Pennington Publishing Blog

Both developing student writers as well as professionals struggle with eliminating (or reducing) the overuse of the forms of the “to be” verbs: is, am, are, was, were, be, being, been. Any teacher knows that developing writers overdo the “to be” verbs in their writing. The narrative genre forgives the overuse more so than does the essay genre. After all, dialogue needs authenticity and speakers overuse the “to be” verbs even more than writers.

Students especially struggle when revising these “to be” verbs: was and were.

“Mr. Pennington, it is impossible to write this essay on what caused the Civil War without using was and were,” complained one frustrated eighth grader.

I turned to page 79 in my well-highlighted and dog-eared copy of Kenneth Stamp’s The Causes of the Civil War and read, ““Northern abolitionists probably exaggerated the physical cruelties that the Southern masters inflicted upon their slaves. Southern “fire-eaters” doubtless distorted the true character of Northern Yankees. Politicians in both sections kept the country in constant turmoil by and whipped up popular emotions for the selfish purpose of winning elections.”

Now I might disagree with Stamp’s sympathetic take on the exaggeration of slaveholder cruelty, but he sure can write. And, no, he did not have to use the was and were in the above excerpt. He did use a were in the next line 🙂

However, we do need to empathize with developing writers as they seek out vivid, “show me” verbs to replace the oft-used “to be” verbs. After all, six of the eight “to be” verbs appear in the top 43 highest frequency English words lists: is, are, was, were, be, been.

To help students eliminate the “to be” verbs, I’ve developed five strategies (See the detailed approach here) and specific lessons to apply each strategy. Let’s use third strategy: the Convert strategy to eliminate was and were by converting them to strong _t verbs. The _t verbs pack a punch because they are irregular in the past tense and past participle forms. The lesson will include a helpful worksheet.

Lesson Plan: Common Core State Standards W.3, 4, 5  L.2, 3 and Depth of Knowledge Levels 1, 2, 3 (20−30 minutes)

Behavioral Objective: Students will demonstrate the ability to identify the eight “to be” verbs, explain the proper functions of these verbs, and convert the weak was and were verbs to the stronger _t verbs on the formative assessment.

1. Introduce the lesson by telling students that their task is to learn how to replace weak “to be” verbs with stronger verbs. Remind students that a “to be” verb links to the subject (the do-er) of the sentence as a state of being. You might want to reference this Parts of Speech article with my Parts of Speech Song to review the three basic functions of verbs (physical action, mental action, state of being). Tell students that writers generally avoid using “to be” verbs in essays. “To be” verbs can appear more frequently in narrative writing.

2. Write the eight “to be” verbs on the board: is, am, are, was, were, be, being, been.

3. Say,”‘to be’ verbs are not always bad; sometimes writers must use ‘to be’ verbs to communicate exactly what the writer wants to say. A ‘to be’ verb  performs one of these five functions: (Write this list on the board, adjusting or deleting the grammatical terms to the level and prior knowledge of your students.) Any questions?”

• Exists−Is there any trouble? Yes, I am he (predicate nominative).
• Happens−The meetings are over.
• Locates−He was at the birthday party.
• Identifies−Those children were friendly (predicate adjective).
• Describes−That could be scary (helping verb)! He is being helpful (progressive tense). Those girls have been so mean (perfect tense).

4. Say, “Let’s learn the Convert strategy to replace weak ‘to be’ verbs, which don’t serve these functions. Look at this sentence on the board: (Write the following sentence.) Juan was bringing the salad to the potluck. (Point to the list of ‘to be’ verbs). Which ‘to be’ verb appears in this sentence? Whole class answer on three (pause): 1, 2, 3 ‘was.’ Circle the ‘was’ on the board.”

5. Write this sentence on the board: Juan brought the salad to the potluck.

6. Ask, “How did I substitute the was in the sentence? How does each linking verb affect the meaning of the sentence?” (For older students, you may wish to explain that the was and were _ing verb construction is known as the past progressive form and indicates a continuing action that was going on in the past, while the _t verbs indicate a completed action that happened at one point in time.

7. Say, “We need some practice using the Convert strategy to replace weak was and were verbs with stronger _t verbs (Print and pass out the Convert Was and Were _ing to _t Verb Worksheet to each student and read the directions out loud.) Complete items #s 1−10, but don’t complete the formative assessment at the bottom.”

Note: For older students, you may wish to tell them that the British tend to use more _t verbs than their American cousins. Brits will say “He leant against the wall.” Americans will say, “He leaned against the wall.” Also, although still proper usage, the blest, burnt, dreampt, leapt, learnt, slipt, smelt, spelt, and spilt are anachronistic.

8. After most of the students have finished the worksheet, display the answer sheet and direct students to self-correct. Then say, “Now complete the formative assessment at the bottom of your worksheet.” (Tell students to pass in the worksheet and review to see if your student have mastered this lesson objective.

 

*****

Teaching Grammar, Usage, and Mechanics (Grades 4, 5, 6, 7, 8, and High School) are full-year, traditional, grade-level grammar, usage, and mechanics programs with plenty of remedial practice to help students catch up while they keep up with grade-level standards. Twice-per-week, 30-minute, no prep lessons in print or interactive Google slides with a fun secret agent theme. Simple sentence diagrams, mentor texts, video lessons, sentence dictations. Plenty of practice in the writing context. Includes biweekly tests and a final exam.

Grammar, Usage, and Mechanics Interactive Notebook (Grades 4‒8) is a full-year, no prep interactive notebook without all the mess. Twice-per-week, 30-minute, no prep grammar, usage, and mechanics lessons, formatted in Cornell Notes with cartoon response, writing application, 3D graphic organizers (easy cut and paste foldables), and great resource links. No need to create a teacher INB for student make-up work—it’s done for you! Plus, get remedial worksheets, biweekly tests, and a final exam.

Syntax in Reading and Writing is a function-based, sentence level syntax program, designed to build reading comprehension and increase writing sophistication. The 18 parts of speech, phrases, and clauses lessons are each leveled from basic (elementary) to advanced (middle and high school) and feature 5 lesson components (10–15 minutes each): 1. Learn It!  2. Identify It!  3. Explain It! (analysis of challenging sentences) 4. Revise It! (kernel sentences, sentence expansion, syntactic manipulation) 5. Create It! (Short writing application with the syntactic focus in different genre).

Get the Diagnostic Grammar, Usage, and Mechanics Assessments, Matrix, and Final Exam FREE Resource:

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Using a “to be” verb is like putting on a BAND-AID®. Simply open up the protective paper; peel back the two plastic sections; and apply over the wound. Quick and easy. However, removing that same BAND-AID® a few days later calls for bravery and a strategic approach. Slowly peal or rip? Often our strategy depends upon the wound itself. A slow peal around the edges for one that may leave a scar. A quick rip for a minor scrape.

