Pennington Publishing Blog

25 Greek and Latin Power Words

The 25 Greek and Latin Power Words combine prefix, base, and suffix morphemes to form over 60,000 words.

Rationale and Purpose

Teachers and students are all about pragmatic tools for teaching Greek and Latin Morphology. High utility and high frequency vocabulary words give them the most bang for the buck. Teachers want to teach both the high utility Tier 2 academic vocabulary and the high frequency Greek and Latin prefixes, roots, and suffixes.

Methodology

I compared the results from the most recent and well-regarded vocabulary research studies on high frequency Greek and Latin word parts, including the additional study by Dr. Zheng Wei. From the five best Greek and Latin word lists cited in these studies, I chose 60 high frequency prefixes, bases, and suffixes. The chunking of two or three word parts into one academic language word applies time-tested association memory research. We simply remember linked items better than we remember items in isolation.

Results: The 25 Greek and Latin Power Words

At last, the list of 25 Greek and Latin Power Words (including all 60 high frequency Greek and Latin prefixes, bases, and meaning-based suffixes) came together. I used the More Words (Now Free Dictionary) site to check the number of words in which each of these 60 word parts appear in the English language. The results were staggering: The 60 word parts are found in over 60,000 words, including their inflections (a conservative total). With our English lexicon of about 600,000 words, these 60 word parts constitute 10% of the words in our language. With a middle school student’s average vocabulary of 25,000 words and a college-educated adult’s average vocabulary of 60,000 words, the 25 Greek and Latin Power Words can have a significant impact on improving reading vocabulary for all ages.

Format

Here’s the format to teach Greek and Latin Morphology via this one-page 25 Greek and Latin Power Words:

• 25 Tier 2 Academic Language Power Words Divided by Morphemes (meaning-based word parts)
• Two or Three Word Parts for Each Word with Concise Definitions
• Word Counts for Each Word Part
• Research Studies

25 Greek and Latin Power Words © 2018 Pennington Publishing

I list the five research studies, from which the 60 Greek and Latin word parts were compiled at the bottom of the word list:

• Wei, Z. (2011). Word roots in English – Learning English words through form and meaning similarity. PhD Thesis, Victoria University of Wellington, New Zealand.
• Honig, Diamond, and Gutlohn (2000). Teaching Reading Sourcebook: For Kindergarten Through Eighth Grade © 2000 by CORE.
• Stahl, S.A. and Shiel, T.G. (1992). Reading and Writing Quarterly: Overcoming Learning Disabilities, 8, 223-241; “Commonly Occurring Greek and Latin Roots.”
• White, Sowell, and Yanagihara (1989) Ranked by Carroll et al (1971). The Reading Teacher, 42, p. 306; “Most Common Prefixes and Suffixes in Academic Texts.”
• More Words (Word Counts)
• etymonline.com

Call to Action

If you are still teaching from the same old Greek and Latin word part list, it’s time to update your instruction with the latest computer-generated word lists aggregated from the most recent and highest regarded Greek and Latin word part studies. Download the FREE 25 Greek and Latin Power Words list and forward this article to your colleagues. If you are interested in comprehensive grades 4, 5, 6, 7, and 8 Common Core-aligned vocabulary programs with a strong emphasis on these Greek and Latin word parts…

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The Comprehensive Vocabulary grades 4, 5, 6, 7, and 8 programs include 56 worksheets, biweekly unit tests, and a final exam. Worksheets include only the best vocabulary strategies: semantic spectrums, the Frayer model, context clue sentences, morphology wall links, and more. The tests are provided in self-correcting Google forms and print formats. Lessons focus on the following components of vocabulary instruction:

• Multiple Meanings (L.4.a.)
• Greek and Latin Morphology (L.4.a.)
• Language Resources (L.4.c.d.)
• Figures of Speech (L.5.a.)
• Word Relationships (L.5.b.)
• Connotations (L.5.c.)
• Academic Language (Tier 2) Words (L.6.0)

Get the 25 Power Words FREE Resource:

Literacy Centers, Reading, Spelling/Vocabulary, Study Skills, Writing Common Core Vocabulary, Common Core Vocabulary Toolkit, Greek and Latin, Greek and Latin prefixes, Greek and Latin roots, Greek and Latin suffixes, Greek and Latin vocabulary, high frequency word parts, Mark Pennington

“Aargh! I can’t make sense of what this author is saying. Her vocabulary is out of control! To understand this, I’d have to look up every other word in the dictionary. Do you follow what she’s saying?”

Αυτά μου φαίνονται Ελληνικά”

“So what does that mean?”

“It means, ‘It’s all Greek to me’ in Greek.”

We’ve used that expression in English for centuries to describe something we hear or read that we don’t understand. Even Shakespeare referenced the saying in Act 1 Scene 2 of his Tragedy of Julius Caesar.

Of course, the Greeks would never say “It’s all Greek to me.” After all, it is their language. But they do use a similar figure of speech. A Greek would say, “Αυτά μου φαίνονται κινέζικα,” or “This seems Chinese to me.”

When you sit down to read an article, a technical document, or a book, does the language the author uses seem “All Greek (or Latin) to you”? If so, you’re not alone, and you’re not illiterate. Often, reading English text does seem like reading a foreign language. And this makes perfect sense, because so much of English does derive from other languages.

Why Study Greek and Latin

Why Should We Study Greek and Latin?

Before I answer this question, let me answer a few challenges to my argument.

Challenge: Aren’t both Latin and Classical Greek dead languages? Latin is not spoken or written language today. Additionally, the Greek that you suggest we learn is also somewhat of a dead language in that the classic Greek which English borrows from is not the same as the modern Greek written and spoken today.

Answer: Both Latin and Classical Greek remain alive today in the sense of their relevance and connection to vocabulary, grammar, and literature.

Challenge: Why waste time studying Greek and Latin when we could be memorizing more English words?

Answer: Those wishing to improve their vocabularies don’t have to enroll in a Rosetta Stone course on conversational Greek or taking a two-year online course on Latin. Learning high frequency and high utility Greek and Latin word parts is the most efficient way to quickly increase one’s advanced English vocabulary. Plus, you already know quite a lot of the meanings of these word parts through a lifetime of listening and reading experience. Building on a foundation is so much easier than starting from scratch.

Challenge: I’ve heard that the Greek and Latin word parts aren’t reliable clues to meaning. What meant one thing 2,000 years ago does not always mean the same to us in the Twenty-First Century.

Answer: You are correct that some Greek and Latin word parts can lead you astray. Not every Greek and Latin word part meaning is a reliable clue to meaning. Some word parts have multiple-meanings. For example, in can serve as a positive prefix, meaning in or into, as in inviting or invaluable. However, in can also serve as a negative prefix, meaning not as in invisible or incoherent. In other cases, a Greek word part which sounds and is spelled exactly like a Latin word part will mean something quite different. Additionally, besides their denotative (or dictionary) meanings, Greek and Latin word parts have their nuances and connotations.

But these drawbacks are the same for every language, including English. Understanding what authors mean in their word choices is sometimes as much art as it is science. Good reading comprehension always involves problem-solving. The bottom line is that learning the high frequency and high efficiency Greek and Latin word parts will make a significant improvement in your vocabulary.

Now that I’ve addressed some of the common complaints and reservations about studying Greek and Latin to improve one’s English vocabulary, let’s provide the justification for Why Should We Study Greek and Latin?

