Pennington Publishing Blog

It’s not a perfect world. In a perfect world, there would be no direct writing assessments. Elementary and middle school students would not compose to the tune of the ticking clock. High school students would not write fearfully, knowing that the on-demand writing task on the high school exit exam could be the difference between walking the stage with grandparents, aunts, cousins, and siblings cheering or sitting at home with completion certificate in hand. College students would not spill their all-nighter, coffee-laden, infusion of knowledge into blue books under watchful grad student eyes. Prospective employees would not be forced to produce a timed writing sample in the Human Resources office as part of their interview process. Life could be better. All writing tasks could make sense, but they don’t. Students don’t care about our friendly debate regarding process vs. on-demand writing. However, until the revolution comes, teachers do a disservice to their students by not preparing them for the on-demand writing tasks of an imperfect world.

Here are ten tips to teach on-demand writing as part of a thriving writing curriculum:

1. Teachers need to assign the types of writing tasks that the on-demand writing task will be assessing. For example, seventh grade students in California are potentially assessed on these writing applications: narrative, response to literature essay, summary, and persuasive essay. Students need to write both full process papers in these domains (genres or applications) and practice on-demand writing for each of these tasks.

2. Teachers need to develop a common language of instruction for Writing Direction Words, especially writing direction terms that will appear in on-demand writing tasks. Checking out on-demand release questions, commonly referred to as the writing prompts, is a must to ensure that the language of the direct writing assessment will be familiar to your students.

3. Students need to practice composing thesis statements. Since the preponderance of on-demand writing tasks from the fourth grade through college involve informational or persuasive essays, the focus of both process papers and on-demand writing should be the essay form. The key to an effective essay is the thesis statement. Learning to dissect the writing prompt, to use the language from the writing prompt, and to formulate a specific thesis statement that concisely states the purpose or point of view of the ensuing essay is critically important.

4. Learning the structure of an informational or persuasive essay is essential. The foundational structure should be a flexible model that students can use to adjust to the form demanded by the writing prompt. For example, a response to literature essay can use the same essay structure as a persuasive essay with a few “tweaks” such as including paraphrased quotations for the former and a counterpoint argument for the latter. Here is a step-by-step method that teaches students to memorize the essay structural components in order of the overall task.

5. Practice each stage of the on-demand writing process on its own, in sequenced clusters, and as a whole: writing prompt analysis, reading an excerpt—if provided, formulating a thesis statement, completing a brief pre-write of the body paragraphs, composing the essay, revising the essay, and proofreading the essay. Teaching these components will build writing flexibility and develop writing fluency.

6. Practice on-demand writing under loosely timed (with instructional interruptions) and strictly timed (no teacher interruptions) conditions. Time management is key to success. Students need to learn how to gauge time and allot time to each component of the writing process based upon the amount of time that they will have with the direct writing assessment.

• Gauging time is not common sense; it must be practiced. In fact, many students have a completely unrealistic sense of time. Try this exercise: Students close their eyes and raise silent hands when they believe two minutes has passed. Stop the exercise after all hands have been raised. Keep track of their times with the aid of a few open-eyed students. Repeat this practice weekly and see how students will improve their recognition of time.
• Allotting time to each component and practicing under simulated testing conditions will give students confidence in the process. Teachers who skip this instructional practice are in for trouble on exam day. For example, all teachers tell their students (as do the writing assessment directions) to pre-write, but students know that this stage of the writing process earns them no points. So many students routinely skip this step and jump into the essay itself. Or worse yet, students will pre-write way too much and not have time for composing.

7. Tell students to write a lot. Although we like to believe that brevity and concise wording gets points, this is not the case on direct writing assessments. Teach students to focus on their audience. Graders are trained to read the thesis statement carefully, skim for main points or arguments, search for evidence to back each up, and quickly read conclusions. Tell students to use all of their allotted time and reward them for doing so.

8. Model and have students practice writing specificity. Specific descriptions (show-me diction) for narratives and evidence (a variety needed) for informational and persuasive essays get students points. Transitions are keys to writing coherence and unity. Have a transitions poster clearly displayed and frequently reference the categories and examples of transitions at the beginning, end, and within sentences. Give students practice in revising unspecific writing and writing without transitions.

9. Teach students to vary their sentence structure. The best way to do so is to teach the “50-50 Rule.” 50% of the writing should be concise subject-verb-complement sentences. The other 50% should be expanded sentences with different grammatical sentence openers. Teach the most useful grammatical sentence openers that are appropriate to the students’ grade levels.

10. Manage the stress levels and motivate your students for success. Test anxiety inhibits this success. Students know that direct writing assessments are high-stakes tests—either for the school or themselves. Keep the instructional focus positive when working with on-demand writing. Work with student attitudes toward the assessment itself. For example, teaching students that excitement and anxiety have the same physiological response, so they can choose to be excited, not anxious about the challenge. Let them know that you have high expectations, but they are capable of achieving your standards. Build their self-confidence through successive approximation. In other words, success with each component of the on-demand writing process will lead to success with the assessment. Teach students that their voices are valid ones and that they will each have a unique perspective to impart in their essay. Knowing your students helps ensure their success at all developmental levels: pre-teen, middle school, high school, and college.