Sporting a BAND-AID® or two doesn’t detract from your overall look. Some of them are quite stylish. In searching whether to capitalize the BAND-AID® product name or not, I see that the company really knows how to market their products. Any six year old girl would gladly scrape her knee for a Frozen BAND-AID®. However, wearing a dozen or so makes anyone look like the walking wounded. You can overdo anything.

Let’s face it; developing writers overdo the “to be” verbs in their writing. So let’s explore a strategy that developing writers can use to reduce the number of or eliminate the “to be” verbs in their essays.

I call it the Substitute strategy and it helps writers replace most, but not all, of the is, am, are, was, were, be, being, been verbs with stronger verbs. If the strategy doesn’t work, use another that does (See all five strategies here).

Lesson Plan: Common Core State Standards W.3, 4, 5  L.2, 3 and Depth of Knowledge Levels 1, 2, 3 (20−30 minutes)

Behavioral Objective: Students will demonstrate the ability to identify the eight “to be” verbs, explain the proper functions of these verbs, and substitute a strong linking verb in place of a weak “to be” verb on the formative assessment.

1. Introduce the lesson by telling students that their task is to learn how to replace weak “to be” verbs with stronger verbs. Remind students that a “to be” verb links to the subject (the do-er) of the sentence as a state of being. You might want to reference this Parts of Speech article with my Parts of Speech Song to review the three basic functions of verbs (physical action, mental action, state of being). Tell students that writers generally avoid using “to be” verbs in essays. “To be” verbs can appear more frequently in narrative writing.

2. Write the eight “to be” verbs on the board: is, am, are, was, were, be, being, been.

3. Say,”‘to be’ verbs are not always bad; sometimes writers must use ‘to be’ verbs to communicate exactly what the writer wants to say. A ‘to be’ verb  performs one of these five functions: (Write this list on the board, adjusting or deleting the grammatical terms to the level and prior knowledge of your students.) Any questions?”

• Exists−Is there any trouble? Yes, I am he (predicate nominative).
• Happens−The meetings are over.
• Locates−He was at the birthday party.
• Identifies−Those children were friendly (predicate adjective).
• Describes−That could be scary (helping verb)! He is being helpful (progressive tense). Those girls have been so mean (perfect tense).

4. Say, “Let’s learn the Substitute strategy to replace weak ‘to be’ verbs, which don’t serve these functions. Look at this sentence on the board: (Write the following sentence.) Juan was ready to help. (Point to the list of ‘to be’ verbs). Which ‘to be’ verb is found in this sentence? Whole class answer on three (pause): 1, 2, 3 ‘was.’ Circle the ‘was’ on the board.”

5. Write this list titled Strong Linking Verbs on the board: appear, become, feel, grow, look, prove, remain, seem, smell, sound, stay, and taste. Note: Some of the above verbs act as both linking and action verbs depending on usage.

6. Say, “Which linking verbs can substitute for the weak ‘to be’ verb ‘was’? Make sure to add the ‘s’ on to the end of the linking verb to match the singular subject, ‘Juan.’ (Write student answers on the board below the sentence.) How does each linking verb affect the meaning of the sentence?”

7. Say, “We need some practice using the Substitute strategy to replace weak ‘to be’ verbs with stronger linking verbs (Print and pass out the Substitute Strong Linking Verbs Worksheet to each student and read the directions out loud.) Complete items #s 1−8, but don’t complete the formative assessment at the bottom.”

8. After most of the students have finished the worksheet, display the answer sheet and direct students to self-correct. Then say, “Now complete the formative assessment at the bottom of your worksheet.” (Tell students to pass in the worksheet and review to see if your student have mastered this lesson objective.

*****

Teaching Grammar, Usage, and Mechanics (Grades 4, 5, 6, 7, 8, and High School) are full-year, traditional, grade-level grammar, usage, and mechanics programs with plenty of remedial practice to help students catch up while they keep up with grade-level standards. Twice-per-week, 30-minute, no prep lessons in print or interactive Google slides with a fun secret agent theme. Simple sentence diagrams, mentor texts, video lessons, sentence dictations. Plenty of practice in the writing context. Includes biweekly tests and a final exam.

Grammar, Usage, and Mechanics Interactive Notebook (Grades 4‒8) is a full-year, no prep interactive notebook without all the mess. Twice-per-week, 30-minute, no prep grammar, usage, and mechanics lessons, formatted in Cornell Notes with cartoon response, writing application, 3D graphic organizers (easy cut and paste foldables), and great resource links. No need to create a teacher INB for student make-up work—it’s done for you! Plus, get remedial worksheets, biweekly tests, and a final exam.

Syntax in Reading and Writing is a function-based, sentence level syntax program, designed to build reading comprehension and increase writing sophistication. The 18 parts of speech, phrases, and clauses lessons are each leveled from basic (elementary) to advanced (middle and high school) and feature 5 lesson components (10–15 minutes each): 1. Learn It!  2. Identify It!  3. Explain It! (analysis of challenging sentences) 4. Revise It! (kernel sentences, sentence expansion, syntactic manipulation) 5. Create It! (Short writing application with the syntactic focus in different genre).

Get the Diagnostic Grammar, Usage, and Mechanics Assessments, Matrix, and Final Exam FREE Resource:

 

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Ah, summertime! After a few weeks of avoiding any thoughts whatsoever about school, I’m now back in planning mode. How I can improve my students’ essays this next school year?

Do you get sentences like this one? https://blog.penningtonpublishing.com/downloads/get.php/Syllable-Awareness-Assessment

There are three reasons why it is important to know that “to be” verbs can be boring in essays.

This student makes a good point: Too many “to be” verbs in essays do bore me to death.

But, how can we get our students to reduce the amount of or eliminate the “to be” verbs in their essays to create precision of meaning, specificity, clarity, and just good old sentence variety? How do we get our students to use vivid “show me” verbs instead?

Teach the Convert Nouns and Adjectives into Vivid Verbs strategy. (See all five strategies here) Usually, nouns and adjectives are the easiest parts of speech to change to verbs.

Lesson Plan: Common Core State Standards W.3, 4, 5  L.2, 3 and Depth of Knowledge Levels 1, 2, 3 (20−30 minutes)

Behavioral Objective: Students will demonstrate the ability to identify the eight “to be” verbs, explain the characteristics of a “show me” verb, and convert nouns to _ify verbs to eliminate a “to be” verb on the formative assessment.