1. Sheer Numbers

Greek and Latin have added more affixes (prefixes and suffixes) and roots than all other languages combined. In fact, over 50% of the words in college level English dictionaries have a least one Greek or Latin prefix, root, or suffix. If half of our 800,000-word lexicon, in other words, our total English vocabulary is Greek or Latin-based, it certainly makes sense to pay some attention to these languages.

2. Accuracy and Reliability

Because both ancient Greek and Latin are so well-preserved in literature, the meanings of most words and word parts remain remarkably consistent as they are used as part of the English language. Even the spellings of these prefixes, roots, and suffixes are consistent and predictable (Rasinski & Padak, 2001; Bear, Invernizzi, Templeton & Johnston, 2000).

3. Applicability

According to one study, “Knowing Greek and Latin word parts helps students recognize and gain clues to understanding of other words that use known affixes and roots” (Nagy & Scott, 2000).

In this same study, the authors found that learning Greek and Latin roots gives students the ability to learn many new words independently by helping them make connections among words and word families that are semantically related (Nagy & Scott, 2000).

4. Efficiency

“One Latin or Greek root or affix (word pattern) aids understanding (as well as decoding and encoding) of 20 or more English words” (Nagy & Scott, 2000).

High frequency Greek and Latin prefixes, suffixes, and roots provide useful short-cuts to enhancing one’s speaking and reading vocabulary in English. For example, knowing the word parts in just 15 words will unlock clues to meaning for thousands of words. The list is in your FREE download at the end of this article.

Knowing even one Greek or Latin word part in an unknown word can help a reader problem-solve not only the word in which it appears, but also other words in the same sentence.

For example, if you know that contra means against, you can probably guess what contradictory means and what yontuke means in this sentence:

The defendant provided contradictory testimony in which he first claimed that his stolen painting was worth a fortune, but later referred to that same painting as a yontuke copy.

Yes, yontuke means cheap; I know, because I made up the word. But you know its meaning, too, because knowing the meaning of the one word part, contra, not only helped you understand the meaning of contradictory, but also clued you into the meaning of another unknown word in the sentence, yontuke. Knowing some Greek and Latin word parts can make all the difference in improving your reading comprehension.

5. Cultural Impact

Another reason why we should study Greek and Latin is because of their cultural influence. The impact of Greek and Roman philosophy, literature, and science on Western Civilization has been profound. Language is part of culture. We can’t divorce our words from our culture.

For example, to understand these words: bees knees, speakeasy, and flappers we would have to know a bit about the Roaring 20’s Jazz Age. To understand dope, homies, and skrrt, we would have to know a bit about hip hop culture. To understand this dialogue, you’d have to know a bit about the cultural language patterns of Jeff Foxworthy’s Rednecks:

If’n y’all don’t stop fat’n I’m comin’ down there to school you young’uns.

Dun’t need no hep. Pap dun got hisself a gubmint job.

Well I’ll be a monkey’s uncle! He getn’ too big for his own britches.

Ah, I ain’t unnerstand nuthin’ you sed…must be some farn talk. I best skedaddle.

(Adapted from YourDictionary definitions and usage example. Copyright © 2018 by LoveToKnow Corp)

6. Studying Greek and Latin Makes You Smarter

Take any college-admission test preparation class for the SAT, ACT, LSAT, MedCaT, etc. and the instructor will stress the memorization of Greek and Latin word parts. IQ tests are rarely administered these days, but they are largely divided into language and reasoning. You guessed it… the language consists of academic words. And Greek and Latin are the primary source of academic language.

The research-based Academic Word List is chiefly based upon Greek and Latin word parts. This list of generalizable Tier 2 words is not domain or content-specific. These words appear most frequently in challenging text, including textbooks, articles, bucket list novels, and technical documents. The authors of the Common Core State Standards recommend studying these Tier 2 words. Studying a bit of Greek and Latin will give you access to the world of ideas and enhance both your reading comprehension. Additionally, the words you speak will gain the precision of meaning necessary for academic discussion.

Wouldn’t it be great to have the Greek and Latin instructional resources to learn and teach these vocabulary short-cuts?

Common Core Vocabulary Toolkits

Pennington Publishing’s Grades 4, 5, 6, 7, and 8 Common Core Vocabulary Toolkits include 56 worksheets, along with vocabulary study guides, and biweekly unit tests to help your students collaboratively practice and master these Common Core Standards:

• • Multiple Meaning Words and Context Clues (L.4.a.)
  • Greek and Latin Word Parts (L.4.a.)
  • Language Resources (L.4.c.d.)
  • Figures of Speech (L.5.a.)
  • Word Relationships (L.5.b.)
  • Connotations (L.5.c.)
  • Academic Language Words (L.6.0)

Years ago I created a list of 15 Power Words with these types of associations for the most common Greek and Latin affixes and roots. The word parts associated in this list comprise word parts found in over 15,000 words. Well worth teaching your students, I would say.

Get the 15 Power Words FREE Resource:

My Grades 4−8 Common Core Vocabulary Toolkits pair prefixes, roots, and suffixes to maximize learning. Each grade-level curriculum includes some great interactive games. Enter discount code 3716 and get 10% off your purchase price.

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Descriptivism and Prescriptivism

Are you a prescriptivist or more of a descriptivist with respect to teaching grammar? As an English teacher, one of my go-to resources has always been Richard Nordquist’s prolific posts on the ThoughtCo site. As I write articles to explore my understanding of our language and how to teach the grammar, usage, and mechanics thereof, I can’t tell you how many times I dig into writing on a subject only to find that Nordquist has already done so. The same has been the case regarding the topics of this article; however, I do bring some originality to the discussion of prescriptivism and descriptivism. And, of course, I have ulterior motives (Don’t we all?) to promote my grammar, usage, and mechanics programs for grades 4–high school ELA teachers. Disclaimer up-front.

Let’s start with the definitions of prescriptivism and descriptivism, so I can stop using the italics thereafter. This is the best summary of each approach I’ve found from Stan Carey:

Prescriptivism and descriptivism are contrasting approaches to grammar and usage, particularly to how they are taught. Both are concerned with the state of a language — descriptivism with how it’s used, prescriptivism with how it should be used.

For English teachers, who teach with a prescriptive approach to grammar, usage, and mechanics, the notion of right and wrong guide their instruction. They believe in the difference between Standard and Non-Standard English. They reference style manuals and consult authorities, such as the Purdue Online Writing Lab. They favor direction instruction and practice of the rules of the language. These language traditionalists would teach a lesson on pronoun antecedents, one on avoiding double negatives, and one on the proper use of the semicolon and expect to see the fruits of their labor on the next assigned essay. They are inductive (part to whole) practitioners and use explicit instructional techniques.

For English teachers, who teach with a descriptive approach to grammar, usage, and mechanics, they focus more on the use of the language as it is and as it is evolving. They make fewer judgments upon correctness and emphasize communicative clarity over conformity to an arbitrary set of rules. They favor instruction in the tools of language on an ad hoc basis, such as a mini-lesson on mixing verb tense, prepositional idiomatic expressions, or comma usage on an as needed basis in the context of authentic writing or speaking. They are deductive (whole to part) practitioners and prefer to teach implicitly from reading and writing, rather than explicitly through contrived, outside sources.

