Pennington Publishing Blog

Most teachers are familiar with Daily Oral Language, abbreviated as D.O.L. or under the guise of similar acronyms. Teachers like the canned program because it requires no teacher preparation, it provides “bell ringer” busy work so teachers can take attendance, and it seemingly “covers” the subjects of grammar, punctuation, capitalization, and spelling. D.O.L. is probably the most popular  instructional technique used to teach grammar. The second most often used technique would be the “teach no grammar-nor-mechanics technique” as is frequently employed by writing process purists who save this “instruction” until the last step of a process piece, if they ever get to it at all. However, the subject of this blog is the former technique, and why D.O.L. does not work.

1. D.O.L. is proofreading, not sentence construction. As such, D.O.L. is error-correction, not meaning-making. Jeff Anderson, author of Everyday Editing, calls such activities “error-filled fix-a-thons.”

2. D.O.L. has no scope and sequence. It is random, repetitive, and hodgepodge. Many D.O.L. programs claim to offer grade level editions. Who determined that parentheses are at third grade instructional level and semi-colons are at the fourth grade instructional level? Check out the author’s Common Core aligned grammar and mechanics scope and sequence for one that does makes sense.

3. D.O.L. is implicit, part to whole instruction, divorced from any meaningful writing context. Correction is not teaching, and no D.O.L. program that I know of has effective teacher prompts to teach the grammatical concepts.

4. D.O.L. aims to teach writing without writing. Would a seamstress teach sewing by having her students spend all their time analyzing stitching errors? No. To sew, you have to practice sewing. To write, you have to practice writing.

5. D.O.L. involves little critical thinking. Writing involves decision-making about why and how sentences should be constructed for different rhetorical purposes. “Grammar is something to be explored, not just edited (Jeff Anderson).”

6. D.O.L. is not diagnostic. D.O.L. has too much repetition of what students already know, and not enough practice in what students do not know. Teachers need to use diagnostic assessments to determine individual student strengths and weaknesses in grammar and mechanics and then use instructional materials to effectively differentiate instruction.

7. D.O.L. rehearses errors and imprints them in the long term memories of students. The more visual and auditory imprints of errors, the more they will be repeated in future student writing.

8. D.O.L. correction does not transfer to student writing. Students fed a steady diet of D.O.L. throughout elementary, middle, and high school repeat the same old comma errors in the university setting. D.O.L. simply does not teach “deep learning.”

9. D.O.L. is bad test prep. Although teachers often advocate use of D.O.L. for this purpose, the multiple choice format of standardized tests is dissimilar. Tests generally ask “which is right?” not “which is wrong?” Check out the PAARC and SBAC tests for more.

10. D.O.L. uses bad writing models to teach good writing. It teaches what is wrong, not what is right. Although some error analysis can certainly be beneficial, at least as much time should be spent analyzing what makes good writing so good. Good “mentor texts” (Jeff Anderson) from both professional authors and student authors can teach what students should aspire to and emulate.

11. D.O.L. teaches from ignorance. “If they don’t become familiar with the concepts they are asked to edit for BEFORE they are asked to edit, of course they won’t do it well. How could they? How can you tell if something like a mark is missing if you don’t know where it is supposed to be in the first place?” and “But do we start history class with all the wrong dates and names on the board and ask kids to fix them? What about learning the concepts first (Jeff Anderson)?” Students cannot show what they do not know.

12. D.O.L. doesn’t teach the whys and hows of grammar and mechanics. Math teachers do not just teach the process of long division; they also teach the concepts behind the process, using examples, manipulatives, etc. to provide the “deep thinking” that students need. Students need to know why commas set apart appositives, for example. Students need to know how position of word choice affects meaning, for example.

13. D.O.L. isolates writing instruction from student writing. Students are invested in their own writing, not in that of pre-packaged print shown on the LCD projector, or SMART board®. Relevance and personal connection motivates student buy-in. “If the students care about their writing, are writing for a specific audience, and understand that “the importance of editing (and spelling conventionally) is to make their message clear and easy to read for their audience – or reader, they take this job seriously and work hard at making their writing clear (Regie Routman).”

14. D.O.L. does not provide enough practice. One isolated error correction does not teach to mastery. Good teaching involves instruction and immediate guided practice, followed by independent practice with teacher feedback. D.O.L. is throw-it-all-against-the-wall-and-hope-some-of-it-sticks instruction, not the targeted practice that students need to learn and retain the grammatical and mechanical concepts.

15. D.O.L. is boring. Ask students. They almost universally characterize D.O.L. as “repetitive, irrelevant, unhelpful, and a waste of time.”

16. D.O.L. has little research base to indicate that it works. Why use what does not work, when workable, effective alternatives are available for effective instruction in grammar and mechanics?

Here are the most effective alternatives…

*****

Teaching Grammar, Usage, and Mechanics (Grades 4, 5, 6, 7, 8, and High School) are full-year, traditional, grade-level grammar, usage, and mechanics programs with plenty of remedial practice to help students catch up while they keep up with grade-level standards. Twice-per-week, 30-minute, no prep lessons in print or interactive Google slides with a fun secret agent theme. Simple sentence diagrams, mentor texts, video lessons, sentence dictations. Plenty of practice in the writing context. Includes biweekly tests and a final exam.

Grammar, Usage, and Mechanics Interactive Notebook (Grades 4‒8) is a full-year, no prep interactive notebook without all the mess. Twice-per-week, 30-minute, no prep grammar, usage, and mechanics lessons, formatted in Cornell Notes with cartoon response, writing application, 3D graphic organizers (easy cut and paste foldables), and great resource links. No need to create a teacher INB for student make-up work—it’s done for you! Plus, get remedial worksheets, biweekly tests, and a final exam.

Syntax in Reading and Writing is a function-based, sentence-level syntax program, designed to build reading comprehension and increase writing sophistication. The 18 parts of speech, phrases, and clauses lessons are each leveled from basic (elementary) to advanced (middle and high school) and feature 5 lesson components (10–15 minutes each): 1. Learn It!  2. Identify It!  3. Explain It! (analysis of challenging sentences) 4. Revise It! (kernel sentences, sentence expansion, syntactic manipulation) 5. Create It! (Short writing application with the syntactic focus in different genre).

Get the Diagnostic Grammar, Usage, and Mechanics Assessments, Matrix, and Final Exam FREE Resource:

Get the Grammar and Mechanics Grades 4-8 Instructional Scope and Sequence FREE Resource:

 

Grammar/Mechanics, Literacy Centers, Spelling/Vocabulary, Writing D.O.L., daily oral language, DLR, DOL, grammar and mechanics, grammar instruction, grammar programs, grammar worksheets, Mark Pennington, parts of speech, subjects and predicates, Teaching the Language Strand

Grammar is an essential tool for success in school, work, and life. We are judged, sometimes quite severely, by the words we use and the way we use them in our speaking and writing. Our spoken and written words can betray us. They reflect our background, education, and ability to communicate. For example, many years ago, the principal walked into my room while my student teacher was delivering a lesson. After a few minutes, the principal signaled me to step outside.