1. Begin by telling students that their task is to learn how to replace weak and vague “to be” verbs with strong and specific “show me verbs.”
2. Write the eight “to be” verbs on the board: is, am, are, was, were, be, being, been or create a Dead Verbs Cemetery bulletin board (perfect for Halloween!). Tell students that writers generally avoid using “to be” verbs in essays. “To be” verbs can appear more frequently in narrative writing.
3. Teach students that when a writer uses a “show me” verb, the reader can picture the physical or mental action of the verb. Write this example on the board: Three beautiful pieces of furniture were in her bedroom. Discuss how the “to be” verb, were, does not show a picture to the reader.  Write this example underneath the first one: Three pieces of furniture beautify her bedroom.
4. Say, “Let’s figure out the strategy I used to replace the weak and vague ‘to be’ verb, ‘were,’ with the strong and specific ‘show me’ verb, ‘beautify.’https://blog.penningtonpublishing.com/downloads/get.php/Syllable-Awareness-Assessment First, I deleted the ‘to be’ verb (X-out the ‘were’ in the first sentence). Next, I  looked for other words in the sentence to convert to a ‘show me’ verb. Convert means to change the form of something or someone; like when people travel outside of the country, they have to convert U.S. dollars to other money or like when mild-mannered Clark Kent converts to Superman in order to save the planet. Nouns and adjectives can often convert to verbs.” (Circle the noun, ‘furniture,’ and the adjectives, ‘Three’ and ‘beautiful.'” Remind students that nouns are persons, places, things, and ideas. Adjectives modify and are usually placed before nouns or pronouns and answer Which One? How Many? or What Kind? You might want to reference this Parts of Speech article with my Parts of Speech Song to review nouns and adjectives in context.
5. Say, “I couldn’t figure out how to convert the noun, ‘furniture,’ or the adjective, ‘Three,’ into verbs, but the adjective, ‘beautiful,’ worked fine. I changed the ending of the word to the ending verb form, ‘ify,’ to create the ‘show me’ verb, ‘beautify.'”
6. Say, “We need some practice converting nouns and adjectives to ‘show me’ verbs. Let’s start with the nouns. (Print and pass out the Change Nouns into _ify Verbs Worksheet to each student and read the directions out loud.) Complete items #s 1−10, but don’t complete the formative assessment at the bottom.”
7. After most of the students have finished the worksheet, display the answer sheet and direct students to self-correct. Then say, “Now complete the formative assessment at the bottom of your worksheet.” (Tell students to pass in the worksheet and review to see if your student have mastered this lesson objective.
   

   How to Eliminate “To Be” Verbs

   *****

   

   Pennington Publishing Grammar Programs

   Teaching Grammar, Usage, and Mechanics (Grades 4, 5, 6, 7, 8, and High School) are full-year, traditional, grade-level grammar, usage, and mechanics programs with plenty of remedial practice to help students catch up while they keep up with grade-level standards. Twice-per-week, 30-minute, no prep lessons in print or interactive Google slides with a fun secret agent theme. Simple sentence diagrams, mentor texts, video lessons, sentence dictations. Plenty of practice in the writing context. Includes biweekly tests and a final exam.

   Grammar, Usage, and Mechanics Interactive Notebook (Grades 4‒8) is a full-year, no prep interactive notebook without all the mess. Twice-per-week, 30-minute, no prep grammar, usage, and mechanics lessons, formatted in Cornell Notes with cartoon response, writing application, 3D graphic organizers (easy cut and paste foldables), and great resource links. No need to create a teacher INB for student make-up work—it’s done for you! Plus, get remedial worksheets, biweekly tests, and a final exam.

   Syntax in Reading and Writing is a function-based, sentence level syntax program, designed to build reading comprehension and increase writing sophistication. The 18 parts of speech, phrases, and clauses lessons are each leveled from basic (elementary) to advanced (middle and high school) and feature 5 lesson components (10–15 minutes each): 1. Learn It!  2. Identify It!  3. Explain It! (analysis of challenging sentences) 4. Revise It! (kernel sentences, sentence expansion, syntactic manipulation) 5. Create It! (Short writing application with the syntactic focus in different genre).

   Get the Diagnostic Grammar, Usage, and Mechanics Assessments, Matrix, and Final Exam FREE Resource:
   

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How can we effectively assess student writing? Should we grade upon effort, completion, standards, achievement, or improvement? Is our primary task to respond or to grade?

Here’s my take. We should grade based upon how well students have met our instructional objectives. Because each writer is at a different place, we begin at that place and evaluate the degree to which the student has learned and applied that learning, in terms of effort and achievement. But, our primary task is informed response based upon effective assessment. That’s how to grade writing.

For example, here may be an effective procedure for a writing task as it winds its way through the Writing Process: Read more…

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In my first year of teaching, I assigned a group of eighth grade students what I thought was a rather straight-forward assignment: a five paragraph essay on the causes of the Civil War. I had brilliantly lectured on the three chief causes of the war and so had high expectations that my students would be able to both regurgitate my content and then analyze with a modicum of creative thought. I even was kind enough to jot down this brief organizational structure on the board: Paragraphs: #1 Introduction #2 First Cause #3 Second Cause #4 Third Cause #5 Conclusion. Stop laughing.

The results were not as I expected. Most students came up with five paragraphs. Well, at least they were indented. The introductory paragraph largely consisted of either “In this essay I’m going to talk about the chief causes of the Civil War” or “Once upon a time there was a great Civil War.” The body paragraphs briefly summarized their notes on what I had said. The concluding paragraph largely consisted of “In this essay I talked about the chief causes of the Civil War.” The structure was relatively easy to master, but there was no analysis. The students had no clue about what to put into an introduction and a conclusion. I confess I had no clue either. I could “do them” (at least my college professors seemed to think so), but I certainly could not “teach them.”

Many intermediate, middle, and high school teachers fall into the same trap. Our content papers, on-demand writing fluencies, and standardized tests push us to teach the various domains (genres) of essays as end-products. We wind up teaching these structures, but fail to scaffold the essay strategies that enable students to write coherently with originality and authentic voices. Let’s spend more time on the process, rather than on the product, with respect to essay instruction and practice. It’s hard and sometimes tedious work for students and teacher, but the pay-off is worth the effort.

Following are articles, free resources, and teaching tips regarding how to teach essay strategies from the Pennington Publishing Blog. Also, check out the quality instructional programs and resources offered by Pennington Publishing.

How to Teach Essay Strategies

https://blog.penningtonpublishing.com/grammar_mechanics/how-to-teach-essay-strategies/

Coaching writing, especially essay strategies, is a lot like coaching football. Ask any football coach what wins football games and you are likely to get practice as the answer. Football coaches live for the conditioning, the blocking sled, the tackle practice, and the omnipresent videotape. Perhaps we ELA teachers should take a page from our coaches’ playbooks and be a bit more process-centered. Now, I’m not talking about the writing process; I’m talking about teaching the essay strategies that will prepare students for the big game.

What is the Essay Counterclaim?

https://blog.penningtonpublishing.com/writing/what-is-the-essay-counterclaim/

As is often the case, instructional writing terminology can be confusing and there is no consensus as to a common language of instruction. Regarding the essay counterclaim, which words mean exactly what? Whichever words are used, most writing teachers would agree that the opposing point of view should be somehow acknowledged and responded to in an argumentative essay. 

