments, the question of How Much and What to Mark on Essays is relevant. Working smarter, not harder and focusing on efficiency and outcomes over pedagogical purity are worthy mantras for effective writing instruction.

How to Dissect a Writing Prompt

https://blog.penningtonpublishing.com/writing/how-to-dissect-a-writing-prompt/

Knowing exactly what the writing assignment requires in terms of the audience, role of the writer, topic and its context, purpose of the essay, essay format, resource text, and key writing direction words are all necessary components of this task. Following is a step-by-step procedure for dissecting a writing prompt.

How Many Essay Comments and What Kind

https://blog.penningtonpublishing.com/writing/how-many-essay-comments-and-what-kind/

So, to summarize how many essay comments and what kind, writing research would suggest the following: Comment on rough drafts, not final drafts. Limit the amount of comments and individualize those to the needs of the student writer. Balance the types of comments between writing errors and issues of style, argument, structure, and evidence. Hold students accountable for each mark or comment. Comments are better than diacritical marks alone. Comments should explain what is wrong or explain the writing issue.

Writer’s Workshop Mini-Conferences

https://blog.penningtonpublishing.com/grammar_mechanics/writers-workshop-mini-conferences/

With Writer’s Workshop, teachers typically organize a one-hour workshop so that at least half of the time is devoted to writing, peer conferences, and writer-teacher mini-conferences. Properly managed, the writer-teacher mini-conference can be a key ingredient to the success of developing writers. Here are some tips to make the most out of Writer’s Workshop Mini-Conferences and some great attachments, links, and free downloads as well.

Differentiating Instruction in Writer’s Workshop

https://blog.penningtonpublishing.com/grammar_mechanics/differentiating-instruction-in-writer%E2%80%99s-workshop/

Critics of Writer’s Workshop often complain that Writer’s Workshop can be inefficient and/or a class management nightmare. Some teachers have tried Writer’s Workshop, but have given up because the workshop is interest-based, not standards-based or because it is student-centered, not teacher-centered. Neither of those criticisms concerns me greatly. However, I do feel that the traditional model of Writer’s Workshop is not as conducive to differentiated instruction as it could be. Specifically, tweaking the mini-lesson will allow teachers to better differentiate instruction within Writer’s Workshop.

Analytical Rubrics

https://blog.penningtonpublishing.com/writing/analytical-rubrics/

Teachers use two types of rubrics to assess student writing: holistic and analytic. Of the two rubrics, the analytical rubric offers both teachers and students much more to work with to improve student writing. Here are five reasons why using analytical rubrics makes sense.

What’s Wrong with Holistic Rubrics?

https://blog.penningtonpublishing.com/writing/whats-wrong-with-holistic-rubrics/

It’s a relatively easy task to criticize any measure of writing assessment. This is my chore in What’s Wrong with Holistic Rubrics. We should use holistic rubrics for many writing assessments. However, we shouldn’t use holistic rubrics to teach writing. Holistic rubrics are, by design, summative assessments. Summative assessment is limited to evaluation, and evaluation is not instruction.

20 Tips to Teach Writing through Music

https://blog.penningtonpublishing.com/writing/20-tips-to-teach-writing-through-music/

Students have internalized the structure, syntax, and rules of music far more than that of any writing genre. This prior knowledge is simply too valuable for the writing teacher to ignore. Analyzing the songwriting composition process will enable students to apply the relevant strategies to their own writing of narratives, poetry, essays, and reports (and maybe even songs).

How to Teach a Science of Writing Program

https://blog.penningtonpublishing.com/reading/how-to-teach-a-balanced-writing-program/

Teachers want to apply the Science of Writing in their writing instruction. No one wants to throw away explicit grammar, spelling, and writing strategies instruction or the writing process. In a previous article, I have made the case that a balanced writing program makes sense. Learn the six steps to take to develop a balanced and effective writing program.

Using Music to Develop a Productive Writing Climate

https://blog.penningtonpublishing.com/writing/using-music-to-develop-a-productive-writing-climate/

Using the craft of songwriting as a guide, the writing teacher can develop a productive writing climate. Combining resources, collaboration, and competition with an atmosphere of social networking can improve student motivation, commitment, and end product.

Using Music to Develop a Creative Writing Culture

https://blog.penningtonpublishing.com/writing/using-music-to-develop-a-creative-writing-culture/

Music, and songwriting in particular, can help teachers develop a creative writing culture. Learning the lessons of musical composition can improve student writing.

Ten Tips for Coaching Basketball and Writing

https://blog.penningtonpublishing.com/grammar_mechanics/ten-tips-for-coaching-basketball-and-writing/

Learning to apply the coaching techniques of an effective basketball coach will significantly improve your ability as a writing coach for your students. Learn the ten tips to change from “the sage on the stage” to the “guide on the side.”

How to Write an Effective Essay Prompt

https://blog.penningtonpublishing.com/writing/how-to-write-an-effective-essay-prompt/

Writing effective writing prompts that will engage writers and produce the best written responses can be challenging. This article shares the best tips for writing good writing prompts that will allow room for creative interpretation and analysis. The article also defines the common writing direction words that inform and persuade.

How to Teach the Writing Domains (Genres)

https://blog.penningtonpublishing.com/writing/how-to-teach-the-writing-domains-genres-and-rhetorical-stance/

Teaching the writing domains (genres) and rhetorical stance are two essential lessons for developing young writers.

Process vs. On Demand Writing

https://blog.penningtonpublishing.com/writing/process-vs-on-demand-writing/

The advent of timed writings on high stakes tests, such as the new SAT 1, high school exit exams, and standards-based writing assessments, has placed teachers in the difficult position of choosing among three instructional approaches to help students learn to write and succeed on these tests: process writing, on demand writing, or a mix of the two. All three approaches share the same challenge: little time is allocated for writing instruction.

Ten Tips to Teach On-Demand Writing

https://blog.penningtonpublishing.com/writing/ten-tips-to-teach-on-demand-writing/

On-demand writing assessments are here to stay. Teachers do a disservice to their students by not preparing them for the on-demand writing tasks that they will face throughout their academic and vocational careers. Here are ten practical tips to teach timed, on-demand writing to ensure success for your students.

Eight Great Tips for Teaching Writing Fluency

https://blog.penningtonpublishing.com/writing/eight-great-tips-for-teaching-writing-fluency/

Similar to reading fluency, writing fluency is the ability to write effortlessly without interruption. Writing fluency is developed through concentrated practice; however, some practices are more effective than others. This article shares the best writing fluency strategies.

How to Teach a Write Aloud

https://blog.penningtonpublishing.com/reading/how-to-teach-a-write-aloud/

Research shows that the best writers have learned how to creatively multi-task, problem-solve, and interact with the anticipated reader. This is a skill that can be effectively taught by using the Write Aloud strategy.

Twelve Tips to Teach the Reading-Writing Connection

https://blog.penningtonpublishing.com/reading/twelve-tips-to-teach-the-reading-writing-connection/

Educators often talk about the reading-writing connection. Teaching reading and writing strategies concurrently allows teachers to “kill two birds with one stone.” The following twelve techniques to teach the reading-writing connection will enhance students’ facility in both disciplines.

More Articles, Free Resources, and Teaching Tips from the Pennington Publishing Blog

Bookmark and check back often for new articles and free ELA/reading resources from Pennington Publishing.

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Pennington Publishing’s mission is to provide the finest in assessment-based ELA and reading intervention resources for grades 4‒high school teachers. Mark Pennington is the author of many printable and digital programs. Please check out Pennington Publishing for assessment-based resources created for teachers by a fellow teacher.

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