Pennington Publishing Blog

Common Core State Standards

Standards-based education is now the norm in public and most parochial schools. Having largely captured the focus of the educational reform movement over the last 25 years, standards-based instruction is now the instructional mandate in all 50 states. Although some states have rescinded their adoption of the Common Core State Standards and some, like Texas, never did adopt the Standards, each state has adopted its own set of standards and some have developed their own state assessment systems. Teachers and district administrators continue to align curriculum to the instructional demands of the Common Core English Language Arts Standards.

Although the authors of the Common Core State Standards assert that literacy instruction must be a shared responsibility within the school, the largest burden still falls on the shoulders of ELA teachers. Of the four Reading, Writing, Speaking and Listening, and Language Strands, the Language Strand presents the greatest challenge for many teachers. Most ELA teachers simply have not had the undergraduate or graduate coursework to prepare them to teach the L.1, 2, 3, 4, 5, and 6 Standards in grammar and usage, mechanics, spelling, language application, and vocabulary.

This author, Mark Pennington, has written articles and developed free teaching resources on the Common Core ELA Standards and included these in his Pennington Publishing Blog to support fellow ELA teachers and reading intervention specialists. Mark’s assessment-based teaching resources are available at Pennington Publishing.

This article and resource compilation is jam-packed with FREE resources, lesson plans, and samples from grades 4–high school ELA and reading intervention programs, developed by teacher and author, Mark Pennington. Each of the following 25+ articles has multiple links to research, related articles, and free or paid resources:

Common Core Literalism

The Common Core State Standards were never written to be the Bible for ELA and reading intervention teachers. Read what the Common Core authors have to say and see how a common sense approach to teaching to the Standards can benefit both students and teachers.

FREE Instructional Resources: Syllable Awareness Assessment, 20 Advanced Syllable Rules, 10 English Accent Rules

Response to Intervention and the Common Core

Many teachers have never read the entire Common Core English Language Arts Standards. Sure, they’ve read their own district or state summaries of the Standards, but not the documents themselves. To understand the instructional role of the Standards, teachers must read the  appendices, which discuss important reflections and research regarding, for instance, reading intervention.

Grammar and the Common Core

More than any other Strand within the Common Core State Standards, the Language Strand with its focus on direct grammar, mechanics, and vocabulary instruction has been whole-heartedly embraced or intentionally ignored by teachers.

Common Core Instructional Minutes

With all the CCSS mandates, how can an ELA teacher allocate instructional time to be faithful to the Standards, while maintaining some sense of one’s own priorities? This article gets down to the minute-by-minute.

Common Core Academic Language Words

Of course, history, science, and technology teachers need to teach domain-specific academic vocabulary. However, there is a difference between academic language and academic vocabulary. The latter is subject/content specific; the former is not. Reading more challenging expository novels, articles, documents, reports, etc. will certainly help students implicitly learn much academic language; however, academic language word lists coupled with meaningful instruction do have their place. So, which word lists make sense?

Common Core Greek and Latinates

The bulk of Vocabulary Standards are included in the Language Strand of the Common Core State Standards (CCSS). Greek and Latin affixes (prefixes and suffixes) and roots are key components of five of the grade level Standards: Grades 4−8. Which Greek and Latin affixes and roots should we teach? How many should we teach? How should we teach them?

Grammar, Mechanics, Spelling, and Vocabulary

Grammar, Mechanics, Spelling, and Vocabulary  is part of a comprehensive Grades 4−12 language program, designed to address each Standard in the Language Strand of the Common Core State Standards in 60−90 weekly instructional minutes. This full-year curriculum provides interactive grammar, usage, mechanics, and spelling lessons, a complete spelling patterns program, language application openers, and vocabulary instruction. The program has all the resources to meet the needs of diverse learners. Diagnostic assessments provide the data to enable teachers to individualize instruction with targeted worksheets, each with a formative assessment. Progress monitoring matrices allow teachers to track student progress. Each instructional resource is carefully designed to minimize teacher preparation, correction, and paperwork. Appendices have extensive instructional resources, including the Pennington Manual of Style and downloadable essay-comments. A student workbook accompanies this program.

Overview of the Common Core Language Strand

English-language arts teachers have long been accustomed to the four-fold division of our “content” area into Reading, Writing, Listening, and Speaking. These divisions have been widely accepted and promoted by the NCTE, publishers, and other organizations. In a nod to the fearsome foursome, the Common Core State Standards in English Language Arts maintains these divisions (called strands) with two notable revisions: Speaking and Listening are combined and Language has its own seat at the table.

Common Core Grammar Standards

The Common Core State Standards in English Language Arts are divided into Reading, Writing, Speaking and Listening, and Language strands. The Common Core Grammar Standards are detailed in the Language Strand. It is notable that grammar and mechanics have their own strand, unlike the organization of many of the old state standards, which placed grammar and mechanics instruction solely within the confines of writing or speaking standards.

Of course, the writers of the Common Core use the ambiguous label, Language, to refer to what teachers and parents casually label as grammar and mechanics or conventions. To analyze content and educational philosophy of  the Common Core State Standards Language Strand, it may be helpful to examine What’s Good about the Common Core State Standards Language Strand? as well as What’s Bad about the Common Core State Standards Language Strand? chiefly from the words of the document itself.