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TEACHING ESSAYS BUNDLE

The author’s TEACHING ESSAYS BUNDLE includes the three printable and digital resources students need to master the CCSS W.1 argumentative and W.2 informational/explanatory essays. Each no-prep resource allows students to work at their own paces via mastery learning. How to Teach Essays includes 42 skill-based essay strategy worksheets (fillable PDFs and 62 Google slides), beginning with simple 3-word paragraphs and proceeding step-by-step to complex multi-paragraph essays. One skill builds upon another. The Essay Skills Worksheets include 97 worksheets (printables and 97 Google slides) to help teachers differentiate writing instruction with both remedial and advanced writing skills. The Eight Writing Process Essays (printables and 170 Google slides) each feature an on-demand diagnostic essay assessment, writing prompt with connected reading, brainstorming, graphic organizer, response, revision, and editing activities. Plus, each essay includes a detailed analytical (not holistic) rubric for assessment-based learning.

Study Skills, Writing CAHSE writing, CST writing assessment, direct writing assessment, essay tests, how to teach essays, on demand writing, on-demand writing assessment, SAT essay, SAT writing test, standardized writing tests, STAR writing test, writing tests

A basic understanding of logic is necessary to be able to read critically and write with coherence. Good critical thinking follow rules of logic to observe, interpret, apply, and revise ideas or problems. These rules of logic are not new. In fact, five key forms of logic were developed by the Ancient Greeks. We still use these patterns of thinking, known as reasoning, to solve problems today. Students need to be trained to recognize these patterns of logical organization and follow these patterns in their own writing and problem-solving.

1. Deductive Logic

In deductive reasoning, the pattern of thinking is whole to part. Specific applications (or conclusions) are made from general statements or accepted ideas.

Example: Bees sting. Bee stings hurt. Be careful of bees.

2. Inductive Logic

In inductive reasoning, the pattern of thinking is part to whole. Specific applications (or conclusions) lead to more general applications.

Example: (Repeated Addition) 2 + 2 + 2 + 2 = (Multiplication) 4 x 2 = (sum) 8

3. Syllogistic Logic

In syllogistic reasoning, an application (or conclusion) about a category that is drawn from two forms of evidence that each make sense as separate categories and relate to each other.

Example: All Golden Retrievers are dogs; Calico Kelley is a Golden Retriever; therefore, Calico Kelley is a dog.

4. Comparative Logic

In comparative logic, an application (or conclusion) is drawn about a situation based on how one idea or problem is similar to previous ideas or problems. The similarities are based upon logical, historical, or statistical probability.

Example: Ian is always absent from school when it rains. It is raining today. Ian will most likely be absent today.

5. If, ____; then ____ Logic

In if-then logic, an “if” state proposes a condition or hypothesis, and the “then” provides a logical answer or solution.

Example: If A = B, and B = C; then A = C.

Unfortunately, not all writing follows these rules of logic. Teaching students to recognize errors in reasoning will promote analytical reading and improve their writing coherency.

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Students are bombarded with content. Knowledge increases exponentially, and the entire storehouse of human knowledge gained over the last six thousand years is now doubled every five years, or less. The old educational philosophy of filling empty heads with the cumulative wisdom of the ages is yielding to a new pedagogy. Knowledge as a product is now being replaced with knowledge as a process.

This is not to say that our accumulated knowledge is irrelevant. Quite to the contrary, it is essential. Without the inductive and deductive reasoning developed by the Ancient Greeks, and without the scientific method, refined by the Enlightenment thinkers, we would have no foundation upon which to build a new process-centered design, commonly referred to as critical thinking.

However, we must begin to practice what we preach. If we are to equip Twenty-First-Century students with the tools they need to add to our “knowledge pool,” we need to re-evaluate how we spend our time in the classroom. The standards-based movement, prevalent in many American schools today, is primarily product-driven. Despite much talk about differentiating instruction, according to the needs of students as indicated by diagnostic assessments, the primary delivery of knowledge in most classrooms remains product-centered. And all students learn the same product, the same way, and on the same timetable to perform (hopefully) the same way on standards-based assessments.  The pressures on teachers to conform to this antiquated model of knowledge acquisition are formidable.

Change Their Way of Thinking

One way to implement change is incremental. A small, but effective way to start introducing critical thinking into the classroom is with the traditional “opener” activities. These “bell-ringer” activities can establish an important framework for learning and a mind-set for the day’s activities, even if they are product-centered.

To accomplish their process-centered mission, critical thinking openers can help a teacher teach a schema for thinking that students can learn, practice, and apply with the coaching assistance of their teachers.

The word schema comes from the Greek word “σχήμα” (skēma), which means a mental planning process. The schema that I propose is not original, by any means. It involves four simple steps: Observation, Interpretation, Application, and Revision. Observation is What do you see? Interpretation is What does it mean? Application is How can it be used? Revision is How can it be changed?

Teaching Procedures

To provoke process-thinking, students need a context from which to explore the schema described above. One great way to stimulate young minds is with famous literary quotations from the greatest thinkers and writers of all time, including contemporary minds from all knowledge disciplines. The web is filled with great quotes (as are some of your students). Simply post the quote and explain the context and/or vocabulary as is necessary. Introduce the critical thinking schema one at a time.  Then, have students take time to think, write, and interactively discuss the components of the critical thinking schema in response to the literary quotation.