“I will never hire that young man,” he said.

Shocked, I asked him why.

“On the board, he has a dangling modifier and he ended a sentence with a preposition.”

Sounds quite harsh, doesn’t it?  Not every educated adult attaches the same level of importance regarding the proper use of grammar as does that principal. However, many do. Following are the Top 40 Grammar Pet Peeves that irritate most Americans with tips to help you avoid these common grammatical errors. Also, make sure to check out the Top 40 Pronunciation Pet Peeves and the Top 40 Vocabulary Pet Peeves. Find out everything you mispronounce and the words you misuse before “You-Know-Who” points them out to you.

1. Dangling Modifiers

Incorrect-Tossed high into the sky, the dog caught the Frisbee.

Correct-The dog caught the Frisbee, which had been tossed high into the sky.

Tip: Keep modifiers close to the words that they describe to avoid dangling modifiers.

2. Modals

Incorrect-I should of known that they could of gone yesterday.

Correct-I should have known that they could have gone yesterday.

Tip: The modals would, could, should, must, might, may are never combined with of.

3. Modifiers

Incorrect-That student is not feeling good.

Correct-That student is not feeling well.

Tip: Don’t use adjectives, e.g., good, in place of adverbs, e.g., well. Usually follow “_ing” with well, not good.

4. Comparative Modifiers (one or two syllables)

Incorrect-I picked the smallest piece of the two to be graciouser and because it was more easy to reach.

Correct- I picked the smaller piece of the two to be more gracious and because it was easier to reach.

Tip: Use “_er” for one or two syllable modifiers or more for two syllable modifiers, if more sounds better.

5. Comparative Modifiers (three or more syllables)

Incorrect-Each new song was wonderfuller than the old ones.

Correct-Each new song was more wonderful than the old ones.

Tip: Use more (less) for a three-syllable or longer modifier to compare two things.

6. Superlative Modifiers

Incorrect-Oswald is the more hyperactive of the three boys, but runs least quicker.

Correct-Oswald is the most hyperactive of the three boys, but runs least quickly.

Tip: Use most (least) for a three-syllable or longer modifier to compare three or more things. Always use most or least for adverbs ending in “_ly.”

7. Subjunctive cases (moods)

Incorrect-If I was a rich man, I could buy what I need.

Correct-If I were a rich man, I could buy what I need.

Tip: Use the subjunctive to communicate a doubt, a wish, or a guess.

8. Padding

Incorrect-Also, never, never repeat words or phrases, and avoid using very interesting, super nice words that contribute little to a sentence.

Correct-Never repeat words or phrases, and avoid using words that contribute little to a sentence.

Tip: Focus on brevity in writing. When in doubt, leave it out.

9. Preposition Placement

Incorrect-Prepositions are not good to end sentences with.

Correct-Do not end sentences with prepositions.

Tip: A preposition is a word that shows some relationship or position between a common noun, a proper noun, or a pronoun and its object. The preposition is always part of a phrase and comes before its object. The preposition asks “What?” and the object provides the answer. Ending sentences with prepositions eliminates their objects, so avoid these constructions whenever possible.

10. Parallel Structure

Incorrect-Swimming, to play tennis, and basketball are popular sports at the high school.

Correct-Swimming, tennis, and basketball are popular sports at the high school.

Tip: The term parallelism refers to a repeated grammatical construction of a word, a phrase, or a clause. Especially keep verb forms parallel within the same sentence.

11. Split Infinitives

Incorrect-It is a mistake to ever split an infinitive.

Correct-It is always a mistake to split an infinitive.

Tip: An infinitive has a to + the base form of a verb. Placing a word between the to and the base form of the verb can create confusion. If tempted to split the infinitive, brainstorm for better verbs.

12. Double Negatives

Incorrect-Never use no double negatives.

Correct-Don’t use double negatives.

Tip: A double negative can cancel each other out and create an unintended positive. For example, “I don’t really not like you” may prolong, rather than end, a relationship.

13. Noun-Verb Agreements (numbers)

Incorrect-The calculations indicates that there will be an economic downturn soon.

Correct-The calculations indicate that there will be an economic downturn soon.

Tip: If the noun is plural (ends in an s, the verb that acts upon that noun usually does not end in an s.

14. Verbing Nouns

Incorrect-Grammar is negatively impacting my ability to write.

Correct-Grammar has a negative impact on my ability to write.

Tip: Don’t make nouns into verbs. Also, avoid stringing nouns together, such as in “Top Grammar Pet Peeves.” However, no one would search for “Top Grammatical Pet Peeves.”

Pronoun Pests

15. Subject Case Pronouns (used as appositives)

Incorrect-Everyone came earlier than her.

Correct-Everyone came earlier than she.

Tip: Use the subject case pronoun if the pronoun is part of an appositive, such as after than or as. An appositive is a noun or pronoun placed next to another noun or pronoun to identify or explain it. Re-order the sentence to check if the pronoun sounds right, e.g., “She came earlier than everyone.”

16. Subject Case Pronouns (compound subjects)

Incorrect-Her and Muffy play video games.

Correct-She and Muffy play video games.

Tip: Drop other nouns or pronouns when there is a compound subject (two or more subjects), and check if the remaining pronoun sounds right, e.g., “Her plays video games” sounds bad while “She plays video games” sounds good.

17. Subject Case Pronouns (pronoun order)

Incorrect-I and Zelda enjoy the beach.

Correct-Zelda and I enjoy the beach.

Tip: Remember that English is a polite language; the first person pronouns (I, me, ours, mine) are always placed last when combined with other nouns or pronouns.

18. Subject Case Pronouns (serving as predicate nominatives)

Incorrect-The students who got into trouble are them.

Correct- The students who got into trouble are they.

Tip: A predicate nominative follows a “to be” verb (is, am, are, was, were, be, being, been) and identifies or refers to the subject. Re-order the sentence to check if the pronoun sounds right, e.g., “They are the students who got into trouble.”

19. Object Case Pronouns (serving as objects of prepositions)

Incorrect-The fly buzzed between you and I.

Correct- The fly buzzed between you and me.

Tip: Use the object case pronoun if the pronoun is an object of a preposition. A preposition shows some relationship or position between the preposition and  its object (a proper noun, a common noun, or a pronoun). The preposition asks “What?” and the object provides the answer.

20. Object Case Pronouns (serving as direct objects)

Incorrect- The challenge excited we.

Correct-The challenge excited us.

Tip: Use the object case pronoun if the pronoun is the direct object. The direct object receives the action of the verb and answers “What?” or “Who?”

21. Object Case Pronouns (serving as indirect objects)

Incorrect- Robert gave they a king-size candy bar.

Correct- Robert gave them a king-size candy bar.

Tip: Use the object case pronoun if the pronoun is an indirect object of a verb. The indirect object is placed between a verb and its direct object. It answers “To What?” “To Whom,” ” For What?” or “For Whom?”

22. Object Case Pronouns (serving as appositives)

Incorrect-The teacher yelled at two students, Zippy and I.

Correct-The teacher yelled at two students, Zippy and me.