How to Teach the Common Core Vocabulary Standards

What most teachers notice after careful reading of the Common Core Vocabulary Standards is the expected breadth, complexity, and depth of instruction across the grade levels. These vocabulary words require direct, deep-level instruction and practice in a variety of contexts to transfer to our students’ long-term memories. So what instructional strategies make sense to teach the Common Core Vocabulary Standards? And what is the right amount of direct, deep-level vocabulary instruction that will faithfully teach the Common Core Vocabulary Standards without consuming inordinate amounts of class time? Following is a weekly instructional plan to teach the L.4, 5, and 6 Vocabulary Standards.

CCSS Language Progressive Skills

The Language Strand has been one of the most controversial components of the COMMON CORE STATE STANDARDS FOR ENGLISH LANGUAGE ARTS & LITERACY IN HISTORY/SOCIAL STUDIES, SCIENCE, AND TECHNICAL SUBJECTS. The Language Progressive Skills document emphasizes the essential grammar, usage, and mechanics skills, which need to be reviewed and reinforced year after year..

Common Core Curricular Crossover

The Common Core State Standards (CCSS) produces some interesting curricular crossover. The traditional English-language arts divisions of reading, writing, listening, and speaking have been replaced with four new strands: reading, writing, speaking and listening, and language. The six Standards of the Language Strand borrow a bit from each of the traditional divisions. The inclusion of the Language Strand as its own set of Standards has created some concern in the ELA community.

Spelling Word Lists by Grade Levels

As an MA Reading Specialist and author of quite a few spelling curricula (eight at last count), I’m often asked about spelling word lists by grade levels. Which words are right for which grade levels? Is blank (substitute any word) a third or fourth grade word? Which spelling words are the most important ones to practice? The short answer is…

Common Core Essay Writing Terms

I propose using the CCSS language of instruction for the key writing terms across all subject disciplines in elementary, middle school, and high school. Some of us will have to come down out of our castles and give up pet writing terms that we’ve used for years, and ones that, indeed, may be more accurate than those of the CCSS. But for the sake of collaboration and service to our students, this pedagogical sacrifice is a must.

Common Core Content Area Reading and Writing

Nothing in the new Common Core State Standards (CCSS) has worried English-language arts teachers more than “The Great Shift.” This shift changes the emphasis of reading and writing in K-12 English-language arts (ELA) classrooms from the literature and narrative to the informational (to explain) and argumentative (to persuade) genres.

Common Core Language Standards

Teachers are generally quite familiar with the CCSS Reading and Writing Standards, not so with the Language Strand Standards. The Language Strand includes the grammar, usage, mechanics, and vocabulary Standards.

Standards and Accountability

Sometimes we teachers can be our own worst enemies. Check out this article, published in the Answer Sheet of The Washington Post.

Turning Dependent into Independent Readers

The Common Core State Standards for English-language Arts makes a compelling case for not doing business as usual in our ELA classrooms. That business consists of the traditional “sage on the stage” methodology of reading an entire novel or play out loud and parsing paragraphs one at a time. Our new business? Scaffolding just enough reading strategies and content as we act as “guides on the side” to facilitate independent reading. In other words, the days of  spoon-feeding have got to go.

Why and How to Teach Complex Text

A growing body of research presents a challenge to current K-12 reading/English-language Arts instruction. In essence, we need to “up” the level of text complexity and provide greater opportunities for independent reading. The Common Core State English-language Arts Standards provides a convincing three-reason argument in support of these changes in instructional practice. Following this rationale, I will share ten instructional implications and address a few possible objections.

Common Core State Writing Standards

The Common Core State Writing Standards have used a rather utilitarian approach to categorize essays into two classifications: argument and informational/explanatory writing.  The approach used by the English-language Arts committee was to examine the writing assignments of freshman English college professors then define the essay accordingly for the purposes of the Common Core State Writing Standards.

How to Teach the English-language Arts Standards

Every English-language arts teacher shares the same problem—too much to teach and not enough time to teach it. So, where are the magic beans that will allow us to teach all of the have-to’s (think ELA Standards) and still have a bit of time to teach the want-tos? Following are a few suggestions to help the clever ELA teacher have her cake and eat it, too.

Should We Teach Standards or Children?

The excesses of the standards-based movement frequently run contrary to the need to differentiate instruction, according to the diagnostic needs of children.

More Articles, Free Resources, and Teaching Tips from the Pennington Publishing Blog

Bookmark and check back often for new articles and free ELA/reading resources from Pennington Publishing.

• English-language Arts Standards
• English-language Arts Instruction
• Essay Strategies
• The Writing Process/Writers Workshop
• Writing Style
• Grammar and Mechanics
• Spelling
• Vocabulary
• Structural Analysis/Syllabication/Oral Language
• Teaching Reading in the ELA Classroom
• ELA/Reading Assessments
• Independent Reading
• Reading Intervention
• EL/ESL/ELD
• Assessment-based Individualized Instruction/Differentiated Instruction
• Critical Thinking
• Study Skills
• Test Preparation
• Educational Issues and Teaching Trends
• Developmental Characteristics
• Professional Development
• Literacy Centers
• Close Reading

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Pennington Publishing’s mission is to provide the finest in assessment-based ELA and reading intervention resources for grades 4‒high school teachers. Mark Pennington is the author of two Standards-aligned programs: TEACHING ESSAYS BUNDLE and Grammar, Mechanics, Spelling, and Vocabulary . Mark’s comprehensive Teaching Reading Strategies and the accompanying Sam and Friends Guided Reading Phonics Books help struggling readers significantly improve their reading skills in a full-year or half-year intensive reading intervention program. Make sure to check out Pennington Publishing’s free ELA and reading assessments to help you pinpoint grammar, usage, mechanics, spelling, and reading deficits.