Explore individual responses, paired responses, cooperative group responses, whole class responses, and your own responses as teacher-coach. Combine instructional methods. For example, starting off with a teacher “think aloud” on the Observation will stimulate paired written responses on the Interpretation, which will provoke terrific whole class discussions on the Application, which will engender creative and original individual ideas on the Revisions.

Teacher Think Alouds

To learn the four critical thinking schemata, teacher modeling is essential.  Creative thinking and problem-solving is certainly not exclusively a natural process. Developing thinkers do not have a priori understanding about how to effectively observe, interpret, apply, and revise. Thus, teachers play a crucial role in helping to develop good thinkers.

Teaching students to carry on an internal dialog while they think is vitally important. As “talking to the reader” significantly increases writing coherency and “talking to the author” significantly increases reading comprehension, so does internal dialog significantly increase effective thinking. In fact, good thinkers are adept at practicing internal metacognitive strategies.  Students who consciously practice these self-monitoring strategies develop better problem-solving skills than those who do not. Students need to learn how to flexibly adapt these strategies by observing teacher modeling and then practicing what has been demonstrated.

Think Aloud Sample Lesson

1. Select a short, high interest literary quotation from a story familiar to all students. Post the quotation on the board, LCD, Smartboard®, or display projector.

2. Tell students that they are to listen to your thoughts carefully, as you read the quotation and that they are not allowed to interrupt with questions during your reading. Read the quotation out loud and interrupt the reading frequently with concise comments about the vocabulary, word choice, syntax, and historical context. Re-read difficult parts and make comments about the ideas that are presented. Ask questions of the author, especially about parts of the quotation that you do not fully understand. Some teachers like to use other voices for the internal dialogue and their normal voices for the reading.

3. After reading and thinking out loud, ask students if they think they understood the quotation better because of your verbalized thoughts rather than just by passively reading without active thoughts. Their answer will be “Yes,” if you have read and thought out loud effectively.

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Why We Don’t Teach Grammar

First of all, grammar is a lot like Kleenex®. This brand name has been associated with many other similar products. If I ask my wife to “Please pass a Kleenex®, I would probably get irritated if she responded, “Is a generic tissue okay?” After all, I just want to blow my nose.

So, let’s agree on what we mean by teaching grammar. Grammar has come to mean a catch-all term that refers to everything English teachers would prefer to avoid teaching. This includes the part of a sentence, the function of these parts (such as the parts of speech), the arrangement of words with the sentence, word choice, punctuation, and capitalization, and assorted oddities that we think students should know, but wish they learned elsewhere. But, why do most English-language arts teachers detest teaching this collection of instructional essentials that we label as grammar?

1. never learned grammar and I turned out okay. I wouldn’t know how to teach it.

ELA teachers live in the day-to-day fear that one of our colleagues might ask us how we incorporate teaching past perfect participles in our persuasive essays. Teachers naturally tend to avoid teaching things that they do not understand. Most ELA teachers were trained to love literature, poetry, and writing (or at least one of the three). Few were trained in teaching grammar. Some of us have picked up a few tidbits here and there over the years or were educated in Catholic schools. Teachers teach from personal experience , as much as from professional development. Most teachers in their twenties, thirties, and forties had little grammatical instruction in their school years and few university professors have trained these teachers in grammar for the reasons already discussed. The pervasive “whole language” philosophy of the 1970s, 1980s, and early 1990s de-emphasized grammatical instruction and relegated it to the editing step within the writing process. “I didn’t learn grammar, and I turned out alright” is an often-thought, if not spoken, rationale for ditching grammar instruction.

2. There is not enough time. Teachers have their comprehensive lists of standards and courses of study on their “to-do” lists. There are pressures from administrators, the omnipresent district or state testing, and our own colleagues to check off items on these lists. Of course, we have our  favorite novels and projects. Grammar instruction does not even make our Letterman’s Top Ten. “If I had unlimited time… then, maybe. But to be honest… Socratic Seminars, readers theater, and that Steinbeck novel would probably shove their way into my lesson plans first.”

3. The “research” says not to teach grammar. Isn’t grammar caught, not taught? We trot out a “sound bites” from a study or two as convenient excuses to avoid teaching grammar (most of these research studies from 50 years ago). We gloss over the real language of the research conclusions, i.e., “teaching grammar in isolation outside of the meaningful context of writing is ineffective.” Some teachers do parrot these research conclusions accurately, but few actively address the variables of the research and actually teach grammar in the meaningful context of writing.

4. The fact that students are grammatically-challenged is someone else’s fault, not mine. “Students should know this stuff by now. The grade-level standards emphasize review of grammar, not introduction of grammar. I can only teach what I am supposed to teach. I can’t be responsible for other  teachers’ shortcomings. I have my grade-level standards to teach. If I spent all my efforts on what they already should know, students would never learn anything new. Hopefully, they’ll pick it up later, somehow.”