Tip: Use the object case pronoun if the direct object is described by an appositive phrase (a phrase that identifies or explains another noun or pronoun placed next to it).

23. Object Case Pronouns (connected to infinitives)

Incorrect-I want we to give the speech.

Correct-I want us to give the speech.

Tip: Use the object case pronoun if the pronoun is connected to an infinitive. An infinitive has a to + the base form of a verb.

24. Gender Pronouns

Incorrect-Everyone has their own problems or Everyone has his/her own problems.

Correct-Everyone has his own problems (Yes, English is a masculine-based language) or better… All people have their own problems.

Tip: To be inclusive (and politically correct), make pronoun references plural. Avoid the wordy and confusing “his or hers for him and her.”

25. Reflexive Pronouns

Incorrect-The party was for Bob and myself, and I allowed me the privilege of attending the celebration.

Correct-The party was for Bob and me, and I allowed myself the privilege of attending the celebration.

Tip: Don’t use reflexive pronouns (myself, yourself(ves), himself, herself, itself, ourselves, themselves) in place of object case pronouns. Reflexives refer to the subject. An intensive pronoun intensifies an action, e.g., “I want to do it myself.”

26. Pronoun Antecedents (referring to ambiguous references)

Incorrect-When Bobby asked for help, they asked why.

Problem—Who are the they?

Correct-When Bobby asked for help, his friends asked why.

Tip: An antecedent is the word, phrase, or clause to which a pronoun refers. Make sure antecedents are specific. Otherwise, the pronoun reference may be confusing.

27. Pronoun Antecedents (referring to the objects of prepositions)

Incorrect-In Twain’s The Celebrated Frog of Calaveras County, he uses political humor.

Problem—Who, or what, is he?

Correct-In Twain’s The Celebrated Frog of Calaveras County, the author uses political humor.

Tip: Don’t have a pronoun refer to the object of a prepositional phrase, e.g., “of Calaveras County.”

28. Pronoun Antecedents (referring to this, that, these, those, it, its)

Incorrect-He made an egg, put the dog food in its bowl, and put this on his toast to eat.

Problem—What is this? Whose is his?

Correct-He made an egg and put it on his toast. Then, he put the dog food in its bowl.

Tip: Make sure that the singular pronouns this and that and the plural pronouns these and those specifically refer to what is intended. Keep these pronouns close to their references.

29. Pronoun Antecedents (referring to possessives)

Incorrect-In San Diego’s famous zoo, they treat their zoo-keepers well.

Problem—Who are the they and their?

Correct- In San Diego’s famous zoo, the animals treat their zoo-keepers well.

Tip: Don’t have a pronoun refer to a possessive antecedent. A possessive is a common noun, proper noun, or pronoun that shows ownership.

30. The This, That, These, Those Pronouns (serving as demonstrative adjectives)

Incorrect-I like these over there.

Correct-I like those over there.

Tip: Use this and these for objects within reach; use that and those for objects not within reach.

31. The Who Pronoun

Incorrect-Whom did it, and why?

Correct-Who did it, and why?

Tip: The pronoun who is in the subject (nominative) case. The who takes the role of the subject. Try substituting he for who and rephrase, if necessary. If it sounds right, use the who, e.g. “Him did it” sounds bad while “He did it” sounds good.

32. The Whom Pronoun

Incorrect-I like who you gave the award, but to who does this letter concern?

Correct-I like whom you gave the award, but to whom does this letter concern?

Tip: The pronoun whom is in the objective case. In other words, it is takes the place of the direct object, the indirect object of the verb, or the object of the preposition. Try substituting him for whom and rephrase, if necessary. If it sounds right, use whom. “I like he” and “to he does this letter concern” sound bad while “I like him” and “to him does this letter concern” sound good.

33. The Who Pronoun (serving at the start of relative clauses)

Incorrect-The man which showed me the car was friendly.

Correct-The man who showed me the car was friendly.

Tip: When beginning a relative clause, use who to refer to specific people.

34. The That Pronoun (serving at the start of relative clauses)

Incorrect-The movie which we watched was entertaining.

Correct-The movie that we watched was entertaining.

Tip: The pronoun that can refer to unspecific, or general, people or things. Use the pronoun that when the clause is needed to understand or restrict the meaning of the rest of the sentence.

35. The Which Pronoun (serving at the start of relative clauses)

Incorrect-A dog, which is compliant, is easy to train.

Correct-A Golden Retriever, which is compliant, is easy to train.

Tip: The pronoun which can only refer to specific things. Use the pronoun which in clauses that provide additional, but not necessary information to the rest of the sentence.

36. Indefinite Pronouns (general singular)

Incorrect-Everyone are ready for lunch.

Correct-Everyone is ready for lunch.

Tip: An indefinite singular pronoun does not refer to a definite noun. The following indefinite pronouns are singular: anybody, anyone, anything, each, either, everybody, everyone, everything, neither, nobody, nothing, no one, one, somebody, someone, and something. Look at the second  part of the compound word, e.g. something, to determine singular or plural for many of these indefinite pronouns.

37. Indefinite Pronouns (general plural)

Incorrect-Several gives him advice.

Correct-Several give him advice.

Tip: An indefinite plural pronoun does not refer to  definite nouns. The following indefinite pronouns are plural: both, few, many, and several. Indefinite plural pronouns are usually not compound words.

38. Indefinite Pronouns (singular determining quantity or measurement)

Incorrect-More of the food were given to the homeless.

The word clue is food.

Correct-More of the food was given to the homeless.

Tip: Indefinite pronouns that express quantity or measurement may be singular or plural depending upon the surrounding word clues. Pay special attention to the object of a preposition word clue connecting to these pronouns. Singular Indefinite Pronouns: all the food, any of this, half of it, more of that, most of it, none of that, other one, some child

39. Indefinite Pronouns (plural determining quantity or measurement)

Incorrect-More boys seems to be playing sports these days.

The word clue is boys.

Correct-More boys seem to be playing sports these days.

Tip: Indefinite pronouns that express quantity or measurement may be singular or plural depending upon the surrounding word clues. Pay special attention to the object of a preposition word clue connecting to these pronouns. Plural Indefinite Pronouns: all girls, any of these, half of those, more boys, most friends, none of those, other friends, some of them

40. Possessive Pronouns

Incorrect-Bilbo’s faking won’t help his success as much as him planning.

Correct-Bilbo’s faking won’t help his success as much as his planning.

Tip: A possessive pronoun (my, your, his, her, its, their, our), not  a subject or object case pronoun, must be connected to a gerund. A gerund is the “_ing” form of a noun.

*****

Teaching Grammar, Usage, and Mechanics (Grades 4, 5, 6, 7, 8, and High School) are full-year, traditional, grade-level grammar, usage, and mechanics programs with plenty of remedial practice to help students catch up while they keep up with grade-level standards. Twice-per-week, 30-minute, no prep lessons in print or interactive Google slides with a fun secret agent theme. Simple sentence diagrams, mentor texts, video lessons, sentence dictations. Plenty of practice in the writing context. Includes biweekly tests and a final exam.