What does the research say about these approaches? Having served as a teacher when both prescriptivism and descriptivism were en vogue, and research studies purported to advocate what was in and debunk what was out, I would simply say that any quick survey of this field of educational research would lead most teachers to voice, “Yeah, but…” for each and every study. With respect to grammar, usage, and mechanics instruction, the variables of instructional approaches, prior knowledge, language ability, etc. preclude any hard and fast This is the right way to teach conclusions. It’s easy to knock one approach to grammar, usage, and mechanics instruction by examining null hypotheses which have been confirmed; for example, “These studies indicate no statistically significant difference between direct instruction of capitalization rules and no such instruction”; however, where does that get us? No closer to guidance on how to teach capitalization. And most all, except the most ardent and consistent descriptivists, would rail against presidential Tweets in which every other word was capitalized. See my Word Crimes (Revisited) video, for a laugh.

So, where has the pendulum swung between these two instructional philosophies?

At this point in time, it appears that die-hard descriptivists have been benched. Prescriptivism is the predominant influence upon English teachers in most American classes. Teachers who never taught a lick of grammar ten years ago, or those who relegated grammar, usage, and mechanics instruction to writing openers, a la Daily Oral Language, are busting our Cornell Note lectures and assigning worksheets again. ESL and ELD teachers have been key advocates of this approach to language-learning.

Much credit for this pendulum swing to traditional grammar instruction must be assigned to the authors of the Common Core State Standards, especially with respect to the Language Strand.

These authors note:

To build a foundation for college and career readiness in language, students must gain control over many conventions of standard English grammar, usage, and mechanics as well as learn other ways to use language to convey meaning effectively… The inclusion of Language standards in their own strand should not be taken as an indication that skills related to conventions, effective language use, and vocabulary are unimportant to reading, writing, speaking, and listening; indeed, they are inseparable from such contexts (http://www.corestandards.org).

Teachers reading the introduction to the Common Core State Standards in English Language Arts & Literacy in History/Social Studies,
Science, and Technical Subjects will note the oft-repeated “correct,” “correctness,” and “standard” references and these words are used throughout the Language Strand as well. A few examples from the Common Core Language Strand will suffice:

Examples of Language Standards Emphasizing Correctness

• Ensure that pronouns are in the proper case (subjective, objective, possessive). L.6.1.
• Use a comma to separate coordinate adjectives (e.g., It was a fascinating, enjoyable movie but not He wore an old[,] green shirt). L.7.2.
• Recognize and correct inappropriate shifts in verb voice and mood. L.8.

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Pennington Publishing Grammar Programs

Teaching Grammar, Usage, and Mechanics (Grades 4, 5, 6, 7, 8, and High School) are full-year, traditional, grade-level grammar, usage, and mechanics programs with plenty of remedial practice to help students catch up while they keep up with grade-level standards. Twice-per-week, 30-minute, no prep lessons in print or interactive Google slides with a fun secret agent theme. Simple sentence diagrams, mentor texts, video lessons, sentence dictations. Plenty of practice in the writing context. Includes biweekly tests and a final exam.

Grammar, Usage, and Mechanics Interactive Notebook (Grades 4‒8) is a full-year, no prep interactive notebook without all the mess. Twice-per-week, 30-minute, no prep grammar, usage, and mechanics lessons, formatted in Cornell Notes with cartoon response, writing application, 3D graphic organizers (easy cut and paste foldables), and great resource links. No need to create a teacher INB for student make-up work—it’s done for you! Plus, get remedial worksheets, biweekly tests, and a final exam.

Syntax in Reading and Writing is a function-based, sentence level syntax program, designed to build reading comprehension and increase writing sophistication. The 18 parts of speech, phrases, and clauses lessons are each leveled from basic (elementary) to advanced (middle and high school) and feature 5 lesson components (10–15 minutes each): 1. Learn It!  2. Identify It!  3. Explain It! (analysis of challenging sentences) 4. Revise It! (kernel sentences, sentence expansion, syntactic manipulation) 5. Create It! (Short writing application with the syntactic focus in different genre).

Get the Diagnostic Grammar, Usage, and Mechanics Assessments, Matrix, and Final Exam FREE Resource:

Grammar/Mechanics, Literacy Centers, Study Skills, Writing descriptivism, English grammar, grammar research, grammar rules, grammar standards, Language Conventions, Language Strand, Mark Pennington, mechanics, prescriptivism, style guides, syntax, syntax in reading and writing, Syntax Matters, Teaching Grammar and Mechanics, traditional grammar, William Van Cleave

Louise Rosenblatt developed the Reader-Response Theory, which posits that the reader’s personal feelings, knowledge, and experience contributes to the author’s text to create the meaning for the individual reader. Dr. Rosenblatt termed this creation of meaning “the poem.”

As theorists continued to work with her theory, they added the influence of the reader’s environment and social community as contributor’s to meaning.

In the New Criticism Movement of the 1950s, 1960s, and 1970s, critics of Rosenblatt asserted the independence of the text as the source of meaning. They argued that only the text should be the arbiter of itself. According to these critics and their cousins, the Formalists, devolving meaning-making to the reader was akin to admitting that the meaning of the text is anything that the reader makes of it.

I, personally, see a melding of the opposing theories as an important impetus to improving reading comprehension. If reading comprehension is the understanding and retention of text, then both the author’s text and the reader have shared responsibility for meaning-making. That meaning-making is not in the exclusive control of the text. After all, there is an author behind the text. It is also not in the exclusive control of the individual reader. The reader is part of a larger community.

To better explain the relationship of the author’s text and the reader in the creation of meaning, this illustration may be helpful.

Reader-Response

Imagine sitting in your living room, looking at a garden through a window.

In our illustration, the garden is the author’s text; you, in the living room, are the reader; and the window is the meaning of the reading text. If the garden is closer to the window than you are, the author’s text has more control of or influence upon the meaning. If you are closer in the living room to the window than is the garden, you, the reader, have more control of or influence upon the meaning.

With author-centered texts, designed to inform, explain, and analyze, such as news articles, non-fiction, technical writing, legal text, and instruction manuals, the window is closer to the garden, because the reader’s comprehension is primarily text-dependent.

For example, with respect to the news article on the school shooting, we rely upon the expertise and accuracy of the news reporter to help us understand what happened. To put together a toy on Christmas Eve, we depend upon concise, step-by-step directions and a good picture on the box.

With reader-centered texts, designed to describe, entertain, or persuade, such as fiction, poems, editorials, social media posts, and songs, the window is closer to you, the reader in your living room. The input and filter of your personal feelings, knowledge, and experience are significant contributions to understanding the text.

For example, if you are listening to and reading the lyrics of Lennon and McCartney’s “With a Little Help from My Friends,” you, the audience, are intended to contribute meaning to the song. Some of the lyrics are intentionally ambiguous.

As the official Beatle biographer, Hunter Davies, explains, Lennon and McCartney struggled to come up with a lyric to answer their question: “What do you see when you turn out the light?” Lennon suggested “I can’t tell you, but I know it’s mine.” It fit the required number of syllables and rhyme scheme, and McCartney loved it because it could mean different things to different people.

So the type of text and the author’s purpose should have considerable impact upon how readers should understand and interpret the text. Good readers are flexible readers. They monitor their levels of comprehension while reading, according to their own purposes and the dictates of the text. When crucial facts or plot events are being delivered, they move the window close to the author; when less important description or tone are being read to evoke a certain mood, they move the window closer to themselves as readers.

And one last comment about applying the author-reader relationship theories: For those of you accustomed to reading on automatic pilot, you may be looking at the garden for far too long without thinking of the window. For many of you, the window is in fine shape, but it may need a bit of Windex to make the garden more visible. We often become accustomed to dirty windows and don’t notice until someone scribbles “Wash me!” However, our attention needs to be drawn to the window before we can notice. How do we start paying attention? Check out Talking with the Author.