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Tucked away in the often-overlooked recesses of the Common Core State Standards, the Anchor Standards for Language includes a practical, if somewhat ambiguous Standard: Knowledge of Language L.3. Over the past decade, I’ve noted with interest that the educational community has cherry-picked certain Standards and ignored others.

As an author of numerous ELA curricula, I assumed that the initial focus (rightfully so) of district curriculum implementation would be the reading, writing, and math Standards. In my field, I decided to write in anticipation of the next focus area. I assumed that, for ELA, it would center on the Anchor Standards for Language. These Language Standards were quite revolutionary in some circles because the Common Core authors emphasized the direct instruction of grammar, usage, and mechanics. Furthermore, the authors provocatively addressed the issue of non-Standard English and seemed to swing the pendulum toward a traditional grammar approach. Think rules, correct and incorrect usage, and application.

Over the next two years I poured hours into the development of comprehensive grades 4, 5, 6, 7, 8, and high school programs to teach all of the Standards in the Language Strand. My Teaching the Language Strand title was ill-chosen. Much to my chagrin, ELA teachers rarely got past the Reading and Writing Standards. I moved the title to the subtitle position and re-named the series Grammar, Mechanics, Spelling, and Vocabulary . The longest title in the history of educational publishing. Subsequently, I broke the comprehensive program into affordable grade-level slices and achieved more sales: Teaching Grammar and Mechanics, Writing Openers Language Application, Differentiated Spelling Instruction, and the Common Core Vocabulary Toolkit.

Syntax in Reading and Writing

And now, Syntax in Reading and Writing.

Even within the largely ignored Anchor Standards for Language, one Standard, in particular, has received scant recognition:

The Hidden Gem: Knowledge of Language Standard L.3

The grade-level Writing Openers programs align to the Anchor Standards for Language:

Each of the 56 lessons takes about 5­-10 minutes to complete. Lessons are derived from the Conventions of Standard English (L. 1, 2), Knowledge and Use of Language Standards (L. 3), and the Language Progressive Skills found in the Common Core State Standards Language Strand. The lessons help students “Use knowledge of language and its conventions when writing, speaking, reading, or listening” (Common Core Language Strand Knowledge of Language). In other words, lots of practice in sentence revision, sentence combination, and identification of and application of grammar.

The lessons are formatted for classroom display and interactive instruction. The teacher reads and explains the Lesson Focus and Example(s) while students follow along on their own accompanying worksheet. Next, the students annotate the Lesson Focus and summarize the Key Idea(s). Afterwards, the students complete the Practice Section (sentence combining, sentence revisions). Finally, students complete the My Own Sentence writing task. The My Own Sentence serves as the formative assessment to determine whether students have mastered the Lesson Focus.

Plus, get 13 sentence structure worksheets with answers. Worksheets include simple subjects, compound subjects, simple predicates, compound predicates, simple sentences, compound sentences, complex sentences, compound-complex sentences, identifying sentence fragments, revising sentence fragments, identifying sentence run-ons, revising sentence run-ons, and identifying parallelism.

FREE SAMPLE LESSONS TO TEST-DRIVE THE PROGRAMS

Preview the Writing Openers Language Application (Grade 4) Lessons HERE.

Preview the Writing Openers Language Application (Grade 5) Lessons HERE.

Preview the Writing Openers Language Application (Grade 6) Lessons HERE.

Preview the Writing Openers Language Application (Grade 7) Lessons HERE.

Preview the Writing Openers Language Application (Grade 8) Lessons HERE.

Get the Grammar and Mechanics Grades 4-8 Instructional Scope and Sequence FREE Resource:

Get the Diagnostic Grammar and Usage Assessment FREE Resource:

Get the Diagnostic Mechanics Assessment FREE Resource:

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Writing Skills: Taught and Caught

Now that teachers have had plenty of professional development in how to write arguments (CCSS.ELA-LITERACY.CCRA.W.1) and informative/explanatory texts (CCSS.ELA-LITERACY.CCRA.W.2), teachers are looking at their students’ essays or narratives (CCSS.ELA-LITERACY.CCRA.W.3) with a collective sigh. Students just cannot write.

Students seem to understand the content, they know the demands and constraints of the writing genre, they can dissect a writing prompt, they know the writing process… but the words they use, the sentences they construct, and the intangible feeling our student writers convey simply do not engage their readers (teachers especially).

The Problem

Many teachers are not equipping their students with the tools they need in their tool belts. Or, just as bad, teachers introduce the tools, but don’t provide the practice students need to master the tools.

The Solution

Two time-proven solutions to these problems take little time, but do necessitate some instruction and practice: sentence revisions and literary response. Writing teachers (and writing research) have found these tools to be especially helpful for developing writers.

By sentence revision, I mean the word choice and structure of our language (the grammar, usage, and syntax). It’s the how something is written (and re-written). Think sentence variety, sentence combining, grammar and proper usage in the writing context. The skills of sentence revision are primarily taught.

By literary response, I mean writing style: primarily the style of literary mentors, who not only have something to say, but know how to say it in both expository and narrative writing. Think mentor texts and rhetorical stance (voice, audience, purpose, and form). The skills of writing style are primarily caught.

Fortunately, the Common Core authors do acknowledge the importance of teaching both sentence revisions and literary response in both the Anchor Standards for Writing and the Anchor Standards for Language (highlighting my own):

Writing Anchor Standards

CCSS.ELA-LITERACY.CCRA.W.10
Write routinely over extended time frames (time for research, reflection, and revision) and shorter time frames (a single sitting or a day or two) for a range of tasks, purposes, and audiences.