Grammar, Usage, and Mechanics Interactive Notebook (Grades 4‒8) is a full-year, no prep interactive notebook without all the mess. Twice-per-week, 30-minute, no prep grammar, usage, and mechanics lessons, formatted in Cornell Notes with cartoon response, writing application, 3D graphic organizers (easy cut and paste foldables), and great resource links. No need to create a teacher INB for student make-up work—it’s done for you! Plus, get remedial worksheets, biweekly tests, and a final exam.

Syntax in Reading and Writing is a function-based, sentence-level syntax program, designed to build reading comprehension and increase writing sophistication. The 18 parts of speech, phrases, and clauses lessons are each leveled from basic (elementary) to advanced (middle and high school) and feature 5 lesson components (10–15 minutes each): 1. Learn It!  2. Identify It!  3. Explain It! (analysis of challenging sentences) 4. Revise It! (kernel sentences, sentence expansion, syntactic manipulation) 5. Create It! (Short writing application with the syntactic focus in different genre).

Get the Diagnostic Grammar, Usage, and Mechanics Assessments, Matrix, and Final Exam FREE Resource:

Get the “To Be” Verbs Posters FREE Resource:

Get the Grammar and Mechanics Grades 4-8 Instructional Scope and Sequence FREE Resource:

Grammar/Mechanics, Study Skills, Writing grammar, grammar pet peeves, language pet peeves, Mark Pennington, mechanics, parts of speech

Everyone misuses a word now and then. Correct word choice is determined not only by denotation (Websters says…), but also by connotation. Connotation refers to common usage which influences degree, slant, or feeling of a word. For example, the words march and amble each denotatively mean “to walk.” However, most of us would agree that marching down a road would be less enjoyable than ambling down that same road.

Many times we get close to using the right word, verbally or in print, but not close enough. Words with similar sounds are often confused. For example, affect and effect sound similar and even have related meanings. Affect means to influence; while effect is to produce as a result.

Of course, in addition to misused vocabulary words, there are also grammatical abuses, such as nouns used as verbs, e.g., loan instead of lend [Will you loan me some money?] We also use redundancies, such as irregardless or ATM machine. We misapply expressions, such as for all intensive purposes or idioms, such as waiting on. We create our own words, such as flusticated or conversate. We also change the meaning of words through common consensus. Who would have thought that bad can now mean something good?

Although Americans tolerate some vocabulary abuse, they are righteously indignant about the misuse of other words. Here, in no particular order, are the Top 40 Vocabulary Pet Peeves that surely constitute the greatest pet peeves among American wordsmiths. Also, make sure to check out the Top 40 Pronunciation Pet Peeves and the Top 40 Grammar Pet Peeves. Find out everything you mispronounce and your grammatical mistakes before “You-Know-Who” points them out to you.

1. Anxious means to worry, not to be eager. [So, you probably are not anxious to go on vacation.]
2. Exaggerate means to magnify, not to go beyond. [So, you can’t exaggerate how little your pay is.]
3. Imply means to suggest, not to conclude as with infer. [So, you don’t imply what the author says.]
4. Between means in the place separating two objects, not three or more objects as with among. [So, you won’t choose between oranges, apples, and watermelons.]
5. Unique means being the only one of its kind, not something that is special. [So, you don’t describe the sunset as unique.]
6. Relevant means pertinent, not popular. [So, a movie is not relevant and fun.]
7. Allot means to distribute, not a lot of something. [So, you don’t eat allot of ice cream, but you could allot me a scoop or two.]
8. Literally means exactly what the word means or how the author intends; it does not mean truthfully. [So, your mother-in-law is probably not literally crazy.]
9. Unbelievable means something that cannot be trusted, not something that is amazing. [So, the unbelievable savings really should be believable, if you intend to buy.]
10. Awesome means something that is revered or dreaded, not something that is good. [So, the pumpkin pie really isn’t awesome, unless you worship Charlie Brown’s Great Pumpkin.]
11. Reticent means silent or reserved, not unwilling. [So, you probably are not reticent to go out to dinner with a client.]
12. Accept means to receive willingly, not except, which means to exclude. [So, you wouldn’t say “I would like him, accept for his body odor.]
13. Already means having done before; it does not mean all ready. [So, your friends could be already all ready to leave.]
14. Capitol means the legislative building, not an upper case letter or an amount of money to invest. [So, you don’t declare your capitol gains.]
15. Complement means something that completes, not something that goes along with or provides praise. [So, your striped shirt does not complement your polka dotted pants.]
16. Principal means the highest rank, not principle, which means a rule or standard. [So, you want the principal of your child’s school to hold to the highest principles.]
17. Stationary means fixed in position, not stationery, which means writing supplies. [So, you won’t write a letter on your new stationary.]
18. Than means compared to, not then [So, you don’t go to dinner than a show.]
19. Whether means if it is so, not because of or anything having to do with the weather. [So, you might like the weather, whether it snows or rains.]
20. Occur means an action taking place that is accidental or unforeseen, at least from the point of view of the observers; it does not mean something that is expected to happen. [So, you wouldn’t say that noon occurs at 12:00 p.m. every day.]
21. Illicit means illegal, not elicit, which means to draw forth. [So, you wouldn’t illicit information from a police officer.]
22. Possible means something capable of happening or being true, not something that is according to chance. [So, anything is not really possible.]
23. Irony means an unexpected contrast between apparent and intended meanings or events, not a coincidence. [So, it isn’t ironic that you and your boyfriend both like oatmeal cookies.]
24. Anniversary means the celebration of a year, not just any period of time. [So, you don’t celebrate your two-month anniversary of a relationship.]
25. Foundered means to struggle, not floundered which means to sink. [So, your cruise ship did not founder to the depths of the Caribbean Sea.]
26. Flout means to openly disregard laws or the way things are done, not flaunt which means to display something ostentatiously. [So, you wouldn’t flout your four carat diamond ring in front of your girlfriends.]
27. i.e. means that is, or the same as, not for example. [So, you wouldn’t say “I like vacations, i.e., backpacking, going to the beach, and sightseeing.]
28. e.g. means for example, not the same as, or in place of. [So, you wouldn’t say “I like vacations, e.g., time off work.”]
29. et al means with all others, not and so forth. [So, you wouldn’t say “I like tropical islands, ski resorts, the high desert, et al.
30. Et cetera (etc.) means and so forth within the same class; it does not mean and all others. [So, you wouldn’t say “I like Expedia, Priceline, Travelocity, etc.”]
31. Eminent means prominent, not imminent which means something expected to happen soon. [So, your graduation next week is not eminent.]
32. Proverbial means according to a wise saying, not something that is well known. [So, you wouldn’t refer to the proverbial hatred of paying taxes.]
33. Oxymoron means when two objects are joined that do not fit, not something that is an opposite. [So, it’s not an oxymoron to like both sugar and bitters.]
34. Contact means to communicate through touch, not to simply respond. [So, you probably don’t mean “Contact me at your earliest convenience.”]
35. Enormity means something grotesquely beyond its intended boundaries, not something that is very large. [So, you don’t refer to the enormity of the hot fudge sundae.]
36. Travesty means to ridicule by imitation, not tragedy which means a disastrous event. [So, the sinking of the ship was not a travesty.]
37. Decimate means to ruin or reduce by tenths, not to gain victory. [So, you probably don’t really hope to decimate your fellow poker players in the game tonight.]
38. Random means to have no causal relationship; it is not something that is unexpected. [So, a joke that is unexpected is not a random one.]
39. Allude means to refer to indirectly, not elude which means to escape from. [So, you don’t allude your boss by hiding behind the file cabinet.]
40. Attain means to reach or achieve, not obtain, which means to possess or acquire. [So, you won’t attain a collection of baseball cards from the neighborhood garage sale.]