Why Use an Essay Counterclaim?

https://blog.penningtonpublishing.com/writing/why-use-an-essay-counterclaim/

Why use an essay counterclaim? Aren’t we always taught never to argue against our own thesis? Why give the enemy (the opposite point of view) ammunition (acknowledgement and evidence)? The counterclaim can be defined as the opposing point of view to one’s thesis. It is also commonly known as the counterargument. A counterclaim is always followed by a refutation, which is often referred to as a rebuttal. The Common Core State Standards  for grades 7-12 include the counterclaim in the argumentative essay (W. 1.0).

Where to Put the Essay Counterclaim

https://blog.penningtonpublishing.com/writing/where-to-put-the-essay-counterclaim/

Where is the best place to put the essay counterclaim? Five placements serve different purposes within the argumentative essay.

Counterclaim and Refutation Sentence Frames

https://blog.penningtonpublishing.com/writing/counterclaim-and-refutation-sentence-frames/

Transitions within the counterclaim paragraph are extremely important to master in order to create clear connections between the counterclaim and refutation. Check out these sentence frames to teach your students the counterargument and rebuttal.

The Difference between Facts and Claims

https://blog.penningtonpublishing.com/spelling_vocabulary/the-difference-between-claims-and-facts/

This article discusses the important differences between a fact and a claim. Plus, learn how knowing the differences should affect your teaching the argumentative essay.

How Much and What to Mark on Essays

https://blog.penningtonpublishing.com/grammar_mechanics/how-much-and-what-to-mark-on-essays/

Many teachers take pride in red-inking student essays: the more ink the better. Some “grade” essays without comments by using holistic or analytical rubrics, but do not mark papers. For those who still assign writing process essays and/or essay exams and believe that students can and do benefit from comments, the question of How Much and What to Mark on Essays is relevant. Work smarter, not harder, while focusing on efficiency and outcomes.

How to Save Time Grading Essays

https://blog.penningtonpublishing.com/grammar_mechanics/how-to-save-time-grading-essays/

Good teachers learn to work smarter not harder. We also learn how to prioritize our time, especially in terms of managing the paper load. Most of us would agree that we need to focus more of our time on planning and teaching, rather than on correcting. Here’s one resource to help you save time grading essays, while doing a better job providing essay response.

The Parts of an Essay

https://blog.penningtonpublishing.com/writing/the-parts-of-an-essay/

We confuse students about the parts of an essay by the labels we use. The problem is compounded by the fact that students are exposed to many different teachers, each with a different knowledge base, a different set of teaching experiences, and a different language of instruction. One solution is to eliminate the labels and substitute a simple numerical code.

How Many Essay Comments and What Kind

https://blog.penningtonpublishing.com/writing/how-many-essay-comments-and-what-kind/

So, to summarize how many essay comments and what kind, writing research would suggest the following: Comment on rough drafts, not final drafts. Limit the amount of comments and individualize those to the needs of the student writer. Balance the types of comments between writing errors and issues of style, argument, structure, and evidence. Hold students accountable for each mark or comment. Comments are better than diacritical marks alone. Comments should explain what is wrong or explain the writing issue.

How to Write an Introduction

https://blog.penningtonpublishing.com/writing/how-to-write-an-introduction/

Few teachers know how to teach essay introductions. Simply stating a “hook” or a “lead” and then stating the thesis make a rather weak introductory paragraph. The article shares the best strategies to include in an essay introduction in a memorable and easy-to-understand format.

How to Write a Conclusion

https://blog.penningtonpublishing.com/writing/how-to-write-a-conclusion/

Few teachers know how to teach essay conclusions. Simply re-stating the thesis and summarizing make a rather weak conclusion. The article shares the best strategies to include in a conclusion in a memorable and easy-to-understand format.

How to Write Body Paragraphs

https://blog.penningtonpublishing.com/writing/how-to-write-body-paragraphs/

Writing good body paragraphs is more than using proper paragraph structure. That structure should also provide the evidence to develop the points of the essay. A variety of evidence is necessary to convince the reader of your thesis. This article teaches how to write effective body paragraphs with eight different types of evidence. Check out the memorable FE SCALE CC strategies.

How to Use Numerical Values to Write Essays

https://blog.penningtonpublishing.com/writing/how-to-use-numerical-values-to-write-essays/

Many developing writers get lost in the jargon of writing instruction. Simplify the terms and anyone can write a well-structured multi-paragraph essay. Using an intuitive numerical system, this easy-to-understand and teach system of essay development will quickly take writers from complete sentences to the five-paragraph essay and beyond. It just makes sense.

How to Write Effective Essay Comments

https://blog.penningtonpublishing.com/writing/how-to-write-effective-essay-comments/

Conscientious teachers know that merely completing a holistic rubric and totaling the score for a grade is not effective essay response or writing assessment. Teachers may choose to grade and/or respond with essay comments after the rough draft and/or after the final draft. Using the types of comments that match the teacher’s instructional objectives is essential. Additionally, keeping in mind the key components of written discourse can balance responses between form and content. Finally, most writing instructors include closing comments to emphasize and summarize their responses. Here’s how to write truly effective essay comments.

How to Write a Summary

https://blog.penningtonpublishing.com/reading/how-to-write-a-summary/

Learning how to write a summary is a valuable skill. California even includes the summary as a writing application on its CST writing exam. Learning how to teach what is and what is not a summary may be even more valuable. A summary is the one writing application that focuses equally on what should be included and what should not be included.

How to Teach Transitions

https://blog.penningtonpublishing.com/writing/how-to-teach-transitions/

Transition words are essential ingredients of coherent writing. Using transition words is somewhat of a writing science. Teachers can “teach” the nuts and bolts of this science. However,  using transition words is also somewhat of a refined art.  Matters of writing style don’t “come naturally” to most writers. With targeted practice, students can learn to incorporate transitions as important features of their own writing styles.

How to Teach Thesis Statements

https://blog.penningtonpublishing.com/writing/how-to-teach-thesis-statements/

The most important part of the multi-paragraph essay is a well-worded thesis statement. The thesis statement should state the author’s purpose for writing or the point to be proved. Learn how to teach the thesis statement and get three thesis statement worksheets to help your students practice.

How to Teach Proofreading Strategies

https://blog.penningtonpublishing.com/grammar_mechanics/how-to-teach-proofreading-strategies/

Writers make errors in spelling, grammar, punctuation, capitalization, proper use of quotes, paragraphs, usage, and word choice for a variety of reasons. Effective proofreading strategies can help writers find and make corrections to improve their writing.