Language Anchor Standards

CCSS.ELA-LITERACY.CCRA.L.3
Apply knowledge of language to understand how language functions in different contexts, to make effective choices for meaning or style, and to comprehend more fully when reading or listening.

Suggestions

Keep your focus on both the content and process of writing. Maintain a balance of extended writing process assignments (especially essays and stories) and short, say twice-per-week writing skill development, especially using sentence revisions and literary response activities.

The author of this post, Mark Pennington, provides grades 4-8 teachers with grade-level sentence revision resources and literary response resources in two instructional formats: twice-per-week writing openers (or writers workshop mini-lessons) and literacy centers.

The author’s TEACHING ESSAYS BUNDLE includes the three printable and digital resources students need to master the CCSS W.1 argumentative

TEACHING ESSAYS BUNDLE

and W.2 informational/explanatory essays. Each no-prep resource allows students to work at their own paces via mastery learning. How to Teach Essays includes 42 skill-based essay strategy worksheets (fillable PDFs and 62 Google slides), beginning with simple 3-word paragraphs and proceeding step-by-step to complex multi-paragraph essays. One skill builds upon another. The Essay Skills Worksheets include 97 worksheets (printables and 97 Google slides) to help teachers differentiate writing instruction with both remedial and advanced writing skills. The Eight Writing Process Essays (printables and 170 Google slides) each feature an on-demand diagnostic essay assessment, writing prompt with connected reading, brainstorming, graphic organizer, response, revision, and editing activities. Plus, each essay includes a detailed analytical (not holistic) rubric for assessment-based learning.

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Get the Writing Skills FREE Resource:

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Counterclaim and Refutation Sentence Frames

I teach a seventh grade ELA class and we’ve just finished reading Walk Two Moons by Sharon Creech. In fact, we’ve already written our argumentative essays on “whether Phoebe was a good friend to Sal.” Of course the writing prompt is a bit more complex. It’s my students first attempt at writing the argumentative essay. They are struggling with the counterclaim (counterargument) and refutation (rebuttal) as these are new Standards for seventh graders. The Common Core State Standards  for grades 7-12 include the counterclaim in the argumentative essay (W. 1.0).

Although writers use plenty of other options, I’m teaching the counterclaim and refutation in the final body paragraph.

The following sentence frames helped out my students considerably:

First Contrasting Transition + Name the Opposition + Strong Verb + Opposing Point of View + Evidence + Analysis + Second Contrasting Transition + Reference the Opposing Point of View + Turn

First Contrasting Transition +

However, But, Admittedly, Although, Alternatively

Name the Opposition +

others, some

Strong Verbs + Denial/Assertion or Assertion

Denial: reject, oppose,  disagree, question, doubt this view and Assertion: argue that, reason that, claim that, support, conclude that

Opposing Point of View +

State the opposing point of view.

Evidence +

Pick the best evidence to support the opposing point of view. Don’t pick a “straw man.” In other words, don’t pick a weak opposing argument that is too easy to refute.

Analysis +

Explanation, insight, example, logic to support the counterclaim evidence

Second Contrasting Transition +

Still, However, But, Nevertheless, Yet, Despite, Although, Even though

Reference the Opposing Point of View +

this argument, this position, this reasoning, this evidence, this view

Turn

Now you turn the opposing point of view, evidence, and analysis back to support your thesis statement. Various options can be effective:

1. Accept the criticism of the counterclaim. Tell why all or part of the opposing point of view may be reasonable, plausible, or valid, but minimize the opposing position. For example, This evidence may be true; however, the objection does not change the fact that…

2. Reject the counterclaim. For example, This view ignores the conclusive evidence that… This position is mistaken because…

3. Criticize the evidence and analysis of the counterclaim as being unimportant, irrelevant, or a misinterpretation. For example, this argument misses the key point that…

4. Criticize the reasoning of the counterclaim as being flawed, illogical, or biased. 

Some of the above points adapted from the Harvard Writing Center. In addition to using Counterclaim and Refutation Sentence Frames, writing teachers may also be interested in these related articles: Why Use an Essay Counterclaim?, Where to Put the Essay Counterclaim, and What is the Essay Counterclaim?

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TEACHING ESSAYS BUNDLE

The author’s TEACHING ESSAYS BUNDLE includes the three printable and digital resources students need to master the CCSS W.1 argumentative and W.2 informational/explanatory essays. Each no-prep resource allows students to work at their own paces via mastery learning. How to Teach Essays includes 42 skill-based essay strategy worksheets (fillable PDFs and 62 Google slides), beginning with simple 3-word paragraphs and proceeding step-by-step to complex multi-paragraph essays. One skill builds upon another. The Essay Skills Worksheets include 97 worksheets (printables and 97 Google slides) to help teachers differentiate writing instruction with both remedial and advanced writing skills. The Eight Writing Process Essays (printables and 170 Google slides) each feature an on-demand diagnostic essay assessment, writing prompt with connected reading, brainstorming, graphic organizer, response, revision, and editing activities. Plus, each essay includes a detailed analytical (not holistic) rubric for assessment-based learning.

Get the Writing Style Posters FREE Resource:

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24 Free Writing Style Posters

Essays do share some common writing rules, conventions, or guidelines. Among these are elements of writing style. Different than grammar, usage, or mechanics rules, these elements of writing style help student writers avoid the pitfalls and excesses of formulaic, padded, and contrived writing.

Additionally, using these elements of writing style helps students improve coherence and readability.