Definitions adapted from The American Heritage Dictionary of the English Language. 4^th ed. 2008.

*****

For full-year vocabulary programs which include multiple meaning words (L.4.a.), Greek and Latin morphology with Morphology Walls (L.4.a.), figures of speech (L.5.a.), words with special relationships (L.5.b.), words with connotative meanings (L.5.c.), and academic language words (L.6.0), check out the assessment-based grades 4, 5, 6, 7, and 8 Comprehensive Vocabulary.

Get the Grades 4,5,6,7,8 Vocabulary Sequence of Instruction FREE Resource:

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Reading, Spelling/Vocabulary, Writing commonly confused words, homographs, homonyms, homophones, Mark Pennington, syllable rules, vocabulary, vocabulary demons, vocabulary pet peeves, word meanings

Educators often talk about the reading-writing connection. Dr. Kate Kinsella of San Francisco State University summarizes the reading-writing connection research as follows:

• Reading widely and regularly contributes to the development of writing ability.
• Good writers were read to as children.
• Increasing reading frequency has a stronger influence on improving writing than does solely increasing writing frequency.
• Developmental writers must see and analyze multiple effective examples of the various kinds of writing they are being asked to produce (as well as ineffective examples); they cannot, for example, be expected to write successful expository essays if they are primarily reading narrative texts.

Teaching reading and writing strategies concurrently certainly does allow teachers to “kill two birds with one stone.” Now this is not to say that reading or writing instruction should always be taught in tandem. There are certainly important lessons and skill development exclusive to each field. However, the following twelve tips to teach the reading-writing connection will enhance students’ facility in both disciplines.

BONUS: Teach the syntax of our language. Understanding syntax, after background knowledge, is has the highest correlation with reading comprehension for fluent readers. Plus, learning the functions of the parts of speech, phrases, and clauses at the sentence level aids the development of sophisticated writing.

1. Teach the Author-Reader Relationship

Both reading and writing involve interactive relationships between author and reader. Reading really is about communication between the reader and the author. Now, it’s true that the author is not speaking directly to the reader; however, readers understand best when they pretend that this is so. Unlike reading, writing requires the thinker to generate both sides of the dialog. The writer must create the content and anticipate the reader response. Teaching students to carry on an internal dialog with their anticipated readers, while they write, is vitally important.

Strategy: Write Aloud

2. Teach Prior Knowledge

What people already know is an essential component of good reading and writing. Content knowledge is equally important as is skill acquisition to read and write well. Reading specialists estimate that reading comprehension is a 50-50 interaction. In other words, about half of one’s understanding of the text is what the reader puts into the reading by way of experience and knowledge. However, some disclaimers are important to mention here.  Although prior knowledge is important, it can also be irrelevant, inaccurate, or incomplete which may well confuse readers or misinform writers. Of course, the teacher has the responsibility to fill gaps with appropriate content.

Strategy: KWHL

3. Teach Sensory Descriptions

Both readers and writers make meaning through their sensory experiences. Recognizing sensory references in text improves understanding of detail, allusions, and word choice. Good readers apply all of their senses to the reading to better grasp what and how the author wishes to communicate. They listen to what the author is saying to them. For example, good readers try to feel what the characters feel, visualize the changing settings, and hear how the author uses dialog. Applying the five senses in writing produces memorable “show me,” rather than “tell me” writing.

Strategy: Interactive Reading

4. Teach Genre Characteristics

All reading and writing genres serve their own purposes, follow their own rules, and have their own unique characteristics. Knowing the text structure of each genre helps readers predict and analyze what the author will say and has said. For example, because a reader understands the format and rules of a persuasive essay, the reader knows to look for the thesis in the introduction, knows to look for the evidence that backs up the topic sentence in each body paragraph, and knows to look for the specific strategies that are utilized in the conclusion paragraphs. Writing form is an important component of rhetorical stance. Knowing each genre (domain) also helps writers include the most appropriate support details and evidence. For example, persuasive essays often use a counterpoint argument as evidence.

Strategy: Rhetorical Stance

5. Teach Structural Organization

Readers recognize main idea, anticipate plot development or line of argumentation, make inferences, and draw conclusions based upon the structural characteristics of the reading genre. For example, readers expect  the headline and introductory paragraph(s) of a newspaper article to follow the structural characteristics of that genre. For example, since news articles include Who, What, Where, When, and How at the beginning, the informed reader knows to look for these components. Similarly, writers apply their knowledge of specific structural characteristics for each writing genre. For example, knowing the characteristics of these plot elements: problem, conflict; rising action, climax, falling action, and resolution will help the writer craft a complete narrative.

Strategy: Numerical Hierarchies

6. Teach Problem Solving Strategies

Good readers and writers act like detectives, looking for clues to understand and solve a case. In a persuasive essay, the reader should detect how a thesis is argued, how the variety of evidence is presented, and if the conclusions are justified in light of the evidence. In a narrative, the writer needs to clearly state the basic problem of the story and how that problem leads to a conflict. Through the elements of plot, the writer must deal with this conflict and resolve it to the reader’s satisfaction.

Strategy: Evidence

7. Teach Coherency and Unity

For both reading and writing, the object is to make sense of the content. Recognizing the author’s rhetorical organization, grammatical patterns, transition words, and use of writing techniques such as repetition, parallelism, and summary will facilitate comprehension. Knowing how the author communicates helps the reader understand what is being communicated. Applying an organizational pattern appropriate to the writing content and effective writing techniques will help the reader understand the content of the communication. Writing unity refers to how well sentences and paragraphs stay focused on the topic. For example, readers need to train themselves to look for irrelevant (off the point) details. Similarly, writers need to ensure that their writing stays on point and does not wander into tangential “birdwalking.”

Strategies: Coherency and Unity

Coherency

Unity

8. Teach Sentence Structure Variety

Good readers are adept at parsing both good and bad sentence structure. They consciously work at identifying sentence subjects and their actions. They apply their knowledge of grammar to build comprehension. For example, they recognize misplaced pronouns and dangling participles, such as in “The boy watched the dog beg at the table and his sister fed it” and are able to understand what the author means, in spite of the poor writing. Good writing maintains the reader’s attention through interesting content, inviting writing style, effective word choice, and sentence variety. Knowing how to use different sentence structures allows the writer to say what the writer wants to say in the way the writer wants to say it. Most professional writers plan 50% of their sentences to follow the subject-verb-complement grammatical sentence structure and 50% to follow other varied sentence structures. No one is taught, convinced, or entertained when bored.