How to Teach Students to Write in Complete Sentences

https://blog.penningtonpublishing.com/writing/how-to-teach-students-to-write-in-complete-sentences/

Developing writers often have problems writing in complete sentences. Three teaching techniques will help your students write coherent and complete sentences.

How to Write Complex Sentences

https://blog.penningtonpublishing.com/grammar_mechanics/how-to-write-complex-sentences/

Writers can increase the maturity of their writing by learning how to convert simple sentences into complex sentences. The article uses easy-to-understand language and clear examples to help developing writers.

How to Teach Writing Skills

https://blog.penningtonpublishing.com/writing/how-to-teach-writing-skills/

Two time-proven solutions to these problems take little time, but do necessitate some instruction and practice: sentence revisions and literary response. Writing teachers (and writing research) have found these tools to be especially helpful for developing writers.

By sentence revision, I mean the word choice and structure of our language (the grammar, usage, and syntax). It’s the how something is written (and re-written). Think sentence variety, sentence combining, grammar and proper usage in the writing context. The skills of sentence revision are primarily taught.

By literary response, I mean writing style: primarily the style of literary mentors, who not only have something to say, but know how to say it in both expository and narrative writing. Think mentor texts and rhetorical stance (voice, audience, purpose, and form). The skills of writing style are primarily caught.

More Articles, Free Resources, and Teaching Tips from the Pennington Publishing Blog

Bookmark and check back often for new articles and free ELA/reading resources from Pennington Publishing.

• Free Teaching Reading Resources
• Grammar and Mechanics
• Vocabulary
• English-language Arts Standards
• English-language Arts Instruction
• Essay Resources and Lessons
• The Writing Process/Writers Workshop
• Writing Style
• Writing Feedback
• Spelling
• Structural Analysis/Syllabication/Oral Language
• ELA/Reading Assessments
• Independent Reading
• Reading Intervention (RtI Resources)
• EL/ESL/ELD
• Assessment-based Individualized Instruction/Differentiated Instruction
• Critical Thinking
• Study Skills
• Test Preparation
• Developmental Characteristics
• Professional Development
• Literacy Centers
• Close Reading
• Reading Comprehension

*****

Pennington Publishing’s mission is to provide the finest in assessment-based ELA and reading intervention resources for grades 4‒high school teachers. Mark Pennington is the author of many printable and digital programs. Please check out Pennington Publishing for assessment-based resources created for teachers by a fellow teacher.

Grammar/Mechanics, Literacy Centers, Study Skills, Writing argumentative essays, body paragraphs, commentary, concluding paragraphs, conclusions, concrete detail, essay instruction, essay strategies, essays, expository, five paragraph essays, how to teach essays, introductory paragraphs, Mark Pennington, paragraph development, personal essays, persuasive, response to literature, step up to writing, Teaching Essay Strategies, writing evidence

Writing style is an umbrella term which includes writing rules and conventions, the voice or personality of the writer, how the writer interacts with his or her audience, what the author says, his or her purpose for writing, and how the author says what is said (including form, word choice, grammar, and sentence structure). Writing style also includes the personal agenda and collective experience of the writer. Writing style is all about the writer and his or her choices.

English-language arts teachers tend to argue about whether writing style is caught or taught. In my mind it’s both. Exposure to and recognition of unique writing styles through wide reading of a variety of prose and poetry provides a context for developing writers to experiment with their own voices. Teaching accepted writing rules, practicing sentence combining, requiring different grammatical sentence structures, etc. all impact what and how students write.

Following are articles, free resources, and teaching tips regarding how to teach essay strategies from the Pennington Publishing Blog. Also, check out the quality instructional programs and resources offered by Pennington Publishing.

Writing Style

Essay Writing Style

https://blog.penningtonpublishing.com/writing/how-to-improve-writing-style/

Writing style is personal, but also follows a traditional, widely agreed-to form. Indeed, good writing style does have objective rules to follow. Here are the key rules of writing style, written with tongue-firmly-planted-in-cheek examples. This article lists 24 writing style rules in a truly memorable way.

Writing Style

https://blog.penningtonpublishing.com/writing/writing-style/

Although teachers exert considerable effort in showing students the differences between the narrative and essay genre, the both stories and essays do share some common writing rules. Among these are the accepted rules of writing style. Different than grammar, usage, or mechanics rules, the accepted rules of writing style help student writers avoid the pitfalls and excesses of formulaic, padded, and contrived writing. Additionally, using proper writing style helps students improve coherence and readability.

How to Improve Writing Unity

https://blog.penningtonpublishing.com/writing/how-to-improve-writing-unity/

Writing unity refers to how well sentences and paragraphs stay focused on the topic sentences and thesis statement. From the reader’s point of view, writing unity means that there are no irrelevant (off the point) details and that the tone of the writing remains consistent. This article gives good and bad examples of writing unity and provides strategies to improve your writing.

How to Improve Writing Parallelism

https://blog.penningtonpublishing.com/writing/how-to-improve-writing-parallelism/

Writing parallelism refers to the repeated pattern of words and grammatical structures. Parallel structures assist the comprehension of the reader and provide a memorable rhythm to the writing. Improve your writing style and readability by incorporating parallelism in your writing.

FREE Writing Style Posters and Teaching Articles

1. Avoid intentional fragments. Right?
2. Avoid using big words when more utilitarian words would suffice.
3. I have shown that you should delete references to your own writing.
4. Generally be sort of specific in your writing.
5. Avoid using very interesting, nice words that contribute little to a sentence.
6. Prepositions are not good to end sentences with.
7. It is a mistake to ever split an infinitive.
8. Avoid similes like the plague.
9. But do not start a sentence with a coordinating conjunction.
10. Always, avoid attention-getting alliteration.
11. In my opinion, using “I think” or “I believe” is unnecessary.
12. Writers should always avoid using generalizations.
13. In this day and age, using clichés is not a necessary evil.
14. Parenthetical remarks should (usually) be avoided.
15. Always avoid repetitious verbs and avoid repetitious verb phrases always.
16. Even if a metaphor hits a home run, it can be over-played.
17. The passive voice is a form to be avoided, if it can be helped.
18. Of what use are rhetorical questions?
19. Avoid exaggeration; it only works once in a million years.
20. Cease, desist, and stop wordiness.
21. There are good reasons to avoid starting every sentence with There.
22. It goes without saying to avoid using formulaic phrases.
23. Never write no double negatives
24. Keep pronoun references close to subjects in long sentences to make them clear.

How to Improve Your Writing Style with Grammatical Sentence Openers

https://blog.penningtonpublishing.com/grammar_mechanics/how-to-improve-your-writing-style-with-grammatical-sentence-openers/

To improve writing style and increase readability, learn how to vary sentence structures. Starting sentences with different grammatical sentence openers is the easiest way to add sentence variety. This article lists, explains, and provides clear examples for grammatical sentence openers.