Although writing style can and will become personalized for sophisticated writers, English-language arts teachers play a significant role in developing that style. I’ve developed a set of FREE 24 Essay Writing Style Posters to teach and reference what not to write in  informational/explanatory and argumentative essays.

Written with tongue firmly planted in cheek, teachers and some students will appreciate the humorous advice. Each of the following links to a short teaching article on the writing style subject. The FREE Writing Style Posters download button follows my relevant program descriptions.

Essay Writing Style Rules

1. 1. Avoid intentional fragments. Right?
   2. Avoid using big words when more utilitarian words would suffice.
   3. I have shown that you should delete references to your own writing.
   4. Generally be sort of specific in your writing.
   5. Avoid using very interesting, nice words that contribute little to a sentence.
   6. Prepositions are not good to end sentences with.
   7. It is a mistake to ever split an infinitive.
   8. Avoid similes like the plague.
   9. But do not start a sentence with a coordinating conjunction.
   10. Always, avoid attention-getting alliteration.
   11. In my opinion, using “I think” or “I believe” is unnecessary.
   12. Writers should always avoid using generalizations.
   13. In this day and age, using clichés is not a necessary evil.
   14. Parenthetical remarks should (usually) be avoided.
   15. Always avoid repetitious verbs and avoid repetitious verb phrases always.
   16. Even if a metaphor hits a home run, it can be over-played.
   17. The passive voice is a form to be avoided, if it can be helped.
   18. Of what use are rhetorical questions?
   19. Avoid exaggeration; it only works once in a million years.
   20. Cease, desist, and stop wordiness.
   21. There are good reasons to avoid starting every sentence with There.
   22. It goes without saying to avoid using formulaic phrases.
   23. Never write no double negatives
   24. Keep pronoun references close to subjects in long sentences to make them clear.

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Pennington Publishing Writing Programs Integrated Writing and Grammar.

If you’re searching for the right grammar program, I provide three different year-long, one-hour per week programs to teach grammar, usage, and mechanics–each with a different approach.

1. Teaching Grammar, Usage, and Mechanics Traditional program grades 4, 5, 6, 7, and 8 and high school with notetaking, mentor texts, simple sentence diagrams, dictations, and connected writing practice–all with a fun secret agent theme. Interactive Google slides or print (PDF)
2. Syntax in Reading and Writing Functional, sentence-level syntax, indebted to William Van Cleave and Virginia Tufte. Kernel sentences, sentence expansion and combination, writing analysis and revision. Designed to improve reading comprehension and writing sophistication. Print (PDF) grades/levels 4-12. Each lesson leveled easy, medium, and challenging.
3. Grammar, Usage, and Mechanics Notebook A no-mess, 3d foldables, labeling and coloring project approach, featuring grammar cartoons and plenty of writing practice. Print (PDF) grades/levels 4-8.

Each grade-level grammar, usage, and mechanics program provides systematic, explicit, and rigorous instructional resources–no bell ringers, daily error fix-a-thons, or daily oral language. Two 25-minute lessons per week, consisting of scripted notetaking, mentor texts, simple sentence diagrams, dictations, and connected writing practice. Plus, each program includes my grammar and mechanics diagnostics with corresponding worksheets for remedial practice.

If you’re searching for a comprehensive essay program, TEACHING ESSAYS BUNDLE includes the three printable and digital resources students need to master the CCSS W.1 argumentative and W.2 informational/explanatory essays. Each no-prep resource allows students to work at their own paces via mastery learning. How to Teach Essays includes 42 skill-based essay strategy worksheets (PDFs and 62 Google slides), beginning with simple 3-word paragraphs and proceeding step-by-step to complex multi-paragraph essays. One skill builds upon another. The Essay Skills Worksheets include 97 worksheets (printables and 97 Google slides) to help teachers differentiate writing instruction with both remedial and advanced writing skills. The Eight Writing Process Essays (printables and 170 Google slides) each feature an on-demand diagnostic essay assessment, writing prompt with connected reading, brainstorming, graphic organizer, response, revision, and editing activities. Plus, each essay includes a detailed analytical (not holistic) rubric for assessment-based learning.

Get the Writing Style Posters FREE Resource:

Writing essay rules, essay strategies, Essay Terms, essay worksheets, Pennington, Teaching Essay Strategies, writing style

TEACHING ESSAYS BUNDLE

Writing style is an umbrella term which includes writing rules and conventions, the voice or personality of the writer, how the writer interacts with his or her audience, what the author says, his or her purpose for writing, and how the author says what is said (including form, word choice, grammar, and sentence structure). Writing style also includes the personal agenda and collective experience of the writer. Writing style is all about the writer and his or her choices.

English-language arts teachers tend to argue about whether writing style is caught or taught. In my mind it’s both. Exposure to and recognition of unique writing styles through wide reading of a variety of prose and poetry provides a context for developing writers to experiment with their own voices. Teaching accepted writing rules, practicing sentence combining, requiring different grammatical sentence structures, etc. all impact what and how students write.

Following are articles, free resources, and teaching tips regarding how to teach essay strategies from the Pennington Publishing Blog. Also, check out the quality instructional programs and resources offered by Pennington Publishing.

Writing Style

Essay Writing Style

https://blog.penningtonpublishing.com/writing/how-to-improve-writing-style/

Writing style is personal, but also follows a traditional, widely agreed-to form. Indeed, good writing style does have objective rules to follow. Here are the key rules of writing style, written with tongue-firmly-planted-in-cheek examples. This article lists 24 writing style rules in a truly memorable way.