5. Students don’t like grammar and they don’t remember what they are taught. “Grammar is boring. I want to be a fun and interesting teacher. I’m angling for Teacher-of-the-Year and I’m not about to let grammar get in the way. Besides, the pay-offs from teaching grammar seem minimal, anyway. The students have learned the parts of speech every year and they couldn’t define or identify an adverb, if their lives depended on it. An adverbial clause? You’ve got to be kidding. I won’t drill and kill my students.”

6. Isn’t grammar just an editing skill? There’s an app for that. Teachers teach from personal experience , as much as from professional development. Most teachers in their twenties, thirties, and forties had little grammatical instruction in their school years and few university professors have trained these teachers in grammar for the reasons already discussed. The pervasive “whole language” philosophy of the 1970s, 1980s, and early 1990s de-emphasized grammatical instruction and relegated it to the editing step within the writing process. “I didn’t learn grammar, and I turned out alright” is an often-thought, if not spoken, rationale for ditching grammar instruction.

My response? We need to teach grammar and make time for grammatical instruction and practice. Anything students need to know has to be taught, not simply caught. The Common Core Anchor Standards for Language require explicit grade-level instruction and practice in grammar, usage, and mechanics. Do you know your grade level Language Standards 1, 2, 3, 4, 5, and 6? Do you know the Language Progressive Skills for your grade level? Are you teaching these standards? We don’t need any more student casualties as a result of any “Great Grammar Debate.” Our ignorance is no excuse. We need to learn how to teach grammar in a meaningful writing context.

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Pennington Publishing Grammar Programs

Teaching Grammar, Usage, and Mechanics (Grades 4, 5, 6, 7, 8, and High School) are full-year, traditional, grade-level grammar, usage, and mechanics programs with plenty of remedial practice to help students catch up while they keep up with grade-level standards. Twice-per-week, 30-minute, no prep lessons in print or interactive Google slides with a fun secret agent theme. Simple sentence diagrams, mentor texts, video lessons, sentence dictations. Plenty of practice in the writing context. Includes biweekly tests and a final exam.

Grammar, Usage, and Mechanics Interactive Notebook (Grades 4‒8) is a full-year, no prep interactive notebook without all the mess. Twice-per-week, 30-minute, no prep grammar, usage, and mechanics lessons, formatted in Cornell Notes with cartoon response, writing application, 3D graphic organizers (easy cut and paste foldables), and great resource links. No need to create a teacher INB for student make-up work—it’s done for you! Plus, get remedial worksheets, biweekly tests, and a final exam.

Syntax in Reading and Writing is a function-based, sentence-level syntax program, designed to build reading comprehension and increase writing sophistication. The 18 parts of speech, phrases, and clauses lessons are each leveled from basic (elementary) to advanced (middle and high school) and feature 5 lesson components (10–15 minutes each): 1. Learn It!  2. Identify It!  3. Explain It! (analysis of challenging sentences) 4. Revise It! (kernel sentences, sentence expansion, syntactic manipulation) 5. Create It! (Short writing application with the syntactic focus in different genre).

Get the Diagnostic Grammar, Usage, and Mechanics Assessments, Matrix, and Final Exam FREE Resource:

Get the Grammar and Mechanics Grades 4-8 Instructional Scope and Sequence FREE Resource:

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Class Novels

Not read class novels? Better read the subtitle: Out loud to your class… In terms of teaching literature, I live in two worlds. I am an English-language arts teacher and a reading specialist. Although the two worlds would seem to be quite complementary, this is not always the case.

As an English-language arts teacher, I love teaching the nuances of the author’s craft. I live to point out allusions, symbolism, and an occasional foreshadowing. I am ecstatic when I am able to lead my students into the “ah ha” experience of how a passage reinforces the theme of a novel. I believe that we English-language arts teachers do have “content” to share with students. Go ahead… try to convince me that being able to identify the omniscient point of view is not a critical life skill. Make my day… My students need me; they are dependent upon me to teach them this content.

However, as a reading specialist, I also believe in the skills/process side of reading. In this world, my aim is to work my way out of a job. I have to change dependence into independence. The more students can do on their own to understand and retain the meaning of text, the better I have accomplished my mission. I need to train students to become successful independent readers in college, in the workplace, and at home.

Which leads us to our dilemma. When we teach a novel or short story, how much of our instruction should be teacher-dependent and how much should be teacher-independent? My thought is that we English-language arts teachers tend to err too frequently on the side of teacher-dependence and we need to move more to the side of teacher-independence.

As a reading specialist/staff developer at the elementary, middle school, and high school levels, I have had to opportunity to see hundreds of teachers “in action,” teaching a novel or short story to students. From my experience, the predominant way that English-language arts teachers work through a text is by reading and dissecting the entire text out loud (an in class).

The reasons that we hang on to the teacher-dependent mode of reading out loud (or via student popcorn reading/CDs]podcasts) and dissecting the text are varied:

1. We want to earn our pay-checks by being the ones responsible for student learning.

2. The text is too hard for students to understand it on their own.

3. We like being the “sage on the stage.”

4. Students lack sufficient prior knowledge.

5. Reading out loud is a behavior management tool.

In sum, we distrust the readiness of students to handle the challenging tasks of reading and thinking on their own. We know that we do a better job of understanding the text than our students.