FREE DOWNLOAD TO ASSESS THE QUALITY OF PENNINGTON PUBLISHING RESOURCES: The SCRIP (Summarize, Connect, Re-think, Interpret, and Predict) Comprehension Strategies includes class posters, five lessons to introduce the strategies, and the SCRIP Comprehension Bookmarks.

Get the SCRIP Comprehension Strategies FREE Resource:

The Science of Reading Intervention Program

The Science of Reading Intervention Program: Word Recognition includes explicit, scripted instruction and practice with the 5 Daily Google Slide Activities every reading intervention student needs: 1. Phonemic Awareness and Morphology 2. Blending, Segmenting, and Spelling 3. Sounds and Spellings (including handwriting) 4. Heart Words Practice 5. Sam and Friends Phonics Books (decodables). Plus, digital and printable sound wall cards and speech articulation songs. Print versions are available for all activities. First Half of the Year Program (55 minutes-per-day, 18 weeks)

The Science of Reading Intervention Program: Language Comprehension resources are designed for students who have completed the word recognition program or have demonstrated basic mastery of the alphabetic code and can read with some degree of fluency. The program features the 5 Weekly Language Comprehension Activities: 1. Background Knowledge Mentor Texts 2. Academic Language, Greek and Latin Morphology, Figures of Speech, Connotations, Multiple Meaning Words 3. Syntax in Reading 4. Reading Comprehension Strategies 5. Literacy Knowledge (Narrative and Expository). Second Half of the Year Program (30 minutes-per-day, 18 weeks)

The Science of Reading Intervention Program: Assessment-based Instruction provides diagnostically-based “second chance” instructional resources. The program includes 13 comprehensive assessments and matching instructional resources to fill in the yet-to-be-mastered gaps in phonemic awareness, alphabetic awareness, phonics, fluency (with YouTube modeled readings), Heart Words and Phonics Games, spelling patterns, grammar, usage, and mechanics, syllabication and morphology, executive function shills. Second Half of the Year Program (25 minutes-per-day, 18 weeks)

The Science of Reading Intervention Program BUNDLE  includes all 3 program components for the comprehensive, state-of-the-art (and science) grades 4-adult full-year program. Scripted, easy-to-teach, no prep, no need for time-consuming (albeit valuable) LETRS training or O-G certification… Learn as you teach and get results NOW for your students. Print to speech with plenty of speech to print instructional components.

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Have you ever noticed how your English teachers and professors insist on discussing a novel or an article and its author in the present tense? For example, when analyzing Hemingway’s For Whom the Bell Tolls, your teacher might say, “In Chapter 7, Hemingway builds suspense in the conversation between Pilar and Robert Jordan. The two walk into the cave and discover that one packet of explosives is missing.”

And most of you remember that we also write a literary analysis in the present tense, unless you want a considerable number of red ink written on your essay.

Now, last I checked, Ernest Hemingway died in 1961. But we still discuss him and his writing as if he were alive, because the author and his ideas remain relevant.

Not only should we discuss authors and text as if they are alive, we should also read as if the author and text are alive. It does take a bit of imagination, but if we treat the author and story as living, it’s much easier to have a conversational rapport with the writer and characters within the story.

You see, reading to a corpse would be a one-way conversation, unless zombies come into play. Reading with living, breathing authors and their characters can become engaging two-way conversations.

The point is… if you tend to understand reading as a one-way street in which you passively retrieve meaning from the text, this two-way street in which you, the reader, are actively interacting with the author, is quite different. To demonstrate this difference, let’s read a passage together from Charles Dickens’ Tale of Two Cities as passive readers. Since Dickens was, or… is British, I’ll try to read with an English accent. I know… it’s horrible, but it will serve a purpose:

It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way—in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only.

There were a king with a large jaw and a queen with a plain face, on the throne of England; there were a king with a large jaw and a queen with a fair face, on the throne of France. In both countries it was clearer than crystal to the lords of the State preserves of loaves and fishes, that things in general were settled for ever.

Talking to the Author

Talking with the Author

Now, let’s read the same passage, and I will model how an active reader carries on a conversation with the author in red.

It was the best of times, it was the worst of times, Dickens clearly means to describe a universal theme with this general language. So often we tend to see good times as being the norm. Other times we look back at some eras as “the good old days” when they really weren’t that good. Hindsight is never 20-20 vision.

it was the age of wisdom, it was the age of foolishness, I see Dicken’s paradoxical patterns of the good to its bad opposite, but his extremes make me think that he is writing somewhat tongue-in-cheek. Nothing is life is that clear, especially when we are in the midst of experiencing it. His parallel structures of “It was the” use the absolute factual use of the “to be” verb and the definite article, “the,” to describe a time of no gray areas. It was one way or the other.

it was the epoch of belief, it was the epoch of incredulity, I know that some of the setting of this novel takes place during the French Revolution and that the two cities are Paris and London. My guess is that Dickens, an Englishman, is going to favor the ideals of his own London, and disparage those of Paris. The traditions of the Church were being challenged by the thinking of the Enlightenment. Faith versus reason. Dickens unfairly places the Enlightenment thinkers in the evil position. I, personally don’t see faith and reason as a necessary paradox, either.

it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, These polar opposites have everything to do with one’s perspective. For some the changes during this period of history were positive and the outlook was bright; for others, the events challenged everything they had ever known to be true and good. I would wager that for a whole lot of people, what was taking place was a mixed bag of good and bad.

Why doesn’t Dickens include the haves and have nots in his opening? If class differences are a key part of the historical setting as in the musical, Les Miserables, why did the author leave out these paired extremes?

we had everything before us, we had nothing before us, Not sure what this means, unless Dicken’s is commenting on “hope” and “despair.”

we were all going direct to Heaven, we were all going direct the other way—Think this was meant to be humorous. Interesting how Hell is an unmentionable. Perhaps a curse word.

in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only. The language is tough to dissect here. “… the period was so far like the present period…” The “so far” could mean that it closely resembled the time of Dicken’s writing. The “noisiest authorities” might be the most popular voices of those times. This paragraph is all one long sentence. It seems that these contradictions of the past went on forever without resolution. What is Dickens up to here? Is he using this novel to criticize the present state of affairs in England?

There were a king with a large jaw and a queen with a plain face, on the throne of England; there were a king with a large jaw and a queen with a fair face, on the throne of France. In other words, there wasn’t much difference between rulers. Perhaps due to intermarriage, or more likely in their beliefs about the divine right to rule. Some things never seem to change. I notice Dickens doesn’t allude to the present queen at the current time, Queen Victoria.

In both countries it was clearer than crystal to the lords of the State preserves of loaves and fishes, that things in general were settled for ever. The loaves and fishes allusion of miraculously making something great out of very little, such as the expansion of citizens’ freedoms and rights or democracy were not realistic, nor likely during those times. Is Dickens saying the same about his current times and knocking the English monarchy?

If the reader-response strategy, which I call Talking with the Author, worked as planned, you would notice that your understanding and retention of the reading passage were significantly better with the second reading, as compared to the first reading. Notice that the window of meaning seemed to shift more toward the reader because of the universal themes and application to present times.