Writing Style

https://blog.penningtonpublishing.com/writing/writing-style/

Although teachers exert considerable effort in showing students the differences between the narrative and essay genre, the both stories and essays do share some common writing rules. Among these are the accepted rules of writing style. Different than grammar, usage, or mechanics rules, the accepted rules of writing style help student writers avoid the pitfalls and excesses of formulaic, padded, and contrived writing. Additionally, using proper writing style helps students improve coherence and readability.

How to Improve Writing Unity

https://blog.penningtonpublishing.com/writing/how-to-improve-writing-unity/

Writing unity refers to how well sentences and paragraphs stay focused on the topic sentences and thesis statement. From the reader’s point of view, writing unity means that there are no irrelevant (off the point) details and that the tone of the writing remains consistent. This article gives good and bad examples of writing unity and provides strategies to improve your writing.

How to Improve Writing Parallelism

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Writing parallelism refers to the repeated pattern of words and grammatical structures. Parallel structures assist the comprehension of the reader and provide a memorable rhythm to the writing. Improve your writing style and readability by incorporating parallelism in your writing.

FREE Writing Style Posters and Teaching Articles

1. Avoid intentional fragments. Right?
2. Avoid using big words when more utilitarian words would suffice.
3. I have shown that you should delete references to your own writing.
4. Generally be sort of specific in your writing.
5. Avoid using very interesting, nice words that contribute little to a sentence.
6. Prepositions are not good to end sentences with.
7. It is a mistake to ever split an infinitive.
8. Avoid similes like the plague.
9. But do not start a sentence with a coordinating conjunction.
10. Always, avoid attention-getting alliteration.
11. In my opinion, using “I think” or “I believe” is unnecessary.
12. Writers should always avoid using generalizations.
13. In this day and age, using clichés is not a necessary evil.
14. Parenthetical remarks should (usually) be avoided.
15. Always avoid repetitious verbs and avoid repetitious verb phrases always.
16. Even if a metaphor hits a home run, it can be over-played.
17. The passive voice is a form to be avoided, if it can be helped.
18. Of what use are rhetorical questions?
19. Avoid exaggeration; it only works once in a million years.
20. Cease, desist, and stop wordiness.
21. There are good reasons to avoid starting every sentence with There.
22. It goes without saying to avoid using formulaic phrases.
23. Never write no double negatives
24. Keep pronoun references close to subjects in long sentences to make them clear.

How to Improve Your Writing Style with Grammatical Sentence Openers

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To improve writing style and increase readability, learn how to vary sentence structures. Starting sentences with different grammatical sentence openers is the easiest way to add sentence variety. This article lists, explains, and provides clear examples for grammatical sentence openers.

Using Music to Develop Authentic Voice

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Music creates the passion, commitment, and authentic voice that we want to see in our students’ writing. Connecting to student experience with their own music can transform the way they write essays, reports, narratives, poetry, and letters.

How to Develop Voice in Student Writing

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For students to develop voice, they need to practice voice in specific teacher-directed writing assignments. Here are 13 teaching tips to help students find their own voices.

Teaching Essay Style: 15 Tricks of the Trade

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“Never start a sentence with But.” Countless middle school and high school English-language arts teachers cringe when their students faithfully repeat this elementary school dictum. “Never use I in your five-paragraph essay.” Now university professors similarly cringe and shake their heads at the straight-jacketed rules placed upon their students. However, maybe there is a method to our madness. Perhaps these writing absolutes serve a useful purpose for developing writers. Perhaps the little white lies that we teach our students are actually our tricks of the trade.

How to Teach Rhetorical Stance

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Students need to practice the elements of rhetorical stance to improve their writing. This article provides clear definitions and a great sample lesson with useful links to learn how to teach voice, audience, purpose, and form to your students.

Ten Tips to Improving Writing Coherency

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Writing coherency refers to how well sentences and paragraphs are organized into an understandable whole. Good writing coherency is reader-centered. From the reader’s point of view, the train of thought must be connected, easy to follow, and make sense.

How to Eliminate “To-Be” Verbs in Writing

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Every English teacher has a sure-fire revision tip that makes developing writers dig down deep and revise initial drafts. One of my favorites involves eliminating the “to-be-verbs”: is, am, are, was, were, be, being, and been. Learn the four strategies to revise these “writing crutches.”

How to Teach Helping Verbs

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English teachers learn early in their careers that strong nouns and “show-me” verbs are the keys to good writing. Of these two keys, verbs give developing writers the most “bang for their buck” in terms of writing revision. As a plus, revising weak and imprecise verbs, such as helping verbs (also known as auxiliary verbs), with active “show-me verbs” is quite teachable and less vocabulary-dependent than working with nouns. Learn when to use and when not to use helping verbs and how to eliminate them to improve writing.

The Seven Essay Writing Rules

https://blog.penningtonpublishing.com/writing/the-seven-essay-writing-rules/

Essays have certain traditional rules that help maintain a fair and balanced writing style. This article details the seven key essay writing rules with clear examples.

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Pennington Publishing’s mission is to provide the finest in assessment-based ELA and reading intervention resources for grades 4‒high school teachers. Mark Pennington is the author of many printable and digital programs. Please check out Pennington Publishing for assessment-based resources created for teachers by a fellow teacher.

Grammar/Mechanics, Writing authentic voice, author's purpose, coherency, essay strategies, essays, how to teach the essay, Mark Pennington, Teaching Essay Strategies, writing rules, writing strategies, writing style, writing unity, writing voice

A few years back, I sat down at my kitchen table on an early Saturday morning to begin the arduous process of grading a set of seventh-grade persuasive essays. I had postponed the task for too long and grades were due on Monday. Why did I dread the grading so much?