The way we casually describe what we are teaching is informative: In the staff room, a science teacher asks what we are teaching. We respond, “I’m half-way through teaching Julius Caesar,” not “I’m teaching my students such and such a Standard…”,” nor “I’m teaching Roman history through…”, nor “I’m teaching these reading and literary skills through…”, nor “My students are learning…” We tend to view the literature as our curriculum and not as an instructional vehicle. When the literature is treated as an end–in-itself, we are ensuring that our instruction remains teacher-dependent. After all, we are the keeper of the keys. We know “Julius Caesar” better than the students (and probably Will himself). A high school colleague of mine literally had memorized every word of the play and worked her students through the play from memory. That’s teacher-dependence.

How to Move toward Teacher-Independence

Create Text-Dependent Readers

1. Lose the Guilt

We really need to relieve ourselves of the self-imposed or colleague-imposed guilt that we are not really teaching a short story, poem, or novel unless we read and dissect every word out loud.

2. Become a Coach

We need to become coaches, not spoon-feeders. Let’s coach students to become effective independent readers by giving them the skills to understand the text on their own. Here are some effective reading comprehension strategies that will move students toward that independence: https://blog.penningtonpublishing.com/reading/how-to-teach-reading-c…

3. Get strategic

Some reading out loud and dissecting text is essential. But when to do so and when not to do so?

A good guideline to help us decide how much to read out loud, with explanation and gap-filling, is word recognition. Simply put, if the novel, story, etc. is at 95% word recognition for the vast majority of students, then there should be less reading out loud, i.e., the reading is at the independent reading level of students. If there is lower word recognition, then more reading out loud/working through the text will be necessary (or the book selection is inappropriate for the students) for this instructional reading level. For more on how to use word recognition to inform instructional decisions, see my blog at https://blog.penningtonpublishing.com/reading/how-to-get-students-to… As a relevant aside, I feel that word recognition is a much better indicator of an appropriate student to text match than a lexile number.

4. Trust Your Judgment-Not Just Data

Of course, using this rather clinical criterion of word recognition has its limitations: maturity of theme, unfamiliar historical context, amount of allusions or figures of speech etc. After all, we all know students who “read” the last Harry Potter book and Twilight with enjoyment, albeit limited comprehension, when their word recognition rate was at the instructional end of the spectrum, so motivation is an important factor in determining what can be left to independent reading.

5. Focus on the Pay-offs

Independent reading of text has significant pay-offs. Reading independently at the 95% word recognition level of text will expose most readers to about 300 unknown words in 30 minutes of reading. Learning 5% of these words from the surrounding context clues of the text is realistic. This means that students will learn about 15 new words during a typical reading session.

6. Experiment with Alternative Instructional Approaches, But…

Reciprocal teaching, literature circles, GIST strategies, partner reading, jigsaw. Yes. But don’t leave out what should be the primary instructional approach: independent reading with teacher and peer support. My FREE download below will be a helpful start toward this goal.

If our goals are to foster the abilities to read independently with good comprehension/retention and to inspire young adults to read for purpose and pleasure as lifelong readers, then we’ve got to cut the cords and become more teacher-independent and less teacher-dependent.

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The Science of Reading Intervention Program

The Science of Reading Intervention Program: Word Recognition includes explicit, scripted instruction and practice with the 5 Daily Google Slide Activities every reading intervention student needs: 1. Phonemic Awareness and Morphology 2. Blending, Segmenting, and Spelling 3. Sounds and Spellings (including handwriting) 4. Heart Words Practice 5. Sam and Friends Phonics Books (decodables). Plus, digital and printable sound wall cards and speech articulation songs. Print versions are available for all activities. First Half of the Year Program (55 minutes-per-day, 18 weeks)

The Science of Reading Intervention Program: Language Comprehension resources are designed for students who have completed the word recognition program or have demonstrated basic mastery of the alphabetic code and can read with some degree of fluency. The program features the 5 Weekly Language Comprehension Activities: 1. Background Knowledge Mentor Texts 2. Academic Language, Greek and Latin Morphology, Figures of Speech, Connotations, Multiple Meaning Words 3. Syntax in Reading 4. Reading Comprehension Strategies 5. Literacy Knowledge (Narrative and Expository). Second Half of the Year Program (30 minutes-per-day, 18 weeks)

The Science of Reading Intervention Program: Assessment-based Instruction provides diagnostically-based “second chance” instructional resources. The program includes 13 comprehensive assessments and matching instructional resources to fill in the yet-to-be-mastered gaps in phonemic awareness, alphabetic awareness, phonics, fluency (with YouTube modeled readings), Heart Words and Phonics Games, spelling patterns, grammar, usage, and mechanics, syllabication and morphology, executive function shills. Second Half of the Year Program (25 minutes-per-day, 18 weeks)

The Science of Reading Intervention Program BUNDLE  includes all 3 program components for the comprehensive, state-of-the-art (and science) grades 4-adult full-year program. Scripted, easy-to-teach, no prep, no need for time-consuming (albeit valuable) LETRS training or O-G certification… Learn as you teach and get results NOW for your students. Print to speech with plenty of speech to print instructional components.