You may have noticed that my comments in the conversation were of different types. I focused on what the author said and how the author said it; I also commented on what the author did not say and what the author may have meant. Additionally, I criticized and questioned. I repeated the author’s words and re-read in order to clarify. I speculated about the author’s motive and where he was coming from. I also through in my own two cents as I might in a real one-on-one conversation. However, I tried to focus on the author’s meaning and ideas, and not only my personal experience.

Now, the Talking with the Author strategy takes practice to perfect. You can use this strategy with every genre and amount of reading. Practice doing so with texts and Facebook posts, emails, novels, articles, and technical documents.

Of course you noticed that I was making my comments out loud. My suggestion is to read the author’s text silently, but to subvocalize your comments as you begin to use this Talking with the Author strategy. I describe subvocalization as using a six-inch voice to talk to the author. Don’t worry, your author isn’t hard of hearing.

Some of you may have reservations about implementing this strategy. Interrupting the flow of your reading by talking to the author may seem stilted or unnatural. I certainly make used more reader-response in my example than I normally would to demonstrate the different types and breadth of comments. Not every sentence requires a comment. Instead of chunking the text into interrupted parts, you will begin to see a greater flow of ideas and you insert your comments.

At first, you may find it difficult to keep up your share of the author-reader conversation. This new way of reading, in which you, the reader, have a role in the conversation takes some getting used to. Make sure to develop a balance in the types of comments you make, so that you aren’t solely making comments, say, about word usage.

Using the Talking with the Author technique will also temporarily slow down your reading. You may be tempted to use the strategy only with text which isn’t required and undesirable reading, perhaps for school or work. Resist this temptation and allot a bit more time for the subvocalizations for a while. If you practice reading the old way for some things and the new way for others, you will never develop the automaticity that is necessary for effective reading-response.

I do want to assure you that your decreased reading speed will only be a temporary issue. As the reader-response becomes second nature to you, you will naturally begin to replace the oral comments with silent ones. Gradually, the fully developed comments will become thought snippets. Much like milli-second dreams, these snippets can contain significant data. Our brains are simply amazing!

To doubters, I will add that I’ve replicated an informal reading-research study countless times which consistently demonstrates that readers using the Talking with the Author strategy not only score higher on reading comprehension tests, but also on reading speed. The better we process information, the faster we do so.

I would like to close our lecture with a reminder of the “no pain, no gain” truism. Replacing old habits with new habits is always challenging, especially when you have been practicing the old habit for years. Yes, young and old, alike, we all get set in our ways. However, be encouraged that you can teach an old dog new tricks. The rewards of better comprehension and more enjoyment of what you read will outweigh the discomfort of replacing an old habit with a new habit.

FREE DOWNLOAD TO ASSESS THE QUALITY OF PENNINGTON PUBLISHING RESOURCES: The SCRIP (Summarize, Connect, Re-think, Interpret, and Predict) Comprehension Strategies includes class posters, five lessons to introduce the strategies, and the SCRIP Comprehension Bookmarks.

Get the SCRIP Comprehension Strategies FREE Resource:

*****

The Science of Reading Intervention Program

The Science of Reading Intervention Program: Word Recognition includes explicit, scripted instruction and practice with the 5 Daily Google Slide Activities every reading intervention student needs: 1. Phonemic Awareness and Morphology 2. Blending, Segmenting, and Spelling 3. Sounds and Spellings (including handwriting) 4. Heart Words Practice 5. Sam and Friends Phonics Books (decodables). Plus, digital and printable sound wall cards and speech articulation songs. Print versions are available for all activities. First Half of the Year Program (55 minutes-per-day, 18 weeks)

The Science of Reading Intervention Program: Language Comprehension resources are designed for students who have completed the word recognition program or have demonstrated basic mastery of the alphabetic code and can read with some degree of fluency. The program features the 5 Weekly Language Comprehension Activities: 1. Background Knowledge Mentor Texts 2. Academic Language, Greek and Latin Morphology, Figures of Speech, Connotations, Multiple Meaning Words 3. Syntax in Reading 4. Reading Comprehension Strategies 5. Literacy Knowledge (Narrative and Expository). Second Half of the Year Program (30 minutes-per-day, 18 weeks)

The Science of Reading Intervention Program: Assessment-based Instruction provides diagnostically-based “second chance” instructional resources. The program includes 13 comprehensive assessments and matching instructional resources to fill in the yet-to-be-mastered gaps in phonemic awareness, alphabetic awareness, phonics, fluency (with YouTube modeled readings), Heart Words and Phonics Games, spelling patterns, grammar, usage, and mechanics, syllabication and morphology, executive function shills. Second Half of the Year Program (25 minutes-per-day, 18 weeks)

The Science of Reading Intervention Program BUNDLE  includes all 3 program components for the comprehensive, state-of-the-art (and science) grades 4-adult full-year program. Scripted, easy-to-teach, no prep, no need for time-consuming (albeit valuable) LETRS training or O-G certification… Learn as you teach and get results NOW for your students. Print to speech with plenty of speech to print instructional components.

Literacy Centers, Reading, Spelling/Vocabulary, Study Skills author-reader relationship, louise rosenblatt, Mark Pennington, reader response theory, reading comprehension, Teaching Reading Strategies

Reader-Response

Reading specialists talk a lot about automaticity. Simply put, automaticity means putting together all of the reading concepts and skills, such as word recognition, word identification, vocabulary, and comprehension strategies to read a text effortlessly and fluently.

However, regarding automaticity, the Jedi Master is right, “Both light and dark sides of the Force there are.”

Good readers need to learn how to enhance the benefits of automaticity and eliminate or minimize the drawbacks. One important way to do so is through engaging the the author-reader relationship.

One reading theory and body of research which attempts to describe the author-reader relationship is Reader-Response Theory. And, as is usually the case with any construct which attempts to explain a complicated relationship, there are plenty of variations on this theory.

The mainstream reading-response theory was developed by Louise Rosenblatt in her 1938 book, Literature as Exploration. In this and subsequent books, research, lectures, and articles, Dr. Rosenblatt explored what she termed, the transaction, which takes place between the text and readers. Think of a transaction in terms of a business deal made between two parties which results in a certain outcome.

For reading, the transaction is the give and take interplay between the author’s words and the reader’s input. The outcome of this transaction produces the meaning of the text.

The key point to understand about reader-response theory is that meaning exists outside of the author’s text and outside of the reader. For our purposes, meaning is another way of saying reading comprehension. So, how does this text-reader transaction affect what you understand and remember as you read?

When you sit down with a cup of coffee and your phone to read the morning news, you scroll down and click on an article headline which interests you, and you begin to read the text. All the input of the author, such as her research on the news story, her past experience and biases, her on-the-scene interviews, the facts of the event, her writing style, and her word choice are combined into the text that we read. The text acts as a stimulus to which you respond as a reader.

Some of your reader response will, undoubtedly, be the same as other readers. For example, if you are reading an article on a school shooting, everyone reading that same story would feel sad, angry, and perhaps a bit helpless. Certain words in the text, such as “tragedy,” or “heroic” would evoke similar connotations. No doubt, each of us will make a mental connection to a previous mass shooting. If we read the article byline and see that a teacher at that same school wrote the article, we would be especially empathetic to the writer’s experience. If a pop-up ad interrupted our reading, we would all be briefly annoyed. If our spouse or friend is in the room, we most likely would say, “Did you hear? There’s been another school shooting.”