Using Music to Develop Authentic Voice

https://blog.penningtonpublishing.com/writing/using-music-to-develop-authentic-voice/

Music creates the passion, commitment, and authentic voice that we want to see in our students’ writing. Connecting to student experience with their own music can transform the way they write essays, reports, narratives, poetry, and letters.

How to Develop Voice in Student Writing

https://blog.penningtonpublishing.com/writing/how-to-develop-voice-in-student-writing/

For students to develop voice, they need to practice voice in specific teacher-directed writing assignments. Here are 13 teaching tips to help students find their own voices.

Teaching Essay Style: 15 Tricks of the Trade

https://blog.penningtonpublishing.com/writing/teaching-essay-style-15-tricks-of-the-trade/

“Never start a sentence with But.” Countless middle school and high school English-language arts teachers cringe when their students faithfully repeat this elementary school dictum. “Never use I in your five-paragraph essay.” Now university professors similarly cringe and shake their heads at the straight-jacketed rules placed upon their students. However, maybe there is a method to our madness. Perhaps these writing absolutes serve a useful purpose for developing writers. Perhaps the little white lies that we teach our students are actually our tricks of the trade.

How to Teach Rhetorical Stance

https://blog.penningtonpublishing.com/writing/how-to-teach-rhetorical-stance/

Students need to practice the elements of rhetorical stance to improve their writing. This article provides clear definitions and a great sample lesson with useful links to learn how to teach voice, audience, purpose, and form to your students.

Ten Tips to Improving Writing Coherency

https://blog.penningtonpublishing.com/grammar_mechanics/ten-tips-to-improving-writing-coherency/

Writing coherency refers to how well sentences and paragraphs are organized into an understandable whole. Good writing coherency is reader-centered. From the reader’s point of view, the train of thought must be connected, easy to follow, and make sense.

How to Eliminate “To-Be” Verbs in Writing

https://blog.penningtonpublishing.com/grammar_mechanics/how-to-eliminate-to-be-verbs-in-writing/

Every English teacher has a sure-fire revision tip that makes developing writers dig down deep and revise initial drafts. One of my favorites involves eliminating the “to-be-verbs”: is, am, are, was, were, be, being, and been. Learn the four strategies to revise these “writing crutches.”

How to Teach Helping Verbs

https://blog.penningtonpublishing.com/grammar_mechanics/how-to-teach-helping-verbs/

English teachers learn early in their careers that strong nouns and “show-me” verbs are the keys to good writing. Of these two keys, verbs give developing writers the most “bang for their buck” in terms of writing revision. As a plus, revising weak and imprecise verbs, such as helping verbs (also known as auxiliary verbs), with active “show-me verbs” is quite teachable and less vocabulary-dependent than working with nouns. Learn when to use and when not to use helping verbs and how to eliminate them to improve writing.

The Seven Essay Writing Rules

https://blog.penningtonpublishing.com/writing/the-seven-essay-writing-rules/

Essays have certain traditional rules that help maintain a fair and balanced writing style. This article details the seven key essay writing rules with clear examples.

More Articles, Free Resources, and Teaching Tips from the Pennington Publishing Blog

Bookmark and check back often for new articles and free ELA/reading resources from Pennington Publishing.

• Free Teaching Reading Resources
• Grammar and Mechanics
• Vocabulary
• English-language Arts Standards
• English-language Arts Instruction
• Essay Resources and Lessons
• The Writing Process/Writers Workshop
• Writing Style
• Writing Feedback
• Spelling
• Structural Analysis/Syllabication/Oral Language
• ELA/Reading Assessments
• Independent Reading
• Reading Intervention (RtI Resources)
• EL/ESL/ELD
• Assessment-based Individualized Instruction/Differentiated Instruction
• Critical Thinking
• Study Skills
• Test Preparation
• Developmental Characteristics
• Professional Development
• Literacy Centers
• Close Reading
• Reading Comprehension

*****

Pennington Publishing’s mission is to provide the finest in assessment-based ELA and reading intervention resources for grades 4‒high school teachers. Mark Pennington is the author of many printable and digital programs. Please check out Pennington Publishing for assessment-based resources created for teachers by a fellow teacher.

Grammar/Mechanics, Writing authentic voice, author's purpose, coherency, essay strategies, essays, how to teach the essay, Mark Pennington, Teaching Essay Strategies, writing rules, writing strategies, writing style, writing unity, writing voice

The Writing Process and Writers Workshop are not simply processes by which students explore and refine their writing on their own. The teacher plays an active role in teaching and modeling the writing strategies that students need to acquire to become coherent writers. Both explicit and implicit instruction have their appropriate roles within writing instruction. Creating  and maintaining an experimental community of writers is no easy task for the writing instructor. However, the pay-offs are certainly worth the effort.

The diverse classroom provides unique challenges for both students and writing instructor. By its very nature, much of writing instruction is differentiated instruction. Classroom management and creation of a workable writing climate are essentials to successful learning.

Following are articles, free resources, and teaching tips regarding how to facilitate the Writing Process and Writers Workshop from the Pennington Publishing Blog. Also, check out the quality instructional programs and resources offered by Pennington Publishing.

The TEACHING ESSAYS BUNDLE consists of three essential writing resources: How to Teach Essays, Essay Skills Worksheets, and Eight Writing Process Essays.

How Much and What to Mark on Essays

https://blog.penningtonpublishing.com/grammar_mechanics/how-much-and-what-to-mark-on-essays/

Many teachers take pride in red-inking student essays: the more ink the better. Some “grade” essays without comments by using holistic or analytical rubrics, but do not mark papers. For those who still assign writing process essays and/or essay exams and believe that students can and do benefit from comments, the question of How Much and What to Mark on Essays is relevant. Work smarter, not harder, while focusing on efficiency and outcomes.

How to Teach Writing Skills

https://blog.penningtonpublishing.com/writing/how-to-teach-writing-skills/

Two time-proven solutions to these problems take little time, but do necessitate some instruction and practice: sentence revisions and literary response. Writing teachers (and writing research) have found these tools to be especially helpful for developing writers.

By sentence revision, I mean the word choice and structure of our language (the grammar, usage, and syntax). It’s the how something is written (and re-written). Think sentence variety, sentence combining, grammar and proper usage in the writing context. The skills of sentence revision are primarily taught.

By literary response, I mean writing style: primarily the style of literary mentors, who not only have something to say, but know how to say it in both expository and narrative writing. Think mentor texts and rhetorical stance (voice, audience, purpose, and form). The skills of writing style are primarily caught.

How to Write Effective Essay Comments

https://blog.penningtonpublishing.com/writing/how-to-write-effective-essay-comments/

Conscientious teachers know that merely completing a holistic rubric and totaling the score for a grade is not effective essay response or writing assessment. Teachers may choose to grade and/or respond with essay comments after the rough draft and/or after the final draft. Using the types of comments that match the teacher’s instructional objectives is essential. Additionally, keeping in mind the key components of written discourse can balance responses between form and content. Finally, most writing instructors include closing comments to emphasize and summarize their responses. Here’s how to write truly effective essay comments.