SCIENCE OF READING INTERVENTION PROGRAM RESOURCES HERE for detailed product description and sample lessons.

FREE DOWNLOAD TO ASSESS THE QUALITY OF PENNINGTON PUBLISHING RESOURCES: The SCRIP (Summarize, Connect, Re-think, Interpret, and Predict) Comprehension Strategies includes class posters, five lessons to introduce the strategies, and the SCRIP Comprehension Bookmarks.

Get the SCRIP Comprehension Strategies FREE Resource:

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Why We Don’t Teach Grammar

In another one of my articles, “The Great Grammar Debate,” I classified the chief divisions in grammatical instruction* as follows: 1. those who favor part to whole instruction and 2. those who prefer whole to part instruction. I argued that teachers need not accept an “either-or” philosophy of instruction, but can certainly be eclectic in their instructional strategies. Of course, kind and persistent readers of the Pennington Publishing Blog are naturally putting me to the test to flesh out how I balance instruction, using both forms of  those inductive and deductive instructional strategies.

Diagnostic Assessment and Differentiated Instruction

Teachers too often teach what some students do not know at the expense of some students who already know what is being taught. For example, students learn the definition and identification of a sentence subject over and over again from third through twelfth grade. Teachers legitimize this repeated instruction by arguing that learning is recursive and, thus, reviewing is necessary.

Instead of making excuses, teachers should address the problems inherent in a diverse classroom. Why not administer diagnostic assessments to determine who does and does not need extra instruction in sentence subjects? Then, use the data to inform and differentiate instruction. Targeted worksheets that correspond to the diagnostic assessment, as in my Teaching Grammar and Mechanics, with individual one-on-one follow-up conferences or in small group review just makes sense. How often and how much class time do I devote to grammar differentiation? Twice per week, 15 minutes per day.

Direct Instruction with One Example: Adverbs

Front-loading grammar and mechanics instruction is efficient and transfers to student writing when a teacher follows a coherent scope and sequence of instruction that builds upon previous instruction and writing practice. For example, here is a scope and sequence for teaching adverbs that builds in year-to-year review, and also helps students deepen their understanding of this part of speech to improve their writing:

• Primary students should learn that an _ly word “talks about” a physical action verb and practice recognizing these words in their reading and adding _ly words to sentences.
• Intermediate students should learn that an _ly word “talks about” a mental action (e.g. knows) or state of being (e.g. was) verb. They should also practice recognizing these words in their reading and adding _ly words to various places within sentences.
• Upper elementary students should learn that adverbs ask How? When? and Where? to describe verbs and practice recognizing all forms of adverbs, including adverbial phrases, in their reading. They should also practice adding adverbs to various places within sentences and as transitions within paragraphs.
• Middle school students should learn that adverbs ask How? When? Where? and What Degree? to modify verbs and adverbs and practice recognizing all forms of adverbs in their reading. They should also practice adding adverbial phrases and clauses to various places within sentences and as transitions within and between paragraphs.
• High school students should learn that adverbs ask How? When? Where? and What Degree? to modify verbs, adverbs, and adjectives and practice recognizing all forms of adverbs in their reading. They should also practice adding adverbial phrases and clauses to provide sentence variety to various places within sentences and as transitions within and between paragraphs. Students should also practice elements of style, such as placing shorter adverbs before longer adverbs and placing general adverbs before specific adverbs within sentences. Students should also contrast comparative adjectives and adverbial phrases, identify dangling modifiers, and practice recognition and revision of these errors for SAT/ACT test preparation practice.

Sentence modeling from exemplary student writing and literature should be examined and emulated in brief student writing exercises with direct instructional feedback. Alongside of sentence models, contrasting sentences with writing errors should also be analyzed, but not in the context of an incoherent, scatter-gun D.O.L. (Daily Oral Language) “program.” Download an example of my Sentence Lifting exercise at  Grammar Openers Toolkit Sampler to see how this direct instruction approach integrates grammar and mechanics instruction within the context of real writing. My Teaching Grammar and Mechanics curriculum has 64 Sentence Lifting lessons with multiple instruction layers of instruction (as in the adverb example above) to provide the teacher with resources that reflect leveled degrees of difficulty. How often and how much class time do I devote to direct grammar and mechanics instruction? Three times per week, 15-20 minutes per day.

Writing Strategies

Teachers should practice sentence manipulation and sentence combining. For example, re-writing subject-verb-complement sentence construction to begin with complex sentences, such as with adverbial clause sentence openers is excellent practice. I use Sentence Revision exercises such as in the Writing Openers Toolkit Sampler from my TEACHING ESSAYS BUNDLE curriculum to help students practice sentence construction and revision. Sentence Revision also provides exercises in writing style. How often and how much class time do I devote to Sentence Revision? Three times per week, 10 minutes per day.

Writing Process

I require students to include specific sentence openers that we have practiced within their writing process pieces. Students re-write sentences to reflect their practice within the revision stage of the writing process. Peer editing focuses on the specific grammar and mechanics that we have been learning in our Sentence Lifting and Sentence Revision lessons.