I knew what to expect. I would see the results of my instruction and significant improvement. I would feel self-validated and be able to give myself a well-earned pat on the back. The essays would sound like miniature versions of me. No doubt my essays would make me look good that week during our department read-around. However, I knew what would be missing in my students’ writing: Soul, Passion, Commitment, Connection. No… it was not the fault of the writing prompt. There were several to choose among, and they were intrinsically motivating for my students. There was something else.

As many teachers naturally do, I reflected back to my own successes as a writer. I drifted back to my own junior high experience. Mr. Devlin was an odd teacher with horribly worn black shoes. He was odd, even by English-language arts teacher standards. However, his writing assignment is the only one I’ve saved from my entire K-12 experience.

Mr. Devlin gave us a journal assignment with no rules. No, I’m not advocating this kind of unstructured experience, per se. After all, I’m still assigning those argumentative essays, right? In fact, it was not the assignment that was meaningful at all; it was what I did with it.

My room was my personal sanctuary. I’m dating myself at this point. My room was covered with psychedelic rock-art posters-each painted/printed in luminescent color. Yes, I had a black light. Yes, I had a strobe light. I begged my parents for black-out drapes, but olive-green was their choice. My stereo was bitchin’. I burned incense, even though I hated the smell. It was 1968.

I played the Beatles’ Sgt. Peppers and Magical Mystery Tour albums non-stop. One of the most irritating memories I have is that of my father, a professional musician, saying that the flutes sounded like cheap recorders on Paul’s “The Fool on the Hill.” He said the song was garbage.

I listened-no… I felt the music and I wrote. As I read the journals today, much of the writing is juvenile and prurient—a budding Steinbeck I was not. However, my analysis of lyrics, wanna-be girlfriends, my parents, comments and warnings to Mr. Devlin to hold true to his promise that he wouldn’t read the journals rings true to my age and experience. The journal had what my students’ persuasive essays lacked-an authentic voice. With all of the Soul, Passion, Commitment, Connection.

I graded the argumentative essays, and as I expected, most were technically very good. But, I vowed to do things much differently with their next persuasive essay. I was going to Mr. Devlin their writing by allowing my students’ cultures to create their own voices. Music would be the transformative medium. Connecting to student experience with their own music can transform the way they write essays, reports, narratives, poetry, and letters. Music was just as influential, just as pervasive, for my students as it was for me. I knew what I was getting into. I hate their hip hop, new R&B, metal, and rap. It really is garbage.

Music, and songwriting in particular, can help teachers develop a creative writing culture. Learning the lessons of musical composition can improve student writing writing. Read how teachers can develop a productive writing climate by learning a bit about how the music business operates.

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TEACHING ESSAYS BUNDLE

The author’s TEACHING ESSAYS BUNDLE includes the three printable and digital resources students need to master the CCSS W.1 argumentative and W.2 informational/explanatory essays. Each no-prep resource allows students to work at their own paces via mastery learning. How to Teach Essays includes 42 skill-based essay strategy worksheets (fillable PDFs and 62 Google slides), beginning with simple 3-word paragraphs and proceeding step-by-step to complex multi-paragraph essays. One skill builds upon another. The Essay Skills Worksheets include 97 worksheets (printables and 97 Google slides) to help teachers differentiate writing instruction with both remedial and advanced writing skills. The Eight Writing Process Essays (printables and 170 Google slides) each feature an on-demand diagnostic essay assessment, writing prompt with connected reading, brainstorming, graphic organizer, response, revision, and editing activities. Plus, each essay includes a detailed analytical (not holistic) rubric for assessment-based learning.

Writing essay structure, Mark Pennington, rhetorical stance, songwriting, Teaching Essay Strategies, teaching essays, writers conferences, writers voice, writers workshop, writing revision, writing strategies, writing style

Remember the elementary school Schoolhouse Rock song, “Conjunction Junction“? Here’s the first verse to refresh your memory.

Conjunction Junction, what’s your function?
Hooking up words and phrases and clauses.
Conjunction Junction, how’s that function?
I got three favorite cars
That get most of my job done.
Conjunction Junction, what’s their function?
I got “and”, “but”, and “or”,
They’ll get you pretty far.

“And”:
That’s an additive, like “this and that”.
“But”:
That’s sort of the opposite,
“Not this but that”.
And then there’s “or”:
O-R, when you have a choice like
“This or that”.
“And”, “but”, and “or”,
Get you pretty far.            by Bob Dorough ©1973 Schoolhouse Rock

Countless students have learned that a conjunction “hooks up words and phrases and clauses” from this elementary song. Although only a few examples are given, the tune and lyric are memorable and many students can identify this part of speech, more so than others, because of this song. Now, of course, the above verse only refers to one of three types of conjunctions—the coordinating conjunction.

Upper elementary, middle school, and high school students will need more examples of all three types of conjunctions to assist in accurate identification, and more importantly, to prompt their use of more sophisticated sentence constructions beyond those at the simple sentence levels. However, teaching the function of the three types of conjunctions with the most common examples in memorable ways certainly makes sense for older students. So, here are the three types of conjunctions, each with 1. Definition 2. Common Conjunctions 3. Example 4. Writing Connection 5. Writing Practice and 6. Memory Trick.

Coordinating Conjunctions

Coordinating Conjunctions

1. Definition: A coordinating conjunction joins words, phrases, or clauses of equal weight or similar grammatical construction.