The Difference between Facts and Claims

https://blog.penningtonpublishing.com/spelling_vocabulary/the-difference-between-claims-and-facts/

This article discusses the important differences between a fact and a claim. Plus, learn how knowing the differences should affect your teaching the argumentative essay.

Using Evidence in Writing

https://blog.penningtonpublishing.com/writing/using-evidence-in-writing/

Teaching students to use appropriate evidence in argumentative essays is a difficult task. Students generally understand how to use textual evidence in direct and indirect quotations, but are less adept at creating reasons apart from the text itself. Teach your students the eight types of essay evidence with the memorable FE SCALE CC strategies.

How Much and What to Mark on Essays

https://blog.penningtonpublishing.com/grammar_mechanics/how-much-and-what-to-mark-on-essays/

For those who still assign writing process essays and/or essay exams and believe that students can and do benefit from comments, the question of How Much and What to Mark on Essays is relevant. Working smarter, not harder and focusing on efficiency and outcomes over pedagogical purity are worthy mantras for effective writing instruction.

How to Dissect a Writing Prompt

https://blog.penningtonpublishing.com/writing/how-to-dissect-a-writing-prompt/

Knowing exactly what the writing assignment requires in terms of the audience, role of the writer, topic and its context, purpose of the essay, essay format, resource text, and key writing direction words are all necessary components of this task. Following is a step-by-step procedure for dissecting a writing prompt.

How Many Essay Comments and What Kind

https://blog.penningtonpublishing.com/writing/how-many-essay-comments-and-what-kind/

So, to summarize how many essay comments and what kind, writing research would suggest the following: Comment on rough drafts, not final drafts. Limit the amount of comments and individualize those to the needs of the student writer. Balance the types of comments between writing errors and issues of style, argument, structure, and evidence. Hold students accountable for each mark or comment. Comments are better than diacritical marks alone. Comments should explain what is wrong or explain the writing issue.

Writer’s Workshop Mini-Conferences

https://blog.penningtonpublishing.com/grammar_mechanics/writers-workshop-mini-conferences/

With Writer’s Workshop, teachers typically organize a one-hour workshop so that at least half of the time is devoted to writing, peer conferences, and writer-teacher mini-conferences. Properly managed, the writer-teacher mini-conference can be a key ingredient to the success of developing writers. Here are some tips to make the most out of Writer’s Workshop Mini-Conferences and some great attachments, links, and free downloads as well.

Differentiating Instruction in Writer’s Workshop

https://blog.penningtonpublishing.com/grammar_mechanics/differentiating-instruction-in-writer%E2%80%99s-workshop/

Critics of Writer’s Workshop often complain that Writer’s Workshop can be inefficient and/or a class management nightmare. Some teachers have tried Writer’s Workshop, but have given up because the workshop is interest-based, not standards-based or because it is student-centered, not teacher-centered. Neither of those criticisms concerns me greatly. However, I do feel that the traditional model of Writer’s Workshop is not as conducive to differentiated instruction as it could be. Specifically, tweaking the mini-lesson will allow teachers to better differentiate instruction within Writer’s Workshop.

Analytical Rubrics

https://blog.penningtonpublishing.com/writing/analytical-rubrics/

Teachers use two types of rubrics to assess student writing: holistic and analytic. Of the two rubrics, the analytical rubric offers both teachers and students much more to work with to improve student writing. Here are five reasons why using analytical rubrics makes sense.

What’s Wrong with Holistic Rubrics?

https://blog.penningtonpublishing.com/writing/whats-wrong-with-holistic-rubrics/

It’s a relatively easy task to criticize any measure of writing assessment. This is my chore in What’s Wrong with Holistic Rubrics. We should use holistic rubrics for many writing assessments. However, we shouldn’t use holistic rubrics to teach writing. Holistic rubrics are, by design, summative assessments. Summative assessment is limited to evaluation, and evaluation is not instruction.

20 Tips to Teach Writing through Music

https://blog.penningtonpublishing.com/writing/20-tips-to-teach-writing-through-music/

Students have internalized the structure, syntax, and rules of music far more than that of any writing genre. This prior knowledge is simply too valuable for the writing teacher to ignore. Analyzing the songwriting composition process will enable students to apply the relevant strategies to their own writing of narratives, poetry, essays, and reports (and maybe even songs).

How to Teach a Science of Writing Program

https://blog.penningtonpublishing.com/reading/how-to-teach-a-balanced-writing-program/

Teachers want to apply the Science of Writing in their writing instruction. No one wants to throw away explicit grammar, spelling, and writing strategies instruction or the writing process. In a previous article, I have made the case that a balanced writing program makes sense. Learn the six steps to take to develop a balanced and effective writing program.

Using Music to Develop a Productive Writing Climate

https://blog.penningtonpublishing.com/writing/using-music-to-develop-a-productive-writing-climate/

Using the craft of songwriting as a guide, the writing teacher can develop a productive writing climate. Combining resources, collaboration, and competition with an atmosphere of social networking can improve student motivation, commitment, and end product.

Using Music to Develop a Creative Writing Culture

https://blog.penningtonpublishing.com/writing/using-music-to-develop-a-creative-writing-culture/

Music, and songwriting in particular, can help teachers develop a creative writing culture. Learning the lessons of musical composition can improve student writing.

Ten Tips for Coaching Basketball and Writing

https://blog.penningtonpublishing.com/grammar_mechanics/ten-tips-for-coaching-basketball-and-writing/

Learning to apply the coaching techniques of an effective basketball coach will significantly improve your ability as a writing coach for your students. Learn the ten tips to change from “the sage on the stage” to the “guide on the side.”

How to Write an Effective Essay Prompt

https://blog.penningtonpublishing.com/writing/how-to-write-an-effective-essay-prompt/

Writing effective writing prompts that will engage writers and produce the best written responses can be challenging. This article shares the best tips for writing good writing prompts that will allow room for creative interpretation and analysis. The article also defines the common writing direction words that inform and persuade.

How to Teach the Writing Domains (Genres)

https://blog.penningtonpublishing.com/writing/how-to-teach-the-writing-domains-genres-and-rhetorical-stance/

Teaching the writing domains (genres) and rhetorical stance are two essential lessons for developing young writers.

Process vs. On Demand Writing

https://blog.penningtonpublishing.com/writing/process-vs-on-demand-writing/

The advent of timed writings on high stakes tests, such as the new SAT 1, high school exit exams, and standards-based writing assessments, has placed teachers in the difficult position of choosing among three instructional approaches to help students learn to write and succeed on these tests: process writing, on demand writing, or a mix of the two. All three approaches share the same challenge: little time is allocated for writing instruction.