Here are brief overviews of the two curricular sources described above: Find essay strategy worksheets, writing fluencies, sentence revision activities, remedial writing lessons, posters, and editing resources to differentiate essay writing instruction in TEACHING ESSAYS BUNDLE.

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Pennington Publishing Grammar Programs

Teaching Grammar, Usage, and Mechanics (Grades 4, 5, 6, 7, 8, and High School) are full-year, traditional, grade-level grammar, usage, and mechanics programs with plenty of remedial practice to help students catch up while they keep up with grade-level standards. Twice-per-week, 30-minute, no prep lessons in print or interactive Google slides with a fun secret agent theme. Simple sentence diagrams, mentor texts, video lessons, sentence dictations. Plenty of practice in the writing context. Includes biweekly tests and a final exam.

Grammar, Usage, and Mechanics Interactive Notebook (Grades 4‒8) is a full-year, no prep interactive notebook without all the mess. Twice-per-week, 30-minute, no prep grammar, usage, and mechanics lessons, formatted in Cornell Notes with cartoon response, writing application, 3D graphic organizers (easy cut and paste foldables), and great resource links. No need to create a teacher INB for student make-up work—it’s done for you! Plus, get remedial worksheets, biweekly tests, and a final exam.

Syntax in Reading and Writing is a function-based, sentence-level syntax program, designed to build reading comprehension and increase writing sophistication. The 18 parts of speech, phrases, and clauses lessons are each leveled from basic (elementary) to advanced (middle and high school) and feature 5 lesson components (10–15 minutes each): 1. Learn It!  2. Identify It!  3. Explain It! (analysis of challenging sentences) 4. Revise It! (kernel sentences, sentence expansion, syntactic manipulation) 5. Create It! (Short writing application with the syntactic focus in different genre).

Get the Diagnostic Grammar, Usage, and Mechanics Assessments, Matrix, and Final Exam FREE Resource:

Get the “To Be” Verbs Posters FREE Resource:

Get the Grammar and Mechanics Grades 4-8 Instructional Scope and Sequence FREE Resource:

Grammar/Mechanics, Literacy Centers, Study Skills, Writing adverb worksheets, adverbial clauses, adverbs, editing stage, grammar, grammar openers, grammar worksheets, mini grammar lessons, mini lessons, parts of speech, writers workshop, writing openers, writing process, writing revision, writing strategies

SEAL Context Clue Strategies

Teachers will find this context clues vocabulary review game to be a fun way to review vocabulary. Context clues review for upcoming vocabulary tests! Want more vocabulary review games? But wait; there’s still more?

S.E.A.L. Clues Pictionary®

Directions: Divide students into small groups (four or five works well) and have each group select an illustrator, who is assigned the first word to guess. Use the following words to teach the game; then add on your own vocabulary words thereafter. Announce the first SALES category to the class; then say “Draw!” to begin. Using picture clues that fit each SEAL category, the illustrator quietly draws out clues until one of the group members guesses the word(s). The illustrator may not use hand motions, mouthing, or letters (except for the syllables category). The correct guesser becomes the new illustrator. The group that first correctly guesses all words within the category is the winner. Context clue review throughout the game!

Hints: Group members should whisper to prevent other groups from hearing their guesses. Feel free to “give the answer” to a group that is stuck. Suggest that illustrators may wish to draw blanks before or after their word part clues in the syllables category, e.g. ___cycle for bicycle. Probably one category per day is plenty.

Pictionary Word Parts

Syllables

• re (again)
• pre (before)
• vis (to see)
• struct (to build)
• er (one who)

Examples

• Santa Claus
• Disneyland (Disneyworld)
• music
• red
• water

Antonyms

• desert
• dark (darkness)
• comedy (comedian, comic)
• baby
• life

Logic

• box
• 429
• language
• pyramids
• snow

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For full-year vocabulary programs which include multiple meaning words (L.4.a.), Greek and Latin morphology with Morphology Walls (L.4.a.), figures of speech (L.5.a.), words with special relationships (L.5.b.), words with connotative meanings (L.5.c.), and academic language words (L.6.0), check out the assessment-based grades 4, 5, 6, 7, and 8 Comprehensive Vocabulary.

Get the Grades 4,5,6,7,8 Vocabulary Sequence of Instruction FREE Resource:

Get the Diagnostic Academic Language Assessment FREE Resource:

Reading, Spelling/Vocabulary, Study Skills context clue categories, context clue review, context clues, Greek and Latin, Mark Pennington, spelling review games, Teaching the Language Strand, vocabulary development, vocabulary games, vocabulary in context, vocabulary instruction, vocabulary review games, vocabulary word lists, vocabulary worksheets, word parts

Advanced Reading Skills

Reading is the gateway to knowledge. Without refined reading skills, personal independence and options are severely limited. Poor readers can only know what others choose to tell them. Poor readers have limited socio-economic opportunities. This ramifications of an increasingly illiterate society are compounding as knowledge compounds at an exponentially rapid rate. Here’s why teaching and learning advanced reading skills are essential.