However, your reaction to the article will differ from that of other readers, because your input as an individual reader is different. Personal associations, experiences, opinions, and feelings certainly influence how you understand and react to the text, as well what else you’ve read or watched on television. If you’ve read a few articles by the reporter and tend to disagree with her reporting or point of view, this will influence your personal reaction. Environmental factors may also affect your reader-response, If you woke up grumpy or the coffee is cold, your response to the stimulus produced by the article may be different than if the sun is shining and you have the day off.

If the Reader-Response Theory is accurate, the meaning that the author’s text and your reading produces entirely depends upon the circumstances of the transaction. In fact, Dr. Rosenblatt claims that both the author’s text and the reader are equally important and necessary in the production of meaning. In other words, the meaning of any novel, poem, song, article, or even this lecture is a co-creation of both what the author has to say and what the reader hears. Both the text and reader are partners in this transaction. So, if the good doctor is right, I’m not the only one to blame if you haven’t found this lecture to be scintillating so far!

As I previously mentioned, Dr. Rosenblatt’s position is in the mainstream of reading-response theorists. While she stresses the important role of the reader in shaping the meaning of text, particularly in terms of the reader’s emotional response to the author’s stimulus, she also values the role of the author’s text. The text serves as a blueprint to guide and and a check-point to restrain the reader’s response, so that the subjective experience of the reader is balanced with the objective text.

Now, a few of the buzzwords I just used to summarize Dr. Rosenblatt’s theory may have have stimulated your critical response. Good, we’re supposed to be partners in this transaction! Some of you may have wondered about the phrase, “equally important and necessary.” You may be asking, “Is the reader really just as important as the author’s words in determining meaning?”

You might think back to reading Act 2, Scene 2 of Romeo and Juliet. Is your interpretation of Romeo’s “But, soft! what light through yonder window breaks?” soliloquy of equal value in determining what the character means as what the author of the text, William Shakespeare says and intends? I’m thinking that you would feel a bit unimportant, or at least uncomfortable, sharing your literary insights and interpretations if Will happened to be in your book club. Doesn’t Shakespeare’s play remain objective, despite your subjective interpretations?

You aren’t alone in your questions about Reader-Response Theory. But even more extreme positions regarding the transaction between text and reader have come in and out of fashion since Dr. Rosenblatt’s first publication. I’ll briefly describe two of these sub-camps.

Some reader-response theorists have trotted out George Berkeley’s “If a tree falls in the midst of the forest, and no one hears it, does it make a sound” conundrum to question whether the author’s text has any meaning whatsoever apart from that of its reader. So, according to these reader-centered theorists, the text only exists as it is being read in the mind of the reader, just as the tree makes no sound unless some one hears it. No right; no wrong interpretations because there is no objective benchmark. So, every student would get an A+ on their Romeo and Juliet final exam.

Others have expanded the reader-centered position and would argue that the social nature of reading has an important impact on the creation of meaning. Of course, we don’t read in a vacuum solely of our own experience. As literacy critics we all have somewhat of a herd mentality. Think about how social media creates meaning.

*****

FREE DOWNLOAD TO ASSESS THE QUALITY OF PENNINGTON PUBLISHING RESOURCES: The SCRIP (Summarize, Connect, Re-think, Interpret, and Predict) Comprehension Strategies includes class posters, five lessons to introduce the strategies, and the SCRIP Comprehension Bookmarks.

Get the SCRIP Comprehension Strategies FREE Resource:

*****

The Science of Reading Intervention Program

The Science of Reading Intervention Program: Word Recognition includes explicit, scripted instruction and practice with the 5 Daily Google Slide Activities every reading intervention student needs: 1. Phonemic Awareness and Morphology 2. Blending, Segmenting, and Spelling 3. Sounds and Spellings (including handwriting) 4. Heart Words Practice 5. Sam and Friends Phonics Books (decodables). Plus, digital and printable sound wall cards and speech articulation songs. Print versions are available for all activities. First Half of the Year Program (55 minutes-per-day, 18 weeks)

The Science of Reading Intervention Program: Language Comprehension resources are designed for students who have completed the word recognition program or have demonstrated basic mastery of the alphabetic code and can read with some degree of fluency. The program features the 5 Weekly Language Comprehension Activities: 1. Background Knowledge Mentor Texts 2. Academic Language, Greek and Latin Morphology, Figures of Speech, Connotations, Multiple Meaning Words 3. Syntax in Reading 4. Reading Comprehension Strategies 5. Literacy Knowledge (Narrative and Expository). Second Half of the Year Program (30 minutes-per-day, 18 weeks)

The Science of Reading Intervention Program: Assessment-based Instruction provides diagnostically-based “second chance” instructional resources. The program includes 13 comprehensive assessments and matching instructional resources to fill in the yet-to-be-mastered gaps in phonemic awareness, alphabetic awareness, phonics, fluency (with YouTube modeled readings), Heart Words and Phonics Games, spelling patterns, grammar, usage, and mechanics, syllabication and morphology, executive function shills. Second Half of the Year Program (25 minutes-per-day, 18 weeks)

The Science of Reading Intervention Program BUNDLE  includes all 3 program components for the comprehensive, state-of-the-art (and science) grades 4-adult full-year program. Scripted, easy-to-teach, no prep, no need for time-consuming (albeit valuable) LETRS training or O-G certification… Learn as you teach and get results NOW for your students. Print to speech with plenty of speech to print instructional components.

Literacy Centers, Reading, Spelling/Vocabulary, Study Skills author-reader relationship, Mark Pennington, monitor comprehension, reader author relationship, reader response theory, reading comprehension, reading strategies, Teaching Reading Strategies

Driving is Like Reading

Reading is a lot like driving. Let’s stick with a car for the purposes of our comparison.

Everyone knows that driving a car is a complicated process. No one jumps into the driver’s seat and begins driving without some sort of instruction. Driving is especially challenging because it involves multi-tasking. To be able to drive, the driver must understand how the car works, know how to use the machine, remember and apply the traffic rules, and interact safely with their driving environment all at the same time!

Good drivers understand each of these four components and remember to apply each of these tasks simultaneously and automatically. Bad drivers don’t understand or don’t remember to apply some or all of them. However, the good news is that even bad drivers can learn the concepts and skills to improve their driving with good teaching and practice.

Unfortunately, good drivers often develop bad habits over the years. Of the four components, the most frequent bad habit involves how drivers interact with their

Distracted Driving

environment. Let’s face it, sometimes we choose to add a multitude of distractions to our driving environment, even though we know we shouldn’t. Other times, we unintentionally fail to interact with our surroundings.

For example, most of us who have been driving for years have had a similar experience: We get on a familiar road to a familiar destination and our minds begin to wander. We arrive with the realization that we have absolutely no memory of driving to that place. We were truly on autopilot.

Of course, we must have had some degree of environmental awareness in order to arrive safely at our destination; however, most of us would agree that the interaction with our environment must have been less than optimal and the lack of any driving memory is certainly troubling.

So, let’s see how the driving process compares to the reading process.

Like driving, reading is a complicated process—more so than many of us realize. Decades of reading research have refuted the popular notion that reading is a natural, developmental process akin to oral language development (Gough & Hillinger, 1980; Lyon, 1998; Wren, 2002; Moats, L, & Tolman, C 2009). Simply put, children do not learn to read as they learn to speak, through natural exposure to a literate environment.

We now know, beyond the shadow of a doubt, that reading is taught, not caught. No child, nor adult picks up a book, article, newspaper, or poem and reads without having had some form of instruction. Now, of course the quantity and quality of instruction varies, and many adults will not remember how they first learned to read, but they certainly were taught to do so.