Ten Tips to Teach On-Demand Writing

https://blog.penningtonpublishing.com/writing/ten-tips-to-teach-on-demand-writing/

On-demand writing assessments are here to stay. Teachers do a disservice to their students by not preparing them for the on-demand writing tasks that they will face throughout their academic and vocational careers. Here are ten practical tips to teach timed, on-demand writing to ensure success for your students.

Eight Great Tips for Teaching Writing Fluency

https://blog.penningtonpublishing.com/writing/eight-great-tips-for-teaching-writing-fluency/

Similar to reading fluency, writing fluency is the ability to write effortlessly without interruption. Writing fluency is developed through concentrated practice; however, some practices are more effective than others. This article shares the best writing fluency strategies.

How to Teach a Write Aloud

https://blog.penningtonpublishing.com/reading/how-to-teach-a-write-aloud/

Research shows that the best writers have learned how to creatively multi-task, problem-solve, and interact with the anticipated reader. This is a skill that can be effectively taught by using the Write Aloud strategy.

Twelve Tips to Teach the Reading-Writing Connection

https://blog.penningtonpublishing.com/reading/twelve-tips-to-teach-the-reading-writing-connection/

Educators often talk about the reading-writing connection. Teaching reading and writing strategies concurrently allows teachers to “kill two birds with one stone.” The following twelve techniques to teach the reading-writing connection will enhance students’ facility in both disciplines.

More Articles, Free Resources, and Teaching Tips from the Pennington Publishing Blog

Bookmark and check back often for new articles and free ELA/reading resources from Pennington Publishing.

• Free Teaching Reading Resources
• Grammar and Mechanics
• Vocabulary
• English-language Arts Standards
• English-language Arts Instruction
• Essay Resources and Lessons
• The Writing Process/Writers Workshop
• Writing Style
• Spelling
• Structural Analysis/Syllabication/Oral Language
• ELA/Reading Assessments
• Independent Reading
• Reading Intervention (RtI Resources)
• EL/ESL/ELD
• Assessment-based Individualized Instruction/Differentiated Instruction
• Critical Thinking
• Study Skills
• Test Preparation
• Developmental Characteristics
• Professional Development
• Literacy Centers
• Close Reading
• Reading Comprehension

*****

Pennington Publishing’s mission is to provide the finest in assessment-based ELA and reading intervention resources for grades 4‒high school teachers. Mark Pennington is the author of many printable and digital programs. Please check out Pennington Publishing for assessment-based resources created for teachers by a fellow teacher.

Grammar/Mechanics, Writing author's chair, brainstorming, cooperative learning, Donald Graves, editing, essays, how to teach the essay, prewriting, Teaching Essay Strategies, the writing process, thesis statements, writers workshop, writing assignments, writing climate, writing expectations, writing hooks, writing response, writing revision, writing strategies

From a child’s point of view, there are advantages and disadvantages to having a teacher as a parent. The time off over holidays and summer vacations certainly provides plenty of options for family activities. However, that additional time at home also means plenty of opportunities for learning and character development.

In our household, Dad was the teacher, and he had three sons. So this meant plenty of sports and outdoor adventures. This also meant that we were given a choice every summer: 4 hours of summer school each day at the nearby public school or 90 minutes of daily supervised instruction at home. It was not much of a choice. Each summer we chose the option that Dad affectionately labeled as Essential Study Skills.

Despite our relief at finally graduating from Dad’s Essential Study Skills once we got summer jobs or took community college classes during our high school years, we have to admit that we learned quite a few useful skills each summer. The study skills were especially helpful, and to this day, we don’t understand why these skills are not taught and re-taught to mastery during the regular school year by “regular” teachers.

Maybe these study skills are not introduced because teachers assume that most are simply common sense and do not require  instruction. Or, maybe each teacher thinks that “some other teacher” should or has already taught them. From our personal experiences, study skills need to be taught, not just caught.

Parents can use the time off over holidays and during summer vacations to teach the study skills that teachers “did not have the time” to teach during the school year. Here’s how to develop your own Essential Study Skills plan for each of your children.

-Find out what your child’s relative weaknesses are by giving brief diagnostic tests. Check out these free diagnostic tests in phonics, spelling, grammar, and mechanics, just to name a few. Design short lessons to address those weaknesses.

-Have your child read for 30 minutes a day in a book at his or her challenge level. Not sure how to help your child pick a book that will best develop the vocabulary and comprehension skills that your child needs to achieve optimal growth?

How to Select Books that Have the Appropriate Reading Levels

The goal is to match individual readers to text that has about 5% unknown words. A much higher percentage is too hard for the reader; a much lower percentage is too easy for the reader.

How can you pick a book to read that has 5% unknown words? Choose a book of any genre and count the number of words on any complete page found near the beginning of the book and multiply that number by 3. Read a page toward the beginning of the book, counting the number of unknown words. A good guideline would be “if you can’t define it with a synonym, antonym, or example,” it is unknown. Then, read a page near the middle of the book and continue the count. Finally, read a page near the end of the book and finish the count. Divide the total number of unknown words by the total number of words found on the three pages. The result will be the percentage of unknown words. Anything within the 4-6% range is acceptable. For example, a reader counts the number of words on a page and arrives at 225. 225 x 3 = 750. After reading the three pages, the amount of unknown words totals 30. 30.00 divided by 750 = .05, or 5%.

Also, check out these helpful articles: How We Learn Vocabulary from Reading Part and Interactive Reading: Making a Movie in Your Head.

-Have your child study Greek and Latin vocabulary game cards. Which word parts should they memorize? Check out this article.

-Have your child develop his or her writing style and build writing fluency by spending 30 minutes a day writing journals, thank-you notes, blogs, emails, stories, or essays, while using the techniques taught in this article: How to Improve Your Writing Style with Grammatical Sentence Openers.

-Buy this fantastic self-guided resource: Essential Study Skills. The 56 lessons in Essential Study Skills (eBook) will teach your students to “work smarter, not

harder.” Often, the reason why students fail to achieve their academic potential is not because they don’t try hard enough, but because they have never learned the basic study skills necessary for success. Students who master these skills will spend less time, and accomplish more during homework and study time. Their test study will be more productive and they will get better grades. Reading comprehension and vocabulary will improve. Their writing will make more sense and essays will be easier to plan and complete. They will memorize better and forget less. Their schoolwork will seem easier and will be much more enjoyable.

Lastly, students will feel better about themselves as learners and will be more motivated to succeed. Ideal curriculum for study skill, life skill, advocacy/advisory, opportunity program classes. The easy-to-follow lesson format of 1. Personal Assessment 2. Study Skill Tips and 3. Reflection is ideal for self-guided learning and practice.

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