The ability to read well increases the freedom and self-determination of the individual. Nineteenth Century American slaveholders understood this concept well. By 1850, each of the fifteen slaveholding states had enacted laws that criminalized reading instruction to slaves. Slaveholders found out through experience that the ability to read opened up the world of knowledge, individual choice, and aspiration to a better life—all dangerous challenges to authoritarian control. In the Twentieth Century, the Nazis came to power, burning books and harassing those who thought differently then their party. Once their power solidified, concentrated efforts were made to control and manipulate the reading of school children and the masses. The communists in the Soviet Union altered textbooks to reflect their view of history and sent authors to Siberia for re-education. In the Twenty-First Century, economic problems have provided the pretext for closing public or school libraries, considering limits to the freedom of thought via Internet censorship or taxation, and limiting the capital acquisition of small publishing companies which has forced many into bankruptcy—thus solidifying the conglomerate power of the largest publishing houses, whose agenda consists of money-making and preserving the status quo.

In this information age, the ability to read well is an increasingly essential skill. The negative consequences of limited reading ability are numerous. For example, identifying a phishing email requires higher order critical reading skills to read between the lines and recognize non-sequiturs, unsupported generalizations, and questionable authority errors in reasoning. Reading and applying the Schedule A instructions for allowable deductions on the 1040 form requires content-specific vocabulary. Reading how to program a new flat screen television requires advanced technical reading ability. A limited reader could wind up with a bank account depleted, an audit, or a large paperweight.

Researchers have cited “a serious gap between many high school seniors’ reading ability and the reading requirements they will face after graduation. Furthermore, students in college are expected to read complex texts with substantially greater independence (i.e., much less scaffolding) than are students in typical K–12 programs. College students are held more accountable for what they read on their own than are most students in high school (Erickson & Strommer, 1991; Pritchard, Wilson, & Yamnitz, 2007).

College instructors assign readings, not necessarily explicated in class, for which students might be held accountable through exams, papers, presentations, or class discussions. Students in high school, by contrast, are rarely held accountable for what they are able to read independently (Heller & Greenleaf, 2007). This discrepancy in task demand, coupled with what we see below is a vast gap in text complexity, may help explain why only about half of the students taking the ACT Test in the 2004–2005 academic year could meet the benchmark score in reading (which also was the case in 2008–2009, the most recent year for which data are available) and why so few students in general are prepared for postsecondary reading (ACT, Inc., 2006, 2009).”

The Achievement Gap

Today, we need to see advanced reading instruction as a bulwark against an increasingly illiterate society. What was an adequate reading skill level thirty years ago is inadequate today. More higher level high school and college reading courses are needed to appropriately prepare students for the  information age. Our achievement gap is real, but is better defined as a literacy gap.

FREE DOWNLOAD TO ASSESS THE QUALITY OF PENNINGTON PUBLISHING RESOURCES: The SCRIP (Summarize, Connect, Re-think, Interpret, and Predict) Comprehension Strategies includes class posters, five lessons to introduce the strategies, and the SCRIP Comprehension Bookmarks.

Get the SCRIP Comprehension Strategies FREE Resource:

The Science of Reading Intervention Program

The Science of Reading Intervention Program: Word Recognition includes explicit, scripted instruction and practice with the 5 Daily Google Slide Activities every reading intervention student needs: 1. Phonemic Awareness and Morphology 2. Blending, Segmenting, and Spelling 3. Sounds and Spellings (including handwriting) 4. Heart Words Practice 5. Sam and Friends Phonics Books (decodables). Plus, digital and printable sound wall cards and speech articulation songs. Print versions are available for all activities. First Half of the Year Program (55 minutes-per-day, 18 weeks)

The Science of Reading Intervention Program: Language Comprehension resources are designed for students who have completed the word recognition program or have demonstrated basic mastery of the alphabetic code and can read with some degree of fluency. The program features the 5 Weekly Language Comprehension Activities: 1. Background Knowledge Mentor Texts 2. Academic Language, Greek and Latin Morphology, Figures of Speech, Connotations, Multiple Meaning Words 3. Syntax in Reading 4. Reading Comprehension Strategies 5. Literacy Knowledge (Narrative and Expository). Second Half of the Year Program (30 minutes-per-day, 18 weeks)

The Science of Reading Intervention Program: Assessment-based Instruction provides diagnostically-based “second chance” instructional resources. The program includes 13 comprehensive assessments and matching instructional resources to fill in the yet-to-be-mastered gaps in phonemic awareness, alphabetic awareness, phonics, fluency (with YouTube modeled readings), Heart Words and Phonics Games, spelling patterns, grammar, usage, and mechanics, syllabication and morphology, executive function shills. Second Half of the Year Program (25 minutes-per-day, 18 weeks)

The Science of Reading Intervention Program BUNDLE  includes all 3 program components for the comprehensive, state-of-the-art (and science) grades 4-adult full-year program. Scripted, easy-to-teach, no prep, no need for time-consuming (albeit valuable) LETRS training or O-G certification… Learn as you teach and get results NOW for your students. Print to speech with plenty of speech to print instructional components.

SCIENCE OF READING INTERVENTION PROGRAM RESOURCES HERE for detailed product description and sample lessons.

Literacy Centers, Reading, Study Skills advanced reading skills, inferential reading, Mark Pennington, reading between the lines, reading comprehension, reading strategies