Strategy: Grammatical Sentence Openers

9. Teach Precise Word Choice

Understanding the nuances to word meanings lets the reader understand precisely what the author means. Knowing semantic variations helps the reader understand why authors use the words that they do and helps the reader “read between the lines,” i.e., to infer what the author implies. When writers use words with precision, coherency is improved. There is no ambiguity and the reader can follow the author’s intended train of thought.

Strategies: Vocabulary Ladders and Semantic Spectrums

10. Teach Style, Voice, Point of View, Tone, and Mood

Good readers recognize how an author’s writing style and voice (personality) help shape the way in which the text communicates. For example, if the style is informal and the voice is flippant, the author may use hyperbole or understatement as rhetorical devices. Recognizing whether the author uses omniscient or limited point of view in the first, second, or third person will help the reader understand who knows what, and from what perspective in the reading. Identifying the tone of helps the reader understand how something is being said. For example, if the tone is sarcastic, the reader must be alert for clues that the author is saying one thing, but meaning another. Identifying the mood of a literary work will enable the reader to see how the plot and characters shape the feeling of the writing. For example, knowing that the mood of a poem is dark allows the reader to identify the contrasting symbolism of a “shining light.” In addition to applying the writing tools described above, good writers need to be aware of errors in writing style that do not match the rules and format of certain forms of writing, such as the formal essay.

Strategy: Writing Style Errors

11. Teach Inferences

Both reading and writing is interpretive. Readers infer meaning, make interpretations, or draw logical conclusions from textual clues provided by the author. Writers imply, or suggest, rather than overtly state certain ideas or actions to build interest, create intentional ambiguity, develop suspense, or re-direct the reader.

Strategy: Inference Categories

12. Teach Metacognition and Critical Thinking

Reading and writing are thinking activities. Just decoding words does not make a good reader. Similarly, just spelling correctly, using appropriate vocabulary, and applying fitting structure to paragraphs does not make a good writer. Knowing one’s strengths and weaknesses as a reader or writer helps one identify or apply the best strategies to communicate. Knowing how to organize thought through chronology, cause-effect, problem-solution, or reasons-evidence rhetorical patterns assists both reader and writer to recognize and apply reasoning strategies. Knowing higher order questioning strategies, such as analysis, synthesis, and evaluation helps the reader and writer see beyond the obvious and explore issues in depth.

Strategies: Self-Questioning and Reasoning Errors

Self-Questioning

Reasoning Errors

*****

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Find essay strategy worksheets, writing fluencies, sentence revision activities, remedial writing lessons, posters, eight complete writing process essays, 438 essay e-comment editing resources to differentiate essay writing instruction in TEACHING ESSAYS BUNDLE.

Reading, Writing author-reader relationship, Mark Pennington, prior knowledge, reading and writing, reading intervention, reading programs, reading to learn, reading-writing connection, rhetorical stance, teach essay, writing to learn

The English sound-spelling system is a reliable system for writing the sounds of the English language. True, there are plenty of exceptions, but applying the rules and adjusting for exceptions is certainly better than memorizing every word as a unique entity. Imagine having to memorize each of the Chinese characters to be able to write simple communications and most will agree that the alphabetic system serves us well.

Rationale

The English sound-spelling system works in about 50% of spellings. You can be a pessimist and see the glass as being half-empty or an optimist and see the glass as being half-full. I prefer the latter. The basic problem-solving strategy in spelling should not be memorizing the spellings of all words. Instead, the speller should first attempt the spellings that match the sounds of the word. After all, spelling is an auditory, not a visual process. If there is not a sound-spelling match, knowledge of spelling rules and mastery of sight-spellings should be secondary strategies.

Spelling Resources

Diagnostic Spelling Assessment indicates as diagnostic deficits. Check out Spelling Games for some terrific activities to practice these spellings.

A Model Grades 3-8 Spelling Scope and Sequence

Preview the Grades 3-8 Spelling Scope and Sequence tied to the author’s comprehensive grades 3-8 Language Strand programs. The instructional scope and sequence includes grammar, usage, mechanics, spelling, and vocabulary. Teachers and district personnel are authorized to print and share this planning tool, with proper credit and/or citation. Why reinvent the wheel? Also check out my articles on Grammar Scope and Sequence, Mechanics Scope and Sequence, and Vocabulary Scope and Sequence.

FREE DOWNLOAD TO ASSESS THE QUALITY OF PENNINGTON PUBLISHING AMERICAN ENGLISH AND CANADIAN ENGLISH SPELLING PROGRAMS. Check out these grades 3-8 programs HERE. Administer my FREE comprehensive Diagnostic Spelling Assessment with audio file and recording matrix. It has 102 words (I did say comprehensive) and covers all common spelling patterns and conventional spelling rules. It only takes 22 minutes and includes an audio file with test administration instructions. Once you see the gaps in your students’ spelling patterns, you’re going to want to fill those gaps.

Get the Diagnostic Spelling Assessment, Mastery Matrix, and Sample Lessons FREE Resource:

Literacy Centers, Reading, Spelling/Vocabulary, Study Skills, Writing English sound-spellings, how to teach spelling, Mark Pennington, phonics, phonics cards, sound-spelling cards, sound-spelling system, sound-spellings, spelling flashcards, spelling program, spelling resources, spelling rules, spelling sounds, Teaching Reading Strategies

Writing is a complicated thinking process. It requires an enormous amount of multi-tasking, problem-solving, interactivity, and creativity. There is science to effective writing, but there is also art. Unlike reading, which provides the author component of the dialog between reader and text, writing requires the thinker to generate both sides of the dialog. The writer must create the content and anticipate the reader response. Like reading, writing is chiefly learned through direct instruction, modeling, and practice.

Of the three instructional components necessary for effective writing instruction (direct instruction, modeling, and practice), the Write Aloud strategy focuses on the modeling component. In essence, the teacher shows students how he or she composes by thinking out loud and writing out that process so that students can think along with the writer. The Write Aloud is also referred to as “Modeled Writing.”

Writing is certainly not a natural process. Developing writers do not have a priori understanding about how to compose. Thus, teachers play a crucial role in helping to develop good writers.

Teaching students to carry on an internal dialog with their anticipated readers while they write is vitally important. “Talking to the reader” significantly increases writing coherency. Placing the emphasis on writing as the reader will read that writing also helps the writer determine the structure of that writing and so unify the whole.

Good writers are adept at practicing many metacognitive strategies.  That’s a big word that means “thinking about thinking.”  Students who practice these self-monitoring strategies develop better writing fluency those who do not.

Write Aloud Sample Lesson

1. Select a short, high interest section of dialog from a story familiar to all students. The dialog will help students understand the interactive components of the Write Aloud strategy. Post the dialog on the board, Smartboard®, or display projector. Write this brief prompt, or one of your own, below the dialog: “Analyze the character development in ___________.”