2. Common Coordinating Conjunctions: for, and, nor, but, or, yet, so

3. Example: Two desserts are fine, but three are better.

4. Writing Connection: Avoid overuse of the conjunction so. Also, do not use the words then and now as coordinating conjunctions. A comma is placed before the conjunction if it joins two or more independent clauses. Teach students that joining two simple related sentences with a comma conjunction forms a more sophisticated compound sentence.

Coordinating Conjunctions

5. Writing Practice: Write cloze sentences with blanks for the coordinating conjunctions, e.g., The food looked good, ______ she was not hungry. Have students compose original sentences for each of the seven common coordinating conjunctions. Have students “book search” for the seven common coordinating conjunctions. Require students to include a certain number of compound sentences in a writing process paper and underline each of the coordinating conjunctions.

6. Memory Trick: Teach the seven common coordinating conjunctions as F.A.N.B.O.Y.S. (for, and, nor, but, or, yet, so). For younger children, the most common should be taught as B.O.A.S. (but, or, and, so)

Correlative Conjunctions

Correlative Conjunctions

1. Definition: A correlative conjunction joins another correlative conjunction as a pair. The paired correlative conjunctions serve as conjunctions to connect two balanced words, phrases, or clauses.

2. Common Correlative Conjunctions: both−and; such−that; whether−or; as−as; not−but; neither−nor; no sooner−than; either−or; as many−as; rather−than

3. Example: Either we work together, or we will fail together.

4. Writing Connection: A comma is placed before the second of the paired conjunctions, if the sentence ends in an independent clause. Teach students that using the correlative conjunctions forms a complex sentence, which is one mark of mature writing.

5. Writing Practice: Write cloze sentences with blanks for the correlative conjunctions, e.g., ______ ______ did the food look good, ______ it ______ tasted great. Have students compose original sentences for each of the common correlative conjunctions. Have students “book search” for the common correlative conjunctions. Require students to include a certain number of correlative conjunctions in a writing process paper.

6. Memory Trick: Teach students to memorize the common correlative conjunctions to the tune of “Twinkle, Twinkle, Little Star.”

Correlative Conjunctions 

Correlative Conjunctions Pennington Publishing

Subordinate Conjunctions

Subordinating Conjunctions

1. Definition: A subordinating conjunction always introduces a dependent clause (a noun and a verb not expressing a complete thought). The subordinating conjunction signals the relationship between the dependent clause and the independent clause (a subject and verb standing alone as a complete thought). A dependent clause is less important than the independent clause and is sometimes called a subordinate clause. It is helpful to remember that sub means under, so that the subordinate clause is subordinate to the independent clause.

2. Common Subordinating Conjunctions: after, although, as, as if, as long as, as much as, as soon as, as though, because, before, despite, even if, even though, how, if, in spite of, in order that, once, since, so that, than, that, though, unless, until, when, whenever, where, wherever, whether, while

3. Example: Although my friends had already seen it, they saw the show a second time.

Subordinate Conjunctions

4. Writing Connection: Adding a subordinating conjunction to one of the clauses can revise a run-on sentence. A comma is placed after the dependent clause, if it begins a sentence. Teach students that using the subordinate conjunction to signal a dependent clause forms a complex sentence, which is important to sentence variety.

5. Writing Practice: Write cloze sentences with blanks to help students practice subordinating  conjunctions, e.g., ______ the food looked good, I ordered it for dinner. Have students compose original sentences for each of the common correlative conjunctions. Have students “book search” for the subordinating conjunctions. Require students to include a certain number of subordinating conjunctions in a writing process paper. Avoid stringing together two or more sentences with dependent clauses.

6. Memory Trick: Use the following memory trick to prompt your use of these subordinating clauses: Bud is wise, but hot! AAA WWW

Subordinating Conjunctions Pennington Publishing

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Pennington Publishing Grammar Programs

Teaching Grammar, Usage, and Mechanics (Grades 4, 5, 6, 7, 8, and High School) are full-year, traditional, grade-level grammar, usage, and mechanics programs with plenty of remedial practice to help students catch up while they keep up with grade-level standards. Twice-per-week, 30-minute, no prep lessons in print or interactive Google slides with a fun secret agent theme. Simple sentence diagrams, mentor texts, video lessons, sentence dictations. Plenty of practice in the writing context. Includes biweekly tests and a final exam.

Grammar, Usage, and Mechanics Interactive Notebook (Grades 4‒8) is a full-year, no prep interactive notebook without all the mess. Twice-per-week, 30-minute, no prep grammar, usage, and mechanics lessons, formatted in Cornell Notes with cartoon response, writing application, 3D graphic organizers (easy cut and paste foldables), and great resource links. No need to create a teacher INB for student make-up work—it’s done for you! Plus, get remedial worksheets, biweekly tests, and a final exam.

Syntax in Reading and Writing is a function-based, sentence-level syntax program, designed to build reading comprehension and increase writing sophistication. The 18 parts of speech, phrases, and clauses lessons are each leveled from basic (elementary) to advanced (middle and high school) and feature 5 lesson components (10–15 minutes each): 1. Learn It!  2. Identify It!  3. Explain It! (analysis of challenging sentences) 4. Revise It! (kernel sentences, sentence expansion, syntactic manipulation) 5. Create It! (Short writing application with the syntactic focus in different genre).

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Grammar/Mechanics, Literacy Centers, Study Skills, Writing complex sentences, compound sentences, conjunction junction, conjunctions, coordinating conjunctions, correlative conjunctions, dependent clauses, F.A.N.B.O.Y.S., FANBOYS, grammar rock, Mark Pennington, parts of speech, schoolhouse rock, subordinating conjunctions, Teaching the Language Strand, writing style