Now, let’s return to our two-fold definition of reading, which we developed in our first two lectures: Reading is reading comprehension and reading comprehension is understanding and remembering what we read.

Reading is Like Driving

To be able to understand and remember what is read, the reader must know how reading works, apply the phonetic tools, understand the meaning and order of words, and monitor the reader-author relationship. And, yes, like good drivers, they can multi-task.

Good readers apply these four components simultaneously and automatically. Struggling readers don’t understand or don’t remember to apply some or all of them. The good news is that both weak and strong readers can learn and practice the concepts and skills to improve their reading comprehension and retention.

However, like good drivers, good readers often develop bad habits over the years. Of the four components, the usual culprit is how readers interact with their reading environment and author’s text.

For example, most of us, like the distracted driver I spoke of, have had this experience infrequently or frequently while reading: We turn the page in a book or scroll down on our phones and our minds begin to wander as we read. We finish reading and come to the realization that we haven’t the foggiest idea about what we just read. We did read the words, but we did not understand them, nor remember any of the information or ideas. Some of us would swear to having read, say Beowulf, in the same manner when we were high school seniors.

Now you may have noticed that I used italics for the words reading and read, because although we pronounced the words, we really didn’t read them, using our definition of reading comprehension. If we don’t understand or retain what we have read, we really haven’t read.

*****

FREE DOWNLOAD TO ASSESS THE QUALITY OF PENNINGTON PUBLISHING RESOURCES: The SCRIP (Summarize, Connect, Re-think, Interpret, and Predict) Comprehension Strategies includes class posters, five lessons to introduce the strategies, and the SCRIP Comprehension Bookmarks.

Get the SCRIP Comprehension Strategies FREE Resource:

*****

The Science of Reading Intervention Program

The Science of Reading Intervention Program: Word Recognition includes explicit, scripted instruction and practice with the 5 Daily Google Slide Activities every reading intervention student needs: 1. Phonemic Awareness and Morphology 2. Blending, Segmenting, and Spelling 3. Sounds and Spellings (including handwriting) 4. Heart Words Practice 5. Sam and Friends Phonics Books (decodables). Plus, digital and printable sound wall cards and speech articulation songs. Print versions are available for all activities. First Half of the Year Program (55 minutes-per-day, 18 weeks)

The Science of Reading Intervention Program: Language Comprehension resources are designed for students who have completed the word recognition program or have demonstrated basic mastery of the alphabetic code and can read with some degree of fluency. The program features the 5 Weekly Language Comprehension Activities: 1. Background Knowledge Mentor Texts 2. Academic Language, Greek and Latin Morphology, Figures of Speech, Connotations, Multiple Meaning Words 3. Syntax in Reading 4. Reading Comprehension Strategies 5. Literacy Knowledge (Narrative and Expository). Second Half of the Year Program (30 minutes-per-day, 18 weeks)

The Science of Reading Intervention Program: Assessment-based Instruction provides diagnostically-based “second chance” instructional resources. The program includes 13 comprehensive assessments and matching instructional resources to fill in the yet-to-be-mastered gaps in phonemic awareness, alphabetic awareness, phonics, fluency (with YouTube modeled readings), Heart Words and Phonics Games, spelling patterns, grammar, usage, and mechanics, syllabication and morphology, executive function shills. Second Half of the Year Program (25 minutes-per-day, 18 weeks)

The Science of Reading Intervention Program BUNDLE  includes all 3 program components for the comprehensive, state-of-the-art (and science) grades 4-adult full-year program. Scripted, easy-to-teach, no prep, no need for time-consuming (albeit valuable) LETRS training or O-G certification… Learn as you teach and get results NOW for your students. Print to speech with plenty of speech to print instructional components.

Literacy Centers, Reading, Spelling/Vocabulary, Study Skills cueing strategies, guided reading, Mark Pennington, metacognition, phonics, reader response theory, reading comprehension, reading strategies, Sam and Friends Guided Reading Phonics Books, self-monitoring of reading text, Teaching Reading Strategies, word identification, word recognition

Common Core State Standards

Standards-based education is now the norm in public and most parochial schools. Having largely captured the focus of the educational reform movement over the last 25 years, standards-based instruction is now the instructional mandate in all 50 states. Although some states have rescinded their adoption of the Common Core State Standards and some, like Texas, never did adopt the Standards, each state has adopted its own set of standards and some have developed their own state assessment systems. Teachers and district administrators continue to align curriculum to the instructional demands of the Common Core English Language Arts Standards.

Although the authors of the Common Core State Standards assert that literacy instruction must be a shared responsibility within the school, the largest burden still falls on the shoulders of ELA teachers. Of the four Reading, Writing, Speaking and Listening, and Language Strands, the Language Strand presents the greatest challenge for many teachers. Most ELA teachers simply have not had the undergraduate or graduate coursework to prepare them to teach the L.1, 2, 3, 4, 5, and 6 Standards in grammar and usage, mechanics, spelling, language application, and vocabulary.

This author, Mark Pennington, has written articles and developed free teaching resources on the Common Core ELA Standards and included these in his Pennington Publishing Blog to support fellow ELA teachers and reading intervention specialists. Mark’s assessment-based teaching resources are available at Pennington Publishing.

This article and resource compilation is jam-packed with FREE resources, lesson plans, and samples from grades 4–high school ELA and reading intervention programs, developed by teacher and author, Mark Pennington. Each of the following 25+ articles has multiple links to research, related articles, and free or paid resources:

Common Core Literalism

The Common Core State Standards were never written to be the Bible for ELA and reading intervention teachers. Read what the Common Core authors have to say and see how a common sense approach to teaching to the Standards can benefit both students and teachers.

FREE Instructional Resources: Syllable Awareness Assessment, 20 Advanced Syllable Rules, 10 English Accent Rules

Response to Intervention and the Common Core

Many teachers have never read the entire Common Core English Language Arts Standards. Sure, they’ve read their own district or state summaries of the Standards, but not the documents themselves. To understand the instructional role of the Standards, teachers must read the  appendices, which discuss important reflections and research regarding, for instance, reading intervention.

Grammar and the Common Core

More than any other Strand within the Common Core State Standards, the Language Strand with its focus on direct grammar, mechanics, and vocabulary instruction has been whole-heartedly embraced or intentionally ignored by teachers.

Common Core Instructional Minutes

With all the CCSS mandates, how can an ELA teacher allocate instructional time to be faithful to the Standards, while maintaining some sense of one’s own priorities? This article gets down to the minute-by-minute.

Common Core Academic Language Words

Of course, history, science, and technology teachers need to teach domain-specific academic vocabulary. However, there is a difference between academic language and academic vocabulary. The latter is subject/content specific; the former is not. Reading more challenging expository novels, articles, documents, reports, etc. will certainly help students implicitly learn much academic language; however, academic language word lists coupled with meaningful instruction do have their place. So, which word lists make sense?

Common Core Greek and Latinates

The bulk of Vocabulary Standards are included in the Language Strand of the Common Core State Standards (CCSS). Greek and Latin affixes (prefixes and suffixes) and roots are key components of five of the grade level Standards: Grades 4−8. Which Greek and Latin affixes and roots should we teach? How many should we teach? How should we teach them?

Grammar, Mechanics, Spelling, and Vocabulary

Grammar, Mechanics, Spelling, and Vocabulary  is part of a comprehensive Grades 4−12 language program, designed to address each Standard in the Language Strand of the Common Core State Standards in 60−90 weekly instructional minutes. This full-year curriculum provides interactive grammar, usage, mechanics, and spelling lessons, a complete spelling patterns program, language application openers, and vocabulary instruction. The program has all the resources to meet the needs of diverse learners. Diagnostic assessments provide the data to enable teachers to individualize instruction with targeted worksheets, each with a formative assessment. Progress monitoring matrices allow teachers to track student progress. Each instructional resource is carefully designed to minimize teacher preparation, correction, and paperwork. Appendices have extensive instructional resources, including the Pennington Manual of Style and downloadable essay-comments. A student workbook accompanies this program.

Overview of the Common Core Language Strand

English-language arts teachers have long been accustomed to the four-fold division of our “content” area into Reading, Writing, Listening, and Speaking. These divisions have been widely accepted and promoted by the NCTE, publishers, and other organizations. In a nod to the fearsome foursome, the Common Core State Standards in English Language Arts maintains these divisions (called strands) with two notable revisions: Speaking and Listening are combined and Language has its own seat at the table.

Common Core Grammar Standards

The Common Core State Standards in English Language Arts are divided into Reading, Writing, Speaking and Listening, and Language strands. The Common Core Grammar Standards are detailed in the Language Strand. It is notable that grammar and mechanics have their own strand, unlike the organization of many of the old state standards, which placed grammar and mechanics instruction solely within the confines of writing or speaking standards.

Of course, the writers of the Common Core use the ambiguous label, Language, to refer to what teachers and parents casually label as grammar and mechanics or conventions. To analyze content and educational philosophy of  the Common Core State Standards Language Strand, it may be helpful to examine What’s Good about the Common Core State Standards Language Strand? as well as What’s Bad about the Common Core State Standards Language Strand? chiefly from the words of the document itself.

How to Teach the Common Core Vocabulary Standards

What most teachers notice after careful reading of the Common Core Vocabulary Standards is the expected breadth, complexity, and depth of instruction across the grade levels. These vocabulary words require direct, deep-level instruction and practice in a variety of contexts to transfer to our students’ long-term memories. So what instructional strategies make sense to teach the Common Core Vocabulary Standards? And what is the right amount of direct, deep-level vocabulary instruction that will faithfully teach the Common Core Vocabulary Standards without consuming inordinate amounts of class time? Following is a weekly instructional plan to teach the L.4, 5, and 6 Vocabulary Standards.

CCSS Language Progressive Skills

The Language Strand has been one of the most controversial components of the COMMON CORE STATE STANDARDS FOR ENGLISH LANGUAGE ARTS & LITERACY IN HISTORY/SOCIAL STUDIES, SCIENCE, AND TECHNICAL SUBJECTS. The Language Progressive Skills document emphasizes the essential grammar, usage, and mechanics skills, which need to be reviewed and reinforced year after year..

Common Core Curricular Crossover

The Common Core State Standards (CCSS) produces some interesting curricular crossover. The traditional English-language arts divisions of reading, writing, listening, and speaking have been replaced with four new strands: reading, writing, speaking and listening, and language. The six Standards of the Language Strand borrow a bit from each of the traditional divisions. The inclusion of the Language Strand as its own set of Standards has created some concern in the ELA community.

Spelling Word Lists by Grade Levels

As an MA Reading Specialist and author of quite a few spelling curricula (eight at last count), I’m often asked about spelling word lists by grade levels. Which words are right for which grade levels? Is blank (substitute any word) a third or fourth grade word? Which spelling words are the most important ones to practice? The short answer is…

Common Core Essay Writing Terms

I propose using the CCSS language of instruction for the key writing terms across all subject disciplines in elementary, middle school, and high school. Some of us will have to come down out of our castles and give up pet writing terms that we’ve used for years, and ones that, indeed, may be more accurate than those of the CCSS. But for the sake of collaboration and service to our students, this pedagogical sacrifice is a must.

Common Core Content Area Reading and Writing

Nothing in the new Common Core State Standards (CCSS) has worried English-language arts teachers more than “The Great Shift.” This shift changes the emphasis of reading and writing in K-12 English-language arts (ELA) classrooms from the literature and narrative to the informational (to explain) and argumentative (to persuade) genres.

Common Core Language Standards

Teachers are generally quite familiar with the CCSS Reading and Writing Standards, not so with the Language Strand Standards. The Language Strand includes the grammar, usage, mechanics, and vocabulary Standards.

Standards and Accountability

Sometimes we teachers can be our own worst enemies. Check out this article, published in the Answer Sheet of The Washington Post.

Turning Dependent into Independent Readers

The Common Core State Standards for English-language Arts makes a compelling case for not doing business as usual in our ELA classrooms. That business consists of the traditional “sage on the stage” methodology of reading an entire novel or play out loud and parsing paragraphs one at a time. Our new business? Scaffolding just enough reading strategies and content as we act as “guides on the side” to facilitate independent reading. In other words, the days of  spoon-feeding have got to go.

Why and How to Teach Complex Text

A growing body of research presents a challenge to current K-12 reading/English-language Arts instruction. In essence, we need to “up” the level of text complexity and provide greater opportunities for independent reading. The Common Core State English-language Arts Standards provides a convincing three-reason argument in support of these changes in instructional practice. Following this rationale, I will share ten instructional implications and address a few possible objections.

Common Core State Writing Standards

The Common Core State Writing Standards have used a rather utilitarian approach to categorize essays into two classifications: argument and informational/explanatory writing.  The approach used by the English-language Arts committee was to examine the writing assignments of freshman English college professors then define the essay accordingly for the purposes of the Common Core State Writing Standards.

How to Teach the English-language Arts Standards

Every English-language arts teacher shares the same problem—too much to teach and not enough time to teach it. So, where are the magic beans that will allow us to teach all of the have-to’s (think ELA Standards) and still have a bit of time to teach the want-tos? Following are a few suggestions to help the clever ELA teacher have her cake and eat it, too.

Should We Teach Standards or Children?

The excesses of the standards-based movement frequently run contrary to the need to differentiate instruction, according to the diagnostic needs of children.

More Articles, Free Resources, and Teaching Tips from the Pennington Publishing Blog

Bookmark and check back often for new articles and free ELA/reading resources from Pennington Publishing.

• English-language Arts Standards
• English-language Arts Instruction
• Essay Strategies
• The Writing Process/Writers Workshop
• Writing Style
• Grammar and Mechanics
• Spelling
• Vocabulary
• Structural Analysis/Syllabication/Oral Language
• Teaching Reading in the ELA Classroom
• ELA/Reading Assessments
• Independent Reading
• Reading Intervention
• EL/ESL/ELD
• Assessment-based Individualized Instruction/Differentiated Instruction
• Critical Thinking
• Study Skills
• Test Preparation
• Educational Issues and Teaching Trends
• Developmental Characteristics
• Professional Development
• Literacy Centers
• Close Reading

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Pennington Publishing’s mission is to provide the finest in assessment-based ELA and reading intervention resources for grades 4‒high school teachers. Mark Pennington is the author of two Standards-aligned programs: TEACHING ESSAYS BUNDLE and Grammar, Mechanics, Spelling, and Vocabulary . Mark’s comprehensive Teaching Reading Strategies and the accompanying Sam and Friends Guided Reading Phonics Books help struggling readers significantly improve their reading skills in a full-year or half-year intensive reading intervention program. Make sure to check out Pennington Publishing’s free ELA and reading assessments to help you pinpoint grammar, usage, mechanics, spelling, and reading deficits.

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