2. Tell them that they are to listen to your thoughts carefully, as you read the brief dialog from ____________, and that they are not allowed to interrupt with questions during your reading. Read the short dialog out loud and interrupt the reading frequently with concise comments about the plot context and what and why the characters are saying what they say. Focus on comprehension, not character development for your first read.

3. After reading, ask students if they think they understood the text better because of your verbalized thoughts than just by passively reading without active thoughts. Their answer will be “Yes,” if you have read effectively. Quickly remind students to listen well and not to interrupt.

4. Tell students that they are now going to learn an important thinking strategy, and that they will listen to your thoughts as an experienced writer. Tell them that your thoughts will not be the same thoughts as theirs. Explain that learning how to think is the focus of this activity, not what to think. Tell them that they can improve the ways in which they think.

5. Tell students that you are going to brainstorm ideas for a character analysis essay during your Write Aloud. Point to the word brainstorm on your Writing Process charts and tell students that you are only going Write Aloud this one part of the process. Remind students that they are to listen to your thoughts carefully, but they are not allowed to interrupt with questions during the activity.

6. Now, read the prompt out loud and define analyze as “to break apart the subject and to explain each part” as if you are reminding yourself of the definition. Re-read the dialog out loud and interrupt the reading frequently with concise comments about how the characters are saying what they say. Write down your comments below the dialog in a graphic organizer. Explain that you are going to use a mapping, a.k.a. bubble cluster, graphic organizer to brainstorm your ideas because it will help you organize your thoughts and allow you to add on new ones as you think of them. Focus your comments (and writing) on these four components: character personalities, descriptions, motives, and author word choice. Ask if the organization and comments will make sense to the reader. Don’t ramble on with personal anecdotes. Comment much more on the text than on your personal connection with the text.

7. After reading, ask students if listening to you think and watching you write down your thoughts helped them understand how the characters are saying what they say. Their answer will be “Yes.” Ask students to repeat what you said that most helped them understand your thinking process. Ask students how they would think differently about what to write, if they were teaching the Write Aloud.

8. Post two new dialogs on the board, Smartboard®, or display projector with the same prompt as above.

9. Group students into pairs and have students practice their own Write Alouds, using the two dialogs. This can get quite noisy, so establish your expectations and remind students that they will be turning in their graphic organizers.

10. Repeat the Write Aloud procedure often with different components of the Writing Process, with or without different prompts, and with different writing tasks or genre.

*****

The author’s TEACHING ESSAYS BUNDLE includes the three printable and digital resources students need to master the CCSS W.1 argumentative and W.2 informational/explanatory essays. Each no-prep resource allows students to work at their own paces via mastery learning. How to Teach Essays includes 42 skill-based essay strategy worksheets (fillable PDFs and 62 Google slides), beginning with simple 3-word paragraphs and proceeding step-by-step to complex multi-paragraph essays. One skill builds upon another. The Essay Skills Worksheets include 97 worksheets (printables and 97 Google slides) to help teachers differentiate writing instruction with both remedial and advanced writing skills. The Eight Writing Process Essays (printables and 170 Google slides) each feature an on-demand diagnostic essay assessment, writing prompt with connected reading, brainstorming, graphic organizer, response, revision, and editing activities. Plus, each essay includes a detailed analytical (not holistic) rubric for assessment-based learning.

Reading, Writing brainstorming, comprehension strategies, editing, essay strategies, five paragraph essays, graphic organizers, interactive reading, interactive writing, metacognitive strategies, modeled reading, Modeled Writing, paragraph development, reading comprehension, reading strategies, reading visualization, reading-writing connection, revision process, self-questioning, Teaching Essay Strategies, Think Alouds, Write Alouds, writing fluency, writing process, writing prompts

Writing research has shown that one key ingredient to writing success is time. Developing writers need time to learn the writing craft, time to research/brainstorm, time to draft, and time to revise. However, ironically, time may in-it-of-itself be the greatest impediment standing in the way of writing profiency and fluency for many of our students.

Since the return of phonics-based reading instruction in the 1990s, elementary teachers have had to allocate more instructional time to direct instruction. With greater diversity in most states, more pressure to differentiate instruction in reading has compounded the problem of instructional minutes at all grade levels. Science, art, social studies, physical education, music, and writing have become the casualties of this time-theft.

The advent of timed writings on high stakes tests, such as the new SAT 1, high school exit exams, and standards-based writing assessments, has placed teachers in the difficult position of choosing among three instructional approaches to help students both learn to write and succeed on these tests with no additional time allocated for writing instruction. The three approaches are 1. process writing 2. on demand writing and 3. a mix of the two.

Advocates of the process writing approach (Six Traits, National Writing Project, Writers Workshop, etc.) argue that frequent practice in all phases of the writing process i.e., research/brainstorming, drafting, revision, editing, and publishing best helps writers develop writing fluency and proficiency. Advocates of the on demand approach argue that the above components can be streamlined into an integrated process, which teaches the writer to concurrently multi-task the drafting, revision, and editing steps with the quick bookends of planning and proofreading. Those teachers trying to please both masters have limited their process pieces and upped the amount of on demand writing tasks when the standardized writing test looms on the horizon.

Process writing proponents tend to teach grammar and mechanics (punctuation, capitalization, and spelling) incidentally throughout the writing process or via targeted mini-lessons. On demand proponents tend to teach grammar and mechanics explicitly through an established instructional scope and sequence. Those who try to combine process and on demand writing wind up relegating most grammatical and mechanics instruction to test preparation out of sheer time constraints.

A brief readers theater (tongue firmly planted in cheek) may help teachers of all writing approaches greater appreciate the challenge of teaching writing today.

Narrator: Here is a familiar scene in the teachers’ workroom. Two teachers kill time while waiting in line for the laminating machine. Their subject of discourse: an ongoing discussion of Process Writing versus On Demand Writing.

Teacher 1: I can’t believe that Mildred accidentally threw out my Writing Process charts when she rotated off-track. I’ve got to get new ones laminated and back on the wall. I’m lost without them!

Teacher 2: Are you still using those dumb charts? I thought that you must have dumped them by now. The Writing Process is “old school.” We dropped that with whole language years ago. Get with the program! It’s On Demand Writing, now. Oh by the way, I put back your Lucy McCormick Calkins book in your box; I have enough paperweights for my desk, thank you.

Teacher 1: You and your on demand writing tasks… You’re not teaching—all you are really doing is testing. Are you still passing out those grammar worksheets for homework? Remember, the research about writing says—

Teacher 2: Don’t give me that research stuff—I know what works for my kids. My language expression scores on the state test were much higher than yours. You’re lucky you’ve got tenure.

Teacher 1: Even when I didn’t, I never kissed the principal’s butt like you do. And I don’t teach to the test, like you do. My kids are learning how to think. They are writing to learn. Who cares if they know their subjects and predicates!

Teacher 2: Kids are going to have to spell, punctuate, capitalize, and use grammar correctly if they want to make it in today’s world. They’ve still got to be able to write in those blue books in college for a timed one-hour exam. They can’t just pick their own writing subject and do multiple drafts for a mid-term. You really need to get a Red Bull® and wake up to the real world.

Teacher 1: In the real world, students need to have the brains to say something. Outside of school, people have time to revise and edit. They have the time to be reflective. That’s what real authors do… They don’t have someone forcing them to write to a contrived prompt and then hovering over them with a stupid yellow timer.

Teacher 2: Now, you’re getting personal. My aunt gave me that yellow timer… Who writes your paycheck? Last I checked it was the school district. All our principal cares about is higher test scores. If you can’t show it, they don’t know it!

Teacher 1: That’s not why I got into teaching. I want to develop the whole child and nurture a love for learning. I just completed a trimester-long unit on the Haiku and its place in Japanese society…You should come in and see our published poems on the wall. We used real 24 carat gold to highlight—

Teacher 2: I bet I could find some punctuation mistakes—you with your peer editing groups. Talk about the “blind leading the blind.” I have students write one paragraph each day in indelible ink—no changes. I time them and have their desk partners count how many words the student has written in the 10 minutes. It sure saves a lot of teacher grading time. All I have to do is record the number of words in my grade book program. I can show you huge gains in words per minute.

*****

The author’s TEACHING ESSAYS BUNDLE includes the three printable and digital resources students need to master the CCSS W.1 argumentative and W.2 informational/explanatory essays. Each no-prep resource allows students to work at their own paces via mastery learning. How to Teach Essays includes 42 skill-based essay strategy worksheets (fillable PDFs and 62 Google slides), beginning with simple 3-word paragraphs and proceeding step-by-step to complex multi-paragraph essays. One skill builds upon another. The Essay Skills Worksheets include 97 worksheets (printables and 97 Google slides) to help teachers differentiate writing instruction with both remedial and advanced writing skills. The Eight Writing Process Essays (printables and 170 Google slides) each feature an on-demand diagnostic essay assessment, writing prompt with connected reading, brainstorming, graphic organizer, response, revision, and editing activities. Plus, each essay includes a detailed analytical (not holistic) rubric for assessment-based learning.

Grammar/Mechanics, Writing composition, essay, on demand writing, Process writing, revision, Six traits, theme, writers workshop, writing fluencies, writing openers, writing process, writing project, writing prompt, writing style

I’m often asked how to memorize vocabulary. There is just no doubt about it. Society judges us by the words we use. Vocabulary is the key linguistic measure of intelligence on IQ tests. It is the most statistically significant correlation on the SAT 1 sentence completions and passage-based reading components. It identifies a well-educated man or woman perhaps more that any other characteristic.

Many people want to improve their vocabularies, but memorization and retention are the key roadblocks. Not everyone has a natural ability to memorize. However, memorization is a skill that can be learned and improved upon with commitment and practice.

Let’s begin by understanding how we learn vocabulary. We learn most of our first 10,000 survival words through oral language. Beyond this number, most words are learned through reading, by using surrounding context clues to figure out the meanings of unknown words. Readers who read challenging text with academic language and unfamiliar words learn much more vocabulary than readers who stick with the T.V. Guide and People magazines. Good readers have good vocabularies. It’s as simple as that.

We also learn vocabulary through the structural components of our words. Many teachers do a wonderful job of teaching the building bocks of our academic words. Memorizing the common Greek and Latin word parts significantly increases word recognition.

Finally, we do learn vocabulary by making a conscious effort to learn and retain the meanings of new words. Becoming a word sleuth works. However, detectives have to investigate; they can’t just wait for the evidence to show up on their doorsteps. Those who want to learn new vocabulary have to intentionally expose themselves to new words. How? Read more challenging text, improve your ability to use context clues, learn the common Greek and Latinates, and use resources to practice “word play,” such as crosswords.

Practical Tips to Memorize Vocabulary

1. People start forgetting immediately after learning, so make a conscious effort to practice new words when you are exposed to them. Don’t wait. Information that is practiced immediately is retained. After the first few hours, the “forgetting cycle” kicks in.
2. People remember events or information that is rehearsed frequently. Frequent recitation improves retention. Repeat. Repeat. Repeat. Practice. Practice. Practice. Then repeat. Short study periods and small amounts of information divided by periods of rest produces better retention than cramming. Periodic practice of new vocabulary will keep the words stored in the long term memory. Use the words in your everyday speech. Talk to yourself and you won’t sound pretentious.
3. People remember information best when that information is organized in a structured manner.
Key a simple vocabulary journal or use index cards to keep track of new words. Write down the word, the definition (in your own words), and a context clue sentence that shows the meaning of the word.
4. People remember information that has clear multi-sensory connections. Practice new words out loud and in writing. Make a conscious effort to visualize a connection between new words and their meanings through concrete images. For example, precocious means someone who is ahead of his or her time. Picture a toddler you know, dressing up in a tuxedo, saying “I am precocious.”
5. Use vivid imagery. Make the effort to associate a new word with something else that produces memorable imagery. For example, a stunning rainbow connected with the new word spectrum is much more memorable than a simple definition. Use brief illustrations in your vocabulary journal or on your index cards to reinforce the images.
6. Connect what we naturally remember to newly acquired vocabulary. People remember events and information that are made exciting, interesting, or even embarrassing. Connect the discovery of a piece of spinach between your teeth to a new word, such as mortifying.
7. People remember information best that is personalized. Place yourself front and center into your memory association to better retain word meanings.
8. Learn it right the first time. The better a word is originally learned, the better is the retention. Define new words with precision. If possible, write down antonyms and synonyms in your vocabulary journal or on your index cards.
9. Key words prompt recall of larger amounts of information. Learn the base words well and commonly added inflections will be simple to add to your memory bank. For example, the base word parse (to figure out or analyze), if learned well, leads to understanding a whole host of related words, such as parsing or parsimonious.
10. Practice your vocabulary by visualizing the word, looking up and left. Hemispheric brain research has led to some interesting correlations. Good memorizers tend to recall images by shifting their eyes up and left. Poor memorizers tend to recall images by shifting their eyes downward.

*****

For full-year vocabulary programs which include multiple meaning words (L.4.a.), Greek and Latin morphology with Morphology Walls (L.4.a.), figures of speech (L.5.a.), words with special relationships (L.5.b.), words with connotative meanings (L.5.c.), and academic language words (L.6.0), check out the assessment-based grades 4, 5, 6, 7, and 8 Comprehensive Vocabulary.

Get the Grades 4,5,6,7,8 Vocabulary Sequence of Instruction FREE Resource:

Get the Greek and Latin Morphology Walls FREE Resource:

Get the Diagnostic Academic Language Assessment FREE Resource:

 

Reading, Spelling/Vocabulary, Study Skills, Writing base words, Greek and Latin, Greek and Latin Morphology, Greek and Latin word parts, how to memorize vocabulary, Mark Pennington, memorize vocabulary, morphemes, morphological awareness, morphology walls, Teaching the Language Strand, vocabulary, vocabulary flash cards, vocabulary flashcards, vocabulary skills, vocabulary word lists, vocabulary worksheets, word lists